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viewing 1 To 25 of 30 items
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POL 005-2024CD
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"In his novel The Buried Giant, Kazuo Ishiguro describes a mist of forgetfulness descending on the people, obscuring memory but not distorting historic truth. In contrast, Marc Barreca finds inspiration for the pieces of A Discourse Of Mist, not in forgotten truths but false science, false elements and a history of rumor, conjecture and untruth. Beyond Barreca's frequent exploration of obscure images, the subjects here are not simply obscure but literally false. Unexpectedly melodic, elegant, wide-ranging in tempo and coloration, A Discourse Of Mist exposes a haze of untruth within a deeply layered soundstage. Intriguing sonic images emerge from a vibrant alchemy: manipulated rich audio strata; hundreds of translucent layers; hand-built samples; synthesizer-based loops; contrasts in light and dark merged as a beautiful, false world construct. These sculpted, coherent, short-form pieces foster a narrative of clarity over misconception, comprehension over misunderstanding, reality over falsehood."
"Widescreen, pastoral visions of ambient music by West Coast US pioneer Marc Barreca of Savant esteem. RIYL Eno, K. Leimer, Phillip Jeck." --Boomkat
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POL 001-2024LP
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"For their fifth collaboration Marc Barreca and Kerry Leimer set aside their more abstract creative approaches to composition in favor of basing the music of Arrhythmian on beats. Using rhythm as texture, the tracks gravitate to concussive and bass voices, high bpm rates, and constantly evolving timbres shaped by granular synthesis, sampling, heavy processing, audio manipulation, rich distortion, with the maximum dynamic range vinyl can offer. 'We're always thinking about sound quality, about what's possible in a recording for vinyl demands a very specific approach. Pitch, dynamics, layering, density all play a more significant role in analog recording and reproduction,' says Leimer, as Barreca continues, 'Let's just say it's not music you can dance to.' Arrhythmian is released as a double disc vinyl set, produced to safely allow the grooves their maximum possible excursion while giving one's stylus a rewarding and demanding workout. Marc Barreca and Kerry Leimer have worked on a nearly parallel musical course for more than forty years. Nearly parallel because their musical paths do occasionally cross. First in 1980 with 'Four Pages From An Unfinished Novel' on K. Leimer's first solo album Closed System Potentials. Again during the live performance of Music For Land And Water and for the massive loop piece 'Heart Of Stillness' from The Neo-Realist (At Risk) by the virtual group Savant. K. Leimer founded Palace Of Lights in 1979 and has been actively producing music since the mid-1970s. Marc Barreca has created and performed electronic music since the mid-1970s. His 1980 vinyl album, Twilight, was among the first releases for Palace of Lights Records. Their work is part of the Collection of the British Library. With Steve Peters, Leimer and Barreca form the collaborative trio Three Point Circle."
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POL 022-2023CD
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"Write. Record. Break. Recategorize. Reassemble. In K. Leimer's most recent work, he returns to his long-running interest in developing relationships in sound that are not composed, not planned, not under conscious influence or control. Phrases and patterns emerge from dense layering and editing; melodic elements are split apart, re-voiced and reset in successive contexts. A music of distressed fragments, Spall originates from acoustic, electric, synthesized, manipulated, torn, and piece-work audio that combines into complex, layered, and flowing pieces of unexpected turns and contrasts. Modified, melted, and shaped into shifting sonic environments that fuse the clear signal with the distorted, the recognizable with ambiguous, Spall is music mined from an abandoned quarry."
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POL 001-2023LP
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"'These things happen,' says K. Leimer of LUYU. Listen Until You Understand is a test drive through an obstacle course designed for new instruments, arrangements, juxtapositions, and real-time experiments dedicated to leaving the original impulses untouched and unadorned. Joined at times by digital percussionist Dolphie Stein, the music throws itself against itself without loyalty to genre or form, mashing granular particles into a tremulous spectrum of soundwalls, transitions, noise, distortions, and the occasional clearing. As close to live improvisation as one can get in a multitrack studio setting, LUYU takes generative techniques and drops them into short-form events by building its soundstage in thickets of shifting elements, collapsing phrases, broken signatures, and implied patterns. An outlier in Leimer's catalog of general stillness and subtle detail, LUYU revels in the bare sound of things usually hidden in the mix. Kerry Leimer founded Palace Of Lights in 1979. Leimer's work has also been issued by Abstrakce, Autumn, First Terrace, Les Giants, Invisible Inc., Origin Peoples and RVNG. His work is included in the Cherry Red Noise Floor compilation series and his early cassette work is featured in the critically acclaimed VOD box set, American Cassette Culture. Leimer has been actively producing music since the mid-1970s -- his current catalog includes twenty solo albums plus collaborative albums with Savant, Marc Barreca, and Three Point Circle. Recent soundtracks include work for video artists Cristiane Bouger and Fred Birchman, HBO's How To With John Wilson and the Netflix documentary John Was Trying to Contact Aliens. His work is included in the collection of The British Library."
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POL 005-2022CD
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"Marc Barreca's Recordings Of Failing Light explores the subatomic matter of ordinary instrument sounds. Pianos, glass percussion, guitars, and feedback are atomized through sampling and granular processing in search of the audio equivalent of a negative image. In the end, these granular elements became the beds and pads for elaborate extrapolations of deconstructed melodic, rhythmic, patterned, and forward-looking sound -- and with the addition of analog sequencer and arpeggiator based textures, some tracks reach back to Barreca's days with Young Scientist. Perhaps as an acknowledgment of the aesthetic guiding Jon Hassell's Seeing Through Sound, Barreca's work here finds its origin in images. The gradations and modulation of light and dark in radiographs, rayograms, negatives, old black and white and sepia-tone photos all impart and inform a shaping influence to the waveforms and amplitudes of sound found in these twenty pieces. Heavily layered, simultaneously dense and expansive, Recordings Of Failing Light is the result of experiments conducted in a sonic version of the Hadron Collider. Marc Barreca has been creating and performing electronic music since the mid-1970s. Recordings Of Failing Light is his eleventh solo album for PoL. His 1980 album, Twilight, reissued on vinyl in 2018, was one of the earliest releases on PoL. The Empty Bridge is his tenth solo album for the label. Recent releases include From The Gray And The Green (2019), Shadow Aesthetics (2018), and four collaborations with K. Leimer and two with Three Point Circle. Reissues include work on the acclaimed VOD box set American Cassette Culture, the Cherry Red compilation of seminal U.S. electronic music and the 1983 cassette, Music Works For Industry, now on vinyl. His work is also included in the Collection of The British Library."
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POL 002-2022CD
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"K. Leimer's The Starting Errors serves as a handy index of catastrophes. The album documents the way in which the repetition of unexamined cultural behaviors spread as established -- even acceptable -- practice in the service of the few, no matter how damaging and destructive those practices prove. Music of conscience and consequence set within a general theme of things-gone-wrong, the album is built around a set of errors carefully indexed by the title track: a text-centric piece read by Tallula Bentley, exhibiting an ideological kinship with the work of Henry Cow, here set in an orchestral pastiche. Vocal works are rare for Leimer, but using spoken words in addition to instrumental voices was the most direct path to making his views explicit. Throughout the album techniques surface from jazz-inflected improvisation to classic tape manipulation to granular processing and chamber ensemble airiness. The results catalog most of Leimer's long history of sonic preoccupations, embracing broken song structures, dark ambience, noise, calamitous repetition, and modular constructs. He describes it this way: 'The goal was to use a wide range of approaches, techniques and voicing to best express the subject matter of each piece. And, despite the thematic unity, the pieces evolved in many directions.'"
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POL 001-2022CD
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"Marc Barreca and Kerry Leimer have worked on a nearly parallel musical course for more than forty years. Nearly parallel because their musical paths do occasionally cross. First in 1980 with 'Four Pages From An Unfinished Novel' on K. Leimer's first solo album Closed System Potentials. Again during the live performance of Music For Land And Water and for the massive loop piece 'Heart Of Stillness' from The Neo-Realist (At Risk) by the virtual group Savant. Beyond basic file sharing, their recordings resolve tensions between distinct extremes of restrictive rules, defined procedures, improvisation, conscientious editing, and an ear for expansive details and contrasts. Their collaborative process is intended to subvert traditional and accepted methods of composition, instrumental voicing, signal processing, recording, and mixing with the goal of generating music that lives on the boundaries between established practice and profound impracticalities. The search for new compositional approaches continues with Drowning Guides. The fourth album by K. Leimer and Marc Barreca deliberately limits their collaborative exchange to re-voicing MIDI tracks. All audio was then returned to the originator to process, edit, mix and finalize the form. The music of Drowning Guides fixates on shifting textures and voices drawn through layers of processing and manipulation, emerging as a complete and distinct audio language."
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POL 005-2021CD
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"Mitteltöner72 -- K. Leimer's homage to the German Kosmische period -- is an expanded, remixed and newly mastered edition of the Origin Peoples LP released in 2018. '72 includes all the music produced but not originally released for the LP." "Leimer's love of kosmische is evident from the start, as 'Dunne Luft' condenses the earmarks of that sound into its four minutes. There's the solar flares of guitar that arise early on in the track, fuzzy and luminous, serving less as a lead instrument and more as a sonic texture. It sounds like a sly homage to the arcing six-string stylings of Neu! and Harmonia member Michael Rother, but rather than simply pay tribute, Leimer lets pinging synths bustle underneath and processes and loops live drums to keep the track's momentum going. The flickering rhythms bring to mind the blurry highways evoked on Autobahn while the ghostly melodies of the piece bear the evocative beauty of Popol Vuh. Rather than serve as mere pastiche, Mitteltöner encapsulates Leimer's unique talents: drawing on a vintage sound now over forty years old and entering into middle age, while also finding a way to push it forward." --Pitchfork
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POL 002-2021CD
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"K. Leimer, Marc Barreca, and Steve Peters first performed together in 1980 for a pair of one-off shows in Olympia, WA. Nearly forty years later, the trio resumed work as Three Point Circle. That reunion resulted in the release of Layered Contingencies in 2020. Their new release, Proximity Effects, continues in a similar vein, obscuring individual contributions into an integrated collective compositional voice." "... fragments of guitar, electric piano, and bell tones occasionally rise to the surface of these oceanic soundscapes, their generally blurry design tends to camouflage the identifying aspects of their components. Each of the five settings unfolds in a spirit of unhurried drift, the slow pace allowing the listener to closely monitor the material as it develops and to examine the mutating sound design." --Textura
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POL 003-2021CD
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"Found object is a loan translation from the French objet trouvé, describing art created from undisguised, but often modified, objects or products that are not normally considered materials from which art is made, often because they already have a non-art function. Like the results from automatic writing and readymades, Found Objects offers an approximation of those techniques in sound by repurposing displaced phrases and timbres, pitches, restatements, and treatments as the root technique. K. Leimer describes it this way: 'I worked toward a greater variety of outcomes between each of the pieces, with the goal of providing a more diverse listening experience. At the same time it became important to avoid any specific sense of adhering to a particular genre.' After eleven months in the studio, Found Objects finally became music, but only as the result of almost continuous, arbitrarily redirected accidents."
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POL 001-2021CD
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"With The Empty Bridge, Marc Barreca again exploits his distinct talent for translating landscapes into sound. The music was created in and reflects the influence of contrasting environments -- the beauty and stillness of the Cascade Mountains and the muted industrial nightscape of the Duwamish Waterway, complete with its massive, nowcondemned, empty freeway bridge. The pieces are sculpted from layers of synthesized and sampled instruments, field recordings and processed vinyl. With these sources, Barreca achieves a level of compositional sophistication that deftly combines elements of ambient, drone, noise, and sound art with contrapuntal lines running above and below the dense and shifting aural environments. Composed during a period of tranquil isolation -- isolation created by a global pandemic, a broken concrete link to the city, and a remote mountain cabin -- The Empty Bridge evokes immersive, evolving, contrasting landscapes."
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POL 006-2020CD
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"Peregrination is the centerpiece of a cycle that began with the release of Retinue (2019) and will find its completion in a final recording yet to come. Where the universe described in Retinue is an expat's new home, Peregrination packs up, throws open the doors sets out on a pilgrimage whose immediate focus is found among the uncounted details discovered along the path of any and every journey. Built of rhythms, timbres, scales, and voices gathered from an imagined archipelago, Peregrination is simultaneously a walk away and towards a music that shifts between tradition and experiment. In the pilgrimage described in these pieces, Gregory Taylor continues his long exploration of the intricacies, voicings, structures, and meanings of Gamelan traditions with an ear steeped in minimalism, and contemporary electonic- and computer-based musics. Across four long form compositions these often lush and occasionally harsh aural excursions shimmer, shiver, and rest; strive, take form, and collapse in a myriad of manifestations both subtle and overt. The journey of Peregrination and its mirrored returning twin to come represent the summa of Taylor's renewed cryptohistorical Javanese traditions."
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POL 005-2020CD
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"The origins of Three Point Circle go back to 1980, when K. Leimer, Marc Barreca, and Steve Peters met for two sparsely-attended shows in Olympia, WA. Some forty years later, they have regrouped as Three Point Circle. Perhaps better described as a process than as a musical group, Three Point Circle has developed a collaborative system that replaces standards of improvisation and authorship with a new, independent, compositional identity removed from the individual habits and traits of the members. Layered Contingencies presents the first results in this quest for uncertainty -- five long form pieces of sharp and smooth contrasts taking place in a soundstage of rest, unrest, shallows, and depths that manage to maintain an unpredictable coherence."
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POL 12020CD
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"A Figure Of Loss takes K. Leimer's music into highly personal terrain. Written and recorded during two dark years, the resulting work hovers in proximity of a calm and placid consistency, tenuously balanced on expanding and contracting foundations. Built mostly around modeled and treated piano and digital synthesis, a sense of coherence emerged from piece to piece during the recording and editing process, yielding a sustained, but disturbed elegiac atmosphere, seemingly content to meditate on its own specific set of limits. But A Figure Of Loss reaches from well-defined patterns to fragmented and shifting densities. This is a music of reflection, setting itself at a distance from loss in order to possibly comprehend it. The CD includes a portfolio of photographs by Tyler Boley and a download code for the entire album. It was mastered by James Savage. K. Leimer founded Palace Of Lights in 1979. Leimer's work has also been issued by Autumn, First Terrace, Les Giants, Invisible Inc., Origin Peoples and RVNG. His early cassette work is included in the critically acclaimed VOD box set American Cassette Culture and is included in Cherry Red's Noise Floor series. Leimer has been actively producing music since the mid-1970s -- his current catalog includes eighteen solo albums plus collaborative albums with Savant and Marc Barreca. His work is included in the collection of The British Library."
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POL 003-2019CD
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"Moving in the directions that originated with the Environments recordings and evolved to become extended pieces like Klaus Schulze's Gewitter, Robert Henke's Studies For Thunder, Brian Eno's On Land and Steve Peter's Here-ings, the music of From The Gray And The Green finds its origins in landscapes. This time, landscapes that Marc Barreca knows as his home -- the foothills of the Cascade Mountains. These eleven pieces and three digital-only bonus tracks are sculpted from layers of synthesized and sampled instruments, field recordings and processed vinyl. Barreca tells us that 'My goal was to create immersive, evolving landscapes shaped by a dynamic past and viewed as if through the translucence of passing clouds.' From The Gray And The Green offers a music of contrasts and change, departing from traditional ideas of ambient to arrive in shifting landscapes of the strange and the beautiful. Includes an eight-page booklet and download card for the complete album and three bonus tracks. Mastered by James Savage. Marc Barreca has been creating and performing electronic music since the mid-1970s. His 1980 album, Twilight, reissued on vinyl in 2016, was one of the earliest releases on Palace Of Lights. From The Gray And The Green is his ninth solo album for the label. Recent releases include Shadow Aesthetics (2018) and three collaborations with K. Leimer. Reissues include work on the acclaimed VOD box set American Cassette Culture, the Cherry Red compilation of seminal U.S. electronic music and the 1983 cassette, Music Works For Industry, now on vinyl. His work is also included in the collection of The British Library."
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POL 002-2019CD
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"The six extended pieces on Retinue had their beginning in a book on creating step sequencers using Max/MSP that Gregory Taylor wrote for Cycling '74 after his return from the Netherlands (where his previous sonic diary Randstad was recorded). The development of the book's materials was an opportunity to re-encounter his love for sequencing as practiced by the form's early (Edgar Froese, Suzanne Ciani, Michael Hoenig) and later (Saul Stokes, Paul Ellis) practitioners and also to explore its connections with longer form Javanese musical traditions that have informed his work for decades. The crypto Javanese/1970s German chill-out room hybrid cross composed and recorded using Max/MSP, analog and digital hard/soft synths, and field recordings that resulted is a patient and poised music that embraces fluidity, recombinance, and a languid ambience that reveals itself on repeated listening. After a hiatus from the cassette culture movement of the 1980s, Gregory Taylor returned to regular recording and live performance as an improviser in the late 1990s. He has studied central Javanese Gamelan and electroacoustic music at Cornell, UW-Madison, New England Conservatory and the Instituut voor Sonologie, and written for publications such as Wired, Recording, Array, and Option, and hosted RTQE -- a radio program of contemporary audio on WORT-FM since 1986. He currently works for Cycling '74. Retinue is his fifth album for Palace Of Lights."
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POL 001-2019CD
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"Originally released in 2008, The Useless Lesson and Lesser Epitomes have been revisited, remixed, remastered and expanded with the 40-minute bonus EP Three Adaptations. K. Leimer founded Palace Of Lights in 1979. Leimer's work has also been issued by Autumn, First Terrace, Les Giants, Invisible Inc., Origin Peoples and RVNG. His early cassette work is included in the critically acclaimed VOD box set American Cassette Culture and will be included in Cherry Red's upcoming Noise Floor series. Leimer has been actively producing music since the mid 1970s -- his current catalog includes eighteen solo albums plus collaborative albums with Savant and Marc Barreca. His work is included in the collection of The British Library."
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POL 002-2018CD
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"Threnody by K. Leimer is a music of disorientation, error and loss. Free of any particular sense of continuity or structure, Threnody dwells in an absent-minded and forgetful state, inhabiting an aftermath of events too disorienting to be completely comprehended. Highly atmospheric, the music draws from influences as diverse as Arve Henriksen, David Sylvian, Taylor Deupree and Biosphere. Shattered phrases emerge among shrouded details in a state of sustained incompleteness. In a departure for Leimer, this music is highly improvised, mostly studio-generated in real-time. 'I approached the work by repeatedly abandoning it and, at some later time, after pursuing some other task, after days or weeks of new outrages, wandered back and tried to once more pick up the threads.' Threnody is music tuned to a fractured time. K. Leimer founded Palace of Lights in 1979. Leimer's work has also been issued by Autumn, First Terrace, Les Giants, Origin Peoples and RVNG and his cassette work is included in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s -- his current catalog includes eighteen solo albums plus collaborative albums with Savant and Marc Barreca. His work is included in the collection of The British Library."
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POL 001-2018CD
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"Randstad is a kind of hermetic diary of a year living in the randstad -- a term the Dutch use to describe their own megalopolis that encompasses Amsterdam, Rotterdam, The Hague and Utrecht. In its own way, the work runs contrary to today's assumed absolute limitlessness of musical possibility, favoring a reduced expatriate sonic toolkit (composed of Cycling '74's Max, a modest Eurorack, and a handheld digital recorder). Its entries combine the sounds of a 'new home' (house keys, birds on the terrace, fireworks at the New Year) that are stretched / rotated / folded / spindled / annealed into a set of audio vignettes. The results are snapshots of sensation, location, movement, and image: a score for re-orienting yourself in new, changing environments. To paraphrase Roethke, we learn by going not only where to go, but how to go. The CD includes a download card for Randstad and the bonus EP Trajectum. After a hiatus from the cassette culture movement of the 1980s, Gregory Taylor returned to regular recording and live performance as an improviser in the late 1990s. He has studied central Javanese Gamelan and electroacoustic music at Cornell, UW-Madison, New England Conservatory and the Instituut voor Sonologie, and written for publications such as Wired, Recording, Array, and Option, and hosted RTQE -- a radio program of contemporary audio on WORT-FM since 1986. He currently works for Cycling '74. Randstad is his fourth album for PoL."
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POL 006-2017CD
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"The first phase of K. Leimer's recorded work began in 1972 with the production of the Grey Cows cassette and culminated in 1983 with the release of Imposed Order. Though work seemingly stopped following the release of I/O, Leimer continued to record and experiment with sound during what proved to be a 15-year interregnum for his Palace of Lights label. That work, never before issued, is included in this expanded remaster. Imposed Absence features ten tracks recorded in the years between Imposed Order and his return to releasing music with The Listening Room. Imposed Absence features the addition of Mellotron and early digital synths, some excursions into lo-fi and, unusual in his catalog, a few improvised tracks. Combined with the VOD double album of his earliest tape recordings and RVNG's A Period Of Review double album, the release of Imposed Order / Imposed Absence brings the entirety of Leimer's early work into view. Remastered by Taylor Deupree at 12K Mastering. K. Leimer founded Palace of Lights in 1979. Leimer has been actively producing music since the mid-1970s -- his current catalog includes eighteen solo albums plus collaborative albums with Savant and Marc Barreca. His work is included in the collection of The British Library."
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POL 007LP
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2021 repress; LP version. "The first phase of K. Leimer's recorded work began in 1972 with the production of the Grey Cows cassette and culminated in 1983 with the release of Imposed Order. Though work seemingly stopped following the release of I/O, Leimer continued to record and experiment with sound during what proved to be a 15-year interregnum for his Palace of Lights label. That work, never before issued, is included in this expanded remaster. Imposed Absence features ten tracks recorded in the years between Imposed Order and his return to releasing music with The Listening Room. Imposed Absence features the addition of Mellotron and early digital synths, some excursions into lo-fi and, unusual in his catalog, a few improvised tracks. Combined with the VOD double album of his earliest tape recordings and RVNG's A Period Of Review double album, the release of Imposed Order / Imposed Absence brings the entirety of Leimer's early work into view. Remastered by Taylor Deupree at 12K Mastering, the vinyl includes a four-page booklet and download card for all nineteen tracks. K. Leimer founded Palace of Lights in 1979. Leimer has been actively producing music since the mid-1970s -- his current catalog includes eighteen solo albums plus collaborative albums with Savant and Marc Barreca. His work is included in the collection of The British Library."
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POL 001-2017CD
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"Marc Barreca's seventh solo album for Palace of Lights extends his work with a broader and deeper palette of synthesized and sampled sound, including sources as diverse as prepared guitars, pianos, Indonesian metallophones and glass harmonica. The music of Aberrant Lens employs long MIDI delays, synced MIDI processing via MAX for Live and extreme warping of disparate looped sound sources driven into entirely new states. The results are new, coherent aural structures: music that questions traditional definitions of ambient and electronic forms. And, to the educated ear, within this search for innovation and experimentation Aberrant Lens reveals many of Barreca's earliest influences. Even when integrated in thoroughly non-retro compositions, the hints of homage to Cluster and the first Fripp & Eno releases inhabit these twelve new settings. Marc Barreca has been creating and performing electronic music since the mid-1970s. His 1980 album, Twilight, was one of the earliest releases on Palace of Lights. His cassette-era album Music Works for Industry is being reissued by the RVNG spin-off Freedom To Spend, and his early cassette work is included in the upcoming VOD box set American Cassette Culture, which also features Marc's early electronic music group Young Scientist. His work is included in the collection of The British Library."
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POL 009LP
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"The Land Of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land Of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow."
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POL 004-2010CD
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"Released in 2012. Permissions is somewhat of a collaboration with Taylor Deupree, given that the 12k head is credited with 'additional voices, post-production, edit, mix, and mastering.' The detail isn't insignificant, either, as Permissions largely collapses whatever stylistic differences might normally separate 12k and Palace of Lights recordings. Arranged into concise song-like structures, the material exemplifies the concentration on fluttering micro-sound textures, electro-acoustic sounds, and field recordings that's shared by the two creators and often captured on a typical 12k release. Listed sans titles on the CD cover as simply 'Permissions 01-16,' the settings function like snapshots that cumulatively provide an in-depth portrait of Leimer's range. The mood is generally laid-back, meditative, and explorative, but the elements drawn upon are not only pastoral in nature as industrial sounds surface, too."
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POL 001-2015CD
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"Released in 2015. The Grey Catalog departs from Leimer's typical obsessions with understatement and homogeneity to range freely across rhythmic, melodic and disassembled forms. Incorporating percussion, electric guitar and bass as well as found sound, digital and analog synthesis and sampled instruments, The Grey Catalog spins off multiple intimations of musical forms."
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