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CD/DVD
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SPOOL 003CD
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"Jim Haynes and Loren Chasse have collaborated with Keith Evans to create Coelacanth's fourth and most complex record. Culled from two performances -- a five-hour recording session during Matmos's 96 hours of performances at the Yerba Buena Center for the Arts, and an audio/visual performance with Keith Evans -- Wrack Light in Copper Ruin explores the symbiosis of materiality and sound, and its infinite network of metaphors and allegories. Like an abandoned aquarium in which an accidental and incongruous microcosm takes shape, Coelacanth's sound illustrates a constant evolution of decay, encroachment, and repossession of the border space between the natural and the man-made. Comparatively, Wrack Light is more delicate than Coelacanth's previous recordings, inhabiting a space where artists such as Jonathan Coleclough, Andrew Chalk, Mirror, and MNortham can be found, yet it maintains the mysterious, oceanic nature its name implies."
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CD
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SPOOL 002CD
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"Seal Pool Sounds is the first CD release of new material from Snatch Tapes founder, Organum Collaborator, and British installation artist, Philip Sanderson. Seal Pool Sounds picks up where Sanderson's Storm Bugs project left off sometime in 1981. Sanderson's DIY software and electronics conjure whimsical, plaintive electronic tones and rhythms: sounds that recollect the light-hearted, yet melancholy nature of the 20th century zoos. Seal Pool Sounds is a natural extension of his Reprint CD on Anomalous Records, and at once evokes LAFMS, Raymond Scott, Marcel Duchamp, and French New Wave film music."
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