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LP
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STAM 1007LP
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"The first engineering job for the great producer Chris Kimsey (famed for his later work with The Rolling Stones, Yes, ELP, INXS among many others), featuring legendary Genesis guitarist Steve Hackett on 'Prologue', and with future Whitesnake drummer Dave Dowle in the line-up, this album, a psychedelic/progressive crossover with church-music and bluesy influences, was made by a group of musicians very much on the London underground 'scene' of the time, playing gigs at Middle Earth and The Electric Garden, supporting Hendrix, supported by John Peel and pitched to CBS and Polydor, both of whom failed to pick up on a fabulous and original piece of work by a band which, on the strength of these songs, deserved more recognition. At the time of a 2007 CD release on Ork Records/RPM, 2 tracks ('Battle Hymn' and 'The Roman Head Of A Marble Man') could not be found, but after Simon Ashley at Stamford Audio contacted Malcolm Ironton late in 2009 to arrange releasing the album on vinyl, he searched again and, this time, the search bore fruit! Listening to all of the original tracks together again, he remembered that 'Gloria' had been intended as the last track on the album and 'Battle Hymn' finished off side one, so 'The Roman Head Of A Marble Man' then slotted in between 'Prologue' and 'Gloria' on side two and we now had the original running order for the vinyl LP, as it should have been issued all those years ago." 180 gram vinyl pressing housed in a deluxe gatefold sleeve.
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2LP
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STAM 1006LP
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"Remastered by Michael King at Reel Recordings in Canada from the original analogue tape in full glorious mono. Double 180g LP in deluxe gatefold sleeve."
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LP
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STAM 1005LP
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"Deluxe gatefold sleeve with 180 gram LP. First time on vinyl since the Neon release. Hand numbered limited 500 edition. The Brotherhood of Breath was an exuberant big-band created by South African born pianist and composer Chris McGregor. In South Africa, McGregor had formed the racially mixed Blue Notes in the early 1960s. By 1964, finding it very difficult to work at home; they left for Europe, finally settling in London in 1966. The Blue Notes -- Chris McGregor, Dudu Pukwana, Mongezi Feza, Johnny Dyani and Louis Moholo made a huge impact on London's jazz scene and befriended many in London's emerging avant-garde jazz community." CD version released on Fledg'ling (FLED 3062CD).
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LP
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STAM 1004LP
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"Stamford Audio are pleased to announce our next vinyl release, again working with Fledg'ling Records. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the previously unreleased Up To Earth brought together a dream team of South African exiles and some of the finest young players on the British scene -- Chris McGregor piano, Dudu Pukwana alto saxophone, Mongezi Feza trumpet, Louis Moholo drums, John Surman baritone saxophone and bass clarinet, Evan Parker tenor saxophone with Barre Phillips or Danny Thompson on double bass. Up To Earth was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio in London, during the same months they were also working with several other luminaries of the Witchseason stable -- Fairport Convention, Nick Drake and the Incredible String Band. The album was mastered and test pressings produced before the project was shelved. The group morphed into the spectacular big band -- the Brotherhood of Breath -- and all energies were transferred to recording the Brotherhood's debut album. Fledg'ling Records are very proud to release this remarkable album as part of our campaign to reissue Chris McGregor's wonderfully creative recordings from the late '60s and early '70s." 180 gram vinyl, gatefold sleeve.
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LP
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STAM 1003LP
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"Stamford Audio, in association with Fledg'ling Records and by special arrangement with the Sandy Denny Estate, is very proud to present the first pressing on beautiful 180 gram vinyl of Sandy Denny's first recordings, unavailable on vinyl until now! The five songs on this LP, recorded at home in London in 1967, capture Sandy proving her vocal and, on two songs, writing mettle at the age of 19, around the same time as her first professional recording sessions with the Saga label, but before her work with The Strawbs, Fairport Convention and Fotheringay. The beauty and purity of Sandy's vocals shine through on these haunting early recordings, setting the template for an all too short career as one of, if not the, finest female singer our shores produced." This is a short release (16 minutes approx), with acetate-quality sound sourcing; previously released on the Fledg'ling A Boxful of Treasures 5CD box.
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2LP
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STAM 1002LP
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"Features four tracks with Sandy Denny: 'Who Knows Where The Time Goes,' 'That'll Be The Day,' 'Ballad Of Ned Kelly,' and 'Something You Got.' First time on vinyl. Limited to hand numbered run of 500. Pressed on 180 gram double vinyl." Deluxe gatefold sleeve.
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LP
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STAM 1001LP
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2008 release, restocked. "Stamford Audio, in association with Fledg'ling Records, is proud to present the first pressing on beautiful 180 gram vinyl in a lavish gatefold sleeve of this astonishing album. Fotheringay remain one of the great might-have-beens of British music. They lasted less than a year, and released just one album, but their disappearance robbed the early-'70s scene of a group of musicians capable of taking folk-rock to new heights of subtlety and musicianship. Now, the nine songs on that debut album; assumed for almost four decades to be their sole testament, are joined by the eleven that would have constituted a follow-up. Sadly the group broke up during the recording sessions for their second album. Incredibly all the tapes survived in various record company archives. Thirty-eight years later the surviving members of the group have mixed all the material to finally complete this remarkable album. When originally released their debut album went straight into the Top Twenty in both Melody Maker and NME, and is now an acknowledged classic recording of British folk-rock. It is very, very rare that musicians get the chance to complete a project begun 38 years earlier. The second Fotheringay album has been eagerly awaited by all fans of Sandy Denny, British folk-rock and by fans of great music in general."
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