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viewing 1 To 25 of 134 items
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LP
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TDP 54140LP
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$26.00
PREORDER
RELEASE DATE: 5/24/2024
Sky's 1979 self-titled album blends technical prowess with catchy melodies, creating an eclectic prog experience. This album showcases virtuoso musicianship and flamboyant arrangements, rivaling classic prog epics. Sky's debut is a hidden treasure waiting to be discovered.
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TDP 54143LP
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$26.00
PREORDER
RELEASE DATE: 5/24/2024
After playing with Mingus, Coltrane, Lady Day, and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idaho-born double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans, and free-jazz giant Albert Ayler before moving to Japan to study Zen Buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron's "She Walks In Beauty" contrasted by the up-tempo groove of Peacock's "What's That"; future Native Son founder Hiroshi Murakami makes important contribution on drums.
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2LP
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TDP 54127LP
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Formed in suburban Maidenhead by singer Tony Pook, guitarist/pianist Roy Apps, and guitarist Robert Collins, Heron solidified when Collins was replaced by guitarist/mandolin player GT Moore. After a debut album recorded at the Pook family farm, specially priced double LP Twice As Nice And Half The Price achieved a fuller sound with guitarist Mike Cooper, bassist Mike Finesilver, drummer Terry Gittins, and guitarist Willie Boazman. The epic set sounds absolutely brilliant from start to finish, with strong vocal harmonies, intricate guitar interplay and excellent musical communication. Arguably Heron at their absolute best!
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TDP 54126LP
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After briefly replacing Eric Clapton in John Mayall's Bluesbreakers, guitarist/bassist Geoff Krivit formed Doctor K's Blue Band with pianist Richard Kay and singer/harmonica player Mick Hasse, the lineup completed by bassist Harold Vickers, slide guitarist Roger Rolt, and future Steve Hillage drummer Eric Peachey. Their self-titled debut had top-notch renditions of blues classics such as "I Can't Lose," "Key To The Highway," and "Pet Cream Man," as well as spirited originals such as "Strobe Lemming's Lament" and the piano stomp "Crippled Clarence," but the album failed to break through. Grab a copy of this rarity to be blown away!
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TDP 54125LP
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The American psych pop quintet Paper Garden had established a solid reputation performing to university students in their native New York and in surrounding states in 1967-68 before being commissioned to cut a debut LP with British producer Geoff Turner for Musicor, the resultant sessions yielding a self-contained concept album of totally new work. With sitars and tabla on some songs trading places with baroque elements and orchestrated interludes, the breezy psych pop gets pulled in all manner of directions and often sounds closer to the British psychedelic sound than anything Stateside. A rare and rich listening experience!
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TDP 54124LP
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Of Filipino descent, the expressive keyboardist, vocalist, and composer Flip Nuñez enjoyed a varied career in jazz. After backing Bev Kelly, Jon Hendricks, and others in the 1960s, Nuñez impacted in the Latin jazz-rock act Azteca. The marvelous My Own Time And Space, his only solo album, showcases his versatility; the Latin cadences of Willie Colon and former Santana bassist Tom Rutley and the keen jazz phrasings of guitarist Michael Howell and drummer Vince Lateano make superb backing for Nuñez's piano and synthesizer flourishes, bolstered by his emotive voice. A lost classic, and one that sounds better with every spin.
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TDP 54128LP
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The pianist and bandleader Frank Strazzeri enjoyed a distinguished jazz career. After backing Billie Holliday and Woody Herman, Strazzeri became a mainstay of the west coast jazz scene. His excellent album After The Rain, released by Catalyst in 1976, straddled different styles and moods, Strazzeri's piano and synth melodies abetted by top accompaniment from Herman's horn alumni Sam Most and Bobby Shew, playing alongside Cal Tjader's bassist Harvey Newmark and percussionist Don Alias of Blood Sweat and Tears, with Strazzeri's son Steve behind the drumkit. Another fine fusion LP from Strazzeri that's ripe for rediscovery.
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TDP 54122LP
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Inspired by Muddy Waters and other blues greats, the South London blues-rock band Killing Floor was formed in 1968 with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin, and percussionist Bas Smith. This self-titled debut set, issued by the independent Spark label (and licensed to Sire for US pressings), was produced with care by former DJ John Edward, based on Chicago blues material, as heard on the cover of Willie Dixon's "You Need Love." This is the band at their rawest beginnings, a grittier traditional blues set that contrasts with later work for Larry Page. Licensed from Cherry Red.
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TDP 54120LP
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Obscure British prog-rock band Mighty Baby evolved from a mod group called The Action, but moved heavily into experimental psychedelia in 1969, when they cut an incredible debut for the Head label. Glastonbury Fayre Festival 1971 captures the legendary group in live action, "A Blanket In My Muesli" being a free-form jam that remains their best-loved effort; "India" is a similarly hefty instrumental mega-jam with lilting flute amidst the bluesy guitar work, and there are awesome renditions of "Virgin Spring," "Devil's Whisper," and "Lazy Days." If you like your prog thoughtful, complex, and multi-layered, this one's for you! Licensed from Cherry Red.
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TDP 54132LP
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For the coveted sophomore album by British fusion band Zzebra, the group underwent some lineup changes, the arrival of the former Joe Cocker keyboardist Tommy Eyre and guitarist Steve Byrd enabling further excursions into unknow territory, morphing the Righteous Brothers' "You've Lost That Lovin' Feeling" into a space-rock synth epic and "Panic" somewhere between metal, be-bop and Latin rock; "Tree" is driven by the vocals of former One frontman Alan Marshall and "Liamo" heightens the African element from former Osibisa percussionist Loughty Amao. A total killer from start to finish -- arguably Zzebra's best!
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TDP 54131LP
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Established by members of the British brass-rock outfit IF with the former Osibisa percussionist Loughty Amao, Zzebra was a forward-thinking hybrid mixing jazz, rock, and world music. Chief songwriter/saxophonist Dave Quincy keeps the arrangements complex and Loughty injects the African element, with former Elastic Band keyboardist Gus Yeadon and guitarist John Terry adding layers of melodic inventiveness. Yielding a progressive jazz style that roped in funk, blues, and west African rhythms, this enthralling LP speaks to Zzebra's forceful reputation as a powerhouse live act of the British jazz fusion scene.
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TDP 54121LP
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Esteemed pianist Masabumi Kikuchi enjoyed a long and illustrious career in jazz that encompassed many forms. After playing in Lionel Hampton's Japanese touring band, he played on five Sadao Watanabe albums in mid-1960s and backed Sonny Rollins before studying at the Berklee College of Music. Matrix was the first of five albums recorded with his Sextet and is rightly rated one of the greatest of his entire career, the album mixing well-executed covers of songs by Chick Corea, Miles Davis, Watanabe, and the Black Orpheus theme with the enthralling originals "Little Aby" and "In Fourth Way." An excellent listen! Licensed from Good Time Inc.
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TDP 54114LP
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Reissue. Mixing the theatrical, the operatic and the ghoulish, Screamin' Jay Hawkins was a one-off whose shocking stage tactics helped him find initially fame in the mid-1950s. Recorded in Nashville in 1973 and his sole offering for local label Hot Line, A Portrait Of A Man And His Woman is Hawkins at his most accessible; the title track's haunting delivery and a remake of calling card "I've Put A Spell On You" balanced by bright takes of "Itty Bitty Pretty One" and Conway Twitty's "It's Only Make Believe," with plenty of grunts, shouts and animalistic interjections beneath Hawkins' operatic and gospel-tinged vibrato. Hawkins fans, take note! Licensed from Good Time Inc.
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TDP 54111LP
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Sandy Bull's unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric "Memphis, Tennessee" and "Instrumental Blues," plus the abstract "Untitled Instrumental" and "Solo Experimental," all classic morsels of Bull wizardry. Licensed from Good Time Inc.
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TDP 54109LP
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Reissue, originally released in 1970. Psychedelic pop act Jawbone had ample talent and keen industry connections yet remained unjustly obscure. Core members had been active in The Mirage, who signed with CBS and later recorded for Phillips; drummer David Hynes and bassist/future Elton John Band mainstay Dee Murray briefly joined the Spencer Davis Group, but regrouped as Portobello Explosion, which became Jawbone. Their rare self-titled debut, released by Carnaby in 1970, had an undercurrent of Americana, and there's a one-off cover of The Beatles' "Across The Universe"; this edition features bonus track "Way, Way Down", a non-LP Carnaby 45. Licensed from Cherry Red.
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TDP 54106LP
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Reissue, originally released in 1969. While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts's spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song "Judy's Smile." Licensed from BMG.
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TDP 54108LP
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Reissue, originally released in 1973. Non-standard prog act Gryphon made their mark by incorporating abandoned instruments and ancient classical elements in their work, giving their self-titled 1973 debut outstanding differences to standard rock fare. With co-founder Richard Harvey on recorders, mandolin, harpsichord, and glockenspiel and Brian Gulland, on bassoon, crumhorns, and vocals, backed by guitarist Graeme Taylor, and drummer/percussionist Dave Oberlé, Gryphon expertly channeled contemporary English folk through forgotten medieval and Renaissance styles; unlike later rock-oriented work, Gryphon showcases the band's unadorned beginnings. Licensed from BMG.
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TDP 54104LP
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Reissue, originally released on Vertigo in 1971. Japanese country rock act Gypsy Blood must be heard to be believed. Their sole LP showed the group simply bursting with talent, Kiyoshi Hayami's mandolin exceptional and the masterful soft-rock production courtesy of Miki Curtis; drummer Eiichi Tsukasa had earlier been in the Helpful Soul, organist Katsuo Ohno had been in the Spiders, and guitarist/vocalist Hiroaki Nakamura later played in Buzz with future YMO member Yukihiro Takahashi, while none other than Alan Merrill of "I Love Rock n' Roll" fame completes the picture on piano. A beautiful album, and a very rare beast! Licensed from BMG. Exact repro of the original with four bonus tracks.
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TDP 54091LP
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Reissue, originally released on CD in 2010. After exiting Buster Summers Express, Leeds-based songwriter/multi-instrumentalist Derek Noy formed Jan Dukes De Grey with woodwinds player, Michael Bairstow, soon opening for Pink Floyd and the Who, though LPs Sorcerer and acid folk masterpiece Mice And Rats In The Loft sold poorly. After line-up changes, in 1977, Noy assembled a new crew for Strange Terrain, cut at Brittania Row with Roger Waters co-producing, but the album's curious mix of post-prog, acid rock and punk was deemed unsuitable for release until 2010. This edition comprises the complete original LP, just as delivered at its time of recording. Essential! Licensed from BMG.
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TDP 54107LP
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Reissue, originally released in 1970. The adventurous singer, guitarist and music journalist Mick Farren launched his solo career after being sacked by his fellow Deviants, the protopunk band he fronted from 1967-69. Suffering from depression and other mental health issues, Farren teamed up with an all-star cast, including members of Quartermass and ex-Tyrannosaurus Rex honcho Steve Peregrin for debut opus Mona The Carnivorous Circus. The album mixes hard rock, spoken word, spaced-out interludes, radio cut-ups, and garage rock, rendering a work as compelling as it is hard to classify. Strange, delightful, and a favorite of Julian Cope, this is an aural journey to savor. Licensed from BMG.
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TDP 54105LP
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Reissue, originally released in 1971. Getting their start in the mid-1960s as a covers band, the Surrey-based group that began as The Late and who would be forced to take the name Unicorn mid-way through the recording of this excellent debut LP soon understood that originals made better sense, pointed in that direction by the success of Crosby, Stills and Nash. Given greater depth by Gerry Rafferty's producer, Hugh Murphy, Uphill All The Way makes for superb listening, the musical craftsmanship yielding intricate textures beneath Ken Baker's dreamy lyrics, the intelligent folk rock complete with country and western underpinnings. A must for UK folk rock fans. Licensed by BMG.
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TDP 54116LP
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Reissue. In the same year of 1969 that marks their presence at Woodstock, the American rock/blues band Canned Heat released this astonishing live album recorded at the legendary Kaleidoscope, the psychedelic Los Angeles ballroom well known for its revolving stage. The original title Live at Topanga Corral was given apparently for right reasons, only some years after the location of the recordings was revealed. Featuring "Bullfrog Blues," "Dust My Broom," "I'd Rather Be The Devil," "When Things Go Wrong," "Wish You Would," "Sweet Sixteen," the album reflects the deep blues and rock roots of the group. Licensed from Good Time Inc.
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TDP 54118LP
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Reissue, originally released in 1964. Known as "the Architect of Rock n' Roll," the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original "Groovy Little Suzy" was co-written by Harry Nilsson. All hail the king! Licensed from Good Time Inc.
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TDP 54117LP
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Reissue, originally released in 1977. Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939-1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus, and Lee Konitz, to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance - 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass, and features both Cheryl Alexander and Adam Nussbaum on drums. Completely remastered. Licensed from Good Time Inc.
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TDP 54115LP
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Reissue, originally released in 1968. Husband-and-wife soul duo Ike & Tina Turner produced an astounding string of hits during the 1960s and '70s, before Tina went solo. Unjustly overlooked at its time of release, the duo's first blues album finds Tina's passionately powerful voice holding plenty of grit and Ike's guitar a restrained accompaniment throughout; the take of Sonny Boy Williamson's "Crazy 'Bout You Baby" has gripping electric piano and buzzing blues harp and Ike's "Grumbling" is a killer guitar groove. A good mix of covers and originals, it shows how well the duo could work in the blues idiom. Another great LP for all Ike & Tina fans! Licensed from Good Times.
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