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viewing 1 To 25 of 38 items
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LP
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TDP 54040LP
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Trading Places present a reissue of Ben's self-titled album, originally released in 1971. Canterbury-based progressive jazz-rock act Ben only released one obscure album, issued on Philips' prog subsidiary Vertigo in 1971, but it's a lovely collective of extended instrumental jams, worthy of discovery for those that missed it the first time around. Peter Davey's saxophone and clarinet melodies push the material to high peaks, against an understated backing from future Nashville Teens bassist, Len Surtees, and former Graham Bond drummer, David Sheen, keyboardist Alex Macleery, and guitarist Gerry Reid adding flourishes at key moments. The songs "The Wooing Of The Child" and "The Wooing Of The Man" credit a certain K Jarrett as songwriter, making this rare beast all the more intriguing. Licensed from Cherry Red. Gatefold sleeve.
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TDP 54039LP
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Trading Places present a reissue of Head Machine's Orgasm, originally released in 1970. Before Uriah Heep there was Fat Toe, and before Fat Toe there was The Gods, who recorded this risqué hard prog album, Orgasm, as Head Machine. Singer/keyboardist/guitarist Ken Hensley takes center stage under the alias Ken Leslie, his lyrics alluding to the undeniable allure of human coitus and aspects of its management, the climax eventually coming in audible groans, though the guitar really drives most of the songs forward, with stereo panning. Produced by David Paramour, who had worked with Garnett Mimms and The Nocturnes, it was recorded in late 1969 and released in small number by Major Minor; this reissue spins at 45 RPM for improved fidelity. Licensed from Cherry Red. Gatefold sleeve.
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TDP 54042LP
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Trading Places present a reissue of Sir Lord Baltimore's self-titled album, originally released in 1971. Fresh from their US tour supporting Black Sabbath, Brooklyn-based heavy metal trio Sir Lord Baltimore expanded to a quartet for the recording of their self-titled sophomore album, released by Mercury in late 1971. The new addition was guitarist/keyboardist/vocalist Joey Dambra, brother of guitarist co-founder, Louis Dambra, adding a dual-guitar element to their hefty sound. The album begins with the epic "Man From Manhattan", a symbolic allegory of a resurrected Christian icon in a new setting; in contrast, "Where Are We Going" captured the rawness of the group in live glory and "Chicago Lives" a twin-guitar attack. Somehow, the band did not survive long after its release, though Joey later recorded with John Lennon; this reissue spins at 45 RPM for maximum fidelity. Licensed from Cherry Red. Gatefold sleeve.
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TDP 54043LP
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Trading Places present a reissue of Bridget St. John's Thank You For..., originally released in 1972. The English singer and guitarist Bridget St. John was introduced to the London folk scene by guitarist John Martyn, her rich and unusually deep voice making John Peel one of her greatest champions, and when Peel formed the Dandelion label in 1969 with former Elektra record plugger Clive Selwood, the original intention was to issue St. John's music. Following debut album Ask Me No Questions (1969) and follow-up Songs For The Gentle Man (1971), 1972's Thank You For... had Martyn's stunning guitar on "Fly High" and an individual reading of Buddy Holly's "Every Day", along with plenty of beautifully-moving St. John originals. Licensed from Cherry Red. Gatefold sleeve.
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TDP 54041LP
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Trading Places present a reissue of The Knights' self-titled album, originally released as a promo-only album in 1967. The unlikely setting of The Knights was Northfield Hermon Preparatory School in northwest Massachusetts, where students formed a resident band that recorded a series of albums from the late 1950s, up to 1968. The self-titled album recorded at Boston's Ace Recording Studios in 1967 is a cult classic of multi-genre cover tunes, including sensitive renditions of Sam Cooke's "Bring It On Home" and The Drifters' "Up On The Roof," a rocking take of The Spencer Davis Group's "Give Me Some Loving" and an agreeable pass of Ben E. King's "Stand By Me". There is rhythm and blues, heart-drenched ballads, soul, and garage rock too. Keyboardist Brad Waterman, drummer Marc Solomon, and saxophonist Bill Douvris were all longstanding group members and this self-titled issue their rarest release. Licensed by Flash.
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TDP 54037LP
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Trading Places present a reissue of Catapilla's Changes, originally released in 1972. Jazz-infused prog-rock act Catapilla began in London in 1970, with saxophonists Robert Calvert and Hugh Eaglestone, bassist Dave Taylor (of pop act Edison Lighthouse), drummer Malcolm Frith, guitarist Graham Wilson, and expressive clarinet player, Thierry Rheinhardt; vocalist Jo Meek was quickly replaced by her sister, Anna, whose gutsy gasps gave the band its noteworthy difference, along with the woodwinds and brass. Former Millionaires' bassist Cliff Cooper brought the group to the attention of Black Sabbath's manager, Patrick Meehan, who got them a contract with Vertigo; like their self-titled debut, second LP Changes has four freaky tracks, but here the band is completely reborn, with bassist Carl Wassard, drummer Brian Hanson, and keyboardist Ralph Rolinson backing Rheinhardt and Meek. Throughout, Rheinhardt's searing sax blows a musical foil to Meek's mercurial vocal moods, drifting between atmospheric interludes and brooding bursts on "Reflections," while "Charing Cross" gets its point across by subjecting Meek's fragmented vocals to heavy delay. A super esoteric and ultra-rare relic from the stranger end of prog. Die-cut sleeve with flap; gatefold sleeve.
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2LP
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TDP 54036LP
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Trading Places present a reissue of Osibisa's Black Magic Night, originally released in 1977. Esteemed Afro-rock fusion band and world music pioneers Osibisa have enjoyed a long reign, with unwavering popularity, despite numerous line-up changes. Saxophonist Teddy Osei, drummer Sol Amarfio, and flautists Mamon Shareef and Farhan Freere had all been in the highlife band The Star Gazers in Ghana, and were joined by Osei's trumpeter brother, Mac Tontoh, in spin-off group, The Comets; after moving the London in the early 1960s, Osei formed short-lived fusion band, Cat's Paw, and after convincing Tontoh and Amarfio to join him in London, Osibisa was formed with the Antiguan guitarist and vocalist, Wednell Richardson, Grenadian bassist Spartacus R, Nigerian percussionist Loughty Lasisi Amao, and Trinidadian keyboardist, Robert Bailey; a contract with Mercury brought greater exposure. Always strong in live performance, this excellent double-LP set was captured at London's Royal Festival Hall in 1977, with the group delivering spot-on renditions of their best-known works, from the extended opening invocation of "The Dawn" to the irresistible grooves of "Welcome Home" and "Sunshine Day." Gatefold sleeve.
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TDP 54035LP
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Trading Places present a reissue of Tear Gas's Piggy Go Getter, originally released in 1970. Glaswegian boogie rockers Tear Gas grew out of a band called Mustard, featuring former Poets vocalist Andy Mulvey and future Squeeze drummer Gilson Lavis, with guitarist Zal Cleminson, bassist Chris Glen, and keyboardist Eddie Campbell; Mulvey was replaced by David Batchelor and Lavis by Wullie Munro, who had played in Mandrake Root with Ritchie Blackmore. Debut album Piggy Go Getter, released on Paramount's Famous subsidiary, was a blend of hard boogie rock with psychedelic prog-rock leanings, the spaced-out hippie aspects heard most plainly on tracks like "Night Girl" and "Nothing Can Change Your Mind," a direct contrast to the blues underpinning of "Lost Awakening" and "Witches Come Today." The album made little impact on release, leading to further line-up changes and an eventual shift to the core members taking their places in The Incredible Alex Harvey Band, with Batchelor taking on the role of producer and arranger; he would also work with Nazareth, Skidz, Dr Feelgood, and many others, including Oasis in later years, while Cleminson joined Nazareth and later played with Elkie Brooks and Midge Ure. Gatefold sleeve.
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TDP 54038LP
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Trading Places present reissue of Ultrafunk's Meat Heat, originally released in 1977. Anonymous British funk band Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a record shop and label called Contempo during the 1970s; he conceived of the group as the UK counterpart to US studio bands, like MFSB. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer, John Richardson. A lack of band photos, suggestive song titles and a predilection for American cover tunes led many to believe the band was US-based. Second LP, Meat Heat, shows the group at the peak of their powers, with five choice hard funk instrumentals, including a tasteful synth-led adaptation of Stevie Wonders's "I Wish" (beautifully arranged by session guitarist Gordon Hunte, who had worked with Osibisa and Rebob Kwaku Baa), while their take on Norman Whitefield's "Sunrise," from the Car Wash soundtrack (1976), is exceptionally rendered. Sadly, Shury's death in a car crash would soon squash the group, leaving Meat Heat the best reminder of their musical talents.
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TDP 54034LP
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Trading Places present a reissue of Astrud Gilberto's That Girl From Ipanema, originally released in 1977. The daughter of a Brazilian mother and German father, Astrud Gilberto achieved international prominence with "The Girl From Ipanema," an inauspicious debut recorded for the landmark album her husband, Joao Gilberto, created with Stan Getz in 1963. Moving to the USA, where she was subsequently based, she continued her solo career and also toured with Getz, with whom she later began a relationship. Over-the-top classic That Girl From Ipanema allowed her to revisit the hit in the sweeping high-fidelity full-spectrum setting of a disco big-band, the album overseen by MFSB and Salsoul mainstay, Vince Montana. Along with individual takes of Cole Porter's "Love For Sale" and Harry Nilsson's "The Puppy Song," original "Far Away" benefits from the understated trumpet of Chet Baker, but the album ultimately revels in all things disco, the Brazilian element coming courtesy of percussionist Dom Um Romao on select tracks. Crank up the volume and tune in to the brass, piano, and percussion that percolates under Astrud's characteristically soft and sultry vocals to fully experience this underrated gem.
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CD
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TDP 55001CD
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Trading Places present a reissue of Implosion's self-titled album, originally released in 1988. Obscure yet outstanding '80s Italian outfit that combined, space rock, psychedelia, and proto-electronics. The epitome of a "cult" album whose original copies sell for over 300 euros on the internet. Consisting of long, spacey, dreamy, mostly-instrumental tracks made of killer, acid-leaking electronics, and released in a mere 500 copies in 1988, this monster-rare album is now on CD for the first time ever. Limited edition including three bonus tracks and a 16-page booklet featuring lyrics and liner notes.
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TDP 54028LP
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Trading Places present a reissue of Piccadilly Line's The Huge World of Emily Small, originally released in 1967. Short-lived British psychedelic project Piccadilly Line was created by singer/guitarist Roger Hand and singer/guitarist/keyboardist Rod Edwards, who would later find greater fame as Edwards Hand. Using some of Britain's top session players, including organist Alan Hawkshaw, guitarist Alan Parker, Jamaican-born flautist Harold McNair, and double bassist Danny Thompson from Pentangle, the album was expertly arranged by composer John Cameron, who had worked on television and film soundtracks, and co-produced by folk singer Roy Guest. The result was a particularly enticing slice of British psychedelia, driven by an overriding feel of small-town Englishness, with a touch of Californian vocal harmony here and there and a nice take of Bob Dylan's "Visions Of Johanna". Licensed from Cherry Red. 180 gram vinyl.
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TDP 54029LP
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Trading Places present a reissue of Zior's Every Inch A Man, originally released in 1973. The obscure British blues-rock quartet Zior grew out of the thriving late '60s R&B scene in Southend-On-Sea, their live performances often taking the form of hippie "happenings". Soon they were drawing from the hard rock and emerging heavy metal scenes of the West Midlands, with Black Sabbath and Led Zeppelin the most obvious musical influences (along with Steppenwolf). Self-titled debut LP from 1971 (TDP 54001LP) trampled through diverse rock terrain, but there was discord and diversions that stopped the band's ascent. After Zior broke up, Every Inch A Man surfaced in Germany, without the band's knowledge or permission; as with the debut, there is heavy psych, hard rock and straight-up blues rock, with a touch of krautrock influence. Licensed by Larry Page Productions. 180 gram vinyl; gatefold sleeve.
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TDP 54027LP
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Trading Places present a reissue of Bridget St. John's Songs For The Gentle Man, originally released in 1971. The English singer and guitarist Bridget St. John was introduced to the bourgeoning London folk scene by guitarist John Martyn, her rich and unusually deep voice being highly distinctive. BBC Radio disc jockey John Peel became one of her greatest champions, and when Peel formed the Dandelion label in 1969 with former Elektra record plugger Clive Selwood, the original intention was to issue St John's music. Following debut album from 1969, Ask Me No Questions (TDP 54013LP), which featured Martyn on a few tracks, the 1971 follow-up Songs For The Gentle Man was produced by Ron Geesin, who supplied a more orchestrated arrangement with woodwinds; the album also features a cover of Donovan's "The Pebble And The Man". Licensed from Cherry Red. 180 gram vinyl.
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TDP 54031LP
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Restocked. Trading Places present a reissue of Catapilla's self-titled album, originally released in 1971. Jazz-infused prog rock act Catapilla began in London in 1970, with saxophonists Robert Calvert (who later worked with Daevid Allen in various Gong spin-off projects) and Hugh Eaglestone, bassist Dave Taylor (of chart-topping pop act Edison Lighthouse, and later active in hard-rock group, Liar), along with drummer Malcolm Frith, guitarist Graham Wilson, and clarinet player/flautist, Thierry Rheinhardt; original vocalist "Lady" Jo Meek quit early (to work with the keyboardist, poet, and science fiction author, Julian Jay Savarin) and was duly replaced by her sister, Anna, whose gutsy gasps gave the band its noteworthy difference, along with the woodwinds and horns. Former Millionaires' bassist Cliff Cooper (who had worked with producer Joe Meek before founding Orange Amplifiers), brought Catapilla to the attention of Black Sabbath's manager, Patrick Meehan, who swiftly got them a contract with Vertigo, Philips's prog subsidiary; this self-titled debut has four freaky tracks, including the side-long closer, "Embryonic Fusion". 180 gram vinyl; gatefold sleeve. Licensed by Cherry Red.
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TDP 54026LP
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Trading Places present a reissue of Jonesy's No Alternative, originally released in 1972. One of the lesser-known acts to arise during the plethora of prog rock acts in Britain, Jonesy was formed in 1971 by frontman John Evans-Jones and his bassist/multi-instrumentalist brother Trevor "Gypsy" Jones, who had both been in Anno Domini just before (though they had first played in various groups together during an Australian sojourn in the 1960s, including the hit-making Choas & Co). The early line-up shattered after a brotherly dispute, leading to the arrival of bassist David Paul and drummer Jim Payne, who had both played in the National Head Band, with Chicago-born scouser, Jimmy Kaleth on keyboards lending a defining treble element, especially through his use of a mellotron. The prevalence of that instrument on their 1972 debut LP, No Alternative, has naturally drawn comparisons with King Crimson in retrospect, but Jonesy had a sound all their own, with undercurrents of blues rock on "Mind Of The Century" and the title track, plus jazz leanings, and uncommon time signatures on "1958" and "Ricochet". This edition features bonus tracks "Everyday's The Same" and "Reprise", taken from a 1973 single. 180 gram vinyl. Licensed by Cherry Red.
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TDP 54033LP
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Trading Places present a reissue of Sir Lord Baltimore's Kingdom Come, originally released in 1970. Hard-rocking Brooklyn trio Sir Lord Baltimore's highly sought-after debut album is a legendary precursor of the heavy metal genre, a 1971 Creem review of the disc perhaps the first to ever use the term. The group benefited from the songwriting and production team of Mike Appel and Jim Cretecos, Appel the future manager of Bruce Springsteen and Cretecos already heady from success with The Partridge Family; recorded at Vantone Studios in New Jersey, it was mixed to fine effect by Eddie Kramer at Electric Ladyland, fresh from his work with Jimi Hendrix. Guitarist Louis Dambra co-arranged the material with Appel and Cretecos; he had earlier played in garage band The Koala as Louis Caine, and here his screeching guitar is a major draw, backed by plodding bass from Gary Justin, as front man John Garner shrieks his vocals while pounding furious drumbeats. Aside from a tough cover of Ray Charles's "I Got A Woman" and a track inspired by Yeats poem, "Lake Isle Of Innersfree," the album features heavily-stoned acid rock originals, delivered the Sir Lord Baltimore way. 180 gram vinyl; gatefold sleeve. Licensed by Cherry Red.
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TDP 54030LP
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Trading Places present a reissue of John Barry's Zulu, originally released in 1964. One of the most important British film composers of all time, John Barry's body of work is simply astounding. In a career that spanned more than half a century, Barry composed some of the most popular soundtracks for British film and television, including eleven James Bond themes, winning numerous awards and accolades in the process. The son of a projectionist from York in the north of England, Barry was raised in a cinematic environment from a very young age and after a stint as an army trumpeter in Cyprus, he began to work back home in Britain for Jack Parnell and Ted Heath's Orchestra and after the subsequent formation of The John Barry Seven in 1957, he began to work in film and television. The highly evocative Zulu soundtrack of 1964 is the work that brought him to the attention of a wider audience, shortly before the first James Bond theme that would turn him into a household name; here the music shifts between an overriding tension and the kind of military fanfares reserved for pitched skirmishes on battlefields, the orchestrates peaks and troughs sounding every bit as stirring as anything recorded in Hollywood. 180 gram vinyl. Licensed by Cherry Red.
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TDP 54032LP
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Trading Places present reissue of The Dorians's Rock Concerto, originally released in 1970. Obscure Canadian psychedelic rock band The Dorians was formed in 1968 in the town of Kingsville, Ontario, by singer John Unger and bassist Bob Nixon, formerly of The Doomsday Machine; guitarist/chief songwriter Bill Loop drafted esteemed drummer Mike Betts, who joined in September 1967 after playing with Loop in Living Ends. Since Kingsville lies less than an hour away from Detroit by road, the band began recording at noted soul spot, GM Studios, in 1969, working with the songwriter, trumpeter, and arranger, Floyd Jones. Early singles such as the catchy "Psychedelic Lipstick" were licensed to European labels, including Giacomo Mazzini's Swiss-based PDU, which issued their sole long player, Rock Concerto, in 1970. Although "Means And Ways" and "Good Love" are framed as easy-going psych driven by strong vocal harmony, "Torch Song" drifted into spaced-out territory via extended instrumental jamming, led by the parallel playing of bass, violin, and keyboards. This edition of the highly collectable LP includes bonus track "Worm Conquers All", taken from the "Torch Song" single B-side. 180 gram vinyl. Licensed by Cherry Red.
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TDP 54020LP
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Trading Places present a reissue of Jan Dukes de Grey's Mice And Rats In The Loft, originally released in 1971. Led by the inscrutably gnomic Derek Noy, Yorkshire-based outfit Jan Dukes de Grey briefly emerged in the late '60s to deliver two of the rarest, most sought-after albums in the British acid folk lexicon, their 1969 debut Sorcerers and the extraordinary Mice And Rats In The Loft, here represented in all its beauty. One of the most mysterious and iconoclastic albums of the whole hippie era. Licensed from BMG.
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TDP 54019LP
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Trading Places present a reissue of Stack Waddy's Bugger Off!, originally released in 1972. Bugger Off! picked up where its predecessor left off, and rampaged on from there. Covers of Zappa's "Willy the Pimp" and the Kinks' "You Really Got Me" might have seemed a little obvious, but both are battered down with such a glorious lack of finesse that it's impossible to object -- anybody familiar with, respectively, Juicy Lucy and the Hammersmith Gorillas' versions of the same songs will come in with at least a vague idea of what to expect, but that's about it. "Hoochie Coochie Man" is even more disheveled, and when John Peel's liner notes reminisce on the group's insistence on recording live, you can tell he's not necessarily looking back with any fondness. On one occasion, he suggested they do a little overdubbing. The band's response to his words would become the album's title. Includes "Mama Keep Your Big Mouth Shut" as bonus track taken from the 1972 John Peel Session. Licensed from Cherry Red.
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TDP 54017LP
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Trading Places present a reissue of Alexis Korner's Blues Incorporated's third album, originally released on the Transatlantic Label in 1964. Following two live albums recorded at the Cavern at the Marquee, it features his all-time hits "Stormy Monday" and "Chicken Shack". A true masterpiece from one of the godfathers of the white blues movement from the '60s. Licensed from BMG.
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2LP
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TDP 54018LP
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Trading Places present a reissue of Blake's New Jerusalem by Tim Blake, originally released in 1978. This is Blake's first studio release after the '70s experience with Gong and the Crystal Machine live duo with Patrice Warrener. Recorded between Sussex and the Barclay Studio in Paris, Blake's New Jerusalem" is a masterpiece of the drug culture of the 1970s. It comes with a whole bonus LP filled with bonus tracks from the same sessions. Licensed from Cherry Red.
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TDP 54014LP
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Trading Places present a reissue of Emerald Web's Sound Trek, originally released in 1980. Pioneering space music duo Emerald Web, comprised of Bob Stohl and soulmate Kat Epple, made some of the most ethereal, divine, and healing sounds between 1979 and 1990. Crafting their debut album in a haunted mansion in northwest Connecticut, their second disc was created in a small log cabin. A subsequent move to the San Francisco Bay Area brought an extended stay at an Indonesian martial arts ashram, which led to the Valley of the Birds, a remote avian haven in which the duo produced Sound Trek, an incredible space rock long-player drawing on their immersion in fantasy realms, sci-fi, martial arts, and UFOs. Created mostly with monophonic synths and an Oberheim DS-2 sequencer, it also features Shakahachi flutes, electronic flutes, and more standard acoustic instruments. Licensed by Kat Epple.
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TDP 54015LP
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Trading Places present a reissue of Implosion's self-titled album, originally released in 1988. Outstanding Italian outfit that combines prog, space rock, psych, and electronic music in an album that could have come from the early 1970s. Long spacey, dreamy, and mostly instrumental tracks made of killer, acid-leaking electronics. Released in 500 copies in 1988, the monster rare LP was never reissued in any format for more than 30 years and Discogs has it in the three-digit range. This long-awaited reissue was digitally remixed and remastered in 2019 from the master analog tapes, played back through the original 4-track recording deck. Inner sleeve features a 2019 foreword by Implosion's guitarist, as well as lyrics to three songs and the bio sheet which originally graced the first 20 copies only. Licensed by Gianni Rosati.
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