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viewing 1 To 25 of 63 items
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TDP 54065LP
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$25.00
PREORDER
RELEASE DATE: 11/26/2021
Trading Places present a reissue of Kingdom Come's self-titled album, originally released in 1972. "God of Hellfire" Arthur Brown made an indelible impact in The Crazy World Of Arthur Brown, performing outlandish theatrics with a burning helmet and being deported from Italy after a naked appearance at the Palermo Pop Festival in 1970. When his bandmates quit to form Atomic Rooster, Brown formed Kingdom Come to cut three esoteric albums for Polydor, this self-titled sophomore set inspired by the element of water. It's a deep dive into prog concept territory, with churning organ, pounding bass and drums, wah-wah excursions and Brown's internal conversations drifting between the speakers. Licensed by Cherry Red.
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TDP 54059LP
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$25.00
PREORDER
RELEASE DATE: 11/26/2021
Trading Places present a reissue of Outskirts of Infinity's Lord Of The Dark Skies, originally released in 1987. Channeling the jagged edges of Hendrix's fuzztones and the spaced-out virtuosity of Cream, hard psych trio Outskirts Of Infinity formed in London in 1986 with guitarist/vocalist Bari Watts, bassist Nick Saloman (of neo-psych/indie band Bevis Frond) and drummer Ric Gunther. Debut LP Lord Of The Dark Skies was one of the first on Saloman's Woronzow label and it remains one of the best. A delightfully stoned set of searing guitar jams with a nice cut of Cream's "Tales Of Brave Ulysses" to boot. Epic acid psychedelia to savor. Licensed by Cherry Red.
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TDP 54064LP
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$25.00
PREORDER
RELEASE DATE: 11/26/2021
Trading Places present a reissue of Doris Duke's Woman, originally released in 1975. Georgia-born soul singer Doris Curry began her career as Doris Whittingham after marrying Gus Whittingham of the Cadillacs and after backing Nina Simone on live album A Very Rare Evening, Swamp Dogg renamed her Doris Duke for her acclaimed solo debut, I'm A Loser. The 1975 swansong, Woman, recorded for the British Contempo label and arranged by Gerry Shury, gets it contours from Ultrafunk's top-notch rhythm section and enhanced by the Armada Orchestra. A neglected classic that remained unjustly obscure, it has superb takes of "Woman Of The Ghetto" and Mavis Staples' "Pick Up The Pieces," plus spirited originals. Licensed by Cherry Red.
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TDP 54068LP
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$25.00
PREORDER
RELEASE DATE: 11/26/2021
Trading Places present a reissue of Sandro Brugnolini's Fantabulous (La Donna, il Sesso e il Superuomo), originally released in 1968. Roman saxophonist and clarinetist Sandro Brugnolini began his long recording career in the Junior Dixieland Gang in the early 1950s and came to greater prominence as chief composer in the Modern Jazz Gang, awarded best original composition for his 'Arpo' at Italy's National Jazz Festival in 1958. Of the many film soundtracks he scored in the '60s, Fantabulous is the most legendary, Brugnolini bringing a jumble of mod jazz, psych-beat, freaky soul, and off-kilter pop into the mix, as an aural accompaniment to a film inspired by superheroes, secret agents, and swinging dames. One of the ultimate soundtrack rarities, this one is a must-have, far-out listening experience. 180 gram turquoise vinyl; edition of 500.
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TDP 54050LP
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Trading Places present a reissue of Mighty Baby's self-titled album, originally released in 1969. The obscure British prog band Mighty Baby evolved from an earlier group called The Action, a London Mod act that signed to Parlophone after building a strong live reputation, with guitarist Alan King, bassist Mike Evans and drummer Roger Powell, later expanded to include former Savoy Brown guitarist Martin Stone and keyboardist/sax player, Ian Whiteman. Moving heavily into experimental psychedelia in 1969, they cut this incredible debut album for the Head label, which is rightly hailed as one of the greatest psychedelic records of all time. With jazz, blues and improvisational references abounding, tracks like "Egyptian Tomb" and "House Without Windows", the latter with its dramatic stereo drum panning, demonstrate why this disc is such a lost classic. 180 gram vinyl; gatefold sleeve. Licensed by Cherry Red.
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TDP 54063LP
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Trading Places present a reissue of Silverhead's 16 And Savaged, originally released in 1973. Star-studded Silverhead was glam-rock with a difference. Led by the actor/public schoolboy Michael Des Barres, who appeared in To Sir, With Love (1967) in his youth, the band had Bowie alumnus Rockin' Rod Davies and Stevie Forest on dual guitars, solid drummer Pete Thompson, and best of all, future Blondie bassist Nigel Harrison, already showing melodic depth in his grooves. This killer second album, from Deep Purple's Purple label, has Robert Plant's mate, Robbie Blunt in place of Forest and benefits from the keyboard skills of Rabbit Bundrick, who played with Paul Kossoff and Bob Marley. This is tasteful, tongue-in-cheek rock on the raunchy side of glam, a welcome reissue for all discerning glam fans. Gatefold sleeve; 180 gram vinyl. Licensed by Cherry Red.
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TDP 54054LP
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Trading Places present a reissue of Tear Gas's self-titled album, originally released in 1971. Glasgow's boogie proggers Tear Gas grew out of the Mustard band. Debut LP Piggy Go Getter was a blend of hard boogie rock with psychedelic prog leanings and although their eponymous second album continued in roughly the same direction, the musicianship is far stronger here and the prog side of things more nuanced, as heard on songs like "The First Time". Somehow the deserved fame was not forthcoming, leading the group to morph into the Sensational Alex Harvey band and lead singer David Batchelor to a stellar production career. Yet, Tear Gas remains the best of their hard-to-find catalog, appealing to hard rockers and prog fans alike. 180 gram vinyl. Licensed by Cherry Red.
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TDP 54056LP
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Trading Places present a reissue of Agincourt's Fly Away, originally released in 1970. During the mid-1960s, deep in the Sussex countryside of southern England, aspiring musicians Peter Howell and John Ferdinando played in a few school bands before recording together in Howell's father's garage. Through Ferdinando's connections with a theater group, the duo created a musical companion for their production of Alice Through The Looking Glass, which the duo pressed privately; then, Fly Away, credited to Agincourt, was produced in a spare bedroom, an advertisement bringing Lee Menelaus, whose lilting voice provided a stirring female counterpart to theirs. Much of this psychedelic folk oddity has a quaint innocence fitting of the era and along with English folk-rock there are shades of pop, a touch of West Coast and even jazz in places. Pressed in minute quantity on another private press, original copies have been known to sell for £1500 or more; the duo continued recording, notably on work credited to Ithaca, before Howell became a full-time member of the BBC Radiophonic Workshop, where he notably worked on the Doctor Who theme. Licensed from Cherry Red.
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TDP 54055LP
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Trading Places present a reissue of Fat Mattress II, originally released in 1970. Noel Redding made a big splash as bassist with the Jimi Hendrix Experience, but he was really a guitarist, having played with singer-songwriter Neil Landon in the Brunettes as a teenager. When Redding left the Experience, and Landon quit Engelbert Humperdinck's band, the pair formed Fat Mattress with Humperdinck's drummer, Eric Dillon, and bassist Jim Leverton, signing to Polydor for the self-titled debut album in 1969. Second album Fat Mattress II benefits from the presence of expressive keyboardist Mick Weaver, aka Wynder K Frogg, and on some tracks, Quartermass guitarist Steve Hammond, but Redding remains the major draw, as heard on the songs "Highway", "At The Ball" and "People". As with its predecessor, the album is based largely on the pleasantly-melodic shades of psychedelic folk rock, with a few rough rock edges along the way; this edition has a rare album outtake, "Hall Of Kings", and 1970 single B-side "Black Sheep Of The Family" as bonus tracks. The album emphasizes that Redding was a superb guitarist as well as a fine songwriter, giving a different perspective on his contributions in Jimi's band and beyond. Licensed from Cherry Red.
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TDP 54057LP
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Trading Places present a reissue of Ithaca's A Game For All Who Know, originally released in 1973. Following their collaboration on the Alice Through The Looking Glass and Agincourt projects, Sussex-based Peter Howell and John Ferdinando formed Ithaca, another project recorded in Ferdinando's spare-room studio. Howell had just joined the BBC (where he would later work on the Doctor Who theme), and inspired by the Moody Blues, conceived a prog-rock project exploring life's grander themes, with Ferdinando handling producer duties; Lee Menelaus of Agincourt is present on select songs, along with other colleagues. A Game For All Who Know is a beautiful slice of pastoral prog that is ripe for rediscovery, this edition made more appealing through the inclusion of several rare bonus tracks. Licensed from Cherry Red.
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TDP 54044LP
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Trading Places present a reissue of Fat Matress's self-titled album, originally released in 1969. As bassist in the Jimi Hendrix Experience, Noel Redding made an indelible impression, but guitar was his chief instrument since the age of 17, when he backed Neil Landon in The Burnettes, and when Landon reconnected with Redding after a spell with Engelbert Humperdinck, Fat Mattress was born with Humperdinck's drummer, Eric Dillon, and bassist/keyboardist Jim Leverton. This indispensable debut was the only LP to feature Redding, the sound a pleasantly-melodic shade of psychedelic folk rock, with a few rough edges. Reproducing the original fold-out poster cover, this edition has four bonus tracks from the same sessions, two of which were issued on a 1969 single, the other two left in the can. 180 gram vinyl; in poster sleeve, faithfully reproducing the original version. Licensed from Cherry Red.
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TDP 54046LP
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Trading Places present the first vinyl issue of Sphincter Ensemble's Harrodian #1. The incredible sonic beauty of the Sphincter Ensemble results from musical spontaneity, a random jam session undertaken by a loose group of friends in the unlikely setting of the Harrovian Club in Barnes, west London, on January 2nd 1972. The sumptuous free jazz/prog rock/avant-classical fusion features top session players at their peak, with Trevor Morais's funky drumming loosely tied to Quatermass bassist John Gustafson's rough melodic lines, embellished by Anne Odell's far-out synths, Martyn Ford's French horn and arrangements by Elton John's orchestrator, Paul Buckmaster. This hugely enjoyable rarity is appearing on vinyl here for the very first time -- a thing of wonder for all discerning prog fans. Licensed from Cherry Red.
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TDP 54052LP
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Trading Places present a reissue of Tucky Buzzard's Buzzard, originally released in 1973. The roots of hard rock act Tucky Buzzard lie in psychedelic group, The End, who supported The Rolling Stones on an early tour, leading Bill Wyman to produce their sole LP. The band then morphed into Tucky Buzzard, now with scorching lead guitar licks and Hammond organ parts to the fore, and Wyman still on board as producer and manager. For their final album, Buzzard, released on Deep Purple's Purple imprint in 1973, there is a mix of hard-edged blues rock, with a fine interpretation of perennial classic, "Who Do You Love," and wistful originals like "Hanging On In There." As ever, Wyman's sterling production and presence on acoustic and electric piano makes this one a must for all Stones fans. Licensed from Cherry Red.
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TDP 54060LP
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Trading Places present a reissue of Brian Davison's Every Which Way, originally released in 1970. Esteemed drummer Brian Davison was a key part of The Nice during the mid-60s, and when Keith Emerson quit to form ELP, Davison put together Every Which Way with former Skip Bifferty frontman Graham Bell, bassist Alan Cartwright, guitarist John Hedley, and saxophonist Geoffrey Peach. Self-titled debut LP, released by Charisma in 1970, was an intense slice of prog with excellent sax solos, emotive vocals, tasteful bass, soaring guitar, and forceful drumming, but Cartwright soon joined Procol Harum and Davison drifted into Refugee, making this album the group's sole release. Well worth exploring, it's another highly sought-after album for fans of well-produced prog. 180 gram vinyl. Licensed from Cherry Red.
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TDP 54049LP
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Trading Places present a reissue of Curtiss Maldoon's self-titled album, originally released in 1971. After playing in Bodcast with future Yes guitarist Steve Howe, Dave Curtiss, and Clive Maldoon formed blues-rock duo Curtiss Maldoon, their self-titled debut released on Deep Purple's label, Purple Records, in 1971. For the LP, the pair was backed by top session players including Mighty Baby's drummer, Roger Powell, as well as Howe on the final track; contemplative folk-rock track "Sepheryn" would later be immortalized in altered form by Madonna as techno classic "Ray Of Light," but is included here in all its original glory, along with four rare bonus tracks from the same sessions, left off the original release, making this expanded reissue the best way to experience the band at their finest. Features four bonus tracks. 180 gram vinyl. Licensed from Cherry Red.
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TDP 54021LP
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A rarefied blend of vintage synthesizers and acoustic instruments, the Valley Of The Birds album by Emerald Web was created in 1981 by two pioneers in electronic music, space music, and audio technology, Bob Stohl and Kat Epple. Originally recorded and composed in their 4-track, reel-to-reel home studio, they created their signature thickly-layered timbres by serving as recording engineers, and simultaneously playing an array of monophonic synthesizers, flutes, other acoustic instruments, and Lyricons. The Lyricon Electronic Wind Instrument is a remarkable hybrid synthesizer/woodwind instrument that uses additive synthesis, and a bass clarinet mouthpiece. The album liner notes, written by Kat Epple, lists music instruments and recounts some of the band's experiences in 1981, in the San Francisco Bay Area where the couple lived. 180 gram vinyl; Gatefold sleeve; edition of 500.
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2LP
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TDP 54023LP
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Obscure yet outstanding '80s Italian outfit Implosion released one album in 1988, combining space rock, prog, psychedelia, and proto-electronics. This limited edition, double-LP set contains 16 previously unreleased tracks originally recorded between 1983 and 1989. Digitally remixed and remastered in 2020 from the master analog tapes. Limited super-deluxe, double-LP; gatefold sleeve with lyrics and detailed liner notes.
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TDP 54022LP
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Obscure rock group Nite People was formed in 1964 in the southern English town of Poole by drummer/singer, Chris "Fergy" Ferguson; later, guitarist Jimmy Shipstone joined (as Jimmy Warwick), along with organist Barry Curtis and Jimmy's brother Francis on bass (as Francis Gordon). Following inconsequential singles for Fontana, with bassist Scott Kirkpatrick, the group signed to Larry Page's Page One. P.M., issued in 1970, showed heavier leanings and although originals "Funky Hoe" and "P.M." were captivating, the album probably had too many covers, though the driving cut of The Four Tops' "Reach Out" was certainly unique. Page also had the group record as The Banana Bunch, before the final split. 180 gram, orange vinyl.
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TDP 54016LP
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Born Samantha Owens in Liverpool, Jones began her recording career in The Vernon Girls, a female singing group affiliated with the Vernon Football Pools company; they created a popular Beatles tribute album in 1964 with producer Charles Blackwell, who launched Jones's solo career that same year. Blackwell producer a debut solo LP for Ascot in 1968; two years later, Larry Page released sophomore set A Girl Named Sam, with Austrian wunderkind Mark Wirtz casting her in the broad realm of pop, though most of the songs describe romantic failures. The album thus has a tongue-in-cheek cover of Burt Bacharach's "I'll Never Fall In Love Again" and credible renditions of Aretha's "You Make Me Feel Like A Natural Woman" and Jackie DeShannon's "Put A Little Love In Your Heart". Includes one bonus track. 180 gram, green vinyl.
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TDP 54045LP
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2021 restock. Trading Places present a reissue of Heron's self-titled album, originally released in 1970. Short-lived British folk-rock band Heron was formed in the suburban town of Maidenhead, Berkshire, in 1967, when guitarist/pianist Roy Apps and singer Tony Pook began playing with guitarist Robert Collins, inspired by the music of Bob Dylan and The Incredible String Band. Collins soon quit the group, yet Heron solidified into a noteworthy entity upon the entry of the broadminded and perceptive guitarist and mandolin player Gerald T. Moore, a veteran of R&B bands in nearby Reading, who brought a higher level a musical dexterity, song-writing ability and arrangements; guitarist Martin Hayward was another early member that did not remain with the group for long. Once accordionist/keyboardist Steve Jones was in the fold, things leapt forward through Apps' role as Student Entertainments Secretary at the Reading College of Technology, which allowed the group to open for Ralph McTell and other established performers. Signed as songwriters to Essex Music, they were spotted by Donovan's producer, Peter Eden, who signed them to Dawn Records, an alternative subsidiary of industry giant, Pye. Their self-titled debut album, produced by Eden, was recorded in the open air at a Pook's family farm in rural Appleton-On-Thames. For the rare 12-inch single "Bye And Bye," the title track was a wistful wish for the romance of travel, written by Moore, followed by his heart-broken "Through And Through"; Moore's unusual reading of Bob Dylan's "Only A Hobo" sparked considerable media interest and Pook's "I'm Ready To Leave" was a contemplative closer, again tinged with melancholy. "Bye And Bye" received considerable airplay, but a vinyl delivery strike ultimately curtailed demand. As expanded Heron went on to record sophomore set Twice As Nice & Half The Price (1971), before Moore quit the group to back his Persian girlfriend, Shusha; he subsequently founded the world's first white reggae act, GT Moore and the Reggae Guitars. Licensed by BMG.
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TDP 54048LP
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2021 restock. Trading Places present a reissue of July's The Second of July, demos for their debut album recorded in 1968. The obscure west London psychedelic rock act, July, arose from the ashes of rhythm and blues group The Tomcats, who had some success in Spain in the mid-60s after absorbing members of fellow musical travelers, Second Thoughts. Back in London in 1968, co-founder Tom Newman, later known for his engineering and production work on Tubular Bells, shifted the group into psychedelic mode with his guitar friend, Pete Cook, writing material that would draw the guitarist/bandleader Spencer Davis in a management role, leading to a contract with Major Minor records for their self-titled debut LP, which failed to chart, but the inclusion of songs such as "My Clown", "Dandelion Seeds", and "The Way" on various compilations have assured a strong underground following. The rare demos that make up The Second of July date from before the debut album was recorded and reveal the group in all their evolving experimental glory, the sound not only blending psychedelic rock and pop with lush harmonies, intricate lead guitar, and scintillating keyboards, but also including Indian elements such as sitar and tabla (and Indian-derived chord sequences), plus trippy tape loops and phasing. Licensed by Cherry Red.
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TDP 54047LP
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Trading Places present a reissue of Moody Blues' The Magnificent Moodies, originally released in 1965. Although chiefly associated with art rock and progressive rock due to the symphonic bent of their breakthrough second album, Days Of Future Passed (1967), as the group name attests, The Moody Blues began as a rhythm and blues band, formed in Eridngton, a suburb of Birmingham, England in 1964, spinning off from local bands El Riot & The Rebels and the Krew Cats. Keyboardist Mike Pinder, flutist/percussionist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick are the featured players on their debut disc, released by Decca in 1965 following the chart success of outstanding single, "Go Now," (a cover of an emotive r and b song by black American female singer, Bessie Banks) and unlike every subsequent release, this album has a heavy Mersey Beat rhythm and blues influence, as well as an overarching blues-pop grounding. The first side is made up of covers, including a great cut of Chris Kenner's "Something You Got," while side two is mostly taken up with original numbers penned by Mike Pinder and Denny Laine. A crucial piece of the Moodies' archeology, The Magnificent Moodies captures the group at their very beginnings. Includes six bonus tracks. Licensed by Cherry Red.
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TDP 54053LP
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Trading Places present a reissue of Ultrafunk's self-titled album, originally released in 1975. Anonymous British funk studio outfit Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a fashionable record shop and label called Contempo in London's West End during the 1970s; he conceived of the group as the UK counterpart to US studio bands like MFSB. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer John Richardson to form the group, in situ. A lack of band photos, suggestive song titles and a predilection for American cover tunes led many to believe the band was US-based. Their self-titled debut LP is where the myth all begins, with a number of truly atmospheric and cinematic hard funk instrumentals, given added textural depth through full orchestration, including covers of Bill Withers's "Use Me" and Stevie Wonder's "Living In The City." Though not quite as compelling as the better-known follow-up set, Meat Heat, there is still plenty to savor on Ultrafunk, making this debut companion disc a must-have for all true funk afficionados. Licensed by Cherry Red.
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TDP 54051LP
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2021 restock. Trading Places present a reissue of Tim Blake's Crystal Machine, originally released in 1977. British synthesizer wizard Tim Blake became a mainstay of the adventurous musical Gong collective in the mid-1970s and joined legendary rockers Hawkwind by the end of the decade. In between, he recorded a number of experimental solo albums, of which the first, Crystal Machine, was the most innovative and ambitious. An album taken from epic live performances staged at the Seasalter festival in 1976 and at Paris's Palace Theatre in 1977, the disc had four extended synthesizer suites and a locked fragment at the end, all featuring Blake on various futuristic keyboards, including an EMS Synthis A, a Minimoog, and an Elka Rhapsody, as well as an EMS Frequency Shifter, an MXR Flanger, and a Sony TC Tape Deck Echo, performing in tandem with a Spectra Physics 164 Argon Laser, and a Crystal Machine Projector, operated by Patrice Warrener for maximum trippy-ness. The result is an innovative masterpiece of ambient electronica with a touch of jazz-funk, as heard most noticeably on "Metro Logice" and "Last Ride Of The Boogie Child." This is a deep dive into all that is possible in the realm of the synthesizer, repeated listening revealing the hefty skill woven in layers of dexterous playing. Licensed by Cherry Red.
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TDP 54025LP
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Musical maverick and interstellar comedian George Clinton changed the shape of modern funk with his Parliament and P Funk projects, the first yielding a harder-edged somewhat more traditional form of funk, the latter a goofy, loose and sloppily playful Afrofuturist take on funk innovation. The live shows always stretched the boundaries of plausibility, as well as musical contours, with our hero beaming himself on stage from a massive "mothership" to deliver an excessive funk tour-de-force. Make My Funk The P-Funk takes its name from the group's ubiquitous catchphrase and the tracks are drawn from various live performances stretching from the late 1970s to the early 1990s, and there are some studio recordings as well, such as the instrumental "Good Love". Licensed by Prestige. 180 gram neon violet vinyl.
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