|
|
|
|
viewing 1 To 25 of 162 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
12"
|
|
TURBO 236EP
|
$19.00
PREORDER
RELEASE DATE: 1/31/2025
Years of simmering mutual admiration between Turbo and Architectural finally erupt with Good Night, Whatever That Is, the Asturian producer's first release on the label. Nothing gets Turbo hot and bothered like the prospect of featuring a true artist on the label. The Good Night, Whatever That Is EP imbues the timeless platonic forms of techno with an energy, craft and depth that will feel instantly familiar to anyone who has built a cathedral with their bare hands. And yet the unadulterated power of lead single "Steampunk" and the even-less-adulterated power of "Tubular Funk" confirm that this release also has one foot squarely planted on the secular dance floor, coursing with the searing bio-fluids that drive and torment all sexual beings. Meanwhile, your deep human need for contrast will be sated by the IDM-ambient euphorics of "Eternity Land" and the highbrow breaks of "Rousing Rhythms."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 237EP
|
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fiber of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward. To this end, everyone at Turbo is grateful beyond words that venerable veteran's veterans Extrawelt are bringing the full bore of their two decades' experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of "Angry Elektro." And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called "Angry Halibut" and sounds exactly what you're terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger "Save City" and bottomless warehouse trip-soundtrack "Flunk." Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt's own "Drop Outs in Heaven Remix" of "Flunk" is yours as a digital exclusive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 228A-EP
|
Tiga & Hudson Mohawke recently released their hit single "Feel The Rush," featuring none other than Channel Tres. After landing in Tiga's recent Boiler Room set, "Feel The Rush" created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project: Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 224EP
|
Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions. Turbo Recordings is delighted to have Ambien Baby landing for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany and NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi and DNGDNGDNG provide remixes for the late-night affairs.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 233EP
|
The legendary techno icon Sven Vath makes his debut on Montreal's titanic Turbo Recordings, alongside his longtime collaborator Gregor Tresher. When it comes to foundational figures of electronic music, few are more impactful than Sven. Through his label Cocoon, and his widely respected DJing and parties over the last 30+ years, Vath has tremendously influenced of the global techno scene. Sven Vath almost never releases on labels other than his own (Cocoon). This is a rare treat to have him on another imprint. Sven performs vocals on both tracks, which is also a rare and special occurrence.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 232EP
|
Turbo Recordings presents the label debut of Anastasia Kristenen, with her Moments of Inertia EP. Turbo is constantly and violently shocked that exciting techno music is still being made. Escaping the massive shadow of Norway's hip-hop scene, Moments of Inertia captures a sound that evokes nothing but itself, as though Kristenen were recording sub-rosa dimensional machinery at oblique angles and arranging the best parts with the kind of narrative grandeur most techno artists would never dare interrogate. The A1 "I'd Love To Do It" leads with vivacious drum programming and Kristensen's enigmatic vocals setting the stage for "Paradox & Puzzle" which shares a name with Tiga's moderately successful escape room gastropub. The title track closes the show with slamming industrial tones, summarizing Anastasia's bespoke futuristic flow.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TURBO 229CD
|
The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album -- L'Ecstasy. Originally conceived as a hardcore rave project focusing on bleary-eyed 6am catharsis, the breadth of the project expanded to encompass their shared love of the music surrounding the '90s ravebiome, with chill-out quasi-IDM ambient creating space for the album's tentpole anthems to breathe. Featuring guest appearances by luminaries like Abra, Channel Tres, Elisabeth Troy, and Jesse Boykins III, as well as album artwork by Turner Prizewinning photographer Wolfgang Tillmans, the result is delivered with two friends churning out the kind of music they want to hear, want each other to hear, and hope to hear you wanting to hear too.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TURBO 229LP
|
Repressed; double LP version. The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album -- L'Ecstasy. Originally conceived as a hardcore rave project focusing on bleary-eyed 6am catharsis, the breadth of the project expanded to encompass their shared love of the music surrounding the '90s ravebiome, with chill-out quasi-IDM ambient creating space for the album's tentpole anthems to breathe. Featuring guest appearances by luminaries like Abra, Channel Tres, Elisabeth Troy, and Jesse Boykins III, as well as album artwork by Turner Prizewinning photographer Wolfgang Tillmans, the result is delivered with two friends churning out the kind of music they want to hear, want each other to hear, and hope to hear you wanting to hear too.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 106RE-EP
|
Turbo celebrates the 10th anniversary of Gesaffelstein's seminal work on the Montreal-based imprint with a long-awaited repress of all three EPs: Variations (TURBO 093RE-EP), Conspiracy Pt. 1 (TURBO 099RE-EP), and Conspiracy Pt. 2. Supremely confident, Gesaffelstein drops the M way down on the lead tracks, drawing out an even heavier sound than on his last records. The slower tempo brings tougher beats and even meaner synth sounds. Incredibly, he's found a way to make his now-familiar palette sound completely fresh again. More clearly than before, one can trace the development of an artist with a very refined musical agenda. "Viol" begins like the tuning of a modernist symphony, a brilliant aesthetic flourish before the track kicks off. "OPR" breaks down into a beautiful, futuristic synth-a-pella that recalls the best of Detroit techno, reminiscent of Dopplereffekt. Finally, on "Conspiracy Origins" -- the only track composed in standard club tempo -- tension builds and builds, waves of rising paranoia and driving rage run straight off a cliff. This is an outro with major attitude, inflected with violence and even contempt. He clearly knows exactly what the crowd wants, but has the good taste and restraint to only give them what he wants, which is, incidentally, what they need.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 230EP
|
Martinou lands on Turbo for the very first time, as the Swedish producer connects with Tiga's Montreal-based label following years of mutual admiration. His melancholic sound, dripping in masterfully balanced tones, continues to impact both heady at-home listeners and season club dancers. A pair of albums on Rotterdam's Nous'Klaer Audio have both been on constant rotation throughout the Turbo community, thus adding to the widespread excitement for Martinou's debut on the imprint. The Sheltered Planet is a four-track record at the cross-section of Martinou's bespoke sound and Turbo's historic techno influence. The aptly titled opener "Getting Into It" elevates senses through an exploitative and rising soundscape, flowing right into the beat-driven house cut "I Told You We'd Make It"; crisp drum programming opens way to soaring melodics, with a deeply analog feel to the A2 groover. On the flip, Martinou effortlessly glides through another movement-laden melody, as "Exhilaration" turns the dial ever-so-slightly towards the Swede's take on a peak-time selection ? "The Offering." Rounded yet punchy synth lines ebb and flow from the distance, oozing into the groove by the time the break lifts brings us to the EP's crescendo; a masterful dance track for the finest of dance parties.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 093RE-EP
|
Turbo celebrates the 10th anniversary of Gesaffelstein's seminal work on the Montreal-based imprint with a long-awaited repress of all three EPs: Variations, Conspiracy Pt. 1 (TURBO 099RE-EP), and Conspiracy Pt. 2 (TURBO 106RE-EP). Every track on Variations is a battle-tested bomb. Gesaffelstein's sound is clearly influenced by new wave and the Gigolo-era electro (2001-2) of fellow Frenchmen The Hacker and David Carretta, but it sounds like a fresh update rather than pastiche, revitalized and refined down to a modern and versatile core. These tracks work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are equally at home in a more underground setting, e.g. Von Party's 5am warm-up before Ivan Smagghe at a London warehouse party. The title track has the most attitude, establishing a palette of dark staccato basslines, crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. "Selected Faces" and "Atmosphere" are arguably even more straightforward club weapons, their breakdowns creating just enough "insanity" without getting annoying, their grooves dropping back in with a cool, restrained power that will win over hiss-weary DJs.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 099RE-EP
|
2024 restock. Turbo celebrates the 10th anniversary of Gesaffelstein's seminal work on the Montreal-based imprint with a long-awaited repress of all three EPs: Variations (TURBO 093RE-EP), Conspiracy Pt. 1, and Conspiracy Pt. 2 (TURBO 106RE-EP). Gesaffelstein's Variations EP set an all-time record for feedback at Turbo. For a new artist to attract that kind of attention from such a broad cross-section of DJs is extremely special and a clear sign that he's tapped into something very, very big. To the younger generation of clubbers and DJs for whom the funtastic era of 2001-2003 revivalism was a missed experience, Gesaffelstein represents a double-breasted jacket of nostalgia for everything from the power of Industrial and '80s new wave to the Gigolo-glam of early Kittin & the Hacker, Steril, Vitalic, Fixmer, and yes, Tiga. There should be no hesitation in declaring that he has single-handedly updated an entire genre, sharpened the edges, and notably traded in the camp and pastiche that made Electroclash a dirty word for a refined and stylish simplicity. The breakdowns are massive and very French, but never out of order. These are futuristic party bombs which skillfully draw from our favorite dance music of the last 30 years... and add more cowbell!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 219EP
|
Turbo Recordings present a 12" vinyl release of Tiga's trance pilgrimage to the center of your personal space, There Is No Distance Between Us. Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback, the track was originally released digitally as a B-side to the Tiga mega-hit "Easy" and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo artist with a Master's Degree in something other than Comparative Tiga Studies. "Yeah, I'm back up in your area," says Tiga from atop the rock-climbing wall inside his virtual panic room. "Something just didn't sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world's problems go away by pressing records, I would. And I can, so I will. This is only the beginning."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 217EP
|
Turbo Recordings present he latest from executive honcho Tiga, a massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and Decius. "No one wants to work their body anymore," says the Montreal merrymaker from atop a throne in the exact shape of a digital wallet. "I get it. Who wants their surplus sweat equity vacuumed up off the dance floor by corporate parasites when the real future's in decentralized skanking? But that's why people in my position -- the top one-percent in terms of nightlife and hospitality take-home pay -- have to offer real benefits to risking it all in the clubs. I'm talking dance-move insurance, competitive drink ticket packages, and -- most of all -- the kind of brick-and-mortar bangers Rhythm Nation was founded upon back in 1814." While gratingly content with the original version, Tiga has nonetheless chosen to flood the marketplace of ideas with a plurality (three) of voices he feels will optimally position this release in today's unforgiving neo-centrist landscape. This stunning grassfed vinyl 12" opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has been described as "operating at the absolute vanguard of rave." Please remember that describing people this way is basically injecting them with Imposter Syndrome. The release also features a remix by Der Zyklus, an alias of Gerald Donald, the epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought, Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out the EP with all the British mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London. "I've designed my entire life around the concept of ease," adds Tiga. "I never wanted to work for a law firm. I wanted to make beats for a law firm. I've always been self-employed, and that why my street cred's off the street charts. And I've let as much of that freedom trickle down to the audience as I can. Because when it comes to music, there's no such thing as an acceptable minimum wage. You gotta know that you gotta give it all you got or you're gonna get got."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 218EP
|
Turbo Recordings wanted their 218th release to be special, so they announce that they've harpooned and skinned one of our white whales, Gesloten Cirkel. Label boss Tiga pursued several leads, most of which went nowhere (the artist's real name is not, as it turns out, "Jesse Circle"), before cornering the elusive Cirkel in Berlin, where he promptly befriended the shit out of him. With killer releases on legendary Dutch electro/acid imprint Murdercapital, Gesloten Cirkel's banger credentials are unimpeachable. For his Turbo debut, he flooded our modest Metaverse offices with over 60 demos. If you guessed that the tracks on Detoon represent all the very best of that material, you just might have what it takes to run a label of your own one day. But you'd also be wrong, because there's a second Turbo EP on the horizon. Never forget: with Turbo, you're always here to learn.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 175S-EP
|
Turbo Recordings present a lovingly rendered reissue of Charlotte de Witte's debut EP in black marbled vinyl. Lead track "Weltschmerz" is a Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of "progressive". It's a killer track that perfectly sets the tone for the whole record. "Damage Control" is a straightforward flex-a-thon, a house-ier rhythm that struts along confidently. The technical term is "floor-filler". "Lonesome" brings the emotion back, with its super-tense, unresolved melodies, this is perfect for all your mega-club yearning and gurning needs. "Relatives of None" is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, "Weltschmerz (Melodic Theme)" provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
TURBO 213S-LP
|
Triple LP version. White vinyl. Turbo Recordings present its grandest achievement yet, a reimagining of Plastikman's 1998 magnum opus Consumed, transformed as a new collaborative composition between original artist Richie Hawtin and musical genius Chilly Gonzales. This is an album three decades in the making, brought into the world by executive producer Tiga. A masterpiece of restraint, depth, and music as architectural vision, Consumed was profoundly influential, defining the soon-to-emerge minimal movement. Shortly after its 20th anniversary, Chilly Gonzales was inspired to compose accompanying piano pieces (counterparts) for each of the tracks and shared them with Tiga, who became the conduit between both artists and led the project to fruition on his label. Hawtin mixed the new combined work, allowing each artist their own space within the project, more of a sonic conversation between them than a conventional collaboration. The artwork is a reinterpretation of the original album's, flipped to black-and-white and with the cutout size transposed to the dimensions of a piano key, the die-cut in the white outer sleeve revealing a shiny black foil stamp on the black inner sleeves. Vinyl and packaging were made using recycled materials.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
TURBO 213LP
|
2022 repress. Turbo Recordings present its grandest achievement yet, a reimagining of Plastikman's 1998 magnum opus Consumed, transformed as a new collaborative composition between original artist Richie Hawtin and musical genius Chilly Gonzales. This is an album three decades in the making, brought into the world by executive producer Tiga. A masterpiece of restraint, depth, and music as architectural vision, Consumed was profoundly influential, defining the soon-to-emerge minimal movement. Shortly after its 20th anniversary, Chilly Gonzales was inspired to compose accompanying piano pieces (counterparts) for each of the tracks and shared them with Tiga, who became the conduit between both artists and led the project to fruition on his label. Hawtin mixed the new combined work, allowing each artist their own space within the project, more of a sonic conversation between them than a conventional collaboration. The artwork is a reinterpretation of the original album's, flipped to black-and-white and with the cutout size transposed to the dimensions of a piano key, the die-cut in the white outer sleeve revealing a shiny black foil stamp on the black inner sleeves. Vinyl and packaging were made using recycled materials.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 164EP
|
Bugatti. Another irresistible one-liner on the dancefloor that can't be missed or forgotten. So much sex and attitude, so few elements. A staccato kick-snare rhythm, a robo-funk synth line, a futuristic pad, a detuned ride, a cheeky vocal hook and a one-note acid line that brings it all together. That's it. All you need if you know what you're doing and have an experienced pair of Canadian Electro-godfather balls intact. Tiga has made a career out of being catchy: from "Sunglasses" to "Mind Dimension", from "Plush" to "Pleasure From the Bass", from "You Gonna Want Me" to "Let's Go Dancing". How does he do it?? It's his ability to drop a clever turn of phrase that separates him from the pack, but the strength and character of his production choices keep things clear of kitsch and make him a perennially hot-tipped cool-commodity everywhere from the great American EDM stage to the hallowed-haus of Panorama's deep underground credibility. His career is like a Veyron -- stable and insane. So listen to it, get it stuck in your head. This track is crazy dope, it doesn't sound like anyone else, and it's the most hip-hop thing all you house DJs are likely to fit into your sets this weekend so go on, get loose and take it for a ride. 12"-only remixes by Perth Drug Legend, Cliff Lothar, and Rebolledo.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
TURBO 212LP
|
Turbo Recordings present a lovingly rendered reissue of Neutron 9000's lost ambient trance classic, Lady Burning Sky, originally released in 1994. Composed and recorded at London's Orinoco Studios in 1994 by Dominic Woosey, Lady Burning Sky was originally released on the legendary UK label Rising High. Turbo prides itself on living in the moment and fighting for the future, and this rare excursion into the past is arguably the most forward-looking release of the next five years. Carefully remastered by Bo Kondren from the original master DATs and spread over three 140 gram vinyl discs, housed in a beautiful gatefold sleeve with liner notes from Tiga and Neutron 9000 narrating the story of how this beautiful record came about.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TURBO 031C-LP
|
Turbo Recordings releases a special ten-year anniversary repress of Azari & III's classic self-titled debut album, originally released in 2011. Azari & III's unique blend of moody electronica, dark yet hooky vocal choruses and analog-thick rhythms has earned them both Juno and Polaris Prize nominations, cementing their status as one of the most important acts in Canadian dance music of the last decade. The four-piece band, consisting of producer/musicians Dinamo Azari and Alixander III with vocalists Fritz Helder and Starving YetFull, have crafted a defining sound that relishes in its references while maintaining a forward-looking perspective even ten years after its initial release. Although the group has since disbanded, their legacy lives on. Gatefold sleeve; transparent vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 204EP
|
There are certain records you have to earn the right to play. After buying the right kind of warehouse, you have to build the energy in the room for what feels like an eternity until the precise moment the vape circle starts gettin' out of control and Dionysus the Greek God of Greek promoters tears through the very fabric of reality and screams "τώρα!" right in your goddamned face. All of which brings you to "Color Code", the latest EP from new Turbo sensation Dean Grenier. Every single one of these four tracks are killer, a term industry demands have forced us use lightly in the past, but not this time, mister. This is sexually-viable sci-fi techno that rewrites your genetic code to give future generations a better chance at exhibiting club-friendly phenotypes like dance antlers or even more powerful sweat glands. At the snap of a glowstick, any of these selections will take your next set from "good" to "very good" on a scale of "good" to "shitty" to "very good." That is our promise to you, no matter who you are or how much we care what you think. "Circulator" features Max Ulis.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 205EP
|
A member of popular techno trio Agents Of Time, Italian artist Fedele goes solo on his Turbo debut, No Mercy For Beginners. Against the backdrop of a nightmare international tour experience, Fedele channeled his negative feelings away from people and into creating darkly Euro-motional dancefloor catharsis. Try it sometime. Sharp-eared lovers of listening may notice that lead track "Riot Revolte" purloins the crown jewels (the street-tough vocals) from Tiga's 2004 classic "Pleasure From The Bass." DJ Hell noticed the shit out of this, introducing a mutant variation on the PFTB bassline into his lurid after-hours remix. Moreover, the entire EP recalls the legendary run of killer electro records that kicked off what many, many people refer to as Turbo's "silver age" in the early-mid 2000s. This may be utterly meaningless, or it may herald the coming era of compressed cyclical time that will dictate dance music taste in the 2020s with the sort of mathematical precision rarely found outside pie chart software.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 203EP
|
Turbo Recordings present a release by UK artist Viers, a culmination of a process that would leave virtually anyone else dead or insane. "VLVX Spiral Down" and "Hurt Me" were inspired by the crazy energy of DIY fetish techno parties, which are generally better than corporate-sponsored fetish parties, although Red Bull Leather Academy has done some cool stuff. Meanwhile, "Blow" and "I'm Gonna Get" feature big vocal samples repurposed from Viers's "deep dive" into the history of jungle music. If you enjoy this release, please do us a favor and never use the term "deep dive" again. Just say you've been "bonin' up" or something.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TURBO 202EP
|
Still on their six-legged victory lap following the massive success of the Blessed EP, Tiga & The Martinez Brothers look to the outer limits of techno and beyond for the remixes. Longtime Turbo Recordings target Ricardo Villalobos delivers his personal magic on the remix of "Cleopatra." Louis Vuitton Creative Director/Off-White mastermind Virgil Abloh, one of Time Magazine's 100 Most Influential People in the World, was a big fan of "Blessed", and turns in a remix that is closer to "future jazz" than Tiga would have accepted from anyone else on that list, except for maybe Hugh Jackman.
|
viewing 1 To 25 of 162 items
Next >>
|
|