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viewing 1 To 25 of 128 items
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WATER 257CD
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"This 1969 release by the legendary Mississippi Fred McDowell was his first to feature him playing the electric guitar. Although it was somewhat controversial at the time because of this fact, it is now considered a classic. Fred sounds like he has always been plugged in, playing with fiery passion, including some great bottleneck guitar. Featuring originals by Fred including, 'You Got to Move' (covered by the Rolling Stones on Sticky Fingers) and 'Kokomo Me Baby,' and a cover of Joe Williams 'Baby Please Don't Go.' This new reissue features the original nine tracks that were on the 1969 release."
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WATER 255CD
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"Other Side of This Life is the final album from American folk music legend Fred Neil, released in 1971 before his long self-imposed retirement from music to focus on dolphin conservation in his home state of Florida. Featuring a side of live recordings of some of his most lasting and well known compositions (including 'The Dolphins' and 'Everybody's Talkin'') as well as a side of studio sessions featuring Les McCann and Gram Parsons, Other Side of This Life may not be Neil's most memorable album, but it's still head and shoulders above most other singer-songwriter material of the era. Reissued on CD domestically for the first time ever."
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WATER 254CD
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"Released in 1967, Sessions is the follow-up to his classic self-titled solo album. Although the long, meandering, raga influenced songs on Sessions are a bit perplexing at first, the album's rewards increase with each subsequent listening. Neil's vocal performances are astounding and the album as a whole is a meditative experience. An under-rated LP from one of American folk's finest voices. Reissued on CD for the first time domestically."
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WATER 240CD
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"Though not released until 1983 the Avengers' self-titled record (aka The Pink Album) features the band's recorded output from 1977-78, from the glorious first wave of punk rock. The Avengers were San Francisco's preeminent punk band, led by Penelope Houston's snarling vocals and Greg Igranham's distorted guitar riffs, and one of the first anywhere to feature a female lead singer. One of punk rock's most important original documents. Classic." "The Avengers were San Francisco's best punk band, in moments the best in the republic: fabulous songs, a snarling, confrontational presence, a primitive sound that could go anywhere." --Greil Marcus.
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WATER 249CD
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"Love Zombies is the second long player from English post-punk group, The Monochrome Set. It was the band's second full length album in less than a year's time, released originally in 1980. Featuring a slightly less jarring, more accessible sound than the debut, the group described the album in the original liner notes as 'an unashamed look at their weird lives.....their wild loves...in a jazz-haunted, desire-tormented world.' Another post-punk classic. Includes liner notes. First time on CD."
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WATER 248CD
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"Strange Boutique is the classic debut from English post-punk outfit The Monochrome Set, originally released in 1980. Formed in 1978 out of the ashes of the group, The B-Sides (whose members included Stuart Goddard, who would soon be known by the pseudonym Adam Ant), The Monochrome Set released a handful of singles on Rough Trade, and performed live around London, often in collaboration with filmmaker Tony Potts, before recording their debut with producer Bob Sargeant, whose credits include albums from Dexy's Midnight Runners, The Buzzcocks, and The Fall. A post-punk classic. Includes liner notes. First time on CD."
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WATER 253CD
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"The Burning World was originally released in 1989 and marks the first and last major label record for Michael Gira's Swans. The album was produced by Bill Laswell, a pairing that Gira claims was not a good fit and was forced upon him by the label. Despite Gira's own distaste for the record, its reputation has grown over the years and is now considered a fine effort from one of the most important and longest lasting New York post-punk groups. Long out of print on CD and fetching ridiculous sums on eBay, Water is proud to bring this title back into print and allow a new generation of Swans fans to hear it for the first time."
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WATER 252CD
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"Originally released in 1986, The Big Heat is former Wall Of Voodoo leader Stan Ridgway's first solo album. Appropriately named after the 1953 film noir of the same name, The Big Heat is full of tragic, noir themed tales of love and death. Though heavily reliant on synths and drum machines, the album retains a organic and cinematic feel to it. Featuring help from members of Gang of Four, The Screamers, Oingo Boingo, as well as session men who played with the likes of Zappa and Beefheart, The Big Heat is a classic piece of '80s alternative from one of the era's most distinctive voices. Reissued on CD with four bonus tracks and featuring Greil Marcus' notes."
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WATER 245CD
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"Over fifty years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked out by Robert Pete Williams such a singular listening experience, unequalled elsewhere in that musical form? As Peter Guralnick, in his Feel Like Going Home book writes: 'It's difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the clichés, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own.' Unfamiliar keys, cliché-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It's impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains ten songs recorded in the month of July 1966 out in Berkeley, California for John Fahey's Takoma imprint. Contains liner notes by Andy Beta."
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WATER 244CD
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"Originally recorded in 1963 for John Fahey's Takoma record label, Mississippi Blues, is one of the finest albums White produced during his later period, after being rediscovered by the folk revival of the early 1960s. A pre-war country-blues artist of the highest order, White, like many of his contemporaries had lived in obscurity for many years, but his great talent remained."
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WATER 243CD
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"Originally released in 1972, Lo Borges' solo debut is a stunning piece of post-bossa nova Brazilian pop music. Combining influences ranging from soul, jazz, pop, psychedelic, and bossa nova with brilliant musicianship and wild arrangements, Lo Borges is one of the finest Brazilian records of the 1970s, if not ever. Borges emerged out of the Clube de Esquina musical collective, from the state of Minas Gerais, along with Milton Nascimento, a movement that rivaled the brilliance of the more well known Tropicalismo. Absolutely brilliant and available on CD in the USA for the first time ever."
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WATER 242CD
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"1984's Medicine Show is the second record from Steve Wynn and Co., the follow up to their classic debut The Days Of Wine And Roses. This album is a little less Velvet Underground and Television, and a little more Neil Young and CCR, but still features Wynn's distinctive songwriting and plenty of guitar workouts. Water's deluxe reissue will include the This Is Not The New Dream Syndicate Album...Live! EP, as well as bonus tracks and notes by David Fricke (Rolling Stone) and Steve Wynn along with vintage photos. A classic album finally on CD."
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WATER 239CD
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"Originally released on Atlantic in 1968, and featuring many of her Atlantic singles from the time period, this is Beaumont, Texas deep soul singer Barbara Lynn at one of the high points of her career. Featuring the hits 'This Is The Thanks I Get' and 'You'll Lose A Good Thing,' Here Is Barbara Lynn is a highly sought after record reissued here with original artwork on CD for the first time ever. An absolute classic of Atlantic Records soul."
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WATER 236CD
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"Zimbabwean legend Thomas Mapfumo's first full length album Hokoyo! was released at the height of the Rhodesian War in 1976. Hokoyo! is his only LP to feature the Acid Band and is the first full length release of the Mapfumo coined musical genre, chimurenga, a Shona word meaning 'struggle.' Chimurenga is exemplified by lyrics of struggle and revolution and a guitar style based on transcribing the sounds of the traditional Shona instrument, the mbira, to the electric guitar. Crucial and historical and revolutionary, and you can dance to it. Available on CD in the U.S. for the first time ever."
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WATER 237CD
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"Recorded in the late '70s, Gwindingwi Rine Shumba is Zimbabwean artist Thomas Mapfumo's second full length album. Featuring Mapfumo's incendiary guitar playing and lyrics of struggle, sung in his native Shona language, this is political dance music that rivals the work of another African legend, Nigerian Fela Kuti. Available on CD in the U.S. for the first time ever."
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WATER 231CD
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"The first record from San Francisco's legendary Flipper, originally released in 1982. Post-hardcore? Post-punk? Art-rock? Despite being a part of SF's punk scene, Flipper were really only punk in spirit, eschewing conventions and making no concessions. Sludgy, distorted, atonal, noise-rock jams that sound as urgent and heavy as they must have 25 years ago. A huge influence on bands such as Nirvana (their current line-up includes Krist Novoselic on bass) and The Melvins. Album - Generic Flipper contains the classics 'Sex Bomb,' and 'Life.'"
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WATER 232CD
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"The second and final studio album for the original line-up of SF's Flipper was first released in 1984. Flipper took the 'punk' tag to extremes, as no other band in the world was playing punk this slow, sludgy, dark and disturbed. Featuring the haunting 'Survivors Of The Plague' and the public incrimination of 'Sacrifice,' Gone Fishin' is an art-punk classic that holds up alongside their more heralded debut."
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WATER 233CD
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"Public Flipper Limited was originally released in 1986 as a double LP of live material culled from 1980-1985. The sound quality and playing are both a grimy, distorted mess, which suits the band just fine. Always alternating between endearing and abrasive, Flipper left no room for the middle ground of 'like.' The album title is a shot at John Lydon and his alleged plagiarism of Flipper's artwork for his own PIL and it proves that Flipper was never opposed to alienating its audience, no matter how sanctified. Harsh, art-rock classics from one of SF's most important post-hippie-era bands. On CD format for the first time ever."
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WATER 234CD
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"Originally released in 1987, Sex Bomb Baby! is actually a collection of Flipper material dated no later than 1982, comprised of singles, B-sides, and compilation tracks. The single version of 'Sex Bomb' is an all-out classic, a frenetic, yelping punk answer to 'Louie, Louie' and the rest is no slouch either, outrageous, harsh, sludge-punk from San Francisco's finest. On CD format for the first time ever."
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WATER 229CD
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"Individuellos, originally released in 1980, is the third and final release from these German proto-punk/Krautrock legends. Featuring Klaus Dinger (Kraftwerk, Neu!), La Düsseldorf is one of the most important progressive bands to come out of Germany in the second half of the '70s and their finest work rivals that of their more heralded countrymen Can and Kraftwerk. Ranging from ambient to sound collage to motorik synth and guitar workouts, Individuellos is a fine feather in the La Düsseldorf cap that is reissued here domestically for the first time ever."
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WATER 230CD
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"Tim Hardin's first album, originally released in 1966, is an accidental classic. The album is comprised of a number of demos, and features string arrangements on many tunes that the artist himself knew nothing about. Yet, despite this, 1 remains a folk-rock-blues classic of the highest order. Though Hardin's work is often known more through other artists' interpretations, his own versions are almost always superior, including such classic songs here as 'Reason To Believe,' 'Don't Make Promises,' and 'Misty Roses.'"
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WATER 227CD
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"Upon the break-up of legendary Krautrock duo Neu!, drummer Klaus Dinger formed La Düsseldorf with his brother Thomas and keyboard player Hans Lampe. This, their self-titled debut, was recorded in 1975 and is a staggering mix of Dinger's trademark motorik rhythms, glammy synths, pulsing organs, and urgent guitar work that altogether create a sound that, at times, predates both punk and post-punk, no small feat. Featuring their European hit single 'Silver Cloud,' La Düsseldorf's debut record is classic Krautrock on par with the best offerings of Neu!, Kraftwerk, and Can."
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WATER 228CD
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"Viva is the second release from Klaus Dinger's post-Neu! group. Originally released in 1978, Viva is a stunning combination of washed-out synthesizers, swirling guitar work and Dinger's trademark motorik rhythms. Featuring the classic 'Cha, Cha 2000,' Viva is another fine effort from one of Krautrock's legends and stands as a testament of just how gloriously ahead of their time the German progressive rock scene of the '70s could be. An essential record, released domestically for the first time ever."
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WATER 199CD
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Reissue of the first Anne Briggs album, originally issued on Topic. "The first full-length album from the legendary folk singer, originally released in 1971. Anne Briggs was a huge influence on the entire British folk-rock movement, especially other female singers such as Sandy Denny, Jacqui McShee, and Maddy Prior. Anne Briggs is a strong collection of traditional folk songs and original material and one of the most important releases of the British folk revival. Despite the fact that Briggs had been on the folk scene since the early '60s this was her first full-length effort, delayed by erratic behavior and studio fears, and she would record only two more records before dropping off the scene entirely. Thankfully we have this, her first and strongest record, reissued for the first time with the original cover."
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WATER 226CD
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"In discussions of Scott Walker's body of work 1970's 'Til The Band Comes In is unfairly left out or, even worse, derided as excruciatingly saccharine. However, the first ten songs on this album, all Walker originals, are on par with his finest work on classic albums Scott 3 and Scott 4. While the covers that close out the album (with the notable exception of 'It's Over') do feel like additions that reek of label pressure, it shouldn't detract from the rest of the record. Scott Walker's fifth solo album is a fine example of the early work from one of pop music's most idiosyncratic geniuses, reissued on CD for the first time domestically."
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