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2LP
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WHP 1447LP
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$32.00
PREORDER
RELEASE DATE: 7/1/2022
On July 13, 1973, a few weeks before the release of Innervisions, Stevie Wonder appeared at NYC's Rainbow Room for what can now be called a historical performance. In full creative phase and backed by a fabulous twelve-piece band the 23-year-old genius delivered an outstanding set of both hits and extended instrumentals including new tracks from the upcoming landmark album. A rare gem in the history of sweet soul music. Line-up: Stevie Wonder - vocals, keyboards, harmonica; Ray Parker Jr. - guitar; Scott Edwards - bass; Greg Phillinganes - keyboards; Ollie E. Brown - drums; Trevor Lawrence - tenor sax; Denny Morouse - tenor sax; Steve Madaio - trumpet; Shirley Brewer - backing vocals; Lani Groves - backing vocals; Jim Gilstrap - backing vocals; Loris Harvin - backing vocals; Terry Hendricks - backing vocals.
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2LP
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WHP 1446LP
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The 1974 season finale of the Chicago based Soundstage series came billed as Dr. John's New Orleans Swamp. A wild southern party featuring the cream of New Orleans music scene. Some sort of Louisiana soup bone including Earl King's downhome blues, Professor Longhair's colorful creole pianism, The Meters' swampy, gritty grooves, and Dr. John himself with his special mix of funk, blues, psychedelia and African music. Gumbo is ready! Are you?
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LP
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WHP 1443LP
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Un Tentativo Sentimentale is the first film by the novelist Pasquale Festa Campanile, written and directed together with Massimo Franciosa in 1963. The film fits into the path traced by Michelangelo Antonioni with his "trilogy of incommunicability" in the early years of the decade, staging a bourgeois existential drama shot between the Roman districts of Parioli and Vigna Clara and the beach of Sabaudia. The original soundtrack is one of the most beautiful and particular among those composed in the '60s by maestro Piero Piccioni, who works on rarefied and melancholy jazz atmospheres dominated by his piano and the trumpet of the immense Nunzio Rotondo, main soloists flanked by other giants of the Italian jazz scene such as Franco Chiari (vibraphone), Marcello Boschi (alto sax), Ivan Vandor (tenor sax) and Berto Pisano (double bass).
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LP
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WHP 1442LP
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Winner of the Goldener Bär at the 1963 Berlin Film Festival, Il Diavolo is the third feature film by director Gian Luigi Polidoro, an Italian film irregular who has signed only a handful of films poised between comedy and eroticism between the '60s and '80s. Written by Rodolfo Sonego and interpreted by an Alberto Sordi in a state of grace, Il Diavolo takes up a theme already addressed by Polidoro and Sonego in Le Svedesi of 1960, that is the Italic myth of the Swedish woman and trips to Scandinavia of our unlikely and provincial Latin lovers. A notable success at home and abroad, the film was renamed To Bed ... or Not To Bed for the American market and won Alberto Sordi a Golden Globe for best comedy actor in 1964. The soundtrack written by maestro Piero Piccioni alternates orchestral songs with a romantic flavor, swing era jazz and lounge sketches with a samba twist. Reissued for the first time on vinyl since its release in 1963, the album represents a perfect compendium of Piccioni's style of the early '60s and one of the first peaks of the collaboration with Sordi and Sonego, an artistic and human partnership built to last.
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LP
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WHP 1441LP
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WHP preset a reissue of Piero Piccioni's original score for Il Boom, originally released on CAM in 1963. Written by Cesare Zavattini, directed by Vittorio De Sica, and interpreted by Alberto Sordi, Il Boom can be easily considered as one of the most peculiar film comedies in the Italian post-war era. Premiered in the USA in 2017, more than 50 years after its release in 1963, the film has been described as something between Buster Keaton, David Lynch, and Billy Wilder. Some sort of very current dark satire of the consumer society. Part of the film's surreal atmosphere is due to the original score composed and produced by the legendary Piero Piccioni. A weird and very dynamic mixture of different music styles including jazz and various popular dance grooves of the period such as samba, twist, calypso, and hully gully. A simple and yet very effective compositional technique based on both serious and funny elements at the same time. The soundtrack includes "Samba Della Ruota", Piccioni's first use of samba for Alberto Sordi's films. A choice that would soon become a real passion and trademark for the great Italian comic actor.
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