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viewing 1 To 25 of 26 items
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2LP
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WHP 1465LP
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$32.00
PREORDER
RELEASE DATE: 11/3/2023
This is the one and only Sade caught live for Veronica's Rock Night TV broadcast on September 21, 1984 in the Netherlands, just a few months after the release of her first single "Your Love Is King." Sade is backed here by her original group, an elegant, super tight line- up featuring all four members appearing on her outstanding debut album Diamond Life plus a two-piece brass section and percussion. Needless to add that 1984 was a crucial year in Sade's career. That was when the world suddenly discovered her highly sophisticated, soulful sound world. Now, if you want to catch the whole energy of such discovery, these high-quality live recordings are the right stuff to start with. Line-up: Sade Adu (vocals); Paul S. Denman (bass); Andrew Hale (keyboards); Stuart Matthewman (guitar, saxophone); Dave Early (drums); Martin Ditcham (percussion); Terry Bailey (trumpet); Gordon Matthewman (trombone).
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2LP
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WHP 1473LP
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$34.00
PREORDER
RELEASE DATE: 10/27/2023
This is Archie Shepp caught live at two important European festivals in 1973. At the head of some sort of one-off line up featuring Dave Burrell on piano, Donald Garret on bass along with her partner Zusaan Fasteau on percussion, flute and vocals, and last but not least Muhammad Ali (Rashid's brother) on drums. Shepp, heard on tenor and soprano saxes and piano, delivers a full program of hot renditions of mostly standards by the likes of Ellington, Monk, and Davis, plus a couple of pieces written by his regular partners of the time, Cal Massey and Grachan Moncur.
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LP
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WHP 1472LP
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$24.00
PREORDER
RELEASE DATE: 10/27/2023
An amazing performance that captures the Queen of Soul in her prime. This was her last live appearance with King Curtis and the Kingpins, an amazing fourteen-piece band (the same appearing on her famous Live At The Fillmore West album) featuring heavyweights such as guitarist Cornell Dupree, drummer Bernard Purdie and King Curtis himself on tenor sax, as well as the super tight Memphis Horns section and the invaluable Sweethearts Of Soul's backing vocals. Just have a look at the track list, a breathtaking sequence of her finest material performed at maximum energy and inspiration! How can you go wrong with all that?
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LP
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WHP 1471LP
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A brilliant live document from the great pianist and composer Horace Silver as leader of a mind-blowing quintet featuring the two-horn frontline of Bennie Maupin (tenor sax) and Randy Brecker (trumpet), plus John Wiliams (bass), and the young and already powerful Billy Cobham (drums). Recorded in Paris at the famous Salle Pleyel in the turbulent year of 1968, this is a highly dynamic hard-bop set based on extended versions of three well known Silver's compositions. Recorded at Salle Pleyel, Paris, France, November 4, 1968.
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LP
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WHP 1470LP
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Max Roach, the father of modern jazz drumming, caught in action in Paris, France in 1964. This is one of the few live documents in his 1960s dense activity. Here Roach is at the head of a strong quintet featuring the deep voice of Mrs. Abbey Lincoln and tenor sax giant Clifford Jordan. Starting from an almost all standard repertoire (including gems like Duke Jordan's "Jordu" and Ellington's "Sophisticated Lady") Roach along with Eddie Khan and Coleridge-Taylor Perkinson drive the music with their solid hard swinging pulse. Recorded in Paris, January 18, 1964.
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LP
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WHP 1467LP
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Catch a Fire, the Wailers' first output on the Western market was released in April 1973, and this BBC recording from May was the band's first major radio exposure in the UK. This was an incredible show based on a strong tracklist including several immortal pieces from the early Wailers' repertoire: "Concrete Jungle," "Slave Driver," "Midnight Ravers" and "Get up Stand Up." just to name a few. Needless to add that this was the original line-up of: Bob Marley, Peter Tosh, and Bunny Wailer, plus Earl 'Wya' Lindo on keyboards and the super tight one-drop riddims of Aston and Carlton Barrett respectively on bass and drums.
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2LP
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WHP 1468LP
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This is Marvin Gaye's legendary appearance at the Budokan theater in Tokyo in November 1979. A wonderful performance with the great singer backed by a fine, sensitive band and a concert tracklist featuring various gems such as "Save the Children" and "Inner City Blues" from his masterpiece What's Going On as well as other smash hits like "I Want You" and "Let's Get it On". A true live-soul experience!
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2LP
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WHP 1466LP
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An outstanding live recording capturing one of American music's great bands in full power. Art Neville, Leo Nocentelli, George Porter Jr., Ziggy Modeliste, and Cyril Neville, five master musicians from Louisiana who literally reinvented the New Orleans groove tradition. Recorded live for WNOE radio broadcast in January 1977, this is an invaluable document of the band delivering their greasy second-line funk in a small super-hot joint in a suburb of the legendary Crescent City. Line-up: Art Neville - organ, vocals; Leo Nocentelli - guitar, vocals; George Porter Jr. - bass; Ziggy Modeliste - drums, vocals; Cyril Neville - percussion, vocals.
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2LP
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WHP 1463LP
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In 1983 Herbie Hancock's glorious career in jazz (and fusion) experienced a resounding mainstream breakthrough thanks to the extraordinary success of the transcendent "Rockit," a single taken from the Grammy award-winning album Future Shock (1983) that has gone down in history as the first crossover between jazz, hip-hop, and scratching (breakdancers elected it in those years as their world anthem). The piece, in a nearly 11-minute version, is included in the radio-originated live performance culled from a concert that the legendary keyboardist and his band -- including Anton Fier, Bernard Fowler, D.ST., J.T. Lewis, Jeff Bova, and Wayne Brathwaite -- held on July 24, 1984 at the Yomiuriland Open East Theatre in Tokyo: synthesizers and electronics characterize a set that includes versions of other pieces from the Future Shock album (the title track, "Earth Beat," "Autodrive," "Rough"), "Stars In Your Eyes" from Monster (1980) and the final 17 minutes medley of "Crazy Cuts/Chameleon".
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LP
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WHP 1464LP
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Here's the historical Rome concert recorded at Radio Rai studios in Via Asiago, with extended versions of four original compositions, including a fantastic interpretation of the already popular "Lonely Woman."
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2LP
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WHP 1461LP
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A marvelous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African, deep-flavored jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading a highly mixed line-up featuring multi reeds player Sahib Shihab, bassists Henry Texier and Eberhard Weber, and Swiss drummer extraordinaire Daniel Humair, plus four North African musicians on traditional instruments like bendir, ney, bagpipes, tabla and darbouka. A trance-inducing jazz ritual. Line-up: George Gruntz - piano, celeste; Don Cherry - cornet, flute; Sahib Shihab - flute, alto flute, soprano saxophone; Henri Texier - bass; Daniel Humair - drums; Salah El Mehdi - ney, flute; Moktar Slama - bendire, bagpipe, mezuette, soukra; Jelloud Osman - ney, bendire, mezzuette, bagpipe; Hattab Jouini - tabla, darbouka, bendire; Eberhard Weber - bass (tracks 7-9). Tracks 1-6 Recorded in Tunisia, May 1969; tracks 7-9 Recorded in Stuttgart, Germany at Beethovensaal der Linderhalle, September 5, 1969.
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LP
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WHP 1457LP
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The Adderley brothers, Cannonball and Nat, respectively on alto sax and cornet, and both at the head of a top-flight quintet featuring Mr. George Duke on piano (acoustic and electric), Walter Booker (bass), and Roy McCurdy (drums). Recorded live in Vienna on November 4, 1972, this is a fine example of pure electric jazz-funk of the era. The album opens with an ecstatic twenty-minute long version of George Duke's "Black Messiah" and it goes on with equal intensity throughout five other tracks including three Joe Zawinul classic gems, "Directions", "Mercy, Mercy, Mercy", and "The Scene".
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LP
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WHP 1458LP
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The so-called Special Edition was one of the most creative and successful coalitions created by Jack DeJohnette at the exact turn between the '70s and the '80s. A great combination of young talents such as alto sax genius Arthur Blythe, the hyper energetic tenor sax of Chico Freeman, and the super-solid bass lines of Peter Warren, last but not least the hard swinging drumming of DeJohnette, one of the greatest drummers in jazz history. Recorded live at The Famous Ballroom in Baltimore on May 4th 1980 for an NPR broadcast, this awesome performance is based on expanded renditions of two beautiful DeJohnette's compositions, "Zoot Suite" and "One For Eric" both from the group's first ECM release.
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2LP
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WHP 1455LP
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Limited restock. Recorded live in Austria in 1972 this outstanding document marks an important event such as the meeting between Don Cherry and Dollar Brand. Here, the modern jazz trumpet master and the great South-African pianist along with percussionist Nana Vasconcelos and bassist Johnny Dyani are caught in the middle of a sound ritual where jazz elements and world music echoes appear as fully integrated in some sort of visionary, organic music form. A deep sensorial experience based on human and artistic values and freedom principles. Personnel: Don Cherry (trumpet, vocals); Dollar Brand (piano, flute, vocals); Johnny Dyani (double bass, percussion, vocals); Nana Vasconcelos (berimbau, percussion, vocals).
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2LP
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WHP 1448LP
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Historical and exclusive live performance from the almighty Chicago soul singer, Curtis Mayfield. By 1972 the German TV show Beat Club would let famous artists stretch out and play more than just the usual one or two hits. In this case, Mayfield recorded an hour of music in a TV studio for the producers to select from. Most of this performance was lost in someone's vault for many years. The concert is from early 1972 and predates his masterpiece Superfly. You'll find several tracks from his two earlier acclaimed solo albums as well: Curtis and Roots. An astonishing performance you don't want to miss. Personnel: Curtis Mayfield - guitar, vocals; Craig McCullen - guitar; Joseph "Lucky" Scott - bass; Tyrone McCullen - drums; "Master" Henry Gibson - percussion, congas, bongos.
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LP
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WHP 1452LP
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Exclusive live set for the reverend, right across the release of two influential albums on Hi Records: Livin' For You (1973) and Call Me (1973). Recorded January 1973: NYC, NY - WNET Studios. Personnel: Al Green - vocals; Michael Baker, Buddy Jarrett, Darrell Nealy - horns; James Bass, Larry Lee - electric guitar; Linda Harper - organ; Aaron Purdie - drums; William McBroom - bass.
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WHP 1453LP
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The king of soul alive and kicking with the stunning JB's in these historical TV set. More energizing than ever with an impressive set of killer tunes. Side A was recorded on February 10, 1973. Side B was recorded on September 14, 1974. The JB's: Fred Wesley - trombone; Musical director St. Clair Pinckney - saxophone; Jimmy Parker - saxophone; Isaiah "Ike" Oakley - trumpet; Fred Thomas - bass; John "Jabo" Starks - drums; Clyde Stubblefield - drums; Johnny Griggs - percussion; Hearlon Cheese Martin - guitar; Jimmy Nolen - guitar; Lyn Collins - vocals; Danny Ray - MC.
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LP
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WHP 1454LP
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Stunning European live performance from Miles Davis with his early quintet featuring the magic of a young and talented John Coltrane. Personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums).
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2LP
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WHP 1449LP
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The classic four-piece line-up -- John Coltrane (tenor and soprano saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), and master drummer Elvin Jones -- recorded live at Tivoli Concertsaal, Copenhagen, on the October 25th. A long hard to find concert with extended versions of Coltrane's compositions "Mr. PC", "Impressions", "The Promise", and "Naima", plus rendition of Mongo Santamaría's "Afro Blue" and Richard Rodgers-Oscar Hammerstein II's "My Favorite Things".
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WHP 1444LP
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An outstanding Earth Wind & Fire live performance in NYC in 1973. A perfect snapshot of Maurice White and company caught in transition between their third and fourth album. A sophisticated yet infectious mix of R&B and soul-funk elements taking shape from White's embracing kalimba playing. At this stage EW&F were Jessica Cleaves and Philip Bailey (vocals and congas), Johnny Graham (guitar), Verdine White (bass), Larry Dunn (organ, electric piano), Ralph Johnson (drums), and Andrew Woolfolk (sax, flute). A super tight band with a trademark and unique sound. Features a version of James Taylor's "Don't Let Me Be Lonely Tonight".
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LP
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WHP 1445LP
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Miles Davis, the so called "dark magus", caught in full electric flight in Sao Paulo, Brazil in 1974 featuring Dave Liebman on soprano and tenor sax and flute, the electric guitars tandem of Reggie Lucas and Dominique Gaumont, the bass anchor of Michael Henderson, and the deep groove of Al Foster on drums and James "Mtume" Forman on percussion. This was Miles's mid-seventies band, a great coalition of young talents ready to set stages on fire with their visionary funk explorations.
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2LP
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WHP 1447LP
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On July 13, 1973, a few weeks before the release of Innervisions, Stevie Wonder appeared at NYC's Rainbow Room for what can now be called a historical performance. In full creative phase and backed by a fabulous twelve-piece band the 23-year-old genius delivered an outstanding set of both hits and extended instrumentals including new tracks from the upcoming landmark album. A rare gem in the history of sweet soul music. Line-up: Stevie Wonder - vocals, keyboards, harmonica; Ray Parker Jr. - guitar; Scott Edwards - bass; Greg Phillinganes - keyboards; Ollie E. Brown - drums; Trevor Lawrence - tenor sax; Denny Morouse - tenor sax; Steve Madaio - trumpet; Shirley Brewer - backing vocals; Lani Groves - backing vocals; Jim Gilstrap - backing vocals; Loris Harvin - backing vocals; Terry Hendricks - backing vocals.
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2LP
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WHP 1446LP
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The 1974 season finale of the Chicago based Soundstage series came billed as Dr. John's New Orleans Swamp. A wild southern party featuring the cream of New Orleans music scene. Some sort of Louisiana soup bone including Earl King's downhome blues, Professor Longhair's colorful creole pianism, The Meters' swampy, gritty grooves, and Dr. John himself with his special mix of funk, blues, psychedelia and African music. Gumbo is ready! Are you?
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LP
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WHP 1443LP
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Un Tentativo Sentimentale is the first film by the novelist Pasquale Festa Campanile, written and directed together with Massimo Franciosa in 1963. The film fits into the path traced by Michelangelo Antonioni with his "trilogy of incommunicability" in the early years of the decade, staging a bourgeois existential drama shot between the Roman districts of Parioli and Vigna Clara and the beach of Sabaudia. The original soundtrack is one of the most beautiful and particular among those composed in the '60s by maestro Piero Piccioni, who works on rarefied and melancholy jazz atmospheres dominated by his piano and the trumpet of the immense Nunzio Rotondo, main soloists flanked by other giants of the Italian jazz scene such as Franco Chiari (vibraphone), Marcello Boschi (alto sax), Ivan Vandor (tenor sax) and Berto Pisano (double bass).
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LP
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WHP 1442LP
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Winner of the Goldener Bär at the 1963 Berlin Film Festival, Il Diavolo is the third feature film by director Gian Luigi Polidoro, an Italian film irregular who has signed only a handful of films poised between comedy and eroticism between the '60s and '80s. Written by Rodolfo Sonego and interpreted by an Alberto Sordi in a state of grace, Il Diavolo takes up a theme already addressed by Polidoro and Sonego in Le Svedesi of 1960, that is the Italic myth of the Swedish woman and trips to Scandinavia of our unlikely and provincial Latin lovers. A notable success at home and abroad, the film was renamed To Bed ... or Not To Bed for the American market and won Alberto Sordi a Golden Globe for best comedy actor in 1964. The soundtrack written by maestro Piero Piccioni alternates orchestral songs with a romantic flavor, swing era jazz and lounge sketches with a samba twist. Reissued for the first time on vinyl since its release in 1963, the album represents a perfect compendium of Piccioni's style of the early '60s and one of the first peaks of the collaboration with Sordi and Sonego, an artistic and human partnership built to last.
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