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LP
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ZAMO 2105LP
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LP version. The second album from the folk rock trio Gunwood. An ode to escapism between tense guitar riffs, boogie blues fever and brass-filled powerful soul. Produced by Jean Lamoot (Noir Désir, Alain Bashung). Why choose between folk poetry and hard rock, the freedom of the '70s and the edginess of the '90s, Irish harmonies and American topography when you can mix it all up and spread new sprouts? Gunnar Ellwanger (voice, guitar), Jeff Preto (bass, voice), and David Jarry Lacombe (drums, voice): the sap of Gunwood flows from all three since their first steps as a group which, following the footsteps of bewitchers of the 2010s such as Alabama Shakes, Feist, or the Black Keys, nowadays establishes itself as fine vibe crafters. Strong from the flock of praises and numerous concerts that followed the release of the striking Travelling Soul in 2017, the trio is coming back even stronger with a sophomore album produced by the sound wizard Jean Lamoot (Noir Désir, Alain Bashung). It symbolizes all the existing escapes, whether it be drugs, music, parties or travels. An ode to escapism and a title-track that leans on a feverish boogie blues and a slide guitar to take-off, as if exhilarated by freedom. Like a blazing fire, Gunwood continues to make its own path. 2022 must only let itself be guided by the thrilling aura of Dream Boat Jane.
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LP
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ZAMO 2201LP
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LP version. Lúcia de Carvalho is an alchemist, a seeker of sense, a kindler of essence. Her voice transmits vibrations that heal and transform; her drum transmits the voice of the ancestors, inviting you to reconnect with your deepest self. Born in Luanda, she left the Angolan capital for Portugal with her mother and two of her four sisters, then when she was 12 years old she and her sisters were taken in by a French foster family in Meistratzheim. Her African roots resurfaced in an unexpected way when a Brazilian band happened to play in her village: it was with that band, Som Brasil, that during ten years she took her first musical steps, progressing from backing vocalist to lead singer, moving from dancing to drumming. In 2008, she decided to embark on a solo career and write her own songs. After releasing her first EP in 2011, she met Edouard Heilbronn, a young bassist from Alsace. They worked together on their compositions and played everywhere they could. After a long journey both musical and initiatory that took them to Brazil and Angola, Kuzola ("Love" in the Kimbundu language of Angola) was born: an album (2016) and a moving documentary that retraced Lúcia's quest for her roots and offered some answers to her questions about her own identity. If Kuzola was a quest for meaning, the quest this time is for the essence. It has enabled her, always in partnership with Edouard Heilbronn, to strike out into new territory on this her third album, recorded and mixed by Jean Lamoot (Mano Negra, Noir Désir, Alain Bashung, Dominique A, Souad Massi) at Studio Ferber in Paris. Of course, Africa and Brazil are still there on Pwanga, forming the heart of Lúcia as she lives and writes to the beat of the drum, finding words, melodies and rhythms on the same impulse; a raw diamond that her accomplice polishes, enriching the harmonies and sonic imagery and turning the songs on the album into travel films. Other outstanding participation in this luminous repertoire are the illustrious Brazilian singer Chico César, the powerful and warm voice of singer Anna Tréa, and two veterans of Angolan music: percussionist Galiano Neto and producer-guitarist Betinho Feijo, known for their long-standing work alongside the great Bonga Kwenda. While the virtuoso Zé Luis Nascimento (Mayra Andrade, Ayo, Cesaria Evora) knew how to enhance the essence of each title with his original and varied vocabulary between Brazilian, Eastern, and Western percussions.
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CD
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ZAMO 2201CD
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Lúcia de Carvalho is an alchemist, a seeker of sense, a kindler of essence. Her voice transmits vibrations that heal and transform; her drum transmits the voice of the ancestors, inviting you to reconnect with your deepest self. Born in Luanda, she left the Angolan capital for Portugal with her mother and two of her four sisters, then when she was 12 years old she and her sisters were taken in by a French foster family in Meistratzheim. Her African roots resurfaced in an unexpected way when a Brazilian band happened to play in her village: it was with that band, Som Brasil, that during ten years she took her first musical steps, progressing from backing vocalist to lead singer, moving from dancing to drumming. In 2008, she decided to embark on a solo career and write her own songs. After releasing her first EP in 2011, she met Edouard Heilbronn, a young bassist from Alsace. They worked together on their compositions and played everywhere they could. After a long journey both musical and initiatory that took them to Brazil and Angola, Kuzola ("Love" in the Kimbundu language of Angola) was born: an album (2016) and a moving documentary that retraced Lúcia's quest for her roots and offered some answers to her questions about her own identity. If Kuzola was a quest for meaning, the quest this time is for the essence. It has enabled her, always in partnership with Edouard Heilbronn, to strike out into new territory on this her third album, recorded and mixed by Jean Lamoot (Mano Negra, Noir Désir, Alain Bashung, Dominique A, Souad Massi) at Studio Ferber in Paris. Of course, Africa and Brazil are still there on Pwanga, forming the heart of Lúcia as she lives and writes to the beat of the drum, finding words, melodies and rhythms on the same impulse; a raw diamond that her accomplice polishes, enriching the harmonies and sonic imagery and turning the songs on the album into travel films. Other outstanding participation in this luminous repertoire are the illustrious Brazilian singer Chico César, the powerful and warm voice of singer Anna Tréa, and two veterans of Angolan music: percussionist Galiano Neto and producer-guitarist Betinho Feijo, known for their long-standing work alongside the great Bonga Kwenda. While the virtuoso Zé Luis Nascimento (Mayra Andrade, Ayo, Cesaria Evora) knew how to enhance the essence of each title with his original and varied vocabulary between Brazilian, Eastern, and Western percussions.
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Artist |
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Format |
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CD
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ZAMO 2105CD
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The second album from the folk rock trio Gunwood. An ode to escapism between tense guitar riffs, boogie blues fever and brass-filled powerful soul. Produced by Jean Lamoot (Noir Désir, Alain Bashung). Why choose between folk poetry and hard rock, the freedom of the '70s and the edginess of the '90s, Irish harmonies and American topography when you can mix it all up and spread new sprouts? Gunnar Ellwanger (voice, guitar), Jeff Preto (bass, voice), and David Jarry Lacombe (drums, voice): the sap of Gunwood flows from all three since their first steps as a group which, following the footsteps of bewitchers of the 2010s such as Alabama Shakes, Feist, or the Black Keys, nowadays establishes itself as fine vibe crafters. Strong from the flock of praises and numerous concerts that followed the release of the striking Travelling Soul in 2017, the trio is coming back even stronger with a sophomore album produced by the sound wizard Jean Lamoot (Noir Désir, Alain Bashung). It symbolizes all the existing escapes, whether it be drugs, music, parties or travels. An ode to escapism and a title-track that leans on a feverish boogie blues and a slide guitar to take-off, as if exhilarated by freedom. Like a blazing fire, Gunwood continues to make its own path. 2022 must only let itself be guided by the thrilling aura of Dream Boat Jane.
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