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2LP
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VAMPI 055LP
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2021 repress; double LP version. 2005 release. The former wife of Miles, Betty Mabry Davis is perhaps the only woman in the world who could rightfully have the following legend tattooed across her rear: THIS ASS INVENTED FUSION. While their marriage only lasted a year (1968-1969), Betty pointed the way to Miles, introducing him to the musical and material gods of revolutionary style: Jimi Hendrix and Sly Stone, which would have an enormous impact on his electrified musical Frankenfusion masterpiece known as Bitches Brew. Betty ruled as the mentor-muse for the original man and his music. She was a woman with the strength of a Black Panther, a "nasty" woman in total control, but unfortunately for Betty, America was not yet ready to embrace a woman with such an explicitly sexual persona. She had a much rougher edge to her music than other female funk and soul artists of the '70s. Betty Davis' is one of the most extreme sounding debut records of the decade, which just like Bitches Brew takes equal parts inspiration from Hendrix and Sly. One critic aptly described their sound as something like a cross between Tina Turner, Funkadelic, and Sly & The Family Stone. Add the futurist fashion sense of David Bowie, and the flair of Miles Davis, and you have quite a cocktail. This is the best of Betty Davis' three much-sought albums.
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CD
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VAMPI 055CD
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2005 release. The former wife of Miles, Betty Mabry Davis is perhaps the only woman in the world who could rightfully have the following legend tattooed across her rear: THIS ASS INVENTED FUSION. While their marriage only lasted a year (1968-1969), Betty pointed the way to Miles, introducing him to the musical and material gods of revolutionary style: Jimi Hendrix and Sly Stone, which would have an enormous impact on his electrified musical Frankenfusion masterpiece known as Bitches Brew. Betty ruled as the mentor-muse for the original man and his music. She was a woman with the strength of a Black Panther, a "nasty" woman in total control, but unfortunately for Betty, America was not yet ready to embrace a woman with such an explicitly sexual persona. She had a much rougher edge to her music than other female funk and soul artists of the '70s. Betty Davis' is one of the most extreme sounding debut records of the decade, which just like Bitches Brew takes equal parts inspiration from Hendrix and Sly. One critic aptly described their sound as something like a cross between Tina Turner, Funkadelic, and Sly & The Family Stone. Add the futurist fashion sense of David Bowie, and the flair of Miles Davis, and you have quite a cocktail. This is the best of Betty Davis' three much-sought albums.
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CD
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UFOXY 002CD
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Reissue of the first self-titled Betty Davis album, originally issued in 1973 on the Just Sunshine label. She released a trio of albums in '73-75 (They Say I'm Different & Nasty Gal -- CD version to follow). The only other available material is a set of '79 unreleased demos (issued on CD under the tiles Crashin' From Passion and Hangin' Out in Hollywood). Classic 70s funk rock with attitude from the ex-wife of Miles Davis.
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CD
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UFOXY 003CD
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"Miles Davis met Betty in 1969, when she was Betty Mabry, still in her very early twenties and hanging with Sly Stone and Jimi Hendrix. Betty Davis's photograph appeared on the cover of his Filles De Kilimanjaro album, but their marriage lasted not much longer than a year, finishing when Davis discovered she was sleeping with Hendrix. By the trumpeter's own admission, however, she turned him on to the funk rock that revolutionized his sound forever. Her own music was a pressure cooker of sex and adrenalin, equalled in guts by only a handful of her husband's records. They Say I'm Different contains the much sampled 'Shoo-B-Doop And Cop Him', the tough fetish-funk 'He Was A Big Freak' ('Pain was his middle name... he used to laugh when I made him cry'), and a title track that remains one of the decade's overlooked funk masterpieces. In Davis's own words: 'If Betty were singing today she'd be something like Madonna; something like Prince... She was the beginning of all that when she was singing as Betty Davis. She was head of her time.'" -- Linton Chiswick, "100 Records That Set The World On Fire," The WIRE, September '98.
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