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2LP
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VAMPI 114LP
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2LP version. 2009 release. Marta Kubisová was the most popular Czechoslovakian female singer of the late 1960s, heading for an international career but banned by the communist regime until 1989. Compiled from the Supraphon archives, this 1966-1970 selection focuses on her roughest songs, with plenty of fuzz guitars and funky beats, punchy horns and razor-sharp organs underlying her deep and soulful voice. Marta's first professional recordings for Supraphon date back to 1963, when she was age 21. After spending three years singing jazzy tunes in provincial theatres, in late 1964 she followed her discoverer and mentor, the composer and future Supraphon producer Bohuslav Ondrácek, to the renowned Rokoko theatre in Prague. There she performed with superstar Waldemar Matuska and with her later Golden Kids bandmates Helena Vondrácková and Václav Neckár until 1968. They recruited a rhythm section of young beat musicians, giving the sound a progressive contemporary touch. The horn section, on the other hand, featured top players from various pop, jazz and even classical orchestras. This explosive blend of personalities was responsible for some of the funkiest grooves that emerged from the rather conservative Supraphon studios. In 1969 Marta Kubisová and The Golden Kids recorded dozens of songs which were released on numerous seven-inch singles as well as on two albums: Micro-Magic-Circus and Golden Kids 1 (aka Music Box No. 1). The repertoire contained original compositions as well as cover versions of international pop, beat and soul hits with Czech lyrics. Within the group Marta was usually given the soulful or melancholic material, as it would suit her deep and dark timbre. Additionally, Supraphon finally released Marta's first solo LP, Songy A Balady, presenting a more personal selection of songs. Extensive notes covering Marta Kubisová's career by compiler Lukás Machata.
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CD
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VAMPI 114CD
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2009 release. Marta Kubisová was the most popular Czechoslovakian female singer of the late 1960s, heading for an international career but banned by the communist regime until 1989. Compiled from the Supraphon archives, this 1966-1970 selection focuses on her roughest songs, with plenty of fuzz guitars and funky beats, punchy horns and razor-sharp organs underlying her deep and soulful voice. Marta's first professional recordings for Supraphon date back to 1963, when she was age 21. After spending three years singing jazzy tunes in provincial theatres, in late 1964 she followed her discoverer and mentor, the composer and future Supraphon producer Bohuslav Ondrácek, to the renowned Rokoko theatre in Prague. There she performed with superstar Waldemar Matuska and with her later Golden Kids bandmates Helena Vondrácková and Václav Neckár until 1968. They recruited a rhythm section of young beat musicians, giving the sound a progressive contemporary touch. The horn section, on the other hand, featured top players from various pop, jazz and even classical orchestras. This explosive blend of personalities was responsible for some of the funkiest grooves that emerged from the rather conservative Supraphon studios. In 1969 Marta Kubisová and The Golden Kids recorded dozens of songs which were released on numerous seven-inch singles as well as on two albums: Micro-Magic-Circus and Golden Kids 1 (aka Music Box No. 1). The repertoire contained original compositions as well as cover versions of international pop, beat and soul hits with Czech lyrics. Within the group Marta was usually given the soulful or melancholic material, as it would suit her deep and dark timbre. Additionally, Supraphon finally released Marta's first solo LP, Songy A Balady, presenting a more personal selection of songs. Extensive notes covering Marta Kubisová's career by compiler Lukás Machata.
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