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viewing 1 To 20 of 20 items
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LP
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JRLP 029LP
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Originally released in 2008. Scientist's name will be found on many dub releases in people's record collections. His connection to King Tubby is inseparable and many would say that when dub had fallen on quieter times, it was Scientist who breathed new life into it. His paired-down mixing style suited the new dancehall reggae sound that came as the '70s rolled into the '80s. Such was his stature that albums were now sold with his name on their jacket, Scientist vs. Prince Jammy and Scientist Meets the Space Invaders, to name but two. His time at King Tubby's was followed as chief engineer working for the Hookim Brothers at the mighty Channel 1 Studio's and on many of top producer Henry 'Junjo' Lawes tracks, that were hit after hit at the time. Here Jamaican Recordings have compiled some tuff tracks from that same period, before everything went digital. Hope you enjoy the set.
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LP
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ND 022LP
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Visionary engineer, producer and dub experimentalist, Scientist returns to his roots to mix new album direct-to-disc for latest Night Dreamer session. With over 60,000 recordings to his name, Scientist (born Hopeton Overton Brown) is one of the most influential figures in dub. From Studio One to King Tubby's, Channel One to Tuff Gong, he worked at Kingston's premier studios, pioneering recording techniques and elevating the dub mix into an art form in his own right. Known as the "Dub Chemist" for both his technical expertise and forward-thinking ideas, Scientist's Night Dreamer session brings together musicians from across the London reggae scene, including The Instigators' rhythm section Mafia (bass) and Fluxy (drums), Creation Rebel guitarist Tony Ruffcut, vocalist Donovan Kingjay, Jah Shaka keyboardist Greg Assing, and saxophonist Finn Peters. Joined by Amsterdam-based trombonist Salvoandrea Lucifora and backing vocalists Alyssa Harrigan and Peace Oluwatobi, Scientist went about taking the studio apart and reassembling to his exacting specifications. He spent hours on the kick drum alone, rewired the mixing desk's high pass EQ, brought in two 18" subwoofers, piled everyone (bar Fluxy on drums) into the control room and had the whole place shaking under the power and clarity of the bass. Having set up the studio just right, the group cut six tracks that were subsequently dubbed direct-to-lacquer by Scientist, allowing his creativity to come to the fore: "In dub mixing, the engineer now becomes the artist and it's a performance that the engineer do," Scientist explains, with almost five decades of experience to his name. The centerpiece of the album is lead single "Missing You," on which Scientist strips back the crisp groove to let Donovan Kingjay's vocals soar. Dubbing in the horns, guitar and keys with an improvisatory flair, Scientist channels the energy towards the chorus, a masterclass in tension and release, filtered through Scientist's signature sci-fi dub sound. Surrounded by vintage analogue gear, and recording direct-to-disc in a manner familiar to his early days cutting dubs at King Tubby's, Scientist described the experience as being "thrown back in time." Having made records for everyone from Sugar Minott to Barrington Levy and released a treasure trove of cult albums under his own name, a new chapter in the extraordinary story of Scientist is opening up. As this Night Dreamer session attests, dub would sound very different without the one and only Scientist.
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LP
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SV 163LP
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2024 repress. "Hopeton Brown, better known as Scientist, has been a pioneering figure in the world of dub for 40 years. His early love of electronics proved fruitful when (still a teenager) he was hired at King Tubby's studio in Kingston. Brown quickly ascended the ranks and became heir to Tubby's throne, producing imaginative and technically impressive mixes that solidified his forward-looking nickname. Originally released in 1981, In The Kingdom Of Dub remains one of the best early LPs in Scientist's long career. Produced by Roy Cousins at Channel One and featuring Sly and Robbie along with members of The Revolutionaries, The Aggrovators and The Soul Syndicate, the album offers a wide range of arresting rhythms, bold effect drops and exquisitely melodic bass. From '18 Drumalie Avenue Dub' (a reference to King Tubby's address) to 'Burning Sun Dub', Scientist lays down a veritable roadmap of dub -- filled with disintegrating echoes of satiny organ and textural guitar -- firmly cementing his place as one of the true innovators in Jamaican popular music."
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CD
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LPCT 124CD
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2022 restock. Recorded at Channel One Studio in 1982. Tracks include "Having Fun With The Klingons," "Rocking Time Warp Dub," "Jah Love All Aliens," "Conversation With Kahn," and "Smerf Wak Head Beat."
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CD
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LPCT 119CD
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2025 restock; 2017 digipak edition. Originally released in 1981. A virtual wizard of the mixing desk, Overton H Brown has been one of the key figures in dub since the late 1970s. Getting his start as a teenager at King Tubby's legendary studio in Waterhouse, Brown was known as The Scientist because his imaginative approach to the mixing desk and electronic gadgetry seemed to derive from magical powers that linked him to some intangible, futuristic realm.
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MIR 100749CD
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Hopeton Overton Brown, aka Scientist, is a true legend. He took dub reggae to a completely different level. Trained and mentored by the late, great, lamented King Tubby, he blew the scene into smithereens with his knowledge, skill and complete understanding of the mixing desk. His new album, The Untouchable, is a really great collaboration with some of the best artists of the international reggae scene: Tippa Irie, Rod Taylor, Sabrina Pallini, Da Real Storm, Dubiterian, Ilhame Paris, Jacin, Kelli Love. Scientist's The Untouchable is a concept of reintroducing rhythms produced by Bunny Lee from the '70s and some rhythms produce by The Scientist from the '80s, by introducing some new school artists alongside the old school to preserve the power of dub reggae music. No matter where you are, this music has the power to cross borders, to soothe your heart and soul and make you feel alive.
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MIR 100770LP
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LP version. Gatefold sleeve. Hopeton Overton Brown, aka Scientist, is a true legend. He took dub reggae to a completely different level. Trained and mentored by the late, great, lamented King Tubby, he blew the scene into smithereens with his knowledge, skill and complete understanding of the mixing desk. His new album, The Untouchable, is a really great collaboration with some of the best artists of the international reggae scene: Tippa Irie, Rod Taylor, Sabrina Pallini, Da Real Storm, Dubiterian, Ilhame Paris, Jacin, Kelli Love. Scientist's The Untouchable is a concept of reintroducing rhythms produced by Bunny Lee from the '70s and some rhythms produce by The Scientist from the '80s, by introducing some new school artists alongside the old school to preserve the power of dub reggae music. No matter where you are, this music has the power to cross borders, to soothe your heart and soul and make you feel alive.
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LP+CD
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MIR 100745LP
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Dub Mir present the first reissue ever of In Dub Vol 1. (1981) by Scientist. A truly outstanding Scientist killer dub LP, originally released in 1981. Produced by Linval Thompson and mixed by the one and only Scientist at King Tubby's. Remastered by Hopetown Overton Brown. Contains a bonus CD. 45rpm - audiophile edition.
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LP+CD
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MIR 100747LP
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Dub Mir present the first reissue ever of World At War (1981) by Scientist. Jimmy Riley meets Scientist in dub. Classic Scientist dub action over tough Sly and Robbie Channel One rhythms. All tracks recorded at Channel One by Prince Jammy, Scientist and Jimmy Riley. Top ranking dub. Remastered by Hopetown Overton Brown. Contains a bonus CD. 45rpm - audiophile edition.
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LP
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SV 093LP
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2020 repress. "Hopeton Brown, better known as Scientist, has been a pioneering figure in the world of dub for nearly 40 years. His early love of electronics proved fruitful when (still a teenager) he was hired at King Tubby's studio in Kingston. Brown quickly ascended the ranks and became heir to Tubby's throne, producing imaginative and technically impressive mixes that solidified his forward-looking nickname. Introducing Scientist - The Best Dub Album in the World, his 1980 debut LP, lives up to its boastful title. Recorded with Sly & Robbie at Channel One Studio and mixed at King Tubby's, the album features hypnotic basslines, reverb- drenched keyboards, and fluid, start-stop rhythms. Opening track 'Steppers,' with its well-balanced phrasing and organic contours, shows Scientist's mastery of the studio- as-instrument concept. On 'Scientific,' the effectsladen guitars are stretched to their outer limit to create magnificent, spaced-out textures and muted tension. Introducing Scientist displays the talents of a man obsessed with every element of production, drawing out the very best of the dub form."
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JRCD 058CD
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Most people associate Tuff Gong with Bob Marley, and rightly so, as he was often called Tuff Gong and his early releases came out on the Tuff Gong label. But Tuff Gong was also the name of a recording complex named after Bob Marley that included a top-level recording studio, pressing plant, and distribution center. Marley had taken over the former residence of Island Records boss Chris Blackwell -- Island House, 56 Hope Road -- around 1974. Two days before the Smile Jamaica Concert, on December 3, 1976, the house was ambushed by gunmen. Marley's manager, Don Taylor was hit five times, Marley was shot in the arm, and his wife Rita was hit in the head by a stray bullet -- but none of the injuries were fatal. Immediately after the concert Marley started his self-imposed exile from Jamaica, settling in London, England. This would lead to the aptly named Exodus album being recorded there in the summer of 1977. It would not be until the One Love Peace Concert in Kingston's National Stadium on the April 22, 1978, that Marley would return to the island. Marley felt it was important to show his commitment to the people of Jamaica, and upon his return to 56 Hope Road, he began the construction of his own recording studio with the help of music mogul Tommy Cowan. Unfortunately, Marley's short life would end on the May 11, 1981, from cancer. His passing would lead to 56 Hope Road being turned into a museum. A new location would have to be found to carry on Marley's work; this turned out to be 220 Marcus Garvey Drive, Kingston 11. Rita Marley and Tuff Gong International bought the facility, and hired engineers including Errol Brown (Treasure Isle Studios) and Hopeton Brown aka Scientist, so named for his groundbreaking style by the great producer Bunny "Striker" Lee, who had worked with him previously at King Tubby's studio and Channel One Studios. Watch This! Dubbing at Tuff Gong focuses on the work carried out by the great Scientist on the songs of the Black Solidarity label (run by Ossie Thomas aka Joe the Boss), at Tuff Gong, one of the foremost recording, pressing, and distribution facilities on the Jamaican island, set up from the work of Bob Marley to carry forward reggae music. CD includes four bonus tracks.
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JRLP 058LP
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2024 repress; LP version. Most people associate Tuff Gong with Bob Marley, and rightly so, as he was often called Tuff Gong and his early releases came out on the Tuff Gong label. But Tuff Gong was also the name of a recording complex named after Bob Marley that included a top-level recording studio, pressing plant, and distribution center. Marley had taken over the former residence of Island Records boss Chris Blackwell -- Island House, 56 Hope Road -- around 1974. Two days before the Smile Jamaica Concert, on December 3, 1976, the house was ambushed by gunmen. Marley's manager, Don Taylor was hit five times, Marley was shot in the arm, and his wife Rita was hit in the head by a stray bullet -- but none of the injuries were fatal. Immediately after the concert Marley started his self-imposed exile from Jamaica, settling in London, England. This would lead to the aptly named Exodus album being recorded there in the summer of 1977. It would not be until the One Love Peace Concert in Kingston's National Stadium on the April 22, 1978, that Marley would return to the island. Marley felt it was important to show his commitment to the people of Jamaica, and upon his return to 56 Hope Road, he began the construction of his own recording studio with the help of music mogul Tommy Cowan. Unfortunately, Marley's short life would end on the May 11, 1981, from cancer. His passing would lead to 56 Hope Road being turned into a museum. A new location would have to be found to carry on Marley's work; this turned out to be 220 Marcus Garvey Drive, Kingston 11. Rita Marley and Tuff Gong International bought the facility, and hired engineers including Errol Brown (Treasure Isle Studios) and Hopeton Brown aka Scientist, so named for his groundbreaking style by the great producer Bunny "Striker" Lee, who had worked with him previously at King Tubby's studio and Channel One Studios. Watch This! Dubbing at Tuff Gong focuses on the work carried out by the great Scientist on the songs of the Black Solidarity label (run by Ossie Thomas aka Joe the Boss), at Tuff Gong, one of the foremost recording, pressing, and distribution facilities on the Jamaican island, set up from the work of Bob Marley to carry forward reggae music.
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LP
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JL 027LP
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2024 repress. "Totally killer previously unreleased dub companion LP to Flick Wilson's School Days LP. Jah Life was no slacker when it came to mixing dubs, and sat in with Scientist at King Tubby's for the mixing of many of the classic Junjo/Radics/Scientist albums. But more importantly, they also mixed a ton load of dubs for Jah Life himself, many of which, like this album, remain unreleased... until now! Nine out of ten tracks from the Flick Wilson album are dubbed here, and one track from the Wayne Jarrett's What's Wrong With the Youths album. Classic Scientist 1980-style mixing, nothing else like it, hard stuff. Cover features a fantastic previously unseen photo from Beth Lesser."
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CD
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JRCD 029CD
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2025 repress, originally released in 2008. Scientist's name will be found on many dub releases in people's record collections. His connection to King Tubby is inseparable and many would say that when dub had fallen on quieter times, it was Scientist who breathed new life into it. His paired-down mixing style suited the new dancehall reggae sound that came as the '70s rolled into the '80s. Such was his stature that albums were now sold with his name on their jacket, Scientist vs. Prince Jammy and Scientist Meets the Space Invaders, to name but two. Here Jamaican Recordings have compiled some tuff tracks from that same period, before everything went digital. Hope you enjoy the set.
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LP
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CT 124LP
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2025 repress. Recorded at Channel One Studio in 1982. Tracks include "Having Fun With The Klingons," "Rocking Time Warp Dub," "Jah Love All Aliens," "Conversation With Kahn" and "Smerf Wak Head Beat."
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3x10" BOX
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CT 119-10
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2022 restock. Deluxe 3x10" boxset version with 2 bonus tracks not on the regular LP version: "Queen of the Icotion" and "Party Time on Enterprise." On colored vinyl. "A virtual wizard of the mixing desk, Overton H Brown has been one of the key figures in dub since the late 1970s. Getting his start as a teenager at King Tubby's legendary studio in Waterhouse, Brown was known as 'The Scientist' because his imaginative approach to the mixing desk and electronic gadgetry seemed to derive from magical powers that linked him to some intangible, futuristic realm."
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LP
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CT 119LP
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2025 restock; 1995 release. "A virtual wizard of the mixing desk, Overton H Brown has been one of the key figures in dub since the late 1970s. Getting his start as a teenager at King Tubby's legendary studio in Waterhouse, Brown was known as 'The Scientist' because his imaginative approach to the mixing desk and electronic gadgetry seemed to derive from magical powers that linked him to some intangible, futuristic realm."
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4LP
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TECPAK 001LP
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Strictly-limited 4LP set of the 12 dubstep productions from Tectonic's most ambitious project to date, Scientist Launches Dubstep Into Outer Space. This 4LP version features the 12 unmixed original cuts featured on the first CD of the double CD version (TEC 010CD). Artists: Pinch & Emika, Armour, Roly Vex'd, Guido, Shackleton, King Midas Sound, ASBO, Loefah & Sgt. Pokes, Distance, RSD, Prince Jamo, Jack Sparrow, Mala (Digital Mystikz), Kode9 & Spaceape and Cyrus (Random Trio).
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2CD
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TEC 010CD
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Tectonic's most ambitious project to date, in which the influence of dub comes full circle, Scientist Launches Dubstep Into Outer Space sees legendary dub engineer Scientist version 12 exclusive and unreleased dubstep rhythms from the scene's top producers, including Kode9, Shackleton, Pinch and Mala. It's a vital and unprecedented move for dubstep; one year in the making, uniting roots and futurism in visionary style. In archetypal fashion, Scientist puts decades of tactile, hands-on experience to work, deftly transforming the killer originals -- many composed specifically for this project -- into living, breathing dub music with his most sacred of black arts. The effect is most radical when he reviews the ultra-modern surfaces of Guido's "Korg Back" or Pinch and Emika's prescient stepper "2012," realigning the dance's depth perception with the skill of an electro-acoustic mastermind. No less, when working with vocalists on King Midas Sound's "U" or the dread vibes of Spaceape on Kode9's "Abeng," he enhances their duppy potential tenfold. Perhaps most spooky of all is his version of Shackleton's "Hackney Marshes," morphing the original's nyabinghi-like percussion into a subtly spiritual and psychoactive slab of riddim minimalism. However, for many the highlights will be the dreadnaught overhauls of Mala DMZ's bass bin punishing "City Cycle," and Loefah & Sgt. Pokes' "Dog Money" respectively, realizing many dub-fiend's most feverish dreams in ultra-heavyweight fashion. Add to these the energetic Afro-house roll of Jack Sparrow, RSD's cultured roots, ominous cone-testing from Armour (aka Roly Vex'd), Distance's swelling atmospheres, and Cyrus (Random Trio)'s modernist update of broken-beats, and the result is a session that does as much to survey the contemporary map of bass ordinance as it does to provide a fertile source text for Scientist's first new studio project in the thick end of ten years. Hopeton Brown aka Scientist is one of Jamaica's most revered dub engineers. His career behind the mixing desk began in the mid '70s at King Tubby's Dromilly Road studios in Kingston, earning him the "Scientist" tag in a legendary conversation between Bunny Lee and King Tubby. By the early '80s, he was working at Tuff Gong studios and it was during this period that he created his seminal series of albums for Greensleeves including Scientist Rids The World Of The Curse Of The Evil Vampires and Scientist Wins The World Cup. In the tradition of Lee "Scratch" Perry, King Tubby, and Prince Jammy, Scientist developed a distinct style, manipulating reverb, delay and filters to create transient sonic dimensions which place him as one of the most distinguished dub engineers alive today. Scientist Launches Dubstep Into Outer Space is a 24-track 2CD, containing separate discs of original cuts and Scientist versions.
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CD
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BSCD 077CD
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"Black Solidarity have dug deep into the crates to dig out a dozen rare and obscure tunes associated with the legendary engineer and dub master Scientist. Most tracks date from the first half of the 1980's and feature the Roots Radics and the Soul Syndicate Band."
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viewing 1 To 20 of 20 items
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