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3-4 Weeks
01. Rocky Roberts & The Airdales - T.Bird
02. Eddy G. Giles - Go Go Train
03. The Olympics - I'll Do A Little Bit More
04. The Pac Keys - Diggin
05. Johnny Jones & The King Casuals - It's Gonna Be Good
06. Willie West - You Told Me
07. Junior & The Classics - The Dog
08. Shelton Dunaway - Betty & Dupree
09. Big Brown & The Gamblers - My Testament
10. Leon Haywood - Mellow Moonlight
11. Dee Clark - Crossfire Time
12. Lee Rogers - I Want You To Have Everything
13. Frank Brunson - How You Are Gonna Live
14. Elliot Shavers - Ugly In Laws
15. Thomas East - I Get A Groove
16. Bo Toliver & His Timers - Farm Dell Rock
17. Marvin Phillips & His Men From Mars - Wine Woogie
18. Big Bob Kornegay - Bullfrog Hop
19. Floyd Morris - A Mellow Mood
20. Good Time Charlie - Whoop It On Me
21. Frank Duboise - Chicken Scratch
22. Jimmy Soul - Everybody's Gonna Ape
23. Harold Battiste - Funky Soul
24. George Torrence & The Naturals - Lickin Stick
25. Chris Kenner - Wind The Clock
26. Smokey Joe - Start All Over Again
ARTIST
TITLE
Dr. Boogie Presents Wasa Wasa
FORMAT
CD

LABEL
CATALOG #
SR 307CD SR 307CD
GENRE
RELEASE DATE
11/9/2010

Subtitled: Fabulous Rhythm'n'Blues Shakers On The Dancefloor! 1952-1968. This is volume seven in Sub Rosa's series of rare and lost recordings from the '20s to the '60s, following Dr. Boogie Presents Rarities from the Bob Hite Vaults (SR 271CD/LP), Oh, Run Into Me, But Don't Hurt Me! Female Blues Singers -- Rarities 1923-1930 (SR 268CD/LP), Shim Sham Shimmy (SR 279CD/LP), Dr. Boogie Presents 26 Deranged And Smokin' Cool Cats (SR 286CD/LP), I'm Going Where The Water Drinks Like Wine (SR 287CD/LP) and Dr. Boogie Presents Heavy Jelly: Essential Instrumentals (SR 292CD/LP) -- assembled by Belgian radio personality, musicologist, and Canned Heat devotee, Walter De Paduwa aka Dr. Boogie. "Wasa Wasa" means "what's up?" and invites you to put on your dancing shoes. A fine opportunity to remind everyone that what was called rhythm and blues in the late '50s and came from "race music" was the marriage of the word "rhythm," which designated a fast tempo, and the word "blues," which brought to mind the unmovable 12-bar rule. Rhythm'n'blues would become the vector that would let black music infiltrate white popular music and pave the way for the emergence of rock'n'roll. All tracks are taken from the original, authentic 45 rpms.