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01. Peter Brotzmann/Heather Leigh - Summer Rain
02. Peter Brotzmann/Heather Leigh - This Word Love
03. Peter Brotzmann/Heather Leigh - It´s Almost Dark
04. Peter Brotzmann/Heather Leigh - Sparrow Nights
05. Peter Brotzmann/Heather Leigh - This Time Around
06. Peter Brotzmann/Heather Leigh - River Of Sorrow
07. Peter Brotzmann/Heather Leigh - At First Sight
08. Peter Brotzmann/Heather Leigh - All Of Us
09. Peter Brotzmann/Heather Leigh - My Empty Heart
10. Peter Brotzmann/Heather Leigh - The Longer We´re Apart
ARTIST
TITLE
Sparrow Nights
FORMAT
CD

LABEL
CATALOG #
TROST 180CD TROST 180CD
GENRE
RELEASE DATE
11/23/2018

Sparrow Nights is the first studio album from the furious duo of pedal steel player Heather Leigh and saxophone legend Peter Brötzmann. Their collaboration has quickly gained a well-earned reputation for their cutting-edge music and frenetic but sensuous playing. Recorded and mastered in Vienna by Martin Siewert. Features artwork by Brötzmann; LP version comes in a heavy, '60s style tip-on cover.

"There is complexity in simplicity, and Sparrow Nights is Brötzmann and Leigh's most enduring record to date. A series of emotionally rich and boldly elucidated tonal and timbral exchanges played like compositions on pedal steel and reeds, the tracks (released as a six-track LP and ten- track CD) are cold-forged minimalist blues motifs dragged from instrumental laments. After three years playing together Brötzmann and Leigh's connection and understanding is by now both cerebral and deeply invested in the physical and sensory possibilities of their combined sound, while retaining a melancholic distance. Within this duo there is fluidity - neither is the anchor - and these recordings sound with as much variety as the sea. At times Sparrow Nights carries the clarity and poeticism of still water and open horizon ("This Word Love"), and at others it contains the elemental and ferocious roar of white water breakers on black rocks ("This Time Around"). On their previous three live albums (Ears Are Filled With Wonder (TROST 147LP, 2016), Sex Tape (TROST 163CD, 2017), and Crowmoon (2018)), the duo have developed an intimate and intense language that manifests here as a focus on power and control, where figures blasted of unnecessary decoration are drawn from the shadows and smoke of collapse. The studio setting also allows Brötzmann to bring a broader range of reeds than in live scenarios: where previously he has played primarily tenor, clarinet and tarogato with Leigh, here he delivers the heat of alto and the low pressure of bass saxophone and clarinet. Brötzmann's duo with Leigh continues to trace a fresh new arc in his trajectory, and this release also falls at a time when Leigh releases Throne (EMEGO 257CD/LP), her most song-based record to date. Here as a studio duo they play a new-old blues for times of complexity, noise and chaos, continuing to redefine and re-sound possibilities for improvised music."--JLA.