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ARTIST
TITLE
Installations
FORMAT
LP

LABEL
CATALOG #
SP BETA SP BETA
GENRE
RELEASE DATE
11/30/2018

Sound-art converts all kinds of objects, artifacts and places into potential sound producers. Through setups, twisting and staging, the performance is virtually limitless and can also be enriched with selected constraints like the Oulipian literary works. Between performance and installation, sound-art is an in situ experience that takes place on industrial wastelands, natural environments or public spaces. Animated since 2000 by Carlo Crovato, Radboud Mens, Jens Alexander Ewald, and Geert-Jan Hobijn, Staalplaat SoundSystem has organized many ephemeral experiences that only last the time of an exhibition, an event, hence the need to document, to embed the sound of these singular creations. After Composed Nature/Yokomono-Pro in collaboration with Lola Landscape Architects (AM 004LP, 2012), this record is the second "sonic photography" of Staalplaat SoundSystem, which gives an idea of some of its works. As a genuine conductor, on Installations Staalplaat SoundSystem mixes the strident noise of machines, the harrowing sound of sirens, and footsteps and voices, which resonate in the hall. For "Plan C", several sonic worlds follow each other: a little music box, cobbled up from a perforated paper strip; deep and eerie drones; metallic sound streaks synchronized with the light triggered by the faraway echo of the surrounding traffic which reveals the bridge structure; a line of wooden crates whose vibrations develop, increase in power and rumble like a thunderstorm. "Sale Away" has, again, wooden crates anchored to the metallic structure of the building play the role of a resonance chamber. Mixing with this drum-like sound device comes the soft hiss of flutes produced by vacuum cleaners and the purring of fans and radios tuned to 50 Hz. The two excerpts selected for the installation in Nantes give an effect of metallic overvoltage coupled with a mechanical moan. The three other excerpts of "Sale Away" are rougher, if not violent. The impressions of mechanical torsions and distortions, of noises that bang together like in the hold of a ship are more pronounced. In both cases, the spectators play a role, controlling the sources, the sound, with their mobile phone. This underlines even more the peculiar side of the installation according to its setting up. This interaction is in line with the Staalplaat SoundSystem spirit, which asserts itself away from galleries and museums and remains "down-to-earth".