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12"
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BOOT 004EP
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"Going different ways. After couple of releases straight for the dancefloor, Boot Records shows various aspects of contemporary electronica. A collection of particular moods and feels to roll with, to groove in, to relax to or to freak out to. A side 1. Peter Grummich: 'Lotus on Ice'. Grummich doin´ it Dolly Parton style. Berlin rodeo for a laid back ride. Quite melodic, sort of bumpy beats that, ensemble with those guitaresque synths, turn into a très relaxed, exotic groove. 'Lotus on Ice' -- file under '(Thai) massage beats'. 2. 'Epi y Blas' done by 'Metropolitan Express'. This track´s one of Patrick Harz's souvenirs, who lived in Barcelona for a while. There he built up this electric live band. Hear the analogue pressure and warmth of the sounds. It's an old pop classic, you surely will remember...sometimes you gotta go Italo ways...gem, and of course played live! B side 1.'Grab' by Manana is the furious knarz-funk monster on this EP, and the best release by Christian Seidel. Wild P-funk flavour gang-bangs your speakers. Get on the Manana boat! 2. Joey Palmiero: 'Flanger Ranger' (lo edit)-- ranger palmiero loves his job. Straight after cock-a-doodle-doo he´s flanging his area, the bassline forcing his path through some oscillating coppice...ehh, who am I again? This one´s the 'lo' edit, for sometimes u gotta let go. Ultra stereo downtempo space funk acid madness."
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12"
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BOOT 000EP
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"Just a simple kind of an e_discoid _acid track. It burns in and stays there for a while -- so why don t u stay a while -- Stay forever ha ha ha ha. Peter 'Knarz' Grummich, known from releases on Kompakt, Sender & Shitkatapult and Ralf Kronner, doin' the analogue digital crossover thing, got to know each other years ago, they met in Berlin, became friends, and started putting this wild one together. What's up with the clash thing? Rehear it -- and you be fronted by some high tech motherboard. 121 bpm gotta be enough to get this bittersweet thing started...almost penetrating line to modify over and over and over. Tip of freestyle, too. In the end blatantly funny Gigolo vocals. U know where this track's from."
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