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BUDA 860373CD
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"Shadi Fathi, a setar soloist trained by the great master Dariush Talaï, and Bijan Chemirani, a virtuoso of the zarb, the daf and other percussion instruments, conceived the idea of combining bowed and plucked string instruments as well as percussion and wind instruments. Shadi recites poetries by Khayyam, Mowlana Rûmi and contemporary Persian authors."
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BUDA 860354CD
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"Taarab is a music genre popular in Tanzania and Kenya. It is influenced by the musical traditions of the African Great Lakes, North Africa, the Middle East, and the Indian subcontinent. In the early 1970s a new taarab emerged in the East African coastal cities of Mombasa and Tanga: In Mombasa, Matano Juma's Morning Star replaced strings with distorted organ sounds, amplified violin or clarinet; Zuhura Swaleh promoted an electrified tashkota as a major new sound in her band, digging deep in coastal ngoma rhythms and dances. Crossing the border from Kenya to Tanzania, in Tanga, Black Star Musical Club's electric guitars and dance music rhythms paved the way for a broader audience reception of taarab away from the coastal Swahili towns. Mombasa was at the forefront of taarab production from the 1960s to the 1990s, thanks in no small measure to the enterprising Mzuri record label. They would not just record and promote Mombasa based artists, but also invite groups from Tanzania like Black Star or Dar es Salaam's Egyptian Music Club. In the course of the 1970s records were displaced by the cassette and the initiative moved to Mbwana Radio Service in Mombasa's Old Town, soon the new center of taarab production and distribution. Taarab rose to new heights in the 1980s with the voices and hits by Malika and Golden Star's Mwanahela. With the economic and political crisis in Kenya in the early 1990s and the concurrent rise of Dar es Salaam as the new center of music production in East Africa, Mombasa began to fade from its position as the prime taarab center. The early 1990s saw the rise of so-called modern taarab, a new style based on drum machine rhythm, powerful sound systems, and a novel fashion of inciting and insulting lyrics. Nevertheless, the musical innovations of Matano, Zuhura and Black Star opened up new vistas early on; and Malika's and Golden Star's lyrics paved the way for what was to come in the 1990s. In recognition of this, taarabfrom the Mombasa -- Tanga era is now affectionately known as 'First Modern'."
"I've already been knocked out flat by the year's sure-to-be best reissue." --Peter Margasak
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BUDA 860323CD
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"Malagasy Guitar Masters is the meeting of three musicians from Madagascar. Three generations rub shoulders there: Teta, 'guitarist with the fingers of fairy', undisputed grand master of the tsapiky. Chrysanto Zama, young prodigy guitarist, combines virtuosity, originality and richness of the compositions. Joel Rabesolo, perfectly masters all the styles of the Malagasy guitar."
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BUDA 86010
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"Authentic legend in Ethiopia, Mahmoud Ahmed set up the bases of a definitively original music in his way to synthesize various influences in a typical and universal language. With his rough and velvety voice which rises in hallucinated spirals, Mahmoud Ahmed invents a world with uncertain borders, mixing improbable Afro-Eastern rhythm and mysterious chants with refined ornamentations and melodies with surprising Indian inspirations. This record presents various tone and electric sound, hot grooves swinging and funk passing by strange incursions by the side of reggae music." The third volume of Mahmoud Ahmed music on this label, this time featuring recordings from 1974. Limited stock.
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BUDA 82252
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"Kirba afaa Xonso offers the missing link in African music concentrating on modern Ethiopian traditional music recorded 2000 and 2001 in Konso." Konso music is played entirely on indigenous instruments, similar to the lyre, Pan flute, bamboo flute, bell, horn trumpet, xylophone, drum, etc.
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