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CD
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CSR 313CD
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$15.50
PREORDER
RELEASE DATE: 10/11/2024
The fifth album from Birmingham-based industrial/doom metal band Khost sees the band forging new and at times nightmarish territories, alongside their signature walls of detuned guitar, corroded percussion and VHS atmospherics. Inspiration for many of the tracks came from countless live shows and even soundcheck experiments in which extreme, harsh electronics evolved, as did punk/early industrial tempos, all of which were then fused into the DNA of Many Things Afflict Us Few Things Console Us. Collaborators include Axebreaker (aka Terence Hannum of Locrian), acclaimed cellist Jo Quail, and Berlin-based sound designer Manuel Liebeskind. CD version is reinforced with seven extra tracks including Adrian Stainburner's incredible remix of "Yellow Light" featuring Stephen Mallinderon vocals, and Bereneces adding his signature deep, dark D&B sound to the track "Death Threat." The LP editions (CSR 313LP and CSR 313X-LP) feature a different mix by Khost especially for vinyl.
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CSR 313LP
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$31.50
PREORDER
RELEASE DATE: 10/11/2024
LP version. The fifth album from Birmingham-based industrial/doom metal band Khost sees the band forging new and at times nightmarish territories, alongside their signature walls of detuned guitar, corroded percussion and VHS atmospherics. Inspiration for many of the tracks came from countless live shows and even soundcheck experiments in which extreme, harsh electronics evolved, as did punk/early industrial tempos, all of which were then fused into the DNA of Many Things Afflict Us Few Things Console Us. Collaborators include Axebreaker (aka Terence Hannum of Locrian), acclaimed cellist Jo Quail, and Berlin-based sound designer Manuel Liebeskind. CD version is reinforced with seven extra tracks including Adrian Stainburner's incredible remix of "Yellow Light" featuring Stephen Mallinderon vocals, and Bereneces adding his signature deep, dark D&B sound to the track "Death Threat." The LP editions (CSR 313LP and CSR 313X-LP) feature a different mix by Khost especially for vinyl.
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CSR 313X-LP
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$35.00
PREORDER
RELEASE DATE: 10/11/2024
LP version. Red color vinyl. The fifth album from Birmingham-based industrial/doom metal band Khost sees the band forging new and at times nightmarish territories, alongside their signature walls of detuned guitar, corroded percussion and VHS atmospherics. Inspiration for many of the tracks came from countless live shows and even soundcheck experiments in which extreme, harsh electronics evolved, as did punk/early industrial tempos, all of which were then fused into the DNA of Many Things Afflict Us Few Things Console Us. Collaborators include Axebreaker (aka Terence Hannum of Locrian), acclaimed cellist Jo Quail, and Berlin-based sound designer Manuel Liebeskind. CD version is reinforced with seven extra tracks including Adrian Stainburner's incredible remix of "Yellow Light" featuring Stephen Mallinderon vocals, and Bereneces adding his signature deep, dark D&B sound to the track "Death Threat." The LP editions (CSR 313LP and CSR 313X-LP) feature a different mix by Khost especially for vinyl.
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CSR 339CD
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$15.50
PREORDER
RELEASE DATE: 9/27/2024
Broken Allures, the fifth LP from trio Jac Berrocal (Nurse With Wound collaborator), David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Sunny Murray, and more. Broken Allures is arguably their most coherent and fully accomplished album to date. For this album, the trio has invited two fantastic musicians to compose with them: Cosey Fanni Tutti and Jah Wobble. Cosey Fanni Tutti (Throbbing Gristle, Chris & Cosey, COUM Transmissions) contributes vocals, cornet, and electric guitar in her unique style. She has also written lyrics for two tracks on the album and brings a radical touch to the instrumental track "Viva la Hacienda," which, in her own words, recalls her time recording with Throbbing Gristle. Jah Wobble (founding member of Public Image Limited, and collaborator with African Head Charge, Brian Eno, Björk, Holger Czukay, Jaki Liebezeit, Bill Laswell, Primal Scream, Evan Parker, Sinéad O'Connor, and more) plays a deep bass line on one track. He adds his signature industrial dub sound, with deep sub-bass frequencies.
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LP
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CSR 339LP
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$31.50
PREORDER
RELEASE DATE: 9/27/2024
LP version. Broken Allures, the fifth LP from trio Jac Berrocal (Nurse With Wound collaborator), David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Sunny Murray, and more. Broken Allures is arguably their most coherent and fully accomplished album to date. For this album, the trio has invited two fantastic musicians to compose with them: Cosey Fanni Tutti and Jah Wobble. Cosey Fanni Tutti (Throbbing Gristle, Chris & Cosey, COUM Transmissions) contributes vocals, cornet, and electric guitar in her unique style. She has also written lyrics for two tracks on the album and brings a radical touch to the instrumental track "Viva la Hacienda," which, in her own words, recalls her time recording with Throbbing Gristle. Jah Wobble (founding member of Public Image Limited, and collaborator with African Head Charge, Brian Eno, Björk, Holger Czukay, Jaki Liebezeit, Bill Laswell, Primal Scream, Evan Parker, Sinéad O'Connor, and more) plays a deep bass line on one track. He adds his signature industrial dub sound, with deep sub-bass frequencies.
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CSR 339X-LP
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$35.00
PREORDER
RELEASE DATE: 9/27/2024
LP version. Yellow color vinyl. Broken Allures, the fifth LP from trio Jac Berrocal (Nurse With Wound collaborator), David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Sunny Murray, and more. Broken Allures is arguably their most coherent and fully accomplished album to date. For this album, the trio has invited two fantastic musicians to compose with them: Cosey Fanni Tutti and Jah Wobble. Cosey Fanni Tutti (Throbbing Gristle, Chris & Cosey, COUM Transmissions) contributes vocals, cornet, and electric guitar in her unique style. She has also written lyrics for two tracks on the album and brings a radical touch to the instrumental track "Viva la Hacienda," which, in her own words, recalls her time recording with Throbbing Gristle. Jah Wobble (founding member of Public Image Limited, and collaborator with African Head Charge, Brian Eno, Björk, Holger Czukay, Jaki Liebezeit, Bill Laswell, Primal Scream, Evan Parker, Sinéad O'Connor, and more) plays a deep bass line on one track. He adds his signature industrial dub sound, with deep sub-bass frequencies.
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CD
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CSR 341CD
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$15.50
PREORDER
RELEASE DATE: 9/27/2024
The brand-new album from 400 Lonely Things. Tumble back into the nebulous and murky psychedelic haze of '70s-'80s VHS horror! Explore grimy palimpsests from the film studio to the grindhouse with 400 Lonely Things in The New Twilight: eleven creepy yet sublime analogue microdoses of vintage genre and exploitation audio sampled and filtered through the darkly ambient, melodically droning, melancholic nerd soul. CD pack includes a fascinating booklet of tantalizing visual clues! It's been said by many over the years that horror is the most flexible genre. So many ideas, themes, and styles flow through it. Craig Varian of 400 Lonely Things has spent a half-century on earth exploring almost all of it, and finds a particular sweet spot in the glut of films released in the VHS boom of the '80s. Varian developed a fascination for the worlds of sound revealed by audio sampling after first encountering an Ensoniq Mirage in the 1980s. While he found sampling music interesting and often surprising, it was the overlooked moments in the audio environments of horror films in particular that seemed to provide the most fertile wealth of inexplicably sublime material. More often than not, samples from these sources seemed eager to twist themselves into moments of smeary, effusive beauty and when looped and treated, often veered directly into mysterious assemblies of warm melancholia -- meditative poetics that were never implied in their lurid lo-fi grindhouse presentations. And, of course, sometimes they were just creepy. While a couple previous releases by 400 Lonely Things in this realm have focused on specific film-titles with similar results, their 17th album The New Twilight is the first 400 Lonely Things release to take a slight step back to widen that perspective a bit, to focus on the overall genre itself. With the exception of one single track, each song (and song title) is sourced from a single film. To further this theme, the chronologically ordered booklet included in the physical packaging uses the same techniques to extract a hazy and dreamlike visual reference from the murky celluloid sources.
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CSR 193B-LP
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Ten-year Anniversary LP Edition. Out of print for nearly a decade, Cold Spring Records are proud to announce the much-demanded new vinyl edition of this legendary collaboration. Recoiled is a rambunctious alchemy, of magical COIL sensibilities and hi-tech home circa '90s mixing technique, all fused in the cave-like early studios of Danny Hyde/Peter Christopherson. These were the unrestrained studio mix downs of four songs which long time Coil admirer/collaborator Trent Reznor (Nine Inch Nails) requested Coil to remix. Reznor sent over the original multi-tracks and DATs to Hyde/Christopherson, who independently mixed versions and then met to synch both creations, molding them into these master versions. Recoiled includes a fuller, more opulent version of the track "Closer," which eventually made it onto the opening credits to the movie SE7EN. These five lengthy compositions are pre-Ableton/laptop generation type priest song creations, with the use of baby alarms and numerous wires to create bespoke effects. These legendary tracks were always rumored to exist and, only the due diligence of a dedicated NIN forum who hunted them down, are released/unleashed for your listening pleasure. Four of the tracks were released on the download-only Uncoiled. A bonus, previously unheard track from the same sessions closes the album. Jhonn Balance is also manifest on this gilded constellation. Beautifully remastered.
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CSR 193WHITE-LP
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White vinyl version. Ten-year Anniversary LP Edition. Out of print for nearly a decade, Cold Spring Records are proud to announce the much-demanded new vinyl edition of this legendary collaboration. Recoiled is a rambunctious alchemy, of magical COIL sensibilities and hi-tech home circa '90s mixing technique, all fused in the cave-like early studios of Danny Hyde/Peter Christopherson. These were the unrestrained studio mix downs of four songs which long time Coil admirer/collaborator Trent Reznor (Nine Inch Nails) requested Coil to remix. Reznor sent over the original multi-tracks and DATs to Hyde/Christopherson, who independently mixed versions and then met to synch both creations, molding them into these master versions. Recoiled includes a fuller, more opulent version of the track "Closer," which eventually made it onto the opening credits to the movie SE7EN. These five lengthy compositions are pre-Ableton/laptop generation type priest song creations, with the use of baby alarms and numerous wires to create bespoke effects. These legendary tracks were always rumored to exist and, only the due diligence of a dedicated NIN forum who hunted them down, are released/unleashed for your listening pleasure. Four of the tracks were released on the download-only Uncoiled. A bonus, previously unheard track from the same sessions closes the album. Jhonn Balance is also manifest on this gilded constellation. Beautifully remastered.
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CD
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CSR 336CD
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The Totality of Death is the past entwined with the future. The Totality of Death is a vortex of ineffable confusion. The Totality of Death is One, but manifest as two. The Totality of Death compiles 20 songs from past limited-edition releases, digital compilations, and the most obscure recesses of the Trepaneringsritualen archive. The material -- reworked and remastered in 2024 -- is spread over two separate compact discs (CSR 335CD and CSR 336CD). The CDs feature different, intricately-designed artwork throughout, and are beautifully presented in reverseboard, flood-printed, six-panel digipaks. Visual realization by Nullvoid. Mastered by Nÿlan at 4 & Rising.
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CSR 193GOLD-LP
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Gold vinyl version. Ten-year Anniversary LP Edition. Out of print for nearly a decade, Cold Spring Records are proud to announce the much-demanded new vinyl edition of this legendary collaboration. Recoiled is a rambunctious alchemy, of magical COIL sensibilities and hi-tech home circa '90s mixing technique, all fused in the cave-like early studios of Danny Hyde/Peter Christopherson. These were the unrestrained studio mix downs of four songs which long time Coil admirer/collaborator Trent Reznor (Nine Inch Nails) requested Coil to remix. Reznor sent over the original multi-tracks and DATs to Hyde/Christopherson, who independently mixed versions and then met to synch both creations, molding them into these master versions. Recoiled includes a fuller, more opulent version of the track "Closer," which eventually made it onto the opening credits to the movie SE7EN. These five lengthy compositions are pre-Ableton/laptop generation type priest song creations, with the use of baby alarms and numerous wires to create bespoke effects. These legendary tracks were always rumored to exist and, only the due diligence of a dedicated NIN forum who hunted them down, are released/unleashed for your listening pleasure. Four of the tracks were released on the download-only Uncoiled. A bonus, previously unheard track from the same sessions closes the album. Jhonn Balance is also manifest on this gilded constellation. Beautifully remastered.
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CSR 335CD
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The Totality of Death is the past entwined with the future. The Totality of Death is a vortex of ineffable confusion. The Totality of Death is One, but manifest as two. The Totality of Death compiles 20 songs from past limited-edition releases, digital compilations, and the most obscure recesses of the Trepaneringsritualen archive. The material -- reworked and remastered in 2024 -- is spread over two separate compact discs (CSR 335CD and CSR 336CD). The CDs feature different, intricately-designed artwork throughout, and are beautifully presented in reverseboard, flood-printed, six-panel digipaks. Visual realization by Nullvoid. Mastered by Nÿlan at 4 & Rising.
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CD
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CSR 338CD
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Cold Spring presents the brand-new album of shimmering, heathen drone from TenHornedBeast -- the ritual doom-drone project of Christopher Walton (Endvra). The wild goats (Capra Hircus) of the Cheviot hills have lived there for millennia and are the Avatars of the wild places. If there is a heathenry left on this island, it is to be found the places where the wild goats gather, in the secret valleys and alongside nameless burns. They are the Children of Pan in an Arcadia that straddles both the imagination and the real world. This is TenHornedBeast intentionally moving in a different direction from the cryptic doom-ambient of 2022's The Lamp Of No Light (CSR 312CD). Capra Hircus is full of the glowing sunrise of hill-top psychedelia and shimmering, spiraling drones that mimic the abstract lines of the rock-art panels that mark the landscape. The music flows outwards and immerses the listener in looping, hypnotic waves of feedback. CD in six-panel flood-printed matt digipak with photographs taken by Christopher Walton on the High Places of Pennine Horeb.
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2CD
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CSR 337CD
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This double CD set includes an extended collaboration between The New Blockaders and Grinder-Without-Organs, and two live recordings of anti-theatre premiered at Cafe OTO (London, UK) and Audio Foundation (Auckland, NZ). The set also includes a link to access a bonus film and extra, printable material. CD1 features Ein Glücklicherer Zufall: Genau Zu Lang, an hour-long part studio/part live collaboration between seminal anti-music stalwarts The New Blockaders, and purveyors of the absurd Grinder-Without-Organs. Ein Glücklicherer Zufall shows a different side to TNB's trademark obliterating noise offensives with a more collaged, musique concrète approach. CD2 opens with G-W-O Live at Cafe OTO. The set concludes with The Theatrical Panopticon, "A stage play performed in a void infected with accidental somniloquies." Fans of noise music will need no introduction to the work of TNB. Ron Lessard, of legendary US Noise label RRRecords, once stated, "I'd give the nod to TNB as being the first truly devoted Noise artists." TNB served as a major influence on legendary noise pioneers such as Merzbow and their influence on the current crop of popular crossover noise artists such as Wolf Eyes is immeasurable. Double CD comes in a six-panel matt digipak with eight-page booklet featuring TNB and G-W-O artworks.
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CSR 334CD
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Step into the shadows of ancient mysticism as Llyn Y Cwn, the maestro of Welsh dark ambient, unveils the mesmerizing odyssey that is Megaliths. A profound exploration of the sacred resonance embedded within stone circles, capturing years of field recordings from the silent and enigmatic monuments that stand as timeless witnesses to the ebb and flow of existence. Ben Powell has crafted a sonic voyage that mirrors the sacred spaces marked by stoic pillars of rock, each track representing a specific site. Delving deep into the esoteric significance of stone circles, the album portrays these structures not merely as historical relics but as religious ceremonial sites where the veil between the world and the eternal realm becomes tantalizingly thin. Extracting ambient soundscapes from burial chambers, Ben has utilized convolution reverbs to replicate the ominous ambiance of these ancient spaces. A veteran of stone circle exploration, Ben's decades-long journey has yielded field recordings that capture the haunting whispers of wind and the solemn caws of crows, enveloping the listener in a ghostly atmosphere that transcends the ordinary. Guided by the wisdom found in Julian Cope's The Modern Antiquarian and Aurbrey Burl's A Guide to the Stone Circles of Britain, Llyn Y Cwn embarks on a sonic pilgrimage across the country, exploring the remote bleakness of these sites. The album transitions from the cramped, gloomy chambers of tombs to the unroofed, wide rings -- a journey from darkness to light, from the dead to the living, and from the grave to the sky. Megaliths is a ritual, a sonic séance that beckons listeners to commune with the ancient energies that saturate these sacred circles -- an atmospheric descent into the heart of mysterious realms, where the boundaries between the earthly and the spiritual blur into an indistinguishable, haunting atmosphere. Embrace the darkness, and let the stones speak. The journey begins now. Presented in a six-panel flood-printed digipak with breathtaking photography by the artist.
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CSR 330CD
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Cold Spring Records present a unique collaboration between industrial breakbeat pioneers Meat Beat Manifesto (Jack Dangers) and the undisputed king of Japanese noise, Merzbow (Masami Akita). "We may not speak the same language, but in the vortex of sound, there's a raw, primal understanding that transcends words. Noise can be art, a visual representation could maybe be Jackson Pollock's No 5, a plexus of chaos redefining what music can and could be. Pushing boundaries with Masami wasn't just a musical adventure, it was a masterclass in sonic anarchy" --Jack Dangers, January 2024. Extinct sees the duo take listeners on a transcendental journey, focusing on the dismantling of beat and structure and recycling the result through layers of beautifully crafted noise and feedback loops, giving birth to new rhythms buried deep in the dirt. The 20-minute opener "!FLAKKA¡" takes constantly evolving breakbeats which are gradually broken down over time, driven through a filter of harsh noise, destroying the old to give birth to the new. Raw and unforgiving, the track is a behemoth that blends mutant forms of broken beats and hints of dub, creating rhythmic noise of the highest caliber in the process. "Burner" takes the record to its ultimate conclusion, the initial drum beat broken down so that it is barely recognizable. Pulsating distortion and high-end audio fragments bleed into each other as the track lumbers forth and destroys everything in its path before slowly unravelling, degrading and falling apart. A harrowing yet somewhat cathartic trip through walls of harsh industrial noise and audio degradation, Extinct is a masterful pairing of artists who have delivered something truly unique yet totally relevant. Composed, recorded, and produced November 2023-January 2024 by Jack Dangers and Masami Akita. Art by Abby Helasdottir (Gydja).
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CSR 330LP
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LP version. Cold Spring Records present a unique collaboration between industrial breakbeat pioneers Meat Best Manifesto (Jack Dangers) and the undisputed king of Japanese noise, Merzbow (Masami Akita). "We may not speak the same language, but in the vortex of sound, there's a raw, primal understanding that transcends words. Noise can be art, a visual representation could maybe be Jackson Pollock's No 5, a plexus of chaos redefining what music can and could be. Pushing boundaries with Masami wasn't just a musical adventure, it was a masterclass in sonic anarchy" --Jack Dangers, January 2024. Extinct sees the duo take listeners on a transcendental journey, focusing on the dismantling of beat and structure and recycling the result through layers of beautifully crafted noise and feedback loops, giving birth to new rhythms buried deep in the dirt. The 20-minute opener "!FLAKKA¡" takes constantly evolving breakbeats which are gradually broken down over time, driven through a filter of harsh noise, destroying the old to give birth to the new. Raw and unforgiving, the track is a behemoth that blends mutant forms of broken beats and hints of dub, creating rhythmic noise of the highest caliber in the process. "Burner" takes the record to its ultimate conclusion, the initial drum beat broken down so that it is barely recognizable. Pulsating distortion and high-end audio fragments bleed into each other as the track lumbers forth and destroys everything in its path before slowly unravelling, degrading and falling apart. A harrowing yet somewhat cathartic trip through walls of harsh industrial noise and audio degradation, Extinct is a masterful pairing of artists who have delivered something truly unique yet totally relevant. Composed, recorded, and produced November 2023-January 2024 by Jack Dangers and Masami Akita. Art by Abby Helasdottir (Gydja).
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CSR 333CD
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Corrupted is a mysterious Japanese doom metal band, formed in 1994. Immensely downtuned guitar and crushingly slow bass are shrouded under deep layers of feedback. They are rightly hailed as one of the heaviest and darkest doom metal bands of all time. This is not a simple reissue of the 2018 multi-speed, vinyl-only release Felicific Algorithim (CSR 240LP). Though the first two tracks were created using the same field recordings/source material captured in Amagasaki, Osaka, and Fukushima, the tracks have been carefully reworked into a much darker sound. The new track titles "Felicific Algiorithm" and "Felicific Aligorithm" reflect this; like a mind virus appearing the same at first glance. The 27-minute track "Mushikeras" was recorded 2022-23 as a four-piece line-up of Kaz Mike (howling guitar and bass), Rie Lambdoll (vocal and bass), Mark Y. (guitar and bass), and Chew (drum and high carbon steel). A self-released digital-only track in autumn '23, this is the first physical manifestation of this doom metal behemoth, full of loud sludge, funeral dirge, haunting whispers/howling harsh vocals, and atmospheric build-ups. Six-panel flood-printed digipak with striking photography by Rie Lambdoll, Mark Y, Chew, and collage by Hyng Hoian.
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CSR 329CD
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The classic, genre-defining 1993 album from Lull -- the pioneering, isolationist dark ambient project of Mick Harris of Scorn, Fret, ex-Napalm Death -- is a dark journey through the Stygian netherworlds of Hell. The listener is left with the impression of a final escape into reality; a return upon waking, with only wispy trace memories and the heavy rush of blood-pumping fear as a keepsake. With this album, the listener is plunged back into a dark pit of noise -- all escape barred, all hope dashed. The nightmare continues, the journey through underworlds descends deeper. These are soundtracks for nightmares. Despite there being just three tracks on the album, it lasts just shy of 75 minutes. Originally released on Sentrax (the label of the late John Everall/Tactile), the CD suffered the "disc rot" fate of many PDO pressings from 1988-1993, rendering most of that initial run unplayable.
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CSR 331CD
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A documentation of prolific Japanese noise master Merzbow's double show at London's Cafe OTO in October 2016. Rhythm-driven and rammed with highly sculpted frequencies, Akita's sound is entirely remorseless. Furious squalls and delicate sine-warps post this one on the more psychedelic end of Akita's output. Truly relentless, it is still hard to believe he created "Untitled Knife I" on a casual Saturday afternoon. Be careful with that volume. Double CD in a matt-finish gatefold ecopak with photography by Masami Akita.
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CSR 303CD
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The musical process for The Telescopes' 14th album, Experimental Health, not only kept to a specific set of instruments but also a substantial amount of crushing and sound degradation was done to the tracks to elicit a certain kind of resolution. The result is an album radiating a dark and abrasive, yet ethereal energy. Created entirely independently by Stephen Lawrie in a remote cottage in West Yorkshire between January to May 2022, the record was made with broken toys and cheap synths -- mostly Pocket Operators and miniature synths, with no guitars present. The complexity of sound rests within the simplicity of the composition and musical arrangements. The bonus remixes are two divergent interpretations by Black Market Karma and Mosaic Runes, both artists deploying their own respective skill sets and aura. The former with unfurling guitars and live drums, spreading a magnetic warmth and charm. The latter returning to the cryptic spectres haunting the record, drawing out the hidden spirit of broken equipment and infusing the tracks with their signature fractured ice. CD in a matt digipak with art by Stephen Lawrie.
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2CD
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CSR 332CD
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The new Sonologyst "sonic documentary" delves into the secretive realm of shortwave transmissions; a chronicle of clandestine shortwave transmissions culled from a span of nearly four decades (1982-2021). These mysterious transmissions -- repetitive voices, signals, sound pulses, short pieces of music -- were collated and edited to compose the tracks of the main album. Immersed in an isolating fog of dark ambient, deep drone music and cinematic sound art, it provides an auditory exploration of the ongoing Cold War. Originating from covert radio stations engaged in military and espionage endeavors, the tracks unveil a hidden sonic landscape of strategic communication. The second disc, in its extensive presentation, provides a deeper immersion into these enigmatic broadcasts. Each recording remains unaltered, accompanied only by a ghostly drone. It offers an unfiltered glimpse into the world of clandestine communication, where words are transmitted beneath the radar and in the shadowy confines of the electromagnetic spectrum. Double CD in a matt-finish gatefold ecopak with graphic design by Abby Helasdottir.
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CSR 308CD
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Released for the first time on any format, Cold Spring Records presents the soundtrack to the 2020 sci-fi horror film Sputnik (directed by Egor Abramenko). The bleak and hauntingly atmospheric film is accompanied by an impressively heavy soundtrack from Oleg Karpachev, who uses bombastic percussion, stirring strings, and otherworldly synths to convey the horror unfolding on screen. Set during Cold War Soviet Russia, the ominous film starring Oksana Akinshina, Fedor Bondarchuk, and Pyotr Fyodorov Jr follows the story of a cosmonaut returning from space with a mysterious extraterrestrial organism; essential viewing for those with a penchant for Alien-style body horror. Immense orchestral dissonance with an industrial edge. File next to Steven Price, Hans Zimmer, Ben Frost, In Slaughter Natives.
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CSR 325CD
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This collaborative album by Drew Daniel (Matmos, The Soft Pink Truth) and John Wiese (Sissy Spacek, Smegma, LHD) is the fruit of over 10 years of recordings in San Francisco, Los Angeles, and Baltimore. Continuous Hole melds improvisation and musique concrète composition into a unique document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Relentlessly variable source material is relegated to precisely timed gated forms and patterns. Without using any sampling or MIDI sequencing, the rhythmic cuts are constructed entirely from volcanic, gnarled abstraction, and eschew typical genre elements. Raw yet precise, from mayhem to menace, this is an album of strong contrasts from two American artists discovering common ground in the joy of frenzied cutting. "Abhorred Shears" is reminiscent of the cut-up works of Coil's LSD yet remains utterly unique. A prolific recording artist and visual artist with an extensive discography under his own name, and with noise stalwarts Sissy Spacek, John Wiese is currently based in Cleveland. One half of the electronic band Matmos and all of The Soft Pink Truth, Drew Daniel is based in Baltimore. Mastered by Thomas Dimuzio. Presented in a matt-laminate, six-panel digipak with photography by John Wiese. The cover photograph was shot by John Wiese in Drew Daniel's office on the campus of Johns Hopkins University where Daniel is a Shakespeare professor.
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CSR 328CD
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In Hiding features a carefully curated selection of the crucial compilation tracks from horror electronics/post-industrial project Burial Hex, gathering and remastering them together, striving to create a resonance between disparate sources, forming an extraordinary new experience. After nearly 20 years of activity from this restless project, many Burial Hex compilation tracks have been released, often of a very unique and high quality as Clay Ruby seemed to enjoy taking compilation submission requests as an opportunity to offer new perspectives on their already bizarre and eclectic work. Many of the tracks were from cassettes, vinyl, or digital-only releases for labels such as Brave Mysteries, Aurora Borealis, Clan Destine, Small Doses, and Buh, appearing here on CD for the first time -- or in the case of "Pentitential March," never-before released. Clay Ruby has remixed each track, in some cases re-envisioning them specifically to live together coherently in this incarnation, making this collection more like a new studio album rather than another anthology compilation. Reveling in the intimate, feral surrealism that we have come to know without parallel from this intoxicating project, In Hiding is an excellent view into the romantic Promethean theater of Burial Hex, whether for the neophyte or the adept. For fans of: Coil, SPK, Psychic TV, Trepaneringsritualen. CD in matt-laminate digipak with artwork by Nathaniel Ritter.
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