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2LP
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CPT 570LP
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$22.00
PREORDER
RELEASE DATE: 7/31/2020
Space music of an outstanding and extraordinary kind: just as you would expect when two mannequins leave their boutique in Karlsruhe/Germany in their mind's eye to go and see places where they haven't been before. Im Weltenraum, how they call their new album, is Fred Und Luna's next step in their ever-changing series of "elektrokraut/krautelektro" music. A charming and fascinating voyage through an endless universe of phantasmagorical soundscapes, repetitive rhythms, catchy melodies, and even a side trip to Acid House Land. After their Gluck Auf on Optimo Music (OM 034EP), where they started with a journey through motorik krautland, followed by a trip to a both atmospheric and boppy soundgarden on their album Im Klanggarten" (Bigamo, 2017), an intoxicating journey into deep blue areas on Im Tiefenrausch (COMP 537CD/LP, 2019) and tribal dancefloor spots on Im Tanzrausch" (COMP 538EP, 2019), Fred Und Luna are now on the traces of spaces, unknown worlds and unknown time zones, accompanied by Patrick Pulsinger, both a mix master and a master of mastering. Who are Fred Und Luna? Fred Und Luna are two mannequins living in a fashion boutique in Karlsruhe, Germany. They serve as muse for musician, lector, poet, and photo/video maker Rainer Buchmüller. Inspired by his doll friends and his love for German electronic music of the past decades, Rainer Buchmüller under the alias Fred Und Luna produces his self-created genres elektrokraut and Krautelektro: both a modern combination of repetitive rhythms, beautiful melodies, electronic soundscapes, and elements from the krautrock era. Under the name of Ariston Baton, Rainer Buchmüller also writes and performs sound poems and concrete poetry.
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12"
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CPT 571EP
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$12.00
PREORDER
RELEASE DATE: 7/17/2020
If something can be aseptic cold like the New Romantics and deep, soulful and trippy at the same moment, then this release by Berlin's Al Chem, which is a pretty damn thorough modelling of no wave. Raised from a diet of post-punk, new-wave, lost in a fogged-out warehouse, this kind of music and vocals in a minimal lo-fi electronic soul-bed is hard to find. Al Chem's voice and lyrics are beautiful, over an ethereal dive. Al Chem extracting a rich sense of emotion from a hypnotic grooving synth pad. With some tip-top hitters on remix duty: Shahrokh Dini made an absolutely stunning quirky peak time club mix, while Compost's boss Michael Reinboth is riding tough on a stone-cold '80s groove. Alexander Christou aka Al Chem/The Elecdrones -- producer, composer, singer, and DJ 1962-1968 London, 1968-1979 Würzburg, since 1980 in Berlin.
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12"
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CPT 564EP
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Automat's Modul Remixes #2 package presents the heavyweight producers Acid Pauli, Detroit's own Terrence Dixon, DeWalta, Shahrokh Dini, and Dubvisionist, from the respected Echo Beach label, blurring the boundaries between peak time club music, dub, techno, electronica, and house.
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12"
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CPT 569EP
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Finally, Compost presents the highly sought-after Pablo Fierro remix for "Bara" by Mr Raoul K & Manoo (a Black Coffee favorite tune!) plus a dub version and a superb collabo Afro house tune by Mr Raoul K & Pablo Fierro. A package with global club torpedoes... Third 12" to go along with Mr Raoul K's African Paradigm album. If you consider the album as a listening experience with a stong focus on storytelling, the twelve inches shift your focus to the dancier side of things. To get things started, Mr Raoul K teams up with Pablo Fierro and they unleash "Ancestral". At the beginning, the dynamic duo puts its instrumental track in the back and let B'Utiza's great vocals carry the track. After grooving along with lots of percussion and their subtle yet sincere drums, Pablo and Raoul finish the track with energy and all their musical skills on full display. On the flipside, Pablo Fierro flexes his dancefloor muscle on "Bara" of African Paradigm EP II fame (CPT 557EP). Pounding drums and vocal snippets echoing back and forth pave the way for Ahmed Sosso's vocals. After some kind of call and response between vocals and the growing instrumental tracks, Pablo unleashes the track's full power around the five-minute mark and goes with flow until the very end. On the second track, Mr Raoul K and Manoo strip down "Bara" to its bare essentials. It's just the groove and a looped vocal snippet. After a quite while a little buildup with some keyboards and strings. A hypnotizing dub with every piece in position to really please the late crowd -- including a long, beatless outro...
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CD
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CPT 565CD
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The third Web Web album, Worshippers, is the richest and perhaps best Web Web album so far. It testifies to maturity and is the logical continuation of the two preceding albums. In a way, it is a concept album in Web Web's journey through Afro- and spiritual jazz. Worshippers: The idolizers, the admirers. Web Web adores and bows to the greats of jazz and their spiritual music. Songs like "The Upper", "Paranormal Question", or the multi-part "Free A.M." were created, all of which show more complex structures as well as sophisticated forms and arrangements than the two previous albums Oracle (COMP 499CD/LP, 2017) and Dance Of The Demons (COMP 516CD/LP, 2018). Along with the search for new sounds and soundscapes arose the desire for an extended sound body, which goes beyond Web Web's conventional repertoire: Besides, there was a musician, with whom the complex arrangements and the tight, mantric rhythms could be accomplished: the violinist and violist Stefan Pintev. The native Bulgarian, who previously played with legends like Ray Charles or Astrud Gilberto, could give the music an additional depth and a mystical color with his dark timbre on his violin. In pieces like "Mystic Flowers" or "Inner Revolution", his entire sound spectrum is brilliantly revealed, as is his narrative and multi-layered playing. In the middle of the production process of this album, the idea to let the incredible voice of Joy Denalane (Freundeskreis, Common) flow into Web Web's music was born. Since Joy Denalane and Roberto Di Gioia were working on their solo album simultaneously, Joy became amazed by the new Web Web sounds and ended up contributing to this album. On this album, Joy Denalane does not perform in the way we know from her song forms and structures. Instead she sings in a free, improvisational manner, uses her voice as an instrument, enters into a dialogue with Tony Lakato's wondrous improvisations (as in "What You Give"), or experiments with alienating (and alienated) vocal tirades in "Free A.M. (Part 1)", asserting her sensational art of improvisation -- similar to the early Dee Dee Bridgewater. On the opening song "The Upper", she impresses with her dark and soulful voice and indicates the way for the whole album from her very first line. Web Web are Roberto Di Gioia (piano, synth, percussion), Tony Lakatos (tenor and soprano saxophones, flute), Christian von Kaphengst (upright bass), and Peter Gall (drums).
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LP
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CPT 565LP
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LP version. The third Web Web album, Worshippers, is the richest and perhaps best Web Web album so far. It testifies to maturity and is the logical continuation of the two preceding albums. In a way, it is a concept album in Web Web's journey through Afro- and spiritual jazz. Worshippers: The idolizers, the admirers. Web Web adores and bows to the greats of jazz and their spiritual music. Songs like "The Upper", "Paranormal Question", or the multi-part "Free A.M." were created, all of which show more complex structures as well as sophisticated forms and arrangements than the two previous albums Oracle (COMP 499CD/LP, 2017) and Dance Of The Demons (COMP 516CD/LP, 2018). Along with the search for new sounds and soundscapes arose the desire for an extended sound body, which goes beyond Web Web's conventional repertoire: Besides, there was a musician, with whom the complex arrangements and the tight, mantric rhythms could be accomplished: the violinist and violist Stefan Pintev. The native Bulgarian, who previously played with legends like Ray Charles or Astrud Gilberto, could give the music an additional depth and a mystical color with his dark timbre on his violin. In pieces like "Mystic Flowers" or "Inner Revolution", his entire sound spectrum is brilliantly revealed, as is his narrative and multi-layered playing. In the middle of the production process of this album, the idea to let the incredible voice of Joy Denalane (Freundeskreis, Common) flow into Web Web's music was born. Since Joy Denalane and Roberto Di Gioia were working on their solo album simultaneously, Joy became amazed by the new Web Web sounds and ended up contributing to this album. On this album, Joy Denalane does not perform in the way we know from her song forms and structures. Instead she sings in a free, improvisational manner, uses her voice as an instrument, enters into a dialogue with Tony Lakato's wondrous improvisations (as in "What You Give"), or experiments with alienating (and alienated) vocal tirades in "Free A.M. (Part 1)", asserting her sensational art of improvisation -- similar to the early Dee Dee Bridgewater. On the opening song "The Upper", she impresses with her dark and soulful voice and indicates the way for the whole album from her very first line. Web Web are Roberto Di Gioia (piano, synth, percussion), Tony Lakatos (tenor and soprano saxophones, flute), Christian von Kaphengst (upright bass), and Peter Gall (drums).
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12"
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CPT 562EP
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With his nothing-short-of-outstanding Force EP on Compost, the prodigious Laolu pushes his boundaries even further and provides us with a refreshing and yet poignant travel through his vision of Afro-inspired house music. In addition to this musical marvel comes a long-awaited vinyl exclusive Laolu remix of Sophie Hunger's "There Is Still Pain Left", one that will be remembered. It received heavy support already from the likes of Solomun, Marcus Worgull, Trikk, and Eagles & Butterflies. Released on Innervisions at the end of 2015, Laolu's remix of Dele Sosimi's "Too Much Information" has been a number one hit and Dixon and Âme's favorite track of the year. Laolu was born out of the love of a Nigerian father and a Swiss mother who, most appropriately, met in a record store in Berlin. He spent his first years in Nigeria where his parents owned "The Gallery", a club dedicated to jazz and soul; so his musical education began. After relocating to France, he attended a music school in order to learn saxophone and music theory, but upon discovering Detroit techno pioneers Derrick May and Carl Craig at the age of 18, he sold his saxophone to buy his first drum machine. He then moved to Geneva where he started DJing and met Kadebostan, who quickly became a musical coconspirator in the studio and as a DJ partner. In 2010, Laolu released his first EP O Fantasma on the young Berlin based label Clap Your Hands, a deep tune for special club moments. During the following years, his collaborations and solo work have led him to produce music for labels including Innervisions, Defected, Compost Records, Get Physical, Weapons, Freude Am Tanzen, Clap Your Hands, Mental Groove, Jalapeno Records, and Soundway Records. He kicked off 2014 writing and producing "Sene Kela" for Mr Raoul K's new album, which gathered love and support from Dixon, Mano Le Tough, and more. As a DJ, he has built a solid reputation in his hometown of Geneva, but also played across Europe in Berlin, Paris, Krakow, and Tbilisi. Ruff techno and heart-warming house, his style is both sophisticated and raw at once, allowing him to swing moods and match the feverish atmosphere of any club.
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LP
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CPT 556LP
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C.O.W. are back. In fact, they were never gone. Having released two iconic features with the likes of Alxndr London (UK) and Hatsune Miku (JP) following the success of their previous $hanghai Mone¥ EP (COMP 505EP), the German-Chinese producer collective finally delivers their long-awaited first album. Being a true child of the digital world, what better name could they have chosen than the one of their very own genre: Internet. But it wouldn't be C.O.W. if there wasn't a catch to it. A conceptual twist. Something deeper. The internet is a place of uncountable content, phenomenon and impressions. However, in the worldview of the collective all of these can be comprised into four elements: epic, fury, love, and drugs. A philosophical concept turned album. Four elements that define our surrounding, our taste and opinion-makers, our filter bubbles and echo-chambers. We all know and experience them when traveling through that fantastic space. Like turning from praise to hate, from excitement to sadness within a few clicks, so will the album take you on a journey through all these elements, all those feelings within the collectives mind-blowing productions. C.O.W. are back, but -- like content in the Internet -- they've always been there, you only needed to look for them. Features Jakob from Earth, Jake Masca, Masia One, Supa Mojo & General Ling, Dexter, Tahnee Matthiesen, Kid Simius, and Sola Plexus.
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2LP
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CPT 558LP
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Automat -- Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Phillip Boa & The Voodooclub, Skip McDonald), and Georg Zeitblom (wittmannzeitblom) -- operates like a well-oiled machine: it buzzes, it whirrs, it follows an unswerving course. Together with modular magician Max Loderbauer and Paul St. Hilaire, aka Tikiman, Lydia Lunch, and Mika Bajinski on vocal duties, they now present Modul their most varied and consistent album to date, on Compost Records. On their fourth album, the trio shifts down a gear, further refines its musical approach and partners with other figures from the world of adventurous music. The eight pieces on Modul were written collectively based on a building block system that dynamically set the compositional process in motion and evenly divided responsibility between all participants. The result is a musical perpetuum mobile -- an album with the steady resting pulse of a dub production that always stays on the move. As an album, »Modul« captures a continuous process of transformation that was first to be experienced in the year 2018, when Automat presented an earlier version at the Pop-Kultur festival as part of a commissioned work. Having been invited by the curatorial team, Zeitblom, Färber, and Arbeit together with their guests St. Hilaire, Lunch, and Gemma Ray created a live set that was resolutely developed in the studio on the basis of single modular elements that were (re-)combined according to the principle of a resonance module: it's a to-and-fro between the individual members, structures morph and the sound incessantly takes on different shapes.
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12"
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CPT 557EP
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Manoo and Mr Raoul K head straight towards the dancefloor: gritty drums, driving synths. In a true wild pitch manner, they build a massive stack of sound and groove which gets knocked over into a nice break that gives plenty of room for Ahmed Sosso's vocals. The second track, deceivingly named "Slowmotion", is all about motion: Skippy beats never stop. They keep feet and heads moving. Sounds rising from far away move through the room and echo away (don't panic, you''l get a little breather before the end). On the flipside, Auztin Pauers & Ezrael transform "O Mera Dil" into a lush yet groovy pieced for late night crowds. Laidback beats, Fender Rhodes-esque keyboard sounds, an organic feel and Lady Parul's vocals are put together so smoothly -- like a comfy sweater that keeps you warm while you dance into the morning. For the last track, Mr Raoul K's long-time collaborator Kuniyuki presents his take on "African Paradigm". His mix takes his time to collect and incorporate inspiration from all six chapters of African Paradigm, using mesmerizing, airy strings to join all pieces. Kuniyuki transforms Mr Raoul K's journey through the history of Africa into a journey through a day. Starting sleepy in the morning, getting more and more busy throughout the day. Then getting some rest, take a nap and prepare to have some fun in the evening.
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10LP Box
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CPT 544LP
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25 Years Compost Records; for many people, the record label is rated among the best German independent labels for club music, and it specifically belongs to the leading labels for house, future jazz and downbeat. This box set serves as proof of that achievement: dozens of producers, DJs, label owners, and companions sent us their thoughts, dedications and quotes. In fact, Compost is known worldwide for being the pioneer of the future jazz genre. The very successful and highly acclaimed compilation-series like Future Sounds Of Jazz, Glücklich, Elaste, or Party Keller are still timeless highlights. For the 20 year anniversary a book was published -- five years later, the music is put into focus again: the idea was to ask esteemed artists to reinterpret their favorite Compost tunes. The label is thus excited about getting both talented young artists and many of its all-time favorite producers involved in this project. Alongside the remixes and sold-out vinyl label classics, there are a few exclusive tracks in this limited, hand-numbered 10x12'' box. In addition, one can explore the impressive label history and background stories in the liner notes written by Michael Reinboth himself. Features: Beanfield, Ron Deacon, A Forest Mighty Black, Marsmobil, Siren, Tomasz Guiddo, Lorenz Rhode, Fauna Flash, Marbert Rocel, Shahrokh Dini, Trüby Trio, Web Web, Emilie Nana, Rainer Trueby & Corrado Bucci (Truccy), Liquid Phonk, Tomasz Guiddo with Nirosta Steel, Solomun, Eleanor, C.O.W., DJ Yellow & Flowers And Sea Creatures, Brother Of Soul, Alif Tree, Zwicker, Claudio Coccoluto, Shahrokh Sound Of K, TJ Kong & Nuno Dos Santos, and Move D. Limited, hand-numbered box includes download codes, a mixtape by each Reinboth and Thomas Herb, Compost logo metal pin, jute bag, sticker pack, and liner notes.
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12"
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COMP 538EP
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Im Tanzrausch is step two of Fred Und Luna's joint venture with Compost Records. In direct connection to their mesmerizing album Im Tiefenrausch (COMP 537CD/LP), Fred und Luna come up with four hypnotic and tribal elektrokraut/krautelektro pieces ready to find their way to the dancefloor. The music of Fred Und Luna has always been a combination and an interplay of both listening and danceable sound. On Im Tanzrausch, they are focus on repetitive, dancefloor-ready beats, not losing sight of their love for beautiful melodies, electronic soundscapes and their krautish background.
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12"
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COMP 5301W-EP
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25 years strong and still going steeply. Compost release the very strictly limited, serially numbered, stickered white label Overture 3 sneak preview. Compost classics by Fauna Flash, Marbert Rocel, Shahrokh Dini, and Trueby Trio remixed by Recondite, Joakim, Delano Smith, and Zenker Brothers. Some smart techy stuff. Edition of 200.
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2LP
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COMP 537LP
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Double LP version. A mesmerizing trip from Krautland through electronic fields to hypnotonia, exploring the textures of haunting melodies, luscious dreamscapes and tribal, dancefloor-ready beats. After their highly acclaimed debut album Im Klanggarten (2017) (on Bigamo, the label of Frank Wiedemann and Ame), Im Tiefenrausch is Fred Und Luna's next fascinating step in their Elektrokraut/Krautelektro series. Who are Fred Und Luna? Fred Und Luna are two mannequins living in a fashion boutique in Karlsruhe, Germany. They serve as muse for musician, lector, poet and photo/video maker Rainer Buchmüller. Inspired by his doll friends and his love for German electronic music of the past decades, Buchmüller under the alias "Fred Und Luna" produces his self-created genres Elektrokraut and Krautelektro: both a modern combination of repetitive rhythms, beautiful melodies, electronic soundscapes and elements from the krautrock era. Under the name of Ariston Baton, Buchmüller also writes and performs sound poems and concrete poetry. At live events and especially at exhibitions, Ariston Baton joins "Fred Und Luna" and Buchmüller's third identity Vizudaru Nono, who contributes video and photo projections. Together they form the so-called Equipe Nadaphysique. The next exhibition featuring all three named personalities will take place end of October 2018 at Rockomotives Festival in Vendôme, France. A brief history of Fred Und Luna Having previously released the EP Glück Auf (OM 034EP, 2016) on the Scottish label Optimo Music and being remixed by Prins Thomas for the Berlin label Innervisions, the year 2017 saw Fred Und Luna feature their debut album Im Klanggarten on Frank Wiedemann's (Âme, Howling) newly-founded label Bigamo Musik. After the first editions of both the EP and LP both sold out quickly, live shows in Germany, France and England followed as well as remixes for Peter Pardeike (Connaisseur Recordings) and a common release with Trikk on Innervisions, among others. A team-up with Achim Treu (UFO Hawaii) resulted in several remixes for international musicians.
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COMP 537CD
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A mesmerizing trip from Krautland through electronic fields to hypnotonia, exploring the textures of haunting melodies, luscious dreamscapes and tribal, dancefloor-ready beats. After their highly acclaimed debut album Im Klanggarten (2017) (on Bigamo, the label of Frank Wiedemann and Ame), Im Tiefenrausch is Fred Und Luna's next fascinating step in their Elektrokraut/Krautelektro series. Who are Fred Und Luna? Fred Und Luna are two mannequins living in a fashion boutique in Karlsruhe, Germany. They serve as muse for musician, lector, poet and photo/video maker Rainer Buchmüller. Inspired by his doll friends and his love for German electronic music of the past decades, Buchmüller under the alias "Fred Und Luna" produces his self-created genres Elektrokraut and Krautelektro: both a modern combination of repetitive rhythms, beautiful melodies, electronic soundscapes and elements from the krautrock era. Under the name of Ariston Baton, Buchmüller also writes and performs sound poems and concrete poetry. At live events and especially at exhibitions, Ariston Baton joins "Fred Und Luna" and Buchmüller's third identity Vizudaru Nono, who contributes video and photo projections. Together they form the so-called Equipe Nadaphysique. The next exhibition featuring all three named personalities will take place end of October 2018 at Rockomotives Festival in Vendôme, France. A brief history of Fred Und Luna Having previously released the EP Glück Auf (OM 034EP, 2016) on the Scottish label Optimo Music and being remixed by Prins Thomas for the Berlin label Innervisions, the year 2017 saw Fred Und Luna feature their debut album Im Klanggarten on Frank Wiedemann's (Âme, Howling) newly-founded label Bigamo Musik. After the first editions of both the EP and LP both sold out quickly, live shows in Germany, France and England followed as well as remixes for Peter Pardeike (Connaisseur Recordings) and a common release with Trikk on Innervisions, among others. A team-up with Achim Treu (UFO Hawaii) resulted in several remixes for international musicians.
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12"
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COMP 5281W-EP
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25 years strong and still going steeply, Compost will release an anniversary 10 x 12" box set early 2019. Here comes the very strictly limited, serially numbered, stickered white-label overture Record 1 sneak preview. Compost classics by Beanfield, Marsmobil, A Forest Mighty Black remixed by Roman Flügel, I:Cube, Ripperton, plus an exclusive Ron Deacon track. Massive.
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COMP 527EP
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"I Rise" is the reflection of Emilie Nana's hatching and metamorphosis, based on the lyrics of the poem "Still I Rise" by Maya Angelou. After Danny Krivit, who came up with the now classic re-edits for the initial release of "I Rise", it's now fellow New Yorker François K who's sharing this strong sentiment. Like Krivit, the opportunity to working with a personality is a big honor for Emilie Nana and of course for Compost Records in either way. I Rise Remix EP combines three different versions to play with; all brilliant and special in his inimitable manner.
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COMP 536EP
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African Paradigm EP 1 is the first prelude to Mr Raoul K's forthcoming African Paradigm. The A-side kicks off with "Tamale", darker and gloomier than usual. Whirling pads and driving beats take twists and turns while diggin' deep into the dark. Sona Diabate's vocals kick in, and her powerful delivery provides some light in the shadows; elegance and energy. On the flipside Kaito remixes "African Paradigm" into twelve minutes of floating bliss. Mr Raoul K's trademark organic sounds and traditional Ivorian instruments deliver glistening soundscapes emblazoned with mysterious vocals.
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COMP 519CD
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Ah! Kosmos has created a wonder that she holds you in the middle of. Also known as Basak Günak, a sound designer, producer, and multi-instrumentalist born in Istanbul, her tracks open up a space that draws the listener into a state of flow. In her second album, Beautiful Swamp, she combines crackling percussions with melodic soundscapes. Deep in the fabric of her tracks are also fears, rapture, bliss, and gloom. Günak's music captures what she has processed and overcome in her life between Istanbul and Berlin. The listener not only explores soundscapes but multi-layered emotions each layer drawing them further into the swamp. Even with her first record, Bastards (2015), Günak proved to be a border crossing producer, oscillating blissfully between avant-garde and gloomy post-rock. With Beautiful Swamp, which was created in Berlin and Istanbul in 2017, Ah! Kosmos continues challenging genre boundaries. Günak uses polyrhythms and folktronic instruments to build a mystical world of sound into which one can sink and be carried away. On this album, she has further revealed her own voice, becoming even more tangible as a person. Her music is physical and carries graceful traces of clashes. The aptly named Swamp, perhaps also a primordial soup from which all things emerge and perhaps return to, is neither dark nor light but holds the potential for everything: beginnings, endings, growth, pain. Ah! Kosmos primarily works alone. But when Günak collaborates with others, it is even more intense -- like the one with the jazz singer Elif Çaglar, heard in the song "Beyond Dreams", or with the guitarist Özgür Yilmaz on the track "Wide". Additionally, Selen Ansen, one of the most important Turkish intellectuals of her generation, has written a poem for Günak's new work, entitled "In The Dark Woods". When Günak performs live, the music reacts directly to the mood in the floor. At each of her performances, her soundscapes take on a new form. Performing solo or accompanied by a guitarist, she has already supported acts such as Sigur Rós and Jonny Greenwood's Junun Project and has starred at important festivals. She also composes for contemporary dance and theater productions, short films, and performances. In the spring of 2018, she participated in the project "Sonár Calling GJ273B" and sent her disembodied voice singing "I do not belong here" into space. You probably feel very connected to her sound, out there.
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COMP 519LP
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LP version. Ah! Kosmos has created a wonder that she holds you in the middle of. Also known as Basak Günak, a sound designer, producer, and multi-instrumentalist born in Istanbul, her tracks open up a space that draws the listener into a state of flow. In her second album, Beautiful Swamp, she combines crackling percussions with melodic soundscapes. Deep in the fabric of her tracks are also fears, rapture, bliss, and gloom. Günak's music captures what she has processed and overcome in her life between Istanbul and Berlin. The listener not only explores soundscapes but multi-layered emotions each layer drawing them further into the swamp. Even with her first record, Bastards (2015), Günak proved to be a border crossing producer, oscillating blissfully between avant-garde and gloomy post-rock. With Beautiful Swamp, which was created in Berlin and Istanbul in 2017, Ah! Kosmos continues challenging genre boundaries. Günak uses polyrhythms and folktronic instruments to build a mystical world of sound into which one can sink and be carried away. On this album, she has further revealed her own voice, becoming even more tangible as a person. Her music is physical and carries graceful traces of clashes. The aptly named Swamp, perhaps also a primordial soup from which all things emerge and perhaps return to, is neither dark nor light but holds the potential for everything: beginnings, endings, growth, pain. Ah! Kosmos primarily works alone. But when Günak collaborates with others, it is even more intense -- like the one with the jazz singer Elif Çaglar, heard in the song "Beyond Dreams", or with the guitarist Özgür Yilmaz on the track "Wide". Additionally, Selen Ansen, one of the most important Turkish intellectuals of her generation, has written a poem for Günak's new work, entitled "In The Dark Woods". When Günak performs live, the music reacts directly to the mood in the floor. At each of her performances, her soundscapes take on a new form. Performing solo or accompanied by a guitarist, she has already supported acts such as Sigur Rós and Jonny Greenwood's Junun Project and has starred at important festivals. She also composes for contemporary dance and theater productions, short films, and performances. In the spring of 2018, she participated in the project "Sonár Calling GJ273B" and sent her disembodied voice singing "I do not belong here" into space. You probably feel very connected to her sound, out there.
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COMP 516CD
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After their sensational debut album Oracle in 2017 (COMP 499CD/LP), the German jazz supergroup Web Web follow with an amazing new album, Dance Of The Demons. Their second full-length is a furious dance with the demons -- from positive spirit soul jazz "Land Of The Arum Flower", while the melody reminding to Ethiopian jazz of the '60s, to the mad, outstanding "Sandia", or beautiful weird "Safar" Web Web have had an intense year, they've played dozens of live concerts, where they proved their professionalism, closeness, power and spirituality once more. As a nice but ideal step, Web Web were thrilled to invite the well-known singer and gembri-player Majid Bekkas from Rabat, Morocco, who joined the group into the studio. Tony Lakatos was working with Majid and Joachim Kühn in the last years, also Roberto Di Gioia played with Majid and Klaus Doldinger. This brilliant musician with his North-African roots enriches the rough and bluntly concept of Web Web jazz. In "Maroc Blues", a solo performance by Majid Bekkas, you can hear the warm vibrant gembri, an instrument like an upright bass or lute with three strings. Majid's marvelous voice, which, reflecting the centuries-old tradition of the Berber tribes, perfectly underpins the great improvisation and spirituality of Web Web. Majid Bekkas is one of the most famous musician and representative of Gnawa music, which has its domicile in the south of Sahara. Majid Bekkas studied at the Conservatory For Music & Dance in Rabat, while playing since 1975 classical acoustic guitar and oud. For example, he played with Archie Shepp, Louis Sclavis, Peter Brötzmann, Hamid Drake, and lot of others in the world of jazz and world music. Dance Of The Demons (as well as the debut Oracle) was recorded live in Munich, engineered by Jan Krause (Beanfield, Poets Of Rhythm), produced by Roberto Di Gioia and Michael Reinboth. Web Web are: Roberto Di Gioia - piano, synth, percussion; Tony Lakatos - tenor and soprano saxophone; Christian von Kaphengst - upright bass; Peter Gall - drums.
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LP
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COMP 516LP
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LP version. After their sensational debut album Oracle in 2017 (COMP 499CD/LP), the German jazz supergroup Web Web follow with an amazing new album, Dance Of The Demons. Their second full-length is a furious dance with the demons -- from positive spirit soul jazz "Land Of The Arum Flower", while the melody reminding to Ethiopian jazz of the '60s, to the mad, outstanding "Sandia", or beautiful weird "Safar" Web Web have had an intense year, they've played dozens of live concerts, where they proved their professionalism, closeness, power and spirituality once more. As a nice but ideal step, Web Web were thrilled to invite the well-known singer and gembri-player Majid Bekkas from Rabat, Morocco, who joined the group into the studio. Tony Lakatos was working with Majid and Joachim Kühn in the last years, also Roberto Di Gioia played with Majid and Klaus Doldinger. This brilliant musician with his North-African roots enriches the rough and bluntly concept of Web Web jazz. In "Maroc Blues", a solo performance by Majid Bekkas, you can hear the warm vibrant gembri, an instrument like an upright bass or lute with three strings. Majid's marvelous voice, which, reflecting the centuries-old tradition of the Berber tribes, perfectly underpins the great improvisation and spirituality of Web Web. Majid Bekkas is one of the most famous musician and representative of Gnawa music, which has its domicile in the south of Sahara. Majid Bekkas studied at the Conservatory For Music & Dance in Rabat, while playing since 1975 classical acoustic guitar and oud. For example, he played with Archie Shepp, Louis Sclavis, Peter Brötzmann, Hamid Drake, and lot of others in the world of jazz and world music. Dance Of The Demons (as well as the debut Oracle) was recorded live in Munich, engineered by Jan Krause (Beanfield, Poets Of Rhythm), produced by Roberto Di Gioia and Michael Reinboth. Web Web are: Roberto Di Gioia - piano, synth, percussion; Tony Lakatos - tenor and soprano saxophone; Christian von Kaphengst - upright bass; Peter Gall - drums.
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2CD
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COMP 515CD
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Future Sounds Of Jazz Vol. 14, compiled by Permanent Vacation's Benjamin Fröhlich and Tom Bioly. 28 tracks by Move D, Roman Flügel, Slowdive, Isolée, Cobblestone Jazz, Luke Abbott, remixes by Avalon Emerson, Russ Gabriel, Kassem Mosse, I:Cube, among others, including three exclusive and previously unreleased tracks. Wow, a new chapter of this legendary series. This and the very first time it's not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation. Why- Simply because they both are very close friends of the Compost family, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records' hometown Munich, too. Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that's the score, idea, and open-mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too. The first half of the release, compiled by Benjamin Fröhlich, is clubbier. The second half, compiled by Tom Bioly, is a bit more sublime downbeat/electronica or relaxed feel. Both are true listening pleasure anyway. Future Sounds Of Jazz has been voted as one of the best compilation series of all time by several publications. With this series, starting in 1995, the term "future jazz" became a genre landmark. Also features: Basil Hardhaus, JTC, The Abstract Eye, Tee Mango, Marvin Horsch, Matt O'Brien, Aubrey, Marcellus Pittman, Herzel, David Goldberg, Benjamin Fröhlich, Claude Rodap, Jose Padilla, Jex Opolis, Pierre Bastien, Vanishing Twin, Yussef Kamaal, Machine Woman, The Stowaway, New Jackson, Albinos, Sirconical, and TB.
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4LP
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COMP 515LP
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4LP version. Future Sounds Of Jazz Vol. 14, compiled by Permanent Vacation's Benjamin Fröhlich and Tom Bioly. 28 tracks by Move D, Roman Flügel, Slowdive, Isolée, Cobblestone Jazz, Luke Abbott, remixes by Avalon Emerson, Russ Gabriel, Kassem Mosse, I:Cube, among others, including three exclusive and previously unreleased tracks. Wow, a new chapter of this legendary series. This and the very first time it's not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation. Why- Simply because they both are very close friends of the Compost family, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records' hometown Munich, too. Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that's the score, idea, and open-mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too. The first half of the release, compiled by Benjamin Fröhlich, is clubbier. The second half, compiled by Tom Bioly, is a bit more sublime downbeat/electronica or relaxed feel. Both are true listening pleasure anyway. Future Sounds Of Jazz has been voted as one of the best compilation series of all time by several publications. With this series, starting in 1995, the term "future jazz" became a genre landmark. Also features: Basil Hardhaus, JTC, The Abstract Eye, Tee Mango, Marvin Horsch, Matt O'Brien, Aubrey, Marcellus Pittman, Herzel, David Goldberg, Benjamin Fröhlich, Claude Rodap, Jose Padilla, Jex Opolis, Pierre Bastien, Vanishing Twin, Yussef Kamaal, Machine Woman, The Stowaway, New Jackson, Albinos, Sirconical, and TB.
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12"
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COMP 512EP
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Laolu & Raoul K's excellent debut EP for Compost Records is an amalgamation of state of the art house music, African rhythm, and sound textures being topped by the deep and spiritual vocals of Ahmed Sosso. With Sene Kela (2014), the duo easily bridged the gap between their African roots and modern house, between deepness and rave appeal. With "Djougou Yah", Laolu and Raoul K are picking up this vibe again but turning the wheel even further. With its punchy kick drum, stripped-back percussion work, striking synth arpeggios, and an epic breakdown, "Perc Mix" has got a perfect peak-time appeal.
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