In this collective creation directed by Erizonte well-known artists sharing ethics and aesthetics come together over the mysterious and disturbing drawings that appeared in some newspapers, books and magazines in the mid-1960s to mid-1980s, such as Hermano Lobo, Triunfo, or Cuadernos para el Diálogo, signed OPS -- later better known by the heteronym of El Roto. Musicians or sound artists, representatives of avant-garde music that emerged in the Spain of OPS, have composed a piece for this album on a given, recurring theme: repression, censorship, informative manipulation, induced or obligatory oblivion, the vices of clericalism, the horrors of war, imperialism, bad education or the lack thereof and gender violence. These are themes that coincide with those already undertaken by Goya in etchings, and of whom we can consider Andrés Rábago, the painter behind these two pseudonyms, as the legitimate heir, at least in this field. He himself has chosen the drawings that illustrate each of the covers corresponding to the individual editions of each piece as they appeared. The covers are all gathered here, along with a new cover. This album is part II of Erizonte's trilogy inspired by drawings in the media. After the first part, the "Suite Los Caprichos de Goya", where 19th century ideals of the Enlightenment can be seen through the etchings of Francisco de Goya, while this second album corresponds to the OPS cartoons, anti-Francoism and its environment, as it was when they appeared in newspapers and magazines, the media of the 20th century. The artist and the graphic medium for the third and last part, corresponding to this 21st century, is yet to be discovered... Features Mecánica Popular, La Fura Dels Baus, Macromassa, Pelayo Arrizabalaga, Eli Gras, Esplendor Geométrico, Mar Otra Vez, Jesús Alonso, Scud Hero, and Corcobado. Gatefold sleeve.