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ESR 201202CD
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Eat, Sleep, Repeat presents an album by Minus Pilots. The music on Hitting Up The Heavens is a perfectly balanced hybrid of ambient minimalism which is entirely unique and yet somehow strangely familiar. These are not songs in the conventional sense, either, but rather moods to sink deep into and ponder. The delicate crackle caused by the band's broken four-tack cassette tape recorder lays the grounding above which their clustered layers of sparse bass experiments float. Whether provided by dismantled bass notes or simple drone, the music here resides on par with fragile musings exhibiting a unique brand of minimalism that's breathtakingly engaging and attuned to detail. Hitting Up The Heavens is a beautifully understated album full of lovely textures. This is intangibly delightful and as moving as it gets. Glacial movements, indeed. The stunning cover art and booklet imagery that accompanies this CD were drawn by Parskid and then treated and assembled by Rutger Zuydervelt (Machinefabriek).
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CD
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ESR 201201CD
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Lichtung is a collaborative project centered around an audio-visual installation. Sound artists Steve Roden and Rutger Zuydervelt (aka Machinefabriek) composed the audio, while the video element was provided by the German visual artist Sabine Bürger. The Mindelsee Lake, situated just a few hundred yards away from the gallery, became the natural focus of the installation. During their stay, Sabine and Rutger recorded the video and audio footage that became the foundation which Steve Roden responded to with material inspired by his surroundings in the U.S. It resulted in an immersive four-channel audio-visual presentation, in a gallery space also showing additional visual works by each of the artists, and the floor covered with dried leaves. The CD edition of Lichtung is comprised of edits from the original Lichtung installation music, translating the audio-visual material of the original into a pure sonic experience. It's complemented by an edit of a live performance that Rutger gave at the opening of the exhibition, using pre-recorded sounds provided by Steve Roden as well as leaves, twigs and water gathered in the area.
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