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CDR
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EMF 047CD
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Although not specified by EMF, this is a CDR release. Evidently released in 2003, we never saw a copy til now. Garish cover design as well. "The Electronic Music School of the Istituto Musicale Vincenzo Bellini of Catania was created ten years ago and is the only one of its kind in Sicily. Despite its short existence, the course has already given important results under the guidance of Alessandro Cipriani. This CD includes a selection of their compositions and represents an historical record as well as a means for diffusing the work carried out during the program's first 10 years." Composers: Cesare Rosa Calamaro, Mario Bajardi, Vincenzo Coco, Emanuele Casale, Massimo Carlentini, Vincenzo Cavalli, Massimo Fragala, Gabriele Cappellani, Anna Maria Gervasio, Mario Valenti, Giuseppe Rapisarda.
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CD
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EMF 027CD
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"This CD contains a wealth of varied, interesting, talented, charming, and utterly captivating music from Africa and South America, all of it involving technology in some way. Curated by Jürgen Bräuninger for Leonardo Music Journal, this collection of compositions is not only a pleasure to hear, it also gives an idea of what music and technology means throughout the world. The composers include Lukas Ligeti, Diego Luzuriaga, FELEMA, Eduardo Reck Miranda, Daniel Wyman, Damián Keller, Aldo Brizzi, Jürgen Bräuninger, Rodrigo Sigal, TIMELESS, Didier Guigue, and Kurt Dahlke, and their styles range from computer-generated sounds to improvisation with traditional African and South American instruments."
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CD
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EMF 030CD
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"Curtis Bahn, bass player extraordinaire, takes his virtuoso performance to unbelievable heights of energy and musical mayhem with a sophisticated computer-based interactive electronic system that he himself designed and built. The madness in his method becomes clear when you realize that at the center of his r!g is his acoustical 'Sbass' which contains a variety of electronic sensors that greatly extend his performance possibilities. It also becomes clear that the musical power of extended performance together with responsive electronics is formidable, and in this case it allows him to mix sounds, follow algorithmically-generated shapes, process the sound of his own performance on string bass, and do it all so fast and so well that it grabs your attention."
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