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LP
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FGR 054LP
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"For the last 50 years, American popular music has been filled with the timeless songs of Jimmy Webb and we are thrilled to help continue that legacy with Still on the Line: A Tribute to Jimmy Webb. These are 12 new recordings by artists who share our passion for his songs, which we consider to be some of the most emotionally moving and skillfully crafted of all time. Part of Webb's unique talent lies in the versatility of his songs. While 'Where's the Playground Susie' and 'Galveston' were hits for Glen Campbell, they find a fresh new home in the voices of Bonnie 'Prince' Billy & Elephant Micah. 'By the Time I Get to Phoenix', considered by Frank Sinatra to be 'the greatest torch song ever written', sounds as heartbreaking as ever when performed here by Mike Adams At His Honest Weight. While none of these songs are meant to replace any of their previously recorded versions, they demonstrate their strength to grab our hearts no matter the genre, voice or decade where they find themselves."
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LP
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FGR 033LP
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"Originally self-released in 1977, synthesizer pioneer Don Muro's It's Time is the singular work of one man combining his skills as a trained musician with a truly creative spirit and the somewhat unmarketable insistence that all of these different styles of music would make up his debut album. While this kind of genre hopping can often take away from an album's coherence, It's Time works as a whole because these are such well-crafted and interesting songs. At times playfully fun, at times beautifully earnest, It's Time is consistently engaging for its entire 42 minutes. Muro's sincere love of what he is creating shines through whether it's a catchy, triumphant rock anthem, a subtly emotive instrumental synthesizer piece or an intense fusion dance jam. 'This album was released 36 years ago. Listening to it now brings fond memories of an intensely creative period in my life. There was time to explore many styles of music, and there was time to experiment with new instruments and equipment. No computers, no MIDI - only a room crammed with guitars, drums, keyboards, and an 8-track tape recorder. I didn't have a specific audience for the album, hence the variety of styles. Back then people would actually sit and listen to albums as a total experience. I started and ended the album with aggressive synthesizer music, but in between those songs I was inviting listeners to go for a ride. Looking back, I would say that the variety of styles is both the strongest and weakest aspect of the album. But that's who I was and, to a degree, who I still am.' - Don Muro, 2013"
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