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2LP/BOOK
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GU 002LP
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Gentrified Underground presents an interdisciplinary project tackling the sonic fiction and Afrofuturism of Drexciya. Thought as an extension to the Bubble Chamber exhibition happening at Mikro & UP STATE Zürich, Gentrified Underground releases a 2x12" vinyl compilation and a booklet with contributions by Abdul Qadim Haqq, Charlie Mills, chukwumaa, Dominiqueh White, Gentrified Underground, Maïté Chéniere, and tracks by Xor Gate (Gerald Donald), Shawescape Renegade, DJ Dijital, Plant43, The Exaltics, Kuldaboli, Iko, Tom Ware, Luz1e, and Sansibar. The goal of this compilation is to showcase the reach and influence which Drexciya had on generations of electronic music producers while linking them together with compositional predecessors from the early '80s. The musical timeline of the compilation starts from 1982 and reaches its contemporary end in 2019. The 56-page booklet contains unseen and unreleased Drexciyan drafts by Abdul Qadim Haqq, an interview between him and GU, contemporary art contributions by chukwumaa, Dominiqueh White, and Maïté Chéniere, and an academic essay by Charlie Mills. 56-page fanzine booklet; cover by Abdul Qadim Haqq.
"More than twenty years after their first release, the sonic fictions produced by Drexciya, the Detroit based electronic duo founded by James Stinson and Gerald Donald at the start of the 1990s, continues to enthrall contemporary cultural practitioners. By reimagining the Transatlantic Slave Trade as a fiction of enforced mutation, the Drexciya mythos opened, and continues to open, a speculative space for the reimagining of the posthuman condition, and for questions of becoming, origin and mutation in relation to capitalism, finance and futurity." --Kodwo Eshun
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12"
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GU 001EP
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Gentrified Underground is a transdisciplinary platform operated by Marc Hunziker and Nicola Kazimir. GU's infrastructure consists of two off spaces and a record label. Its goal is to defragment the subversive potential of leftist movements. The term of the subversive underground is outdated in times of an accelerated and platform-concentrated society and therefore should be rethought. It's the goal to demystify the underground and give space to various critical, musical, and artistic positions.
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