Jazzman Records has been in business as a reissue label since 1998, immediately stepping into the niche market of re-releasing rare, obscure and esoteric jazz, soul and funk music on LP, CD and 45. A worldwide network of knowledgeable and enthusiastic collectors, dealers and researchers makes Jazzman well positioned to create lovingly crafted reissues, but it isn't the extensive, original notes nor the exhaustive attention to detail that makes Jazzman popular -- it's a true love of music, a reputation of 'doing things right' and damn good taste that makes Jazzman releases not only highly valued, but regarded as collector's items in their own right.
|
|
|
viewing 1 To 25 of 220 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
JMAN 118LP
|
First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, Holy Science, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, Holy Science simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present. Amirtha Kidambi, the Elder Ones' leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study classical music, all the while ingesting the punk, R&B and rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings. All these influences collide on Holy Science, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi's assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield. Holy Science is a work underpinned by traditions, be they the Bhajan spirituals, or the jazz and classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi's musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture, and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality -- ancient, modern and futuristic, all at once. And so it is with Holy Science. Liner notes by DJ Cherrystones.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 117LP
|
Double LP version. Gatefold sleeve with comprehensive liner notes and pics. Subtitled: Esoteric, Modal and Deep Jazz from Prestige Records, 1961-73. The tenth edition of Jazzman Records Spiritual Jazz series takes a closer look at the music Prestige was recording at the start of the 1960s. This was the period when the modal jazz sound pioneered by Miles and Coltrane was starting to percolate through the jazz underground. In its heyday, Prestige was the only jazz label that could hold a candle to Blue Note. Prestige was always quick off the mark to record new artists, and in the years after Kind of Blue (1959) the label was quick to release some of the most innovative early explorers of the new style. Founded as New Jazz in 1949 by 20-year old jazz fan and entrepreneur Bob Weinstock, Prestige was the only other imprint besides Blue Note to capture the iconic jazz sounds of the 1950s, and like its rival it grew to be an icon itself. If Blue Note documented the sound of hard bop in its most carefully crafted and beautifully presented form, the low-key, jam-session approach that Weinstock preferred meant that the music captured by Prestige has a tough, unfiltered energy that was a lot closer to way it was being played live, night after night, by New York's most prominent jazz musicians. Featuring Afro-Eastern visions from Yusef Lateef and Ahmed Abdul-Malik, deep modal excursions from Mal Waldron and Walt Dickerson, and essential spiritual jazz grooves from Gary Bartz and Idris Muhammed, Spiritual Jazz 10 documents the sound of modal jazz in full flight, unabashed and authentic from the pioneers! Also features Roy Haynes, Latin Jazz Quintet, and Moondog.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 116CD
|
Linking the ancient and the modern across time and space, the Sokratis Votskos Quartet presents Sketching the Unknown -- a modern jazz journey into the folk and modal music of ancient Greece. Playing rich original compositions, the quartet draw freely on Greek and Balkan folk sources, jazz idioms, and the classical makams of the near East. Returning to ancient Greek modes such as Dorian, Phrygian, and Lydian, a fresh perspective is brought to the modal style that was popularized by Miles Davis, John Coltrane, and Herbie Hancock. Expertly versed in musical theory, the pioneering jazz players that adapted these modes for the new jazz of the late 1950s and 1960s worked in full knowledge of their ancient Greek historical origins. The musical freedom offered by these ancient scales helped them take their music to a higher level as they laid the groundwork for the spiritual moment in jazz. On Sketching the Unknown, the Sokratis Votskos Quartet brings that process full circle, linking today's jazz back to the ancient modes and microtonal folk music of Greece and the Near East. Deep modal jazz sounds from an ancient source.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 117CD
|
Subtitled: Esoteric, Modal and Deep Jazz from Prestige Records, 1961-73. The tenth edition of Jazzman Records Spiritual Jazz series takes a closer look at the music Prestige was recording at the start of the 1960s. This was the period when the modal jazz sound pioneered by Miles and Coltrane was starting to percolate through the jazz underground. In its heyday, Prestige was the only jazz label that could hold a candle to Blue Note. Prestige was always quick off the mark to record new artists, and in the years after Kind of Blue (1959) the label was quick to release some of the most innovative early explorers of the new style. Founded as New Jazz in 1949 by 20-year old jazz fan and entrepreneur Bob Weinstock, Prestige was the only other imprint besides Blue Note to capture the iconic jazz sounds of the 1950s, and like its rival it grew to be an icon itself. If Blue Note documented the sound of hard bop in its most carefully crafted and beautifully presented form, the low-key, jam-session approach that Weinstock preferred meant that the music captured by Prestige has a tough, unfiltered energy that was a lot closer to way it was being played live, night after night, by New York's most prominent jazz musicians. Featuring Afro-Eastern visions from Yusef Lateef and Ahmed Abdul-Malik, deep modal excursions from Mal Waldron and Walt Dickerson, and essential spiritual jazz grooves from Gary Bartz and Idris Muhammed, Spiritual Jazz 10 documents the sound of modal jazz in full flight, unabashed and authentic from the pioneers! Also features Roy Haynes, Latin Jazz Quintet, and Moondog.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 116LP
|
LP version. Linking the ancient and the modern across time and space, the Sokratis Votskos Quartet presents Sketching the Unknown -- a modern jazz journey into the folk and modal music of ancient Greece. Playing rich original compositions, the quartet draw freely on Greek and Balkan folk sources, jazz idioms, and the classical makams of the near East. Returning to ancient Greek modes such as Dorian, Phrygian, and Lydian, a fresh perspective is brought to the modal style that was popularized by Miles Davis, John Coltrane, and Herbie Hancock. Expertly versed in musical theory, the pioneering jazz players that adapted these modes for the new jazz of the late 1950s and 1960s worked in full knowledge of their ancient Greek historical origins. The musical freedom offered by these ancient scales helped them take their music to a higher level as they laid the groundwork for the spiritual moment in jazz. On Sketching the Unknown, the Sokratis Votskos Quartet brings that process full circle, linking today's jazz back to the ancient modes and microtonal folk music of Greece and the Near East. Deep modal jazz sounds from an ancient source.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 020LP
|
Repressed; originally released in 2008. Jazzman Records presents the sound of the unsung musicians who -- in the midst of the Vietnam War and the fallout of the Civil Rights struggle -- created some of the most beautiful spiritual and meditative music of the era. Sometimes funky, sometimes mellow, but always trying to say something about the world in which we live. Existing completely under the critical radar and largely ignored or unknown by music fans and critics alike, most of the musicians featured in this album won't be familiar to even the most seasoned aficionado. Their records, frequently turned down by distributors and record stores, saw little attention when first released -- and have seen even less since. But in this era of musical apathy, where so many music junkies look to the past for their musical fix, Jazzman Records have re-discovered hidden, obscure and esoteric jazz musicians who looked to the four corners of the earth -- and beyond -- for inspiration. Here Jazzman Records evaluates spiritual jazz -- music that is a snapshot of the era after Coltrane, a time which saw the evolution of an underground jazz that spoke about the reform of the soul, the reform of the spirit, and the reform of society: a music which was local and international at once, which was a personal journey and a political statement, and which was religious and secular in one non-contradictory breath. The music on this album reflects the social and historical forces at work during the closedown of the '60s dream; music made by close-knit collectives and individual visionaries, by prisoners and eccentrics, by mystics and political radicals. It includes music by acknowledged masters, and moments of brilliance by unsung figures known to us from just one or two recordings. It is the jazz music of America in the age of civil rights, brutal repression, political assassination and war; a music that would guarantee the survival of the spiritual dimension in a society that was angry and traumatized, but nevertheless had seen hope of better days to come. Soul jazz; Black jazz; Spiritual jazz. Features James Tatum Trio Plus, Lloyd Miller, Morris Wilson Beau Bailey Quintet, Mor Thiam, Ndikho Xaba & The Natives, The Positive Force with Ade Olatunji, Salah Ragab and The Cairo Jazz Band, The Frank Derrick Total Experience, Hastings Street Jazz Experience, Ronnie Boykins, Leon Gardner, and Ohio Penitentiary 511 Jazz Ensemble.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 115CD
|
With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet: a tribute to the legend that is Yusef Lateef titled, The Storyteller - A Musical Tribute to Yusef Lateef. Double-LP version comes in a gatefold; 180 gram vinyl; Includes download card.
Nat Birchall on the project: "When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef, my first thought was 'Where on earth do I start?' Lateef was such a colossus of music, and his scope so broad, that I couldn't hope to begin to cover his musical universe. He was a master of the tenor saxophone, a master of the flute, a master ballad player, a master blues player. Not to mention his skills as a composer and arranger and of course his exploration and use of musical methodology and instruments from all over the world. I've always been a great admirer of Lateef, and the challenge was intriguing, so I decided to give it go. We interpreted some of his own compositions (Brother John, Morning and Ching Miau) as well as some compositions by others that he made his own by careful arrangement and interpretation ('Love Theme from Spartacus', 'Ringo Oiwake'). I also wrote some original songs that, while certainly not written in his style, might be said to fall into his very broad approach to music making. I also wanted to utilize as many different instruments as possible, something I hadn't explored too much until this album. So it was a nice opportunity to finally get around to playing some of the many small instruments I've collected over the years; the Turkish zurna, the mbira from Zimbabwe, the balaphon from Mali and the arghul from Egypt. We have also tried to use varied time signatures in the music, so we have songs in 3/4, 5/4 and 7/4 time, as well as the standard 4/4. Ultimately the best music tells a story to the listener and takes them to places they might not have imagined themselves. Yusef Lateef certainly did that, and as such was a master storyteller."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 115LP
|
Double LP version. 180 gram vinyl; includes download card. With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet: a tribute to the legend that is Yusef Lateef titled, The Storyteller - A Musical Tribute to Yusef Lateef.
Nat Birchall on the project: "When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef, my first thought was 'Where on earth do I start?' Lateef was such a colossus of music, and his scope so broad, that I couldn't hope to begin to cover his musical universe. He was a master of the tenor saxophone, a master of the flute, a master ballad player, a master blues player. Not to mention his skills as a composer and arranger and of course his exploration and use of musical methodology and instruments from all over the world. I've always been a great admirer of Lateef, and the challenge was intriguing, so I decided to give it go. We interpreted some of his own compositions (Brother John, Morning and Ching Miau) as well as some compositions by others that he made his own by careful arrangement and interpretation ('Love Theme from Spartacus', 'Ringo Oiwake'). I also wrote some original songs that, while certainly not written in his style, might be said to fall into his very broad approach to music making. I also wanted to utilize as many different instruments as possible, something I hadn't explored too much until this album. So it was a nice opportunity to finally get around to playing some of the many small instruments I've collected over the years; the Turkish zurna, the mbira from Zimbabwe, the balaphon from Mali and the arghul from Egypt. We have also tried to use varied time signatures in the music, so we have songs in 3/4, 5/4 and 7/4 time, as well as the standard 4/4. Ultimately the best music tells a story to the listener and takes them to places they might not have imagined themselves. Yusef Lateef certainly did that, and as such was a master storyteller."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 114LP
|
LP version. Jazzman Records presents a reissue of Starcrost's Starcrost, originally issued in 1975 and presented here as Number 30 in the Jazzman Holy Grail Series. Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums by Austin bands; with only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all three have gone on to become highly sought-after by collectors and DJs around the world; these have become numbers 28, 29, and 30 in the Jazzman Holy Grail Series. Jazzman met with Michael at its UK offices and over several hours he told the label the highs and lows of running Fable Records, leaving no stone unturned, with success and tragedy in equal measure. Jazzman also spoke with members of all three bands, and they shared interesting stories and cool anecdotes of the wild times in the mid-70s when their records were made. The label acquired informative press cuttings and some awesome posters and flyers, compiling them in a booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 112LP
|
LP version. Jazzman Records presents a reissue of 47 Times Its Own Weight's Cumulo Nimbus, originally issued in 1975 and presented here as Number 28 in the Jazzman Holy Grail Series. Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums by Austin bands; with only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all three have gone on to become highly sought-after by collectors and DJs around the world. Jazzman met with Michael at its UK offices and over several hours he told the label the highs and lows of running Fable Records, leaving no stone unturned, with success and tragedy in equal measure. Jazzman also spoke with members of all three bands, and they shared interesting stories and cool anecdotes of the wild times in the mid-70s when their records were made. The label acquired informative press cuttings and some awesome posters and flyers, compiling them in a booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 113LP
|
LP version. Jazzman Records presents a reissue of Steamheat's Austin Funk, originally issued in 1975, and presented here as Number 29 in the Jazzman Holy Grail Series. Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums by Austin bands; with only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all three have gone on to become highly sought-after by collectors and DJs around the world; these have become numbers 28, 29, and 30 in the Jazzman Holy Grail Series. Jazzman met with Michael at its UK offices and over several hours he told the label the highs and lows of running Fable Records, leaving no stone unturned, with success and tragedy in equal measure. Jazzman also spoke with members of all three bands, and they shared interesting stories and cool anecdotes of the wild times in the mid-70s when their records were made. The label acquired informative press cuttings and some awesome posters and flyers, compiling them in a booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 114CD
|
Jazzman Records presents a reissue of Starcrost's Starcrost, originally issued in 1975 and presented here as Number 30 in the Jazzman Holy Grail Series. Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums by Austin bands; with only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all three have gone on to become highly sought-after by collectors and DJs around the world; these have become numbers 28, 29, and 30 in the Jazzman Holy Grail Series. Jazzman met with Michael at its UK offices and over several hours he told the label the highs and lows of running Fable Records, leaving no stone unturned, with success and tragedy in equal measure. Jazzman also spoke with members of all three bands, and they shared interesting stories and cool anecdotes of the wild times in the mid-70s when their records were made. The label acquired informative press cuttings and some awesome posters and flyers, compiling them in a booklet. CD version includes two bonus tracks.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 112CD
|
Jazzman Records presents a reissue of 47 Times Its Own Weight's Cumulo Nimbus, originally issued in 1975 and presented here as Number 28 in the Jazzman Holy Grail Series. Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums by Austin bands; with only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all three have gone on to become highly sought-after by collectors and DJs around the world. Jazzman met with Michael at its UK offices and over several hours he told the label the highs and lows of running Fable Records, leaving no stone unturned, with success and tragedy in equal measure. Jazzman also spoke with members of all three bands, and they shared interesting stories and cool anecdotes of the wild times in the mid-70s when their records were made. The label acquired informative press cuttings and some awesome posters and flyers, compiling them in a booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 113CD
|
Jazzman Records presents a reissue of Steamheat's Austin Funk, originally issued in 1975, and presented here as Number 29 in the Jazzman Holy Grail Series. Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums by Austin bands; with only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all three have gone on to become highly sought-after by collectors and DJs around the world; these have become numbers 28, 29, and 30 in the Jazzman Holy Grail Series. Jazzman met with Michael at its UK offices and over several hours he told the label the highs and lows of running Fable Records, leaving no stone unturned, with success and tragedy in equal measure. Jazzman also spoke with members of all three bands, and they shared interesting stories and cool anecdotes of the wild times in the mid-70s when their records were made. The label acquired informative press cuttings and some awesome posters and flyers, compiling them in a booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 103LP
|
Double LP; Part one of two double-LP versions. Gatefold sleeve. The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman.
Part One features: Bobby Hutcherson, Pete Laroca, Wayne Shorter, Elvin Jones, Andrew Hill, Eddie Gale, Duke Pearson, Bobby Hutcherson, Duke Pearson, and Freddie Hubbard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 104LP
|
Double LP; Part two of two double LP versions. Gatefold sleeve.The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman.
Part Two features: Joe Henderson, Jackie McLean, Duke Pearson, Wayne Shorter, Hank Mobley, Pete La Roca, Freddie Hubbard, Booker Ervin, and Solomon Ilori.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
JMAN 103CD
|
The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman.
Available as a double-CD set, Parts One & Two (JMAN 103CD). Part One features: Bobby Hutcherson, Pete Laroca, Wayne Shorter, Elvin Jones, Andrew Hill, Eddie Gale, Duke Pearson, Bobby Hutcherson, Duke Pearson, and Freddie Hubbard. Part Two features: Joe Henderson, Jackie McLean, Duke Pearson, Wayne Shorter, Hank Mobley, Pete La Roca, Freddie Hubbard, Booker Ervin, and Solomon Ilori.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 108X-LP
|
Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues (JMAN 107X-LP), 1966's Dusk Fire, 1968's Phase III (JMAN 109X-LP), 1969's Change Is (JMAN 111X-LP), and 1969's Live (JMAN 110X-LP), have reached almost mythical status in the collector's world. Regarded as holy grail artifacts for even the seasoned aficionado, the collective second-hand market value comes to an astonishing £6000. Jazzman Records located and acquired the original analog master tapes from the Universal vaults and created masters at Abbey Road Studios to produce audiophile quality 180 gram pressings replete with replica artwork -- shape, design, and even paper stock. No stone has been left unturned to deliver this absolute labor of love to the highest possible standard. Inside is a link to a printable online pdf which contains never before seen photographs, interviews with the remaining living band members and liner notes from BBC Radio 3 presenter, and award-winning jazz writer Alyn Shipton. The band played together for seven years and during this fruitful time they made a plethora of deeply melodic, post-bop British jazz compositions that later on took influences from Indo and more spiritually guided jazz. Produced by the influential Denis Preston and recorded at his Lansdowne Studios in London, the band was primarily made up of saxophonist Don Rendell, trumpeter/composer Ian Carr, and pianist/composer Michael Garrick. This is UK jazz at its absolute finest and is a treasure not to be missed. Original replica flipback color sleeves; 180 gram vinyl, mastered from the original master tapes at Abbey Road Studios, London; poly-lined and printed individual inner sleeves; contains link to online PDF with printable liner notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 110X-LP
|
Limited repress. Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues (JMAN 107X-LP), 1966's Dusk Fire (JMAN 108X-LP), 1968's Phase III (JMAN 109X-LP), 1969's Change Is (JMAN 111X-LP), and 1969's Live, have reached almost mythical status in the collector's world. Regarded as holy grail artifacts for even the seasoned aficionado, the collective second-hand market value comes to an astonishing £6000. Jazzman Records located and acquired the original analog master tapes from the Universal vaults and created masters at Abbey Road Studios to produce audiophile quality 180 gram pressings replete with replica artwork -- shape, design, and even paper stock. No stone has been left unturned to deliver this absolute labor of love to the highest possible standard. Inside is a link to a printable online pdf which contains never before seen photographs, interviews with the remaining living band members and liner notes from BBC Radio 3 presenter, and award-winning jazz writer Alyn Shipton. The band played together for seven years and during this fruitful time they made a plethora of deeply melodic, post-bop British jazz compositions that later on took influences from Indo and more spiritually guided jazz. Produced by the influential Denis Preston and recorded at his Lansdowne Studios in London, the band was primarily made up of saxophonist Don Rendell, trumpeter/composer Ian Carr, and pianist/composer Michael Garrick. This is UK jazz at its absolute finest and is a treasure not to be missed. Original replica flipback color sleeves; 180 gram vinyl, mastered from the original master tapes at Abbey Road Studios, London; poly-lined and printed individual inner sleeves; contains link to online PDF with printable liner notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 111X-LP
|
Limited repress. Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues (JMAN 107X-LP), 1966's Dusk Fire (JMAN 108X-LP), 1968's Phase III (JMAN 109X-LP), 1969's Change Is, and 1969's Live (JMAN 110X-LP), have reached almost mythical status in the collector's world. Regarded as holy grail artifacts for even the seasoned aficionado, the collective second-hand market value comes to an astonishing £6000. Jazzman Records located and acquired the original analog master tapes from the Universal vaults and created masters at Abbey Road Studios to produce audiophile quality 180 gram pressings replete with replica artwork -- shape, design, and even paper stock. No stone has been left unturned to deliver this absolute labor of love to the highest possible standard. Inside is a link to a printable online pdf which contains never before seen photographs, interviews with the remaining living band members and liner notes from BBC Radio 3 presenter, and award-winning jazz writer Alyn Shipton. The band played together for seven years and during this fruitful time they made a plethora of deeply melodic, post-bop British jazz compositions that later on took influences from Indo and more spiritually guided jazz. Produced by the influential Denis Preston and recorded at his Lansdowne Studios in London, the band was primarily made up of saxophonist Don Rendell, trumpeter/composer Ian Carr, and pianist/composer Michael Garrick. This is UK jazz at its absolute finest and is a treasure not to be missed. Original replica flipback color sleeves; 180 gram vinyl, mastered from the original master tapes at Abbey Road Studios, London; poly-lined and printed individual inner sleeves; contains link to online PDF with printable liner notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 109X-LP
|
Limted repress. Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues (JMAN 107X-LP), 1966's Dusk Fire (JMAN 108X-LP), 1968's Phase III, 1969's Change Is (JMAN 111X-LP), and 1969's Live (JMAN 110X-LP), have reached almost mythical status in the collector's world. Regarded as holy grail artifacts for even the seasoned aficionado, the collective second-hand market value comes to an astonishing £6000. Jazzman Records located and acquired the original analog master tapes from the Universal vaults and created masters at Abbey Road Studios to produce audiophile quality 180 gram pressings replete with replica artwork -- shape, design, and even paper stock. No stone has been left unturned to deliver this absolute labor of love to the highest possible standard. Inside is a link to a printable online pdf which contains never before seen photographs, interviews with the remaining living band members and liner notes from BBC Radio 3 presenter, and award-winning jazz writer Alyn Shipton. The band played together for seven years and during this fruitful time they made a plethora of deeply melodic, post-bop British jazz compositions that later on took influences from Indo and more spiritually guided jazz. Produced by the influential Denis Preston and recorded at his Lansdowne Studios in London, the band was primarily made up of saxophonist Don Rendell, trumpeter/composer Ian Carr, and pianist/composer Michael Garrick. This is UK jazz at its absolute finest and is a treasure not to be missed. Original replica flipback color sleeves; 180 gram vinyl, mastered from the original master tapes at Abbey Road Studios, London; poly-lined and printed individual inner sleeves; contains link to online PDF with printable liner notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 107X-LP
|
Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues, 1966's Dusk Fire (JMAN 108X-LP), 1968's Phase III (JMAN 109X-LP), 1969's Change Is (JMAN 111X-LP), and 1969's Live (JMAN 110X-LP), have reached almost mythical status in the collector's world. Regarded as holy grail artifacts for even the seasoned aficionado, the collective second-hand market value comes to an astonishing £6000. Jazzman Records located and acquired the original analog master tapes from the Universal vaults and created masters at Abbey Road Studios to produce audiophile quality 180 gram pressings replete with replica artwork -- shape, design, and even paper stock. No stone has been left unturned to deliver this absolute labor of love to the highest possible standard. Inside is a link to a printable online pdf which contains never before seen photographs, interviews with the remaining living band members and liner notes from BBC Radio 3 presenter, and award-winning jazz writer Alyn Shipton. The band played together for seven years and during this fruitful time they made a plethora of deeply melodic, post-bop British jazz compositions that later on took influences from Indo and more spiritually guided jazz. Produced by the influential Denis Preston and recorded at his Lansdowne Studios in London, the band was primarily made up of saxophonist Don Rendell, trumpeter/composer Ian Carr, and pianist/composer Michael Garrick. This is UK jazz at its absolute finest and is a treasure not to be missed. Original replica flipback color sleeves; 180 gram vinyl, mastered from the original master tapes at Abbey Road Studios, London; poly-lined and printed individual inner sleeves; contains link to online PDF with printable liner notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 102CD
|
"I recorded Live Without Fear on May 31, 1979 with some of my friends. We drove up into Evanston from Chicago in three cars on a day that smelled good and spoke all day sunshine... to Live Without Fear means to live in material reality with faith... Peace on you!" --Soji Ade, 2018
With a price of well over $1000 on the few occasions the original LP has hit the market, Live Without Fear originally released in 1980, is a beautiful album of humble purity and peaceful spiritual jazz vibes that lives up to the hype. With the blessing of creator Soji Ade and colleague Kahil El Zabar, Jazzman Records are delighted to be able to finally share their music with you, 40 years since it was recorded. As so often with private pressings, few copies were pressed and those that were suffered from little or no distribution. However, with Jazzman's new remaster and with added liner notes from Chicago music archivist Steven Emmerman, their message of love and spiritual unity can now be revealed and appreciated worldwide. Number 27 in the Jazzman Holy Grail Series.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 105LP
|
LP version. Calling all turkeynecks, dirt fiends and juiceheads! Often imitated, never equaled -- the legendary, the one-and-only, the unique Las Vegas Grind! hath finally returned! After many years scouring the greasy basement dives of the netherworld, Jazzman finally managed to locate the manic mastermind responsible for the original six volumes of deviant, demented, and depraved sleaze-ball bump and grind. Slumped at the end of a bar, we struck the deal at midnight as we drank a toast of cold rat piss, and with deep regret Jazzman can now unveil the latest in the whole sorry saga. Las Vegas Grind! Volume Seven. And so, dragged under the stripper's spotlight for the first time in 60 years, long-forgotten never-knowns by Alonzo And The Boppers and The Abstracts rock side-by-side with lurid low-life lurchers Louie And The Fat Men and The Escorts. Little Louie And The Finger Cymbals rattle their tiny pasties while Gay Poppa's Cha Cha flips us round and takes us to the other side. All in all, yet another set of crude and tasteless chud-locker choons bound to upset the whole square world all over again. 16 gruesome growlers guaranteed to torment and tease. Shameless and shocking; rotten to the core; welcome, welcome at last to Las Vegas Grind! Volume Seven. Also features: Savoys, Low Rocks, Frank Scott, B Bubba, UBs Group, Leo Valentine Trio, Los Virreyes, Bob Moore And The Temps, Little Louie And The Finger Cymbals, The Original Spacemen, and Y-Dells.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 105CD
|
Calling all turkeynecks, dirt fiends and juiceheads! Often imitated, never equaled -- the legendary, the one-and-only, the unique Las Vegas Grind! hath finally returned! After many years scouring the greasy basement dives of the netherworld, Jazzman finally managed to locate the manic mastermind responsible for the original six volumes of deviant, demented, and depraved sleaze-ball bump and grind. Slumped at the end of a bar, we struck the deal at midnight as we drank a toast of cold rat piss, and with deep regret Jazzman can now unveil the latest in the whole sorry saga. Las Vegas Grind! Volume Seven. And so, dragged under the stripper's spotlight for the first time in 60 years, long-forgotten never-knowns by Alonzo And The Boppers and The Abstracts rock side-by-side with lurid low-life lurchers Louie And The Fat Men and The Escorts. Little Louie And The Finger Cymbals rattle their tiny pasties while Gay Poppa's Cha Cha flips us round and takes us to the other side. All in all, yet another set of crude and tasteless chud-locker choons bound to upset the whole square world all over again. 16 gruesome growlers guaranteed to torment and tease. Shameless and shocking; rotten to the core; welcome, welcome at last to Las Vegas Grind! Volume Seven. Also features: Savoys, Low Rocks, Frank Scott, B Bubba, UBs Group, Leo Valentine Trio, Los Virreyes, Bob Moore And The Temps, Little Louie And The Finger Cymbals, The Original Spacemen, and Y-Dells.
|
viewing 1 To 25 of 220 items
Next >>
|
|