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2LP
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MFG 005LP
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Double LP version. "Welt In Scherben is one of Thomas Heckmann's main projects. Sequences, which propagate themselves, are bubbling and supporting the straightness of the beat. Acidlines are integrated like we hear it in the post-acid sound of 2005."
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CD
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MFG 005CD
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"Welt In Scherben is one of Thomas Heckmann's main projects. Since 1991, when he released Exit 100 on Force Inc/ Mute, he created new acid styles in numerous variations. In 1994 the single 'Amphetamine' became a worldwide crossover track and hit several European charts. The new album Scherbengericht is almost a mix CD. Without pauses Heckmann builds up a dynamic flow. Sequences, which propagate themselves, are bubbling and supporting the straightness of the beat. Acidlines are integrated like we hear it in the post-acid sound of 2005."
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12"
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MFG 003EP
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"The city where Force Inc started. Thomas Heckmann, Ian Pooley and Tonka supposed to be pioneers of the German dance scene. Thomas Heckmann played 1991 as Exit 100 and Age in the same league like Djax Up, UR and Plus 8. Acid Is Back. When we speak of Retro, we don't think about copying the sound of the nineties, but producing similar effects with a different sound design. Thomas Heckmann starts here and is connected with Paradroid aka Elco Park, the new sound designer from Mainz, who styles Plateaux Resistance with intergalactic speedjazz. While Heckmann is playing with power and straightness, Elco Park is more on a funky trip. And the 303 is floating..."
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CD
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MFG 001CD
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Debut release on this new post-Force Inc. "acid" label from Achim Szepanski. "The CD is mixed by Club Camouflage (Cologne) resident DJ Pierce and contains traxx by acid heroes, Rob Acid, Thomas Heckmann, Madonna 303, Dr. Walker, hot Chicago Boys Empathy Boxx aka Josh Werner/Soultek connecting to the new abstract skool of Paranoid, Fotmeijer, Secondo, not to forget Air Liquide..." About MFG: "Brain and computer are dispositives of speed. The acceleration of time by digital machines does not reduce but increases our ability to contract or to condensate more events and our ability to deal with time. Time is opened upon inventions and events. We are talking about transkatalysis: neither do machines implement our imagination, nor do the machines create sounds in an absolutely stand-alone way. As DJ Pierre says, 'The machine already has acid in it'. This means that digital machines are working in a recursive way and, one time, will work like organic or inorganic rhizomes. Then, the body will be liberated from the organism and thinking will be liberated from logos even more: to open up for an 'outside', for the body and its energy, for what a body could be and what is still unimaginable to us. For us, this is what ACIDCONDENSER is about."
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