Launched in 2007, NEOS is a German label with a focus on compositions from the twentieth and twenty-first centuries, many of which are world premiere recordings. In order to achieve a high level of artistic and editorial quality, great value is placed on selecting the performers and collaborating exclusively with renowned ensembles and cultural institutions. NEOS (Greek for "new") is the responsibility of Wulf Weinmann, who was previously the owner and label manager of col legno. Varied in his interests, Weinmann is constantly seeking out discoveries in the wilds of New Music. He considers himself particularly fortunate to have arranged future collaborations with long-standing partners such as the Internationales Musikinstitut Darmstadt (IMD), the Donaueschingen festival of the SWR, musica viva (Bayerischer Rundfunk), and the Salzburg Festival. As a confessed lover of the arts Weinmann places great importance on the technical quality of the recordings and their visual presentation. All of the productions are released in attractive digipacks with extensive textual information. Many releases are Stereo/5.1 multichannel hybrid CD/Super Audio CD formats that can be played on any CD player.
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NEOS 21802CD
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The music of Guillaume de Machaut and Philippe de Vitry was radically new over 650 years ago; Vitry himself coined the term "ars nova" for it. Now, Helge Slaatto (violin) and Frank Reinecke (double bass) show how closely the power of this music was connected to the common intonation system of the time, based on pure perfect fifths, which lead to highly tense thirds. Wolfgang Schweinitz examined this system for a long time and became one of the pioneers of just intonation. "Plain Sound Study I" can be considered the quintessential result of this work. Using the tiniest microtonal distinctions, for which he even developed his own notation system, he creates a music consisting purely of intervals derived from the harmonic series. The Slaatto-Reinecke duo, who have been specialists in just intonation for many years, draw a fascinating line from the Ars Nova of the 14th century to the new music of our time. Personnel: Helge Slaatto - violin; Frank Reinecke - double bass.
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NEOS 11826-27CD
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The Donaueschingen Festival has been documented regularly by NEOS for many years. In the 2017 edition, the premiere of "Un calendrier révolu for 14 instruments" by Emmanuel Nunes is a particular highlight. Nunes, who composed the extensive work in 1968/69, only authorized its performance shortly before his death in 2012. Of course, the winner of the 2017 orchestral prize is also included: "Ez-tér (Es-Raum)" by Márton Illés.
Compositions featured: Emmanuel Nunes - "Un calendrier révolu" (1968/1969); Eivind Buene - "Lessons in Darkness" (2017); Andreas Dohmen - "a doppio movimento" (2016/2017); Márton Illés - "Ez-tér (Es-Raum)" (2014/2017); Chaya Czernowin - Guardian (2017).
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NEOS 11809CD
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Intensity and precision of expression alongside brevity of form are particular sources of fascination for the soprano Katrin Frauchiger and the pianist Katharina Weber when it comes to the composition and interpretation of songs. Here they come together with Jürg Wyttenbach. With their rather simple character, his eight duettini are not entirely typical of his work, but in these pieces, all of which last between 34 and 71 seconds, he reveals himself once again as a master of concentrated theatrical effect. His cycle "Drei kurze Gebete an die japanische Göttin der Barmherzigkeit Kannon Bosatsu" ("Three Short Prayers to the Japanese Goddess of Compassion Kannon Bosatsu") is tailor-made for the Frauchiger-Weber duo and dedicated to them. Aside from Wyttenbach's songs, the CD also includes works by the two performers, as well as rarely-performed longs by Hanns Eisler and Alban Berg's "Seven Early Songs", rounding off the selection with musical contrasts. Songs by Jürg Wyttenbach, Katrin Frauchiger, Katharina Weber, Hanns Eisler, and Alban Berg. Personnel: Katrin Frauchiger - soprano; Katharina Weber - piano.
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NEOS 11801CD
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"I build a house of time proportions and sounds, and hope that the music moves into it" says Erhard Grosskopf, "not like substance into a form, but rather like the spirit into the soul." The approach to time and proportions is such a central theme in Grosskopf's music because he usually eschews traditional formal structures. This CD features two large, roughly half-hour orchestral works laid out in very different ways, played by renowned performers: the Deutsches Symphonie-Orchester conducted by Johannes Kalitzke, and the Rundfunk-Sinfonieorchester Berlin conducted by Vykintas Baltakas. Also features Ursula Oppens on piano.
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NEOS 11815CD
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The compositions gathered on Winternachtmusik feature piano and violoncello as solo instruments as well as in combination; they all were written during the last 25 years. They are all related and can be performed next to each other or, in some cases, even simultaneously. All these pieces are character pieces, they develop an individual, very precise atmosphere, and all of them describe a development: sometimes linearly, sometimes with interruptions; at times, with vehemence and like an explosion, at other times, tentatively and barely noticeable. The duo composition "Stücke über den Tod" (Pieces about Death) dates from a period where Martin Herchenröder's music openly commented on political and social issues. Personnel: Friedrich Gauwerky - violoncello; Severin von Eckardstein - piano.
Martin Herchenröder, composer, organist, and musicologist, is a professor at the University of Siegen. His compositions have been performed in Europe, Asia, and America by renowned artists. Besides concert tours as an organist his teaching activities brought him to almost all continents.
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NEOS 11821-22CD
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The "mimicri" cycle is a central piece by the composer Charles Uzor, in many respects the quintessence of his work since the mid-2010s. Uzor, who was born in Nigeria and moved to Switzerland (where he now lives) at the age of 57, has engaged since 1995 with the music of Machaut and methods of defamiliarization using fixed media. "The phenomenon of concealment strikes me as a survival strategy", says Uzor, transferring the principles of disguise and mimicry as found in nature to his music. He not only takes nature as a formal model, but also borrows sounds from it and changes them, for example birdsong, which he electronically pitch shifts down eight octaves. The main part of the cycle, "Nri/ mimicri", is scored for Ondes Martenot, percussion quartet, and fixed media, with additional parts for piano and fixed media or only the latter. The world premiere recordings on this CD also include vocal music and chamber music in a variety of instrumentations. All in all, this double-CD offers a multi-faceted overview of Charles Uzor's work from the 2000s on. Performers: Caroline Ehret - Ondes Martenot; Ute Gareis - piano; Isabel Pfefferkorn - soprano; Elena Zhunke - violin; Illya Buyalskyy - piano; Percussion Art Ensemble Bern; Ensemble La Notte; SWR Vokalensemble, Rupert Huber - conductor.
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NEOS 11803CD
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Clemens von Reusner creates acousmatic worlds in which natural and synthetic objects exist side by side. He uses different programs that make free work possible in the realm of sounds, where samples, synthesis and resynthesis work together, develop accelerate and slow each other down, always with great determination. He works with sounds that he disjects, puts back together and places in rooms out of which they flow or into which they grow. "Anamorphosis", "Definierte Lastbedingung", "KRIT"m and "Topos Concrete" are genuine eight-channel productions. Attention to compositional sense and sonic transparency is always maintained in the stereo versions, even though the ambiance of the sound movements achieved by the ambisonic procedure only opens up completely in the five-channel versions of the SACD, and especially in the eight-channel concert version. "HO", "Dry Friction", and "Sphären der Untätigkeit" are originally mixed in two channel stereo. The SACD multichannel layer therefore also features these mixes in two channel stereo.
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NEOS 11817CD
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"In my ears, there is a potential musicality in any sound appearing in our everyday reality, and my method is to develop them into resilient actions performed by instruments and acoustic objects", says Malin Bång, Swedish composer and a founding member of the Curious Chamber Players (that can be heard on this CD). Her close connection with the musicians allows intense experimentation. She creates a spectrum of unpredictable and contrasting actions, ranging from the intimate and barely audible to the harsh and obstinate. In her work, she often incorporates acoustic objects to expand the sound world and to suggest that a musical content can be shaped by anything valuable to the artistic purpose. Malin Bång resides in Stockholm. Her work includes music for instrumental ensembles, orchestra, electronic music based on field recordings, and instrumental performance pieces. Lately she has specifically explored the mixed, amplified instrumental ensemble extended with acoustic objects in collaboration with the members of Curious Chamber Players. Her works are performed worldwide. She is regular visiting professor and lecturer at the composition faculty of the Göteborg University. "structures of molten light" features alto flute, bass clarinet, percussion/radio, piano/radio, guitar, violin, cello as performed by Curious Chamber Players; "arching" features amplified cello and amplified tools (wooden plank, rasp, saw, file, marker), as well as electronics, as performed by UmeDuo; "palinode" features amplified ensemble of bass flute, bass clarinet, cello and three objects: metal sculpture, vase and swing, as performed by Curious Chamber Players; "purfling" features amplified violin and electronics, performed by: Karin Hellqvist - violin; "jasmonate" features amplified ensemble of piccolo flute, bass clarinet, percussion/writing pad, inside piano/typewriter, tabletop guitar, violin, cello, and two hour glasses, as performed by Curious Chamber Players.
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NEOS 11808CD
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Peter Ruzicka has made a tremendous impact on the world of music for decades, not only as a general director (among others, at the Salzburg Festival, Hamburg State Opera and the Munich Biennale) but also as a high demand internationally as a conductor and composer. On July 3, 2018 Peter Ruzicka celebrated his 70th birthday. This CD, the seventh featuring his music in the NEO catalog, is being released to honor this occasion. The Minguet Quartet won the 2010 ECHO Klassik Award for its complete recording of string quartets by Ruzicka (Nos. 1-6 at the time). This CD is a logical and perhaps necessary continuation of the series: In addition to String Quartet No. 7 -- which, at over 40 minutes in length is far more extensive than its predecessors -- it includes "CLOUDS 2" for string quartet and orchestra conducted by the composer. Ruzicka says that in this work he was guided by the image of music that is searching for a sound which he has never himself heard before, and which has never previously occurred in all his works.
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NEOS 11707CD
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Between 1989 and 2013, Swiss composer Andreas Pflüger composed a series of works for violin and piano that are highly divergent in style. These works are brought together in this recording and range from a virtuoso piece "... Steine ... (Stones)", which exhausts virtually all possibilities of violin playing, to the "Sonata 1993", in which the composer applies the sonata form in direct and pure tonal language, and also includes his most recent work, "Fünf Stücke (Five Pieces)" for two violins and piano. In each of them, complex musical sequences develop from motivic cells, or "nuclei" in a certain sense. Several of the works on this CD are dedicated to violinist Katharina Schamböck, who recorded them here.
Born in Basel in 1941, Andreas Pflüger made a name for himself internationally not least as a composer for the stage (with seven operas and two ballets), although he has also composed numerous works for orchestra and chamber music ensembles, as well as about 120 film scores. He has been invited as a composer and guest lecturer to many European countries, Japan, South America, and the US.
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NEOS 21102CD
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In this unusual recording Andreas Skouras demonstrates the tremendous range of tonal and expressive possibilities offered by the harpsichord. The program is highly personal but also dramaturgically cogent: A selection from the sonatas of Domenico Scarlatti is juxtaposed with four works from the 20th century which could hardly be more different. People do not actually associate Ysang Yun with the harpsichord -- this makes the way he works with the instrument in "Shao Yang Yin" from 1966 all the more surprising. The Finnish composer Jukka Tiensuu on the other hand is an excellent harpsichordist himself, and his "Etudes" display his profound knowledge of the instrument. Also featured on this CD: The suite from the opera "Capriccio" by Richard Strauss as well as Minas Borboudakis's "Hommage à Picasso", which he composed for his countryman Andreas Skouras in 2003.
Andreas Skouras, born in 1972 in Salonica (Greece), studied piano with Professor Franz Massinger and harpsichord with Professor Lars Ulrik Mortensen and Professor Ketil Haugsand at the Munich University of Music and Performing Arts. Concert appearances, CD, radio, and television productions as pianist and harpsichordist with orchestra or solo, in chamber music and Lied recitals regularly lead him throughout Europe to festivals such as Early Music in London, Festival Aix-en-Provence, Gidon Kremer's Lockenhaus, les muséiques in Basel, Sacrum Profanum in Krakow, Bluval Festival, Summer Concerts between Danube and Altmühl, MDR Music Summer as well as to the United States, where among others he has performed in New York's Carnegie Recital Hall. Andreas Skouras teaches harpsichord at the Munich University of Music and Performing Arts. He was awarded the music scholarship of the City of Munich and the Bavarian Arts Prize.
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NEOS 11805-07CD
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On the tenth anniversary of Horațiu Rădulescu's death on September 25th 2018, NEOS present a comprehensive document of a wonderful artistic friendship will be released: the complete recording of Rădulescu's piano music, featuring the pianist Ortwin Stürmer. Horațiu Rădulescu, born in Bucharest on January 7th, lived in French exile from 1969 and became one of the leading exponents of spectralism; nonetheless, his music also has unmistakable roots in his home country of Romania. He was considered a sonic magician, a "philosopher of sound". One of his decisive encounters, in 1990, was with Ortwin Stürmer; it was for him that Rădulescu composed the second, third, and fourth of the Zen-inspired Lao tzu Sonatas, as well as the large-scale piano concerto "The Quest". It would have been wrong not to include the latter in this SACD box set -- with the same musicians as the premiere, the Frankfurt Radio Symphony Orchestra under the direction of Lother Zagrosek.
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NEOS 11810-11CD
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The Forum neuerMusik at Deutschlandfunk has been engaged in a cooperation with Cologne Academy of Music and Dance since 2009. At the center of focus is the formation of students called ensemble 20/21, led by Professor David Smeyers. Each year the ensemble participates at a special theme concert orientated on the issues of the festival. Frequently composition commissions were granted, often to students and graduates of the Cologne composition classes. But new works by long-established composers where also premiered at these concerts. This double-CD provides a representative selection of the world premieres since 2009 -- an impressive document of a pedagogical cooperation with the Academy which has attained great significance for Deutschland-funk. Features works composed by Niklas Seidl, Myunghoon Park, Lisa Streich, Georg Katzer, Julián Quintero Silva, Hirofumi Matsuzawa, Atli Ingólfsson, Daniel Cueto, Younghi Pagh-Paan, Samir Odeh-Tamimi, and Damian Scholl.
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NEOS 11712CD
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The status Philipp Maintz has earned among composers of the younger generation is notable not least through the way the conductor Christoph Eschenbach advocates his music. In this edition, Eschenbach conducts two top orchestras: Deutsches Symphonie-Orchester Berlin and the Munich Philharmonic, in live recordings of premiere performances.
The 26-minute "tríptico vertical" for soprano and large orchestra was already recorded in Munich in 2014 -- with the excellent American soprano Marisol Montalvo (the work is dedicated to her and Eschenbach). The premiere of "hängende gärten (hanging gardens)" for large orchestra followed in Berlin in the summer of 2017. The title refers to one of the Seven Wonders of the World: the legendary Hanging Gardens of Babylon of Assyrian Queen Semiramis. "hängende gärten" for large orchestra, is performed here by: Deutsches Symphonie-Orchester Berlin; Christoph Eschenbach - conductor. "tríptico vertical", music for soprano and large orchestra on poems by Roberto Juarroz is performed here by: Marisol Montalvo - soprano; Münchner Philharmoniker; Christoph Eschenbach - conductor.
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NEOS 11819-20CD
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Elisabeth Weinzierl and Edmund Wächter have been active "on the frontlines" of contemporary flute literature for decades. They have commissioned countless new works and premiered them in various formations, whether as the Munich Flute Duo, in a trio with piano, or as part of a larger group (Munich Flute Ensemble), using a whole range of instruments from piccolo to contrabass flute. This double-CD offers a unique view of the two musicians' work. The first CD features flute duos from the 20th century, from Hindemith to Cage to Isang Yun. The second CD, bearing the title "dedicated to...", contains works with varying instrumentation that were written for and dedicated to them.
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NEOS 11732CD
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The long-anticipated premiere of Wolfgang Rihm's Requiem-Strophen (Requiem Verses) in March of 2017 was also a special debut, that of Mariss Jansons, principal conductor of the Bavarian Radio Symphony Orchestra, conducting his orchestra for the first time at the musica viva concert series. The live recording of this concert is being released as a co-production with BR Klassik, musica viva and NEOS. Rihm extends the liturgical Requiem text with, among others, three sonnets by Michelangelo and verses by Hans Sahl. Tradition is of considerable significance to Rihm, but in the sense of assimilating it, advancing it, and developing it. In this sense, Rihm's Requiem-Strophen are a highly personal approach to the Requiem genre by one of the most influential composers of our times. Personnel: Mojca Erdmann - soprano; Anna Prohaska - soprano; Hanno Müller-Brachmann - bass baritone; Chor und Symphonieorchester des Bayerischen Rundfunks (Mariss Jansons, conductor).
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NEOS 11813CD
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Together with the outstanding Australian oboist Peter Veale, Claus-Steffen Mahnkopf spent years working systematically on music for oboe, its playing techniques and tonal possibilities. The result is the 1994 method book, "The Techniques of Oboe Playing", which has become an authoritative work for oboists throughout the world. Mahnkopf has profound knowledge of this instrument and more than 25 years of experience with it. Vol. 7 of the NEOS Mahnkopf Edition is thus devoted to his compositions for oboe. The recorded works range from "Gorgoneion" for solo oboe from 1990 to the "Homage au hautbois" of 2013, which pays tribute not only to the oboe but also to Mahnkopf's longtime friend Peter Veale.
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NEOS 11716-17CD
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Neos present Donaueschinger Musiktage 2016. A collection of compositions featuring Rebecca Saunders, Bernhard Gander, Martin Smolka, James Dillon, Franck Bedrossian, Martin Jaggi, and Georg Friedrich Haas.
"The first acid tests of the newly formed SWR Symphonieorchester after the fusion, with some high-carat world premieres." --Dirk Wieschollek Fono Forum January 2018/Critic survey 2017
SACD 1 features the world premieres of Rebecca Saunders's "Skin" for soprano and 13 instruments (2015/16) performed by: Juliet Fraser (soprano), Klangforum Wien, and Titus Engel (conductor); Bernhard Gander's "Cold Cadaver with Thirteen Scary Scars" for 21 instruments (2016) performed by: Steamboat Switzerland, Klangforum Wien, and Titus Engel (conductor); and Martin Smolka's "a yell with misprints" two movements for ensemble (2016) performed by ensemble recherche.
SACD 2 features the world premieres of James Dillon's "The Gates" for string quartet and orchestra (2016) performed by Arditti Quartet, SWR Symphonieorchester, and Pierre-André Valade (conductor); Franck Bedrossian's "Twist" for orchestra and electronics (2016) performed by SWR Symphonieorchester, Alejo Pérez (conductor), IRCAM, and Robin Meier (computer music designer); Martin Jaggi's "Caral" for orchestra (2016) performed by SWR Symphonieorchester and Pierre-André Valade (conductor); and of Georg Friedrich Haas's "Konzert für Posaune und Orchester" (2015/16) performed by Mike Svoboda (trombone), SWR Symphonieorchester, and Alejo Pérez (conductor).
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NEOS 11704CD
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From a conversation between Nikolaus Brass and Das Klarinettenduo, Beate Zelinsky and David Smeyers, in Donaueschingen in 2006, there arouse the double concerto Zeit im Grund, released on two different Neos CDs: Zeit im Grund/Von Wachsender Gegenwart (NEOS 11112CD, 2013) and Double Concertos by Atli Ingolfsson, Adriana Holszky and Nikolaus Brass (NEOS 11708CD, 2017). This has been the beginning of more future collaborations. In 2009 Brass composed his work "Dialoghi d'amore VI" for the duo, which he expanded into a three-movement work in 2011. Later the quintet "SPUR" for string trio and two clarinets was realized through a collaboration between the Munich based TrioCoriolis and Das Klarinettenduo. For the "5. Streichquartett", Beate Zelinsky and David Smeyers started working together with the Minguet Quartett. This inspired Brass for his trio "Strophen", written especially for Beate Zelinsky, David Smeyers and the violist of the quartet, Aroa Sorin. This CD is completed by "Salut" and "Adieu", both works for clarinet solo.
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NEOS 41701CD
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What Phil Minton is able to create with nothing but his voice -- those, as Bert Noglik puts it, "simply unbelievable and uncanny sounds for which nothing comparable exists, far and wide" -- seems to lie beyond what it is possible. He is the indisputable vocal giant of the jazz avant-garde. He meets a collective of kindred spirits with the ICI Ensemble. Comprising some of the most enthusiastically experimental instrumentalists and sonic artists of the German improvisation scene, this ensemble has been creating a unique sonic cosmos for almost 20 years that has already inspired numerous international composers and improvisators to collaborate with them. Phil Minton and the musicians of the ICI Ensemble spin here a refined chamber musical texture and seem to whisper words of the late Beckett: "Say Yes." -- until someone else relativizes: "Till No". And then nothing is any longer as it was before. Personnel: Phil Minton - voice; David Jäger and Markus Heinze - saxophones; Christofer Varner - trombone; Martin Wolfrum - piano; Gunnar Geisse - laptop guitar; Georg Janker - double bass, electronics; Sunk Pöschl - drums.
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NEOS 11730CD
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What musical means and forms can be used today when composing orchestral music? Composer Moritz Eggert poses this question in the two works of this release, which are live recordings of the world premiere performances. "Muzak" for voice and orchestra was composed in memory of David Bowie, who died in 2016. A modified version of the word "music", Muzak refers to the background music commonly played on elevators, department stores, and hotels. In "Muzak" Eggert seeks to include the entire sound world of his own time in a single composition. "Muzak" is therefore a distillation of all kinds of music, from pop music to classical repertoire, and addresses the question of whether boundaries between genres are still viable and make any sense. In "Number Nine VII: Masse" Eggert takes up the aesthetic challenge of composing a work for orchestra where all musicians play continuously without a break. Moritz Eggert - voice; Symphonieorchester des Bayerischen Rundfunks with David Robertson as conductor for "Muzak" and Peter Rundel as conductor for "Number Nine VII: Masse".
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NEOS 11720CD
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In The Wannsee Recordings, Gunnar Geisse expresses his fascination with accepting the fleetingness of the current moment and his perception of its changing nature. On the other hand, he is also attracted to the possibility of expressing and reflecting upon the complexity of human existence through art. Geisse developed an instrument he calls a "laptop guitar", a computer-enhanced extension of his former main instrument (the electric guitar) which allows him to take analog playing to the digital level. He uses the possibility of software-based real-time conversion of audio into MIDI data to control virtual instruments and samplers. It does not matter which type of audio signal is used as a source: Input signals can be from electric guitar, speech, or noises; even "translation" of music into other music is possible in this way. Today, Gunnar Geisse uses the computer both as an instrument for improvisation and as a production tool in creating well over 20 radio plays, in commissioned works for musica viva, the Munich Opera Festival, the Munich Biennale and the Donaueschinger Musiktage. Geisse used real-time manipulation of choral singing and orchestra in Gregor Hübner's "De Profundis". In addition to his work as an electric guitarist with among others the Symphonieorchester des Bayerischen Rundfunk, the Radio Symphony Orchestra of the SWR. and the Broadway Musical Company New York, his love for improvised and experimental music has resulted in collaboration with Peter Brötzmann, Vinko Globokar, Phil Minton, David Moss, Olga Neuwirth, Mike Svoboda, Michael Wertmüller, and many others.
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NEOS 11607CD
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In "Nachklang - Rose (Echo - Rose)", two (music) cultures stand side by side on an equal footing: that of Europe and of Persia. The starting point is the effect left behind by the scent of a rose. While it is associated with love in Western culture, in Islam it has strong religious, metaphysical and symbolic connotations. Rupert Huber himself describes his composition for mixed choir and Persian instrumental ensemble as a "patchwork" in the best sense of the word, where flecks of different colors stand side by side without one dominating. The present CD also includes two older works by Huber: "Wermut (Wormwood)" for choir and trombone to a text from the Book of Revelation, and "Der kranke Mann (The Sick Man)" based on a theme by Robert Schumann. Chor des Bayerischen Rundfunks - Dastan Ensemble: Mike Svoboda - trombone; Rupert Huber - conductor.
Rupert Huber was principal conductor of, among others, the WDR Choir and directed the SWR Vokalenemble Stuttgart as well as regularly conducting well-known choirs, orchestras and ensembles. His works are performed at festivals such as Ruhrtriennale, Salzburg Festival, Wien Modern, or Eclat Stuttgart, often in cooperation with ARD broadcasters.
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NEOS 11715CD
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A major interest of the Spanish composer Alberto Posada is exploring the relationship between music, nature and mathematics. He also focuses on the connection between music and other forms of art. This portrait CD, Poetics of the Gaze, comprehensively documents the influence of fine art on his compositions. Alberto Posadas was born in Valladolid, Spain in 1967. He is regularly a composer-in-residence at IRCAM, has held scholarships from the Free State of Bavaria (Villa Concordia, Bamberg) and the Wissenschaftskolleg Berlin, and was awarded the National Music Prize by the Spanish Ministry of Culture. His music is played at many festivals, including the Donaueschinger Musiktage, Eclat (Stuttgart), Ars Musica (Brussels), Ultima (Oslo), Klang-spuren Schwaz (Tyrol), Ultraschall (Berlin), Musica Strasbourg, and the Wittener Tage für Neue Kammermusik. Klangforum Wien featuring Nacho de Paz as conductor.
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NEOS 11606CD
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rūḥ-i-gulāb (The soul of the rose) is based on two 13th-century Oriental texts: the Rose Poem of Ğalāl-ad-Din Rūmī (translated by Friedrich Rückert) and excerpts from the Poem of the Mantle by Sharaf al-Din al-Būsīrī. A cross-cultural work of art emerges from the composition. Opening up to Oriental and Far Eastern culture is a central concern of the conductor and composer Rupert Huber. This includes turning away from the strict conceptualization of a work -- that is, away from traditionally "fixed" notation -- to encouraging individual performers to assume responsibility and listen closely to and respond to each other. He consistently follows this approach in the Rose Ausländer setting, "Mein Venedig" ("My Venice"). Chor des Bayerischen Rundfunks & Madīḥ Ensemble: Doris Huber - bowl, bells; Rupert Huber - conductor.
Rupert Huber was principal conductor of, among others, the WDR Choir and directed the SWR Vokalenemble Stuttgart as well as regularly conducting well-known choirs, orchestras and ensembles. His works are performed at festivals such as Ruhrtriennale, Salzburg Festival, Wien Modern, or Eclat Stuttgart, often in cooperation with ARD broadcasters.
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