|
|
|
|
viewing 1 To 25 of 37 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
OTCR 019LP
|
Lysergic weather front top-loaded via betamax's hippocampus trapdoor melding Catto's studio into a rainbow of textures, formless places, and emotional sonics awash with resonant poly-rhythms. Champagne Dub is a mission in space-dub whose "crew" took a few too many wrong turns. "We are here to bring raw metamorphic rockrituals that escaped our minds." Mr. Noodles, the Peruvian Performance artist cuts an uncomfortable figure in the recording studio. Kinetic energy flowing from a spring of mysteriously paranoid fits of spontaneous movement, Noodles is vulnerable and dangerous. Cryptic words are spunked from the subconscious and lie scattered across the band's rhythmic engine-room. Ruth Goller's bass tones geometrically tumble over the cluttered floor of Betamax's dirty drums and percussion. Turn to Ed Briggs, the medieval sound scientist, convulsing in the corner as his unreliable, self-assembled electronics drain the remaining energy from what seems to be a living but barely-live power source, spewing their sonic debris at the spinning wheels of tape delay.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
OTCR 018CD
|
A stone's throw from the church where Desmond Tutu organized the escape of the most wanted anti-Apartheid activists of Soweto, BCUC rehearses in a shipping container-turned-community restaurant, where their indomitable outspokenness echoes in a whole new way. Like its elders, Bantu Continua Uhuru Consciousness sees its music as a hedonistic trance, but also as a weapon of political and spiritual liberation. Bantu means people, Uhuru means freedom -- the seven-piece band led by vocalist Jovi Nkosi rekindle the freedom of awareness, giving contemporary voice to the ancestral traditions of indigenous peoples. Jazz sounds of 1970s and '80s productions replaced by hip-hop influences and punk-rock energy, taking the listener on an intriguing epic journey. With only a few releases under their belt, BCUC took the world by storm with their mesmerizing performances, winning crowds at festivals such as Glastonbury (West Holts), Roskilde, Dour, Worldwide, Womad, Fusion, and Sziget to name a few, while collaborating with legends like Femi Kuti and Saul Williams. Millions Of Us is their first full-length album and most ambitious work to date -- distilling their magic on record, summoning mainstage festival-energy and stewing down, casting spells for the intimate audience. Recorded in Soweto, post dubbed and mixed in London the album is the coming together of this unique band and London's On The Corner Records, a label that has been traversing underground sounds worldwide.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
OTCR 009C-LP
|
Clear vinyl. Sold out release from 2020, Asher Gamedze's Dialectic Soul finally returns as a limited-edition clear vinyl press ahead of On The Corner's tenth anniversary. Dialectic Soul is the debut album from one of Cape Town's most cutting-edge, visionary artists and musicians, the drummer, Asher Gamedze. This is Jazz at its most spiritual, most progressive and most appealing form. As Asher himself says: "Dialectic Soul is about motion and a refusal to remain static or stay still. It's the commitment to be continually moving." Recorded live over two days at the Sound and Motion Studios in Cape Town with renowned musicians -- Thembinkosi Mavimbela (bass), Buddy Wells (tenor sax), Robin Fassie-Kock (trumpet), Nono Nkoane (voc) -- Dialectic Soul is breathtaking in its musical vitality and expression of soul seeking truth. By incorporating the concept of the total art for this project, it fits perfectly within On The Corner's aesthetic of music, art and vision for creative innovation. Label art director Victoria Topping created the sleeve design working with Asher's drawings and concept. Asher continues: "My composition 'state of emergence' introduces the themes that constitute the album; free drums representing autonomous African motion, the saxophone reflecting deeply and honestly on the violence of colonialism, the teachings of Coltrane, Steve Biko, Makeba, and Malcolm X and others inspired the music's positive manifestations of resistance. Fundamentally, it is about the reclamation of the historical imperative. It is about the dialect of the soul and the spirit while it moves through history. The soul is dialectic. Motion is imperative. We keep moving." Gamedze is best known for his work with Angel Bat Dawit on International Anthem.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 018LP
|
LP version. A stone's throw from the church where Desmond Tutu organized the escape of the most wanted anti-Apartheid activists of Soweto, BCUC rehearses in a shipping container-turned-community restaurant, where their indomitable outspokenness echoes in a whole new way. Like its elders, Bantu Continua Uhuru Consciousness sees its music as a hedonistic trance, but also as a weapon of political and spiritual liberation. Bantu means people, Uhuru means freedom -- the seven-piece band led by vocalist Jovi Nkosi rekindle the freedom of awareness, giving contemporary voice to the ancestral traditions of indigenous peoples. Jazz sounds of 1970s and '80s productions replaced by hip-hop influences and punk-rock energy, taking the listener on an intriguing epic journey. With only a few releases under their belt, BCUC took the world by storm with their mesmerizing performances, winning crowds at festivals such as Glastonbury (West Holts), Roskilde, Dour, Worldwide, Womad, Fusion, and Sziget to name a few, while collaborating with legends like Femi Kuti and Saul Williams. Millions Of Us is their first full-length album and most ambitious work to date -- distilling their magic on record, summoning mainstage festival-energy and stewing down, casting spells for the intimate audience. Recorded in Soweto, post dubbed and mixed in London the album is the coming together of this unique band and London's On The Corner Records, a label that has been traversing underground sounds worldwide.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 017LP
|
Edrix pulses in the distant sky. Modal meditations, hypnotic bowed formations, and detuned throbs of echo and bass reverberate from the ruins of Planet Battagon. A puzzle, a tremor detected in the stars buried deep in the decay of Neptunia retracting at breaking speed. Edrix pulses in the distance... Rising from the rubble of Planet Battagon's cosmic collision of shimmering improvisation and bass- weight electronics, producer, multi/instrumentalist and veteran drummer, Nathan "Tugg" Curran (Basement Jaxx, Kano, Bryan Ferry) returns with London-based ensemble, Edrix Puzzle's latest celestial disturbance, Coming of the Moon Dogs, via On The Corner Records. Presenting the latest chapter in Curran's reimagined v3050 dub of Mwandishi-era Herbie Hancock, Edrix Puzzle swap its mother planet's rattling Battagon sub-bass and improvised, machine-bebop of bleep, for live acoustic bass (Tom Mason), classical violin (Darren Berry), and Stockhausen-esque experiments. Recorded remotely across ten months during lockdown, the full-length follow-up to Edrix's 2021 Rise To Eris EP, also features Oli Savill (percussion) and Martin Slattery (bass clarinet, saxophone), two long time Curran collaborators and members of Planet Battagon. Tugg the creator can be found on acoustic drums, drum synths, and machines. Whilst Curran's Planet Battagon idles in the galaxy, Edrix's post punk silhouette appears in temporary total eclipse, resurrected and in transit, ready to emerge from the darkness.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
OTCR 016LP
|
The Kenya born, Berlin based percussionist, vocalist, DJ, producer and "musical witchdoctor" Alai K releases his red-hot debut album Kila Mara, via On the Corner Records. Sonically speaking, this vivacious collection of frenetic, polyrhythmic and percussive workouts link the spirit of Jeff Mills, DJ Rush, DJ Bone and K Hand with beats from The Bajuni Islands, Mozambique, Malawi and the maritime Swahili coastline north of Mombasa. On moving to Berlin, Alai went raving regularly and became enamored with underground dance music culture. "I love techno and believe that African drums influenced the percussion and programming: lt's coming from the same place; with both you get extended periods with no chorus or verse, just occasional chanted or chopped vocals. In Africa people play drums and dance for hours, which is the same experience as western electronic music", says Alai. Alai started living and recording in Berlin three years ago, in a one-room flat shared with his family. He would constantly be in flux, setting up his small studio in the kitchen, then packing it away again when they needed to cook. He later hooked-up with a notable Kenyan percussionist based in Hamburg called Izo Anyanga, and over several trips down the autobahn they jammed acoustically, with just drums, marimba, xylophone, and some good weed. The vibe was huge, and the pair decided they wanted to make a record, which could easily transpose for performance to a crowd. Music from eastern Africa, ancestral customs and the rituals of dance are deep in Alai's DNA. His great grandmother was a singer and composer, and his father was a professional drummer, who alongside friends and family would play spiritual music from Bajun like Ndurenge, Kirumbizi and Bati, all night long, to uplift the spirit, or remember the dead. Under his previous Disco Vumbi alias Alai self-released Disco Vumbi 1, followed by Disco Vumbi Vol. II (BYR 029CD) on Byrd Out, and Boutiq Electroniq on Nyege Nyege Tapes. At On the Corner he joins a roster which has included Guedra Guedra, Hieroglyphic Being, Collocutor, Uffe, Sunken Cages, BCUC and Khalab. For fans of: Adrian Sherwood, Ricardo Villalobos, Massive Attack, Sly & Robbie.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 005C-LP
|
Following the immense critical acclaim of Siti Muharam's album Siti Of Unguja, On The Corner Records release on transparent vinyl. Crowned Album of the Year 2021 by Songlines, Siti Of Unguja was also selected The Guardian's "Global Album of the Month", The Wire's "No.1 Global Album", and included in best albums of the year lists in NPR and The Vinyl Factory. Siti Of Unguja tells the story of pioneering women, of the "golden voice" of Siti Muharam, heiress to the singular legacy of her great grandmother, the mother of taarab, Siti Binti Saad. On the Corner teases this first taste of a landmark recording that the label embarked upon two years ago on Zanzibar. Siti Of Unguja has a transformative atmosphere, brimming with romance, passion, and protest. Zanzibar is an Island archipelago that lies six degrees South of the equator and 30 miles off the East African coast out in the Indian Ocean. Known for its spices, traditional Dhow sailing boats and being a mercantile trading capital of Swahili culture. The modern history of Zanzibar can be animated through the life and legacy of one artist, Siti Binti Saad. Born in 1890 in the small fishing village of Fumba, on Unguja (Zanzibar's largest island), she became the first Zanzibari recording artist and her recordings sold in tens of thousands across the Swahili world. Transparent vinyl; edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 015LP
|
Danish producer Uffe presents his innovative third LP Words And Endings, which further explores the boundaries between post-punk, dub, UK bass hybrids, and spiritual and free jazz. His first full-length outing on genre-breaking London imprint On The Corner Records, Uffe utilizes the techniques that have long fueled his reputation as a purveyor of off-beat sonic fusions and delivers a diverse trip that leans into unusual territory with thrilling and unpredictable results. Words And Endings is his most conceptually complete album yet. It comes off of what he describes as "a rollercoaster ride", an emotionally charged two-year period that in his words was "hectic, fantastic, destructive and wonderful." Due to his bipolar disorder, he holds himself to hitting a high level of productivity in order to avoid self-medicating and destructive behaviors. The LPs roots can be traced to one such prolific cycle that was marked by frustration with the creative process and his artistic direction, with the result being a self-released LP which was intended to signal the end of the Uffe project. The LP caught the attention of label boss Pete On the Corner, who convinced Uffe to re-approach the works whilst exploring other experiments and unfinished material from the project. The attention towards the edges refocused the producer and the label-to-artist relationship gave him the most creative freedom he's had to date. This spurred Uffe's step into a new phase and the creation of Words And Endings. For fans of: Adrian Sherwood, Ricardo Villalobos, Massive Attack, Sly & Robbie.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 12020LP
|
On The Corner Records reveal the second instalment of their Double Drop series, pairing together two EPs from two different members of the OtC family, delivering a cosmically twinned, action packed slab of wax. Label boss Pete OtC developed this series to introduce record players around the world to new artists coming through On The Corner's region of the solar system. With vinyl manufacture in pandemic pandemonium and questionable environmental impacts of the efficacy of disco 12"s, it seemed like a prime time to get laying the OtC family's sonic landscapes onto highly collectible long playing EP pairings, with no represses and no compromise on the artwork, each side sporting a 20+ minute audio journey. On the A-side, and hot on the heels of the Dub Protection & The Sportswear Mystics cassette, The Diabolical Liberties present their Birds Of Paradise EP. This EP all but sold-out and follows the dynamite success of the duo's debut long player High Protection & The Sportswear Mystics (OTCR 011LP, 2020) and its follow-up hype cassette of dubbed-out versions (as well as a series of self-released and long sold-out white labels that included collaborations with Nyasha -- a moniker of Nubya Garcia -- and a super limited On The Corner 10" dubplate.) On the flip, having debuted on 2020's sold out triple-LP release Door To The Cosmos LP (OTCR 010LP), Edrix Puzzle are back with a stonking new EP Rise To Eris. With this new offering, Edrix Puzzle's core drums, sax, double bass, and percussion are augmented with spoken word, guitar and synths. Project founder and lead, Nathan "Tugg" Curran (drums, synths) is joined by long time collaborators Oli Savill (percussion) and Martin Slattery (bass clarinet, sax), as well as Tom Mason (double bass) and Josh Barry (spoken word) for this more acoustic, analog expression and surveying of extra-terrestrial forms with sparse synth manipulation and a sweet seasoning of electronic affectations. Exploring themes and energies in the territory of noir instrumental jazz the cinematic energy is unpinned with driving breaks and psych-fusion meanderings into the extra-terrestrial landscapes akin to Mwandishi (1971) era Herbie Hancock. For fans of: Gonjasufi, PiL, Luke Vibert, Andrew Weatherall, Gorillaz, The Heliocentrics, The Herbaliser, Karl Hector, Herbie Hancock.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
OTCR 12019EP
|
Bounding on from the Door to the Cosmos, the label's expansive triple vinyl compilation, On The Corner Records has paired up new artists in this series of cosmically twinned EPs. Twinning EPs on a single piece of wax reduces the impact on the environment and wallet friendly. Each brace of cosmically twinned On The Corner artists interstellar Balearic for the deep space bound. Each 12" will be split taking over a whole side of black wax. Party wax loaded with stardust. Get your fix of tomorrow's sound, tonight! Side A is Uffe's Not All the Stars EP -- an underground emissary channeling dark bass weight through a prism of jazz-house-dub-tech hitters. A singular talent leading the charge into new frontiers with On The Corner. Not All The Stars EP is a prelude to his first LP on the label and follows on from City's Dead and that featured on Door to the Cosmos in 2020. Petwo Evans's Bootstrap EP on the flip side is made of sound system-primed, innovative club tracks. Welsh Futurism, celestial electrics and objects of space-junk percussion. CERN loops, cyber kinetic grooves, machine pulses and chugging house kicks converse in the orbit of "Gyroscope". Petwo Evans feeds the tracks compulsion with heady layers awash with dreamy vocal stabs, synths and hazy harmonics.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 014LP
|
On the Corner Records have taken a deep dive into the murky waters where ancient percussion are jolted through history with a high voltage shock of experimental electronics. Across the territory of When the Waters Refused Our History, Sunken Cages channels his own journey and that of the world of his ancestors and adroitly breaches the porous frontiers being pushed by the cosmic adventures-led On the Corner. Sunken Cages is the moniker for Ravish Momin, an Indian-born drummer, electronic music producer, and educator. For the past decade, Momin has been experimenting with enhancing his acoustic drum sounds with electronic ones, and has crafted a unique electro-acoustic approach. He triggers sounds and textures, layers live-loops and manipulates them "on the fly", to blur the lines between composition and improvisation. While rooted in Indian folk and Black Music traditions, Sunken Cages is also influenced by the street sounds of South African G'com, Angolan Kuduro, and Egyptian Mahraganat. He currently leads the electronic music focused duo Turning Jewels Into Water with Haitian percussion virtuoso Val Jeanty. Ravish's unique approach quickly led him to work as a sideman with a diverse cast of musicians ranging from pop-star Shakira to legendary avant-saxophonist Kalaparusha Maurice McIntyre (of the AACM). Features Brandon Terzic and Kamyararsani, and a remix by BKGD.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 013LP
|
Moroccan producer Guedra Guedra presents debut album Vexillology, an elevation of tribal consciousness and futurism from underground musical universes. The album offers listeners an immersive experience made from hypnotic and rhythmic arrangements, rooted in ancient culture. Referring as much to Sub-Saharan as to North African cultures, Guedra Guedra presents a synthesis of his pan-African appreciation and a full immersion into the traditional rhythms of these lands, especially within the Berber culture which is found in countries such as his home of Morocco, and across Tunisia, Algeria, Libya, Northern Mali, Northern Niger, and beyond. The body of work is a complete celebration of cultural roots and future bass, bubbling in hotbeds of the global underground. Guedra Guedra is synonymously known for his ability to explore tribal rhythms and instruments of the past, as well as dancefloor innovations from contemporary underground scenes. For Vexillology, and in true Guedra Guedra style, a myriad of immersive recording techniques were applied. The album is built upon a multitude of field recordings capturing live and "in the moment" cultural happenings, encountered in everyday life, at tribal festivities and also on his travels. By also using video in his field recordings, Guedra Guedra enables himself to encapsulate the heat and entirety of the moment, applying this "moment" and evolving it into his productions.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 011LP
|
The Diabolical Liberties release their debut album High Protection & The Sportswear Mystics via the boundary-breaking On The Corner Records label. Comprising Rob Gallagher (vocals, guitar, bass) and Alex Patchwork (head of squarepushing), the duo's debut long player is a rough, unpolished gem of a record that falls clumsily in the gaps between post-punk, electronica, and jazz. Lead single "Sliders" embodies this identity crisis, simultaneously honoring and deriding the ubiquity of said footwear over resonant breakbeats, plonking cowbell and the screeching horn of Ignacio Salvadores (King Krule, Gal Go). Elsewhere, the brilliant Emma Jean Thackray sprinkles "High Protection" with cosmic dust, "Bigger Than You" is a ramshackle (but no less respectful) homage to the '70s Ghanaian disco/fusion purveyed by legends like Ebo Taylor and Pat Thomas. All produced and recorded in a shed, on train platforms, trains, tubes, and occasionally Caffè Nero in Cheam when it was quieter than home. High Protection & The Sportswear Mystics follows a series of self-released and long sold-out white label 12"s and 7"s that included collaborations with Nyasha (a moniker of Nubya Garcia) and a super-limited On The Corner 10" dubplate. All the musical (con)fusion starts to make sense when you take into account Gallagher's long and distinguished career in music. A truly original British voice, he was a stalwart of the mid-80s London jazz scene (centered around the WAG club and Dingwalls) and a key agitator/forerunner of the fusion that was bubbling up. He formed the band Galliano in 1987 and was the first signing to Eddie Piller and Gilles Peterson's now legendary Acid Jazz record label. Sidestepping onto Peterson's freshly minted Talkin' Loud imprint, Galliano's debut album In Pursuit Of The 13th Note materialized in 1991 and was an international hit -- effortlessly marrying cosmic funk, blues and an aura inspired by spiritual jazz with a conscious, poetic flow. The don dada Roy Ayers contributed vibes and scat. Four albums later in 1997, Gallagher disbanded Galliano and embarked on a solo career as Earl Zinger. The following year he formed the jazz/electronic duo Two Banks of Four with Dilip Harris aka Demus, releasing City Watching on Ben Wilcox's Sirkus label in 2000. Later, in 2012, he was also behind the experimental blues/folk/dub project William Adamson on Brownswood Recordings and most recently collaborated with Emanative and Rocketnumber9 on 2013's Over EP.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 012LP
|
The prolific On The Corner Records present Trans-Neptunia, the mind-bending debut LP from Planet Battagon, exploring new dimensions in left-field experimentation, cosmic sampling and ancient drum machines. Seen drumming with Basement Jaxx, a long-night with a Pearl Syncussion SY-1 drum synth led to Planet Battagon's rhythm master Nathan "Tugg" Curran setting off on an intergalactic exploration, searching in the rhythmic seas between Saturn's rings, creating a full album's worth of super-sonic jazz-rave, the likes of which have never been heard. Planet Battagon's Trans-Neptunia was recorded over a couple of days by Tugg, on live drums, synth bass, synth drums, and FX in almost full improvisation with associates Martin Slattery (bass clarinet, alto sax, soprano sax, FX), Oli Savill (percussion), Mickey Ball (trumpet), and Jack Baker (drums). Avoiding the many pitfalls and clichés of both jazz and electronic music, the group jammed around a number of themes, whilst synth lines were triggered by Tugg making the machines partners in the group jams that laid the foundations of this album. From the wonky, twisting sonics of "Wezlee's Disco Inferno" to the frantic, scattered patterns of "Escape From Sedna" the EP is full of psychedelic textures and deep space distress signals, coded in a language transformed via earthly amplifiers to resemble a sound landing somewhere between the musical outputs of Sun Ra, Aphex Twin, Herbie Hancock, and Carl Craig. With early support from Gilles Peterson and The Wire, Trans-Neptunia is poised to further establish not only Planet Battagon, but the autonomous right to improvise of all imperfect drum machines.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
OTCR 010LP
|
On The Corner Records goes beyond being a record label. It is a story of innovative artists from hotbeds of ancient-future music across the globe. This Door To The Cosmos compilation is the label's tenth full release (and an eclectic array of 20 EPs). OtC's rawkus sonic explorations are brought to the fore via 24 tracks making a heady blend of label mainstays and fresh family recruits. The label is an inimitable mixture of Miles Davis's "call it what you want" attitude, the Afro-centric futurism of Sun Ra and the evolving electronic frontier where black music kicks it to the dancefloor. Door To The Cosmos expresses On The Corner's adventure; future sounds referencing the source, be it Detroit, UK bass culture, New Orleans, or the Niger delta. The title riffs off of the otherworldly, Afro futurist jazzer Sun Ra's infamous chant "dare to knock at the door to the cosmos." Sun Ra's sound and narrative bending inspires us to kick at the rules and push at the infinite, the ecstatic and the unknown through music by knock, knock, knocking at the door to the cosmos. The compilation is the first outing for a new raft of artists who are celebrated by the label and welcomed to a creative space brimming with the tales of unsung pioneers of the past and champion sonic explorers of the future. Gatefold sleeves; printed inner sleeves. Features Azu Tiwaline, Cinna Peyghamy, Khalab, DNGDNGDNG, Quixosis, JD Twitch, BKCLX, Edrix Puzzle, Don Korto, Rebecca Vasmant, Uffe, Planet Battagon, Clive from Accounts, Jose Marquez, Guedra Guedra presents Taxi Kabir, Tamar Collocutor V, Ariwo, Batida, Karlon, Petwo Evans, Dengue Dengue Dengue, Nicola Cruz, Sunken Cages, Iyer, Babani Soundsystem, Collocutor, Afrikan Sciences, Tenesha The Wordsmith, Tamar Collocutor, and Vasmant.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
OTCR 12018EP
|
On the Corner Records was awarded "Label of the Year" at the Worldwide Awards 2018. On The Corner Records is a story of artists and scenes that goes way beyond being a record label. The label is an inimitable mixture of Miles Davis's "call it what you want" attitude, Sun Ra' s Afro futurism, and the ecstatic soul lifting influence of Black music on electronic dance music. On Door to the Cosmos - On the Corner Dancefloor Sampler, DJ and label owner Pete On the Corner has curated a volume of cuts from present and future label family. On this maxi EP, Venezuela meets India via New York, the street sound of Dar Es Salaam, Tanzania pulses through UK jungle. Opener, Dengue Dengue Dengue's "Yodeler", is finally on wax having been as rare-as-hens-teeth dubplate. From psychedelic cumbia to dub, salsa to footwork, tribal to techno, the tropical duo from Peru explore analog and digital rhythms to create their unique sound. New label family, The Diabolical Liberties are stalwart scenesters, Alex Patchwork and Earl Zinger. "River of Sound" tears through the jungle, so jump in for a swim. Uffe is also making his OtC debut. Pete OtC chased him down as he was prolifically dropping jazzed-up and gnarly house after returning to his native Denmark. Black Classical is back after a regenerative hiatus: the mysterious web otherlings reputation underpinned by his 12-hour "spiritual jazz" mix tape that has been living its own life online and across the radio waves over the last decade. "Medassi" is an elixir of deep house. On the flip, is another fresh-faced recruit to the OtC family. Clive From Accounts's "Moon Buggy" makes it clear he wasn't only paying attention to OtC's numbers. MC Palakata, aka Mosam, is a dancer with a Singeli flow, from the streets of Dar Es Salaam. During an OtC recording session at Nafasi Studio in Dar, Tom Blip worked with Palakata and created this heat. Set alight with Swahili, "Singeli Jungles" is wild. Following on from Planet Battagon's sold-out debut EP of "driod jazz" (OTCR 12011EP, 2018), the Admiral has sent this hard-swinging, future thumper to OtC. "Tugg Luke Endeavour" kicks it to the cosmic dancefloor. "Mudras'" by Sunken Cages remixed here by New York's MPeach, brings more, new OtC family straight to wax. The remix adds "Latinx del Futuro" where hi-energy dance meets low-end bass, adding a lilt of the rhythms from her native Venezuela.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
OTCR 009CD
|
On The Corner Records announce the release of Dialectic Soul, the debut album from one of Cape Town's most cutting-edge, visionary artists and musicians, the drummer Asher Gamedze. This is jazz at its most spiritual, most progressive, and most appealing form. As Asher himself says: "Dialectic Soul is about motion and a refusal to remain static or stay still. It's the commitment to be continually moving." Recorded live over two days at the Sound and Motion Studios in Cape Town with renowned musicians -- Thembinkosi Mavimbela (bass), Buddy Wells (tenor sax), Robin Fassie-Kock (trumpet), Nono Nkoane (voc) -- Dialectic Soul is breathtaking in its musical vitality and expression of soul seeking truth. By incorporating the concept of the total art for this project, it fits perfectly within On The Corner's aesthetic of music, art and vision for creative innovation. Label art director Victoria Topping created the sleeve design working with Asher's drawings and concept. Asher continues: "My composition 'state of emergence' introduces the themes that constitute the album; free drums representing autonomous African motion, the saxophone reflecting deeply and honestly on the violence of colonialism, the teachings of Coltrane, Steve Biko, Makeba, and Malcolm X and others inspired the music's positive manifestations of resistance. Fundamentally, it is about the reclamation of the historical imperative. It is about the dialect of the soul and the spirit while it moves through history. The soul is dialectic. Motion is imperative. We keep moving." Gamedze is best known for his work with Angel Bat Dawit on International Anthem.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
OTCR 005CD
|
Siti Of Unguja tells the story of pioneering women, of the "golden voice" of Siti Muharam, heiress to the singular legacy of her great grandmother, the mother of taarab, Siti Binti Saad. On The Corner Records teases this first taste of a landmark recording that the label embarked upon two years ago on Zanzibar. Siti Of Unguja has a transformative atmosphere, brimming with romance, passion and protest. Zanzibar is an island archipelago that lies six degrees south of the equator and 30 miles off the East African coast out in the Indian Ocean. It is known for its spices, traditional Dhow sailing boats, and being a mercantile trading capital of Swahili culture. The modern history of Zanzibar can be animated through the life and legacy of one artist, Siti Binti Saad. Born in 1890 in the small fishing village of Fumba, on Unguja (Zanzibar's largest island), she became the first Zanzibari recording artist and her recordings sold in tens of thousands across the Swahili world. The tracks recorded for Siti Of Unguja demonstrate Siti Binti Saad's eclectic influence on Zanzibari taarab and her great granddaughter, Siti Muharam imbues the compositions with feeling. Siti Muharam's golden voice carries the poetry and invents a timeless passion. It is Muharam's deep humility and love that brings the spirit of these two women together. With Sam Jones at the controls, taarab's conservative layers were opened up and given more than a little wiggle room. Under the direction of Matona, the recording of this album paid homage to Siti Binti Saad's innovations by bringing back the percussive Kidumbak style of music that originated on the streets of Zanzibar. By stripping back the typically dense string section of taarab a space was created for Muharam's beguiling timbre that is gilded with emotion. Liner notes by Pete OnTheCorner.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 005LP
|
2021 repress; LP version. Includes printed inner sleeve. Siti Of Unguja tells the story of pioneering women, of the "golden voice" of Siti Muharam, heiress to the singular legacy of her great grandmother, the mother of taarab, Siti Binti Saad. On The Corner Records teases this first taste of a landmark recording that the label embarked upon two years ago on Zanzibar. Siti Of Unguja has a transformative atmosphere, brimming with romance, passion and protest. Zanzibar is an island archipelago that lies six degrees south of the equator and 30 miles off the East African coast out in the Indian Ocean. It is known for its spices, traditional Dhow sailing boats, and being a mercantile trading capital of Swahili culture. The modern history of Zanzibar can be animated through the life and legacy of one artist, Siti Binti Saad. Born in 1890 in the small fishing village of Fumba, on Unguja (Zanzibar's largest island), she became the first Zanzibari recording artist and her recordings sold in tens of thousands across the Swahili world. The tracks recorded for Siti Of Unguja demonstrate Siti Binti Saad's eclectic influence on Zanzibari taarab and her great granddaughter, Siti Muharam imbues the compositions with feeling. Siti Muharam's golden voice carries the poetry and invents a timeless passion. It is Muharam's deep humility and love that brings the spirit of these two women together. With Sam Jones at the controls, taarab's conservative layers were opened up and given more than a little wiggle room. Under the direction of Matona, the recording of this album paid homage to Siti Binti Saad's innovations by bringing back the percussive Kidumbak style of music that originated on the streets of Zanzibar. By stripping back the typically dense string section of taarab a space was created for Muharam's beguiling timbre that is gilded with emotion. Liner notes by Pete OnTheCorner.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
OTCR 12016EP
|
DNGDNGDNG is Dengue Dengue Dengue's new alias for this release of extra sensory perception. The duo has projected rhythmic visions of lost continents, unknown worlds and the unsee-able past and future that is present all around us. By channeling rhythmic patterns from the matrix they're able to translate the waves of radiation around us which originated at the cosmic event which created the universe. DNGDNGDNG reach deep into their sonic imagination to draw from interlocking time signatures and variant tempos. From the cosmic interference and mathematics DNGDNGDNG create a polyrhythmic theme that brings the sound of continents lost and imagined to our ears. Heavily influenced by the sounds of UK bass sub-cultures Dengue Dengue Dengue are drawing on their decade of entrancing audiences around the world to connect to dances of the mythical past and lands of the dance beyond their alter ego Afro Peruvian invocations via ancient future rhythms. With the futurist alias of DNGDNGDNG the duo is able to break expectations and swing into imagined realities on a 6/8 rhythm. Behind the masks are Felipe Salmon and Rafael Pereira, two producers, DJs and graphic designers from Lima, Perú. Their work explores the rhythms from Peru and other parts of the world, recreating them electronically by mixing new and old, analog and digital, to create a unique sound and visuals. Their musical explorations go from psychedelic cumbia to dub, from salsa to footwork, from tribal to techno. Their visual and sound palette continues to grow and add new flavors to this melting pot.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
OTCR 009LP
|
Repressed; double LP version. Includes printed inner sleeves. On The Corner Records announce the release of Dialectic Soul, the debut album from one of Cape Town's most cutting-edge, visionary artists and musicians, the drummer Asher Gamedze. This is jazz at its most spiritual, most progressive, and most appealing form. As Asher himself says: "Dialectic Soul is about motion and a refusal to remain static or stay still. It's the commitment to be continually moving." Recorded live over two days at the Sound and Motion Studios in Cape Town with renowned musicians -- Thembinkosi Mavimbela (bass), Buddy Wells (tenor sax), Robin Fassie-Kock (trumpet), Nono Nkoane (voc) -- Dialectic Soul is breathtaking in its musical vitality and expression of soul seeking truth. By incorporating the concept of the total art for this project, it fits perfectly within On The Corner's aesthetic of music, art and vision for creative innovation. Label art director Victoria Topping created the sleeve design working with Asher's drawings and concept. Asher continues: "My composition 'state of emergence' introduces the themes that constitute the album; free drums representing autonomous African motion, the saxophone reflecting deeply and honestly on the violence of colonialism, the teachings of Coltrane, Steve Biko, Makeba, and Malcolm X and others inspired the music's positive manifestations of resistance. Fundamentally, it is about the reclamation of the historical imperative. It is about the dialect of the soul and the spirit while it moves through history. The soul is dialectic. Motion is imperative. We keep moving." Gamedze is best known for his work with Angel Bat Dawit on International Anthem.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTCR 008LP
|
LP version. Collocutor enter a new decade with the timeless, introspective Continuation. Continuation is a remarkable work in which the interplay of emotional experience and life motion experienced by band leader Tamar Osborn (AKA Tamar Collocutor) is channeled and explored by Collocutor. The band's third album assuredly strides forward following the critical acclaim awarded to The Search from 2017 from the likes of The Wire, Vinyl Factory, and Gilles Peterson. Continuation is an album about coping with grief and loss/bereavement: The music charts the many (and sometimes surprising) emotional states encountered, moving from acknowledgement, trying to keep "normal" life going, the need to sometimes put a pause button on the world/existence and let the waves of feelings crash and roll, sudden anger and confusion, finally to moving (perhaps with uncertainty) forward. Tamar Osborn has led Collocutor through a line-up shift from septet to quintet for Continuation. The modified line-up creates space for the musicians to express themselves through the shadows of Continuation's movement. The quintet allows for more group improvisation, based on just a few motifs and thereby giving the musicians more space to converse. The tracks "Lost & Found" and in particular the album's title track, "Continuation" (the only piece with three horns), hark back to the intricate arrangements of The Search. It's a deeply personal album, the writing of which acted as Tamar's way of processing and understanding experience and the need to channel feeling. In listening truly Continuation bares that rare and precious gift of a morsel of the human experience being illuminated by artistic genius.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
OTCR 008CD
|
Collocutor enter a new decade with the timeless, introspective Continuation. Continuation is a remarkable work in which the interplay of emotional experience and life motion experienced by band leader Tamar Osborn (AKA Tamar Collocutor) is channeled and explored by Collocutor. The band's third album assuredly strides forward following the critical acclaim awarded to The Search from 2017 from the likes of The Wire, Vinyl Factory, and Gilles Peterson. Continuation is an album about coping with grief and loss/bereavement: The music charts the many (and sometimes surprising) emotional states encountered, moving from acknowledgement, trying to keep "normal" life going, the need to sometimes put a pause button on the world/existence and let the waves of feelings crash and roll, sudden anger and confusion, finally to moving (perhaps with uncertainty) forward. Tamar Osborn has led Collocutor through a line-up shift from septet to quintet for Continuation. The modified line-up creates space for the musicians to express themselves through the shadows of Continuation's movement. The quintet allows for more group improvisation, based on just a few motifs and thereby giving the musicians more space to converse. The tracks "Lost & Found" and in particular the album's title track, "Continuation" (the only piece with three horns), hark back to the intricate arrangements of The Search. It's a deeply personal album, the writing of which acted as Tamar's way of processing and understanding experience and the need to channel feeling. In listening truly Continuation bares that rare and precious gift of a morsel of the human experience being illuminated by artistic genius.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
OTCR 12017EP
|
On The Corner Records favourites Penya kick off the new year with a collaborative EP with legendary gogo musician Msafiri Zawose. The collaboration began in September 2017 when Penya's Magnus P.I. spent a week in Tanyania, East Africa, recording material at Zawosi's studio. Penya are a genre defying quartet that embody the energized sound of a cosmopolitan UK. A host of traditional folkloric rhythms, club culture motifs, and DIY electronics mark the band's distinct sound. Drums, horn, and vocals evoke Penya's live performance from a world of euphoric ritual and visceral dance scapes, ancient and future. The band's debut LP Superliminal (2018) quickly achieved critical acclaim from a host of taste makers and artists including Gilles Peterson, Bonobo, Tom Ravenscroft, WorldWide FM, Jeremy Sole, Late Junction (BBC Radio 3), and Boiler Room. The band went on tour, quickly establishing its dancefloor ready, multi-instrumental live show. Since Superliminal, Penya have released collaborations with a diverse array of artists including Dengue Dengue Dengue, Photay, Sarathy Korwar, and most recently the renown Tanzanian artist Msafiri Zawose. Legendary gogo musician Msafiri Zawose, is heir to the legacy of the late Hukwe Zawose that put the music of Tanzania on the atlas.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
OTCR 703EP
|
On The Corner Records provide the first taste of a landmark recording that the label embarked upon two years ago on the East African island archipelago of Zanzibar. Pete On the Corner was consulting for the ambitious permaculture development of Fumba Town. The story of Siti Binti Saad, the mother of Taarab is rooted in Fumba. Pete joined the dots to shine new light on the pioneering life of Siti Binti Saad as the innovative town development took shape and looked to connect with the Island's unique history at the center of the Swahili world. Whilst steering a recording project that would celebrate Siti Binti Saad's legacy, Pete brought in producer Sam Jones and the pair met with filmmaker Andy Jones (who documented the life and work of the legendary Bi Kidude) who revealed that Siti Binti Saad had a great grand-daughter, Siti Muharam who led a very private life but had a "golden voice". With music director Issa Matona on board the scene was set to go beyond celebrating the singular legacy of a Swahili pioneer and find a new hero. Siti Muharam has a golden timbre and on this 7" -- you get the first taste of her debut LP that will represent her great grandmother's legacy for the next generations. The 7" is two tracks which are at the furthest reaches of the LP project. The A-side is a Sam Jones "Construct" of "Ashikibaya", featuring Tamar Collocutor, who find new frontiers of this Swahili jazz out across the Indian ocean pushing a cosmic Taarab on the trade winds. The flip is an instrumental affair with Matona driving the stunning "Mandira".
|
viewing 1 To 25 of 37 items
Next >>
|
|