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SDBAN 016CD
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Delve into the Dutch jazz scene of the 1950s and 1960s with a selection of classic and rare hard bop and cool jazz tracks from artists like Herman Schoonderwalt, the Diamond Five, Wessel Ilcken and Tony Vos. Holland never sounded this hip before! "Jazz is garbage and a caricature of the modern orchestra; it is garbage arranged by half-grown musicians for the benefit of common entertainment." In spite of the Dutch cultural establishment's attempts to preclude jazz -- as illustrated by this citation from the October 1926 issue of music magazine De Muziek -- The Netherlands was one of the earliest adopters of the new music style as it came over to the Old Continent at the end of World War I. Also features Herbie Mann with the Wessel Ilcken Combo, Kwartet Leo Meyer, The Jacobs Brothers, Kwartet Martin Verlinden, The Rhythme All Stars, Martien Beenen and the Orchestra, Sandy Fort, Tony Vos Quartet, The Red and Brown Brothers, Frans Elsen Quintet, Leddy Wessel, Jack van Poll and his Tree-oh, Boy's Big Band, The Frans Wieringa Trio, Eduard Ninck Blok, Rita Reys and Oliver Nelson, Herman Schoonderwalt Septet, and Trio Tony Vos.
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SDBAN 016LP
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Double LP version. Delve into the Dutch jazz scene of the 1950s and 1960s with a selection of classic and rare hard bop and cool jazz tracks from artists like Herman Schoonderwalt, the Diamond Five, Wessel Ilcken and Tony Vos. Holland never sounded this hip before! "Jazz is garbage and a caricature of the modern orchestra; it is garbage arranged by half-grown musicians for the benefit of common entertainment." In spite of the Dutch cultural establishment's attempts to preclude jazz -- as illustrated by this citation from the October 1926 issue of music magazine De Muziek -- The Netherlands was one of the earliest adopters of the new music style as it came over to the Old Continent at the end of World War I. Also features Herbie Mann with the Wessel Ilcken Combo, Kwartet Leo Meyer, The Jacobs Brothers, Kwartet Martin Verlinden, The Rhythme All Stars, Martien Beenen and the Orchestra, Sandy Fort, Tony Vos Quartet, The Red and Brown Brothers, Frans Elsen Quintet, Leddy Wessel, Jack van Poll and his Tree-oh, Boy's Big Band, The Frans Wieringa Trio, Eduard Ninck Blok, Rita Reys and Oliver Nelson, Herman Schoonderwalt Septet, and Trio Tony Vos.
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SDBAN 016LTD-LP
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Double LP version. Silver vinyl. Delve into the Dutch jazz scene of the 1950s and 1960s with a selection of classic and rare hard bop and cool jazz tracks from artists like Herman Schoonderwalt, the Diamond Five, Wessel Ilcken and Tony Vos. Holland never sounded this hip before! "Jazz is garbage and a caricature of the modern orchestra; it is garbage arranged by half-grown musicians for the benefit of common entertainment." In spite of the Dutch cultural establishment's attempts to preclude jazz -- as illustrated by this citation from the October 1926 issue of music magazine De Muziek -- The Netherlands was one of the earliest adopters of the new music style as it came over to the Old Continent at the end of World War I. Also features Herbie Mann with the Wessel Ilcken Combo, Kwartet Leo Meyer, The Jacobs Brothers, Kwartet Martin Verlinden, The Rhythme All Stars, Martien Beenen and the Orchestra, Sandy Fort, Tony Vos Quartet, The Red and Brown Brothers, Frans Elsen Quintet, Leddy Wessel, Jack van Poll and his Tree-oh, Boy's Big Band, The Frans Wieringa Trio, Eduard Ninck Blok, Rita Reys and Oliver Nelson, Herman Schoonderwalt Septet, and Trio Tony Vos.
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SDBANSEL 004LP
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Sdban Records announce the reissue of this genre-defying jazz album originally released on library label Selection Records in 1972. Delving into the story of the American pianist and composer Phil Raphaël reveals more questions than answers. He was born in New York where he played with Charlie Parker, Jon Eardley, and Howard McGhee, but a 1951 recording with Red Rodney for Prestige Records is the single remaining trace of his bebop days. Raphaël appeared under unknown circumstances in Belgium in the 1960s, playing among others at the 1966 Jazz Bilzen festival, and he eventually settled in Brussels. A multifaceted musician, he did not limit himself to jazz and also worked in pop groups, directed the music for the spectacle Hair, and even had a brief residency at Pol's Jazz Club where he played the music of Johann Sebastian Bach four nights per week. His album Stop, Look, Listen, which was recorded with the rhythm section of Babs Robert's group, consists of four long genre-defying tracks colored by the dreamlike vocals of opera singer Rose Thompson. A surreal blend of genres, hard to pin down. It's highly imaginative jazz, that much is sure. Raphaël shifts from serene late night piano jazz to more free or even spiritual passages, magnificently paired with the otherworldly vocals of Rose Thompson. The LP was put out by Selection Records, a label that primarily issued library music at the time, and thus went largely unnoticed upon release. The recording makes clear that Phil Raphaël was a highly gifted artist whose talent will forever remain undervalued, since it was his only effort as a leader. Raphaël's passage through the Belgian nightlife was just as mysterious as his music, and few people seem to remember him. Drummer Bruno Castellucci describes him as remarkable, both as a musician and as a person: "He was a hippie before there were hippies. He wasn't part of the system but he had a system of his own."
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SDBANSEL 006LP
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Reissue of the Belgian milestone jazz album originally released in 1975. This is groundbreaking, experimental and funky jazz fusion. Sdban Records will reissue several installments of the legendary library series A Special Radio ~ TV Record on vinyl. These were originally released on Belgian imprint "Selection Records" between 1975 and 1981. N°15 in the series was the Belgian milestone jazz album Solis Lacus released in 1975. Solis Lacus is the cult group around renowned Belgian pianist Michel Herr, a pioneer of electric jazz in the '70s in Europe. Michel Herr rose to international prominence after winning the first prize at the jazz festival in Loosdrecht, The Netherlands, in 1971. He accompanied many European and American jazz stars on foreign tours and ran the group Jazztrack with saxophone player Wolfgang Engstfeld in Germany. At the same time, he set up his own band Solis Lacus, which consisted of Belgian musicians who had all made a name for themselves on the national jazz scene of the 1960s including Richard Rousselet and Bruno Castelluci both from Placebo. Inspired by the reigning jazz-rock sound of the day, Herr expanded his musical vocabulary and started to play electronic keyboards. Solis Lacus recorded its only album in the course of 1974 and 1975, before the members of the group headed in their own direction. Solis Lacus is considered the European counterpart to sound experimentations of Herbie Hancock's Headhunters, or the best albums of the CTI label such as Freddie Hubbard.
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2CD
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SDBAN 015CD
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Independent groove label Sdban Records release Utopic Cities: Progressive Jazz in Belgium 1968-1979 featuring twelve essential compositions from a highly creative period in Belgian jazz. The release follows Sdban's critically acclaimed Let's Get Swinging: Modern Jazz in Belgium 1950-1970, released back in 2017. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, and Solis Lacus; the intense post-bop of Jacques Pelzer and Lou MacConnell; the cutting-edge soul jazz of Philip Catherine and Open Sky Unit or the otherworldly avant-garde of Babs Robert and the Brussels Art Quintet. Recorded in the aftermath of the revolutionary year 1968, this music is the fruit of a highly creative momentum in Belgian jazz history that produced a unique sound which distinguishes itself from its American source of inspiration by an indefinable characteristic that can be hardly better described than "Belgian". Features Placebo, Solis Lacus, Open Sky Unit, Brussels Art Quintet, Koen De Bruyne, Raphaël, Philip Catherine, Jacques & Micheline Pelzer Quartet, The Kenny Clarke-Francy Boland Big Band, Marc Moulin, Babs Robert, and Lou MacConnell.
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SDBAN 015LP
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Double LP version. Gatefold sleeve including liner notes. Independent groove label Sdban Records release Utopic Cities: Progressive Jazz in Belgium 1968-1979 featuring twelve essential compositions from a highly creative period in Belgian jazz. The release follows Sdban's critically acclaimed Let's Get Swinging: Modern Jazz in Belgium 1950-1970, released back in 2017. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, and Solis Lacus; the intense post-bop of Jacques Pelzer and Lou MacConnell; the cutting-edge soul jazz of Philip Catherine and Open Sky Unit or the otherworldly avant-garde of Babs Robert and the Brussels Art Quintet. Recorded in the aftermath of the revolutionary year 1968, this music is the fruit of a highly creative momentum in Belgian jazz history that produced a unique sound which distinguishes itself from its American source of inspiration by an indefinable characteristic that can be hardly better described than "Belgian". Features Placebo, Solis Lacus, Open Sky Unit, Brussels Art Quintet, Koen De Bruyne, Raphaël, Philip Catherine, Jacques & Micheline Pelzer Quartet, The Kenny Clarke-Francy Boland Big Band, Marc Moulin, Babs Robert, and Lou MacConnell.
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2CD
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SDBAN 001S-CD
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2019 jewelcase; includes 32-page booklet. The best Belgian dance tracks from the beginning of the '70s. Dire times, they were, full of poverty and hardship. To make a living out of popular music was a near-impossibility in a small country like Belgium. This precarious situation, though, proved to be a blessing in disguise for creative minds. When it's hard to get your hands on some money, trying out as many things as you can seems the logical thing to do. On the other hand, if there's hardly any money to be gained anyway, you may just as well play what you bloody well like. That's what Belgians like to do anyway. Moreover, living in a country where virtually every musical wave passes through also inspires. In the early '70s, those waves were (Afro-)funk, soul, and Latin. The situation as a whole was a favorable one for some visionary musical entrepreneurs. Jean and Roland Kluger created a musical dynasty, American-style, with successful acts like Chakachas and Two Man Sound. Their rival, Marcel De Keukeleire, scored worldwide hits with Amadeo, Chocolat's, and "The Birdy Song." Relying on zealous energy and a shamelessly commercial logic, every effort was aimed at success, so they jumped on as many international bandwagons as they could and tried out their own variants on the local market. Nearly every style in the post-war scene is represented here: Hein Huysmans' jazz-funk, the jazzy prog-rock of Cos, or the fusion of Open Sky Unit. And of course there's Marc Moulin, a name that needs little or no introduction. This is the missing link between the variety orchestras of the '60s and the electronic triumphs of Telex in the late '70s and early '80s. These tracks offer the same sense of adventure and slightly surreal pigheadedness that are also present in the best Belgian contributions to dance music. Think Front 242, Technotronic, or Soulwax/2manydjs. This is the ground they built upon. Artists include: Chakachas, Mad Unity, Rene Costy, Alex Scorier, Open Sky Unit, Plus, Andre Brasseur, Chicken Curry & His Pop Percussion Orchestra, Placebo, Les Hélions, Black Blood, S.S.O. (feat. Douglas Lucas & The Sugar Sisters ), Nico Gomez & His Afro Percussion Inc., Chocolat's, Amadeo, El Chicles, The Mol Percussion Band, Cos, Rene Costy & His Orchestra, The Rapture, Doug Lucas, Hein Huysmans Kwintet, Leo Cavallo, and Super Funk Special.
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SDBAN 004S-CD
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2019 jewelcase; includes 32-page booklet. You may never have heard of him, but unless you're a complete stranger to the 20th century, you have almost certainly heard at least some of his music. André Brasseur composed countless tunes that received plenty of airplay and were used as radio and TV music all over Europe in the late '60s and the '70s. His biggest hit, "Early Bird Satellite" sold millions internationally. This compilation focuses on a lesser-known aspect of Brasseur's musical output. In addition to his quest for the perfect intro tune, his innumerable live performances, and his management of several successful restaurants and discos, Brasseur recorded a great deal of experimental funky jams in the '70s. The most exciting and timeless of these lost cuts are compiled here -- 13 enchanting cult classics and hidden gems, ready to devour. The second CD contains some of Brasseur's most successful evergreens and hit singles, exclusive to the CD format of the collection. Includes liner notes by Jan Delvaux (Belpop Bonanza).
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SDBAN 010S-CD
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2019 jewelcase; includes 32-page booklet. Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician.
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SDBAN 006LP
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SDBAN present the first vinyl release of Golden Hands' only album, released in 1978 on cassette by Moroccan label Disques Gam. During the seventies, the Kingdom of Morocco was not spared by the rock and funk wave that went through the world. From Casablanca to Tangier, from Marrakesh to Rabat, nightclubs and other concert halls have seen a good number of small groups, more or less amateur and definitely DIY, some of which have been catapulted onto the international stage like Golden Hands. Founded in 1969 by two brothers and a friend, this cult band brought their rock and funk topped with a Moroccan sauce to Europe after having experienced success in their homeland. Includes the cult classic "Take Me Back".
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SDBAN 013CD
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After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers. 2CD version includes a mixtape CD on the first disc, and the full-length tracks on the second disc; in slipcase with 16-page booklet.
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SDBAN 013LP
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Double LP version; includes download code. After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers.
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SDBAN 012LP
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free. Features C.C. Band, Quartz, Kevin Morane, L2, Venus, Bubble, Rendez-Vous, Raymond Joniaux, Dan Davis, Manuel Ferrero, Afro-Disiak, Autumn, Rayon Laser, Patrik, Roland Delys, and DJ Bert & Eagle. Part 2 of 2; gatefold jacket, 180 gram vinyl.
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SDBAN 011LP
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free.Features R. Roland, Carl Watson, Charles Vernon, Love Dream, Fancy, Marianne, Flame, Steve, Carl Candy and the Candy-Chicks, La Bush, System Love, Cora Corona, The Diskery and The Rogers. Part 1 of 2; gatefold jacket, 180 gram vinyl.
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2CD
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SDBAN 011CD
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free. Disc one of the CD version and Part 1 (SDBAN 011LP) features: R. Roland, Carl Watson, Charles Vernon, Love Dream, Fancy, Marianne, Flame, Steve, Carl Candy and the Candy-Chicks, La Bush, System Love, Cora Corona, The Diskery and The Rogers Disc two of the CD version and Part 2 (SDBAN 012LP) features C.C. Band, Quartz, Kevin Morane, L2, Venus, Bubble, Rendez-Vous, Raymond Joniaux, Dan Davis, Manuel Ferrero, Afro-Disiak, Autumn, Rayon Laser, Patrik, Roland Delys, and DJ Bert & Eagle. Double CD version in slipcase with 18-page booklet. Vinyl version available as two double LPs in gatefold sleeves, 180 gram vinyl.
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SDBAN 010CD
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Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician. Limited edition double-CD version includes 36-page booklet.
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SDBAN 010LP
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Double LP version. 180 gram vinyl; gatefold sleeve with liner notes; Includes download code with bonus live recordings. Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician.
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SDBAN 008CD
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The first half of the seventies in Belgium should be regarded as a Golden Age, when a generation of great musicians experimented with funk, jazz, Latin, and other groovy genres. Unearthing these treasures takes time since most of them are hidden on single B-sides or obscure editions of library music. In 2014, Sdban Records collected a selection of lost gems with Funky Chicken (SDBAN 001CD/001LP/002LP). Funky Chimes combines lesser-known tracks of well-known artists with newly discovered names, and bona fide diggers gold. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping. Take Experience (performer unknown), for instance: this one was found on a five-inch flexi disc people in Belgium could obtain by saving points from cookies and pasta packages. And The Sumos, a band brought into existence to cash in on Carl Douglas's "Kung Fu Fighting" (1974), released an entire album filled with oriental bubblegum. But Funky Chimes is not a freak show, but a two-hour collection of excellent and unique grooves. The Free Pop Electronic Concept is a rare blend of soul and budding electronic music. Skleroptak is a one-off collaboration between the Polish saxophonist Jan Wróblewski and the jazz orchestra of the Belgian national broadcast corporation. There are also some lesser-known top tracks from grandmasters here. The late lamented Marc Moulin is featured in three different performances: as a pianist on Philip Catherine's debut, as a master arranger on the Belgian chansonnier Lieven's only album, and with the hitherto unknown radio tune "Mona Call" he produced as Kiosk. CD version includes 36-page booklet. Features: The Soul Scratchers, Francis Coppieters, S.S.O., The Flying Guitar, The Sumos, Bud Hunga And His Diplomatic Music, Experience, The Peter Laine Orchestra, Kandahar, Kiosk, Guido Carnagy, André Brasseur, Electronic System III, The Indian Sound Of... Black Foot, Hearts Of Soul & Shampoo, Roland Thyssen, R. Dero, Philip Catherine, Skleroptak, Etta Cameron, Selectasound '88 & The Bob Boon Singers, Hugo Raspoet, Leslie Kent, Patricia Burns, Georges Hayes And His Philharpopic Orchestra, The Free Pop Electronic Concept, and Lieven.
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2LP
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SDBAN 009LP
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Part two of two double LP versions. Gatefold sleeve; 180 gram vinyl. The first half of the seventies in Belgium should be regarded as a Golden Age, when a generation of great musicians experimented with funk, jazz, Latin, and other groovy genres. Unearthing these treasures takes time since most of them are hidden on single B-sides or obscure editions of library music. In 2014, Sdban Records collected a selection of lost gems with Funky Chicken (SDBAN 001CD/001LP/002LP). Funky Chimes combines lesser-known tracks of well-known artists with newly discovered names, and bona fide diggers gold. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping. Take Experience (performer unknown), for instance: this one was found on a five-inch flexi disc people in Belgium could obtain by saving points from cookies and pasta packages. And The Sumos, a band brought into existence to cash in on Carl Douglas's "Kung Fu Fighting" (1974), released an entire album filled with oriental bubblegum. But Funky Chimes is not a freak show, but a two-hour collection of excellent and unique grooves. The Free Pop Electronic Concept is a rare blend of soul and budding electronic music. Skleroptak is a one-off collaboration between the Polish saxophonist Jan Wróblewski and the jazz orchestra of the Belgian national broadcast corporation. There are also some lesser-known top tracks from grandmasters here. The late lamented Marc Moulin is featured in three different performances: as a pianist on Philip Catherine's debut, as a master arranger on the Belgian chansonnier Lieven's only album, and with the hitherto unknown radio tune "Mona Call" he produced as Kiosk. Features: The Indian Sound Of... Black Foot, Hearts Of Soul & Shampoo, Roland Thyssen, R. Dero, Philip Catherine, Skleroptak, Etta Cameron, Selectasound '88 & The Bob Boon Singers, Hugo Raspoet, Leslie Kent, Patricia Burns, Georges Hayes And His Philharpopic Orchestra, The Free Pop Electronic Concept, and Lieven.
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2LP
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SDBAN 008LP
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Part one of two double LP versions. Gatefold sleeve; 180 gram vinyl. The first half of the seventies in Belgium should be regarded as a Golden Age, when a generation of great musicians experimented with funk, jazz, Latin, and other groovy genres. Unearthing these treasures takes time since most of them are hidden on single B-sides or obscure editions of library music. In 2014, Sdban Records collected a selection of lost gems with Funky Chicken (SDBAN 001CD/001LP/002LP). Funky Chimes combines lesser-known tracks of well-known artists with newly discovered names, and bona fide diggers gold. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping. Take Experience (performer unknown), for instance: this one was found on a five-inch flexi disc people in Belgium could obtain by saving points from cookies and pasta packages. And The Sumos, a band brought into existence to cash in on Carl Douglas's "Kung Fu Fighting" (1974), released an entire album filled with oriental bubblegum. But Funky Chimes is not a freak show, but a two-hour collection of excellent and unique grooves. The Free Pop Electronic Concept is a rare blend of soul and budding electronic music. Skleroptak is a one-off collaboration between the Polish saxophonist Jan Wróblewski and the jazz orchestra of the Belgian national broadcast corporation. There are also some lesser-known top tracks from grandmasters here. The late lamented Marc Moulin is featured in three different performances: as a pianist on Philip Catherine's debut, as a master arranger on the Belgian chansonnier Lieven's only album, and with the hitherto unknown radio tune "Mona Call" he produced as Kiosk. Features: The Soul Scratchers, Francis Coppieters, S.S.O., The Flying Guitar, The Sumos, Bud Hunga And His Diplomatic Music, Experience, The Peter Laine Orchestra, Kandahar, Kiosk, Guido Carnagy, André Brasseur, and Electronic System III.
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7"
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SDBAN 713EP
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Sampler 5/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 5/5 features Kiosk and Hearts Of Soul & Shampoo.
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7"
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SDBAN 709EP
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Funky Chimes (SDBAN 008CD/LP/009LP) is a two-hour collection of excellent and unique grooves. It contains 27 of the most interesting yet long forgotten Belgian dance tracks from the seventies. Funky Chimes is in many ways the logical follow up to 2014's Funky Chicken (SDBAN 001CD/LP/002LP). Uncovering a blind spot in Belgium's musical heritage and unearthing a diverse collection of hidden treasures. Comes with a free Funky Chimes 45 rpm adapter. Sampler 1/5 features The Soul Scratchers and Patricia Burns.
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7"
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SDBAN 711EP
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Sampler 3/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 3/5 features S.S.O. and Roland Thyssen.
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7"
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SDBAN 710EP
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Sampler 2/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 2/5 features Francis Coppieters and Georges Hayes And His Philarpopic Orchestra.
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