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SDBAN 019LP
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Sdban Records presents Doo's Blues, a collection of previously unreleased radio recordings capturing Serbian jazz trumpeter, composer and band leader Dusko Goykovich (1931-2023) at the moment he definitively established himself as one of Europe's most distinctive jazz artists. Dusko Goykovich was born and raised in Jajce, Bosnia and Herzegovina, at the time part of the Kingdom of Yugoslavia. He studied at the Belgrade Music Academy from 1948 to 1953, playing trumpet in Dixieland bands and joining the big band of Radio Belgrade at the age of 18. Moving to Frankfurt he first established himself on the West German jazz scene, where he played with the renowned big bands of Kurt Edelhagen and Kenny Clarke & Francy Boland. Then, after appearances at the world's largest jazz festivals such as Comblain-la-Tour in Belgium, Antibes in France and Newport, Goykovich moved stateside where he spent four years studying at the world famous Berklee College and worked with the likes of Woody Herman and Maynard Ferguson. Returning to Europe in the mid-sixties Goykovich soon introduced the world to his innovative Balkan jazz sound with Swinging Macedonia (1966), an album characterized by the melancholic melodies and sophisticated rhythms reminiscent of his native land. Not long after he was invited to record two sessions for BRT (Belgian Radio & TV), which he performed with three different ensembles. For the first session, recorded in late January of 1967, Goykovich was accompanied by Belgian vibraphonist Fats Sadi's quartet. Later that same day Goykovich was also joined by the BRT Jazzorkest, Belgium national radio's in-house jazz orchestra then playing under the direction of alto saxophonist Etienne Verschueren. Less than two months later Goykovich found himself once again ensconced in BRT's Brussels studios, this time heading up an international quintet that also included Bent Jædig (tenor saxophone and flute), Scott Bradford (piano), Jimmy Woode (bass) and Al Jones (drums). Whilst the metaphor "jazz with an accent" has been widely used to describe the music that European jazz artists created in the 1950s and 1960s, it fails to do justice to the entirely new language that Dusko Goykovich was developing. Doo's Blues was compiled by Lander Lenaerts, a DJ and writer who plays an important part in documenting the rich jazz history Belgium has to offer.
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SDBANSEL 003LP
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SDBAN Records continues its reissues of the legendary library series A Special Radio -TV Record with Selection 23, releasing a variety of notable tracks from the '70s library label together on a physical compilation for the first time. With this release, the label continues the vinyl reissues of the Belgian imprint Selection Records, featuring tracks originally released between 1976 and 1981. Essentially, the tracks take you through a cinematic musical landscape where funk and soul merge with a hint of jazz, always evoking a sense of familiarity. One name that immediately springs to mind is RenéCosty. From this virtuoso and insatiable artist, the compilation Expectancy was previously released. With "Strange Dream" and "Crystal Waltz," he shows once again that he was not only a versatile composer but also a curious jazz cat. With "Space Shuttle Jazz," pianist and harmonica Jacques Siroul shows his fascination for synthesizers. Which, as a composer, earned him an unofficial title as an expert in music on demand. This, and much more, make Selection 23 a must-have for fans of previous compilations like Beat Action, Funky Chicken, and Funky Chimes! Also featuring Bob Porter, Jordan Stevy, Stern Selection, and Leonard D Messina.
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SDBAN 017CD
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Sdban Records, the renowned independent groove and jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, announces the release of its latest compilation album, The Belgian Soundtrack: A Musical Connection of Belgium with Cinema. Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies. Curated by the passionate duo Robin Broos and Tom "Pélé" Peeters, known for their profound appreciation of obscure soundtracks, The Belgian Soundtrack showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films. What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. The outcome of their explorations is The Belgian Soundtrack, a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection. Featuring Vladimir Cosma, Salix Alba, Louis Marischal, Martial Solal, Roger Morès, Bert Paige, Pieter Verlinden, Henri Seroka, Rocco Granata, Krzysztof Komeda, Quincy Jones, Roger Morès, Alessandro Alessandroni, François de Roubaix, Jean Marie Bigman, and Alain Pierre.
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SDBAN 017LP
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LP version. Sdban Records, the renowned independent groove and jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, announces the release of its latest compilation album, The Belgian Soundtrack: A Musical Connection of Belgium with Cinema. Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies. Curated by the passionate duo Robin Broos and Tom "Pélé" Peeters, known for their profound appreciation of obscure soundtracks, The Belgian Soundtrack showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films. What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. The outcome of their explorations is The Belgian Soundtrack, a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection. Featuring Vladimir Cosma, Salix Alba, Louis Marischal, Martial Solal, Roger Morès, Bert Paige, Pieter Verlinden, Henri Seroka, Rocco Granata, Krzysztof Komeda, Quincy Jones, Roger Morès, Alessandro Alessandroni, François de Roubaix, Jean Marie Bigman, and Alain Pierre.
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SDBANSEL 002LP
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SDBAN Records presents reissues of several installments of the legendary library series A Special Radio - TV Record on vinyl. These were originally released on Belgian imprint Selection Records between 1976 and 1981. However, Selection No. 20 is a new addition to the series although it originally came out in 1978. Selection No. 20 is the soundtrack to the 1978 Belgian cult movie In Kluis, directed by Jan Gruyaert. On his quest for the perfect soundtrack to translate the emotions and images shown in his movie, the director found the ideal partner in Belgian composer, arranger, pianist and keyboardist Koen De Bruyne (1946-1977). De Bruyne recorded the music in Dan Lacksman's studio but tragically passed away a few weeks after the sessions. Hence these are the last ever compositions by the illustrious Koen De Bruyne, brother of celebrated singer and songwriter Kris De Bruyne. Koen had his own, unfortunately short, stint in the field of pop, jazz, fusion and funk in the 1970s. He rose to the scene as a wanted session and live musician for local heroes such as Johan Verminnen, Will Tura, Ferre Grignard, Mad Unity, Black Blood, and his brother Kris. The vinyl reissue of the In Kluis soundtrack continues the legacy of the Selection Records' series, and will certainly make the heart of many vinyl lovers skip a beat.
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SDBAN 018CD
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Did you know that for decades, record collectors across the Dutch-speaking region have overlooked a significant portion of their own musical heritage while avidly searching for rare grooves and breaks in bins filled with more exotic music? It's a fact! And that's where Harde Smart comes in. After delving deep into dusty crates of Belgian and Dutch music, Harde Smart's inaugural compilation in 2019, dedicated to music from the 1970s, brought to light a selection of smooth, jazzy, funky, and soulful gems from Flanders (the Dutch-speaking part of Belgium) and Holland. In addition to exquisite grooves and hard-pounding drums, these songs shared Dutch lyrics, offering a unique compilation of lyric-driven Flemish and Dutch music from back in the days. Yet, nothing is as certain as the unexpected. This compilation marked the first time a Dutch album uncovered the authentic Afro-American funk and soul vibe, which, albeit sporadically, influenced the work of both popular and lesser-known singers and musicians in this corner of the world during the 1970s. Undoubtedly, influences also stemmed from French chanson and rock music of the era. This 21-track album shattered all musical predictability, taking listeners on a strange and nostalgic journey, offering a revised collection of "essential homegrown classics" for local listeners while also captivating non-Dutch-speaking audiences. With the second compilation, Harde Smart shifts its focus from the 1970s sound to explore the next decade, the 1980s. Vinyl aficionados No Sleep Richy and Micha Marva joined forces with Sjefke De Kok, one of Holland's premier crate diggers, to continue their musical odyssey. Digging even deeper into dusty bins filled with Dutch and Flemish records once again unearthed an exquisite selection of tracks -- too weird to play, too rare to ignore. From butt-shaking boogie to weird disco adventures on wax, this album encapsulates all the good stuff of the 1980s: smooth and seductive alongside dark and wavy. Get ready for an atypical introduction into the Dutch lyric-driven music from the 1980s. Featuring Step By Step, Monica Rypma, Bloedgroep O, Francis Verdoodt, Herrie, Noodweer, Jan Hautekiet, Peter Praet & Praeters, Joost Belinfante, de DIV, Rob Glotzbach, Cocododo, MAM, Omar & The New Sound, Kurt Van Eeghem, Nadagen, Mensen Blaffen, and Wim De Craene.
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SDBAN 018LP
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Double LP version. Did you know that for decades, record collectors across the Dutch-speaking region have overlooked a significant portion of their own musical heritage while avidly searching for rare grooves and breaks in bins filled with more exotic music? It's a fact! And that's where Harde Smart comes in. After delving deep into dusty crates of Belgian and Dutch music, Harde Smart's inaugural compilation in 2019, dedicated to music from the 1970s, brought to light a selection of smooth, jazzy, funky, and soulful gems from Flanders (the Dutch-speaking part of Belgium) and Holland. In addition to exquisite grooves and hard-pounding drums, these songs shared Dutch lyrics, offering a unique compilation of lyric-driven Flemish and Dutch music from back in the days. Yet, nothing is as certain as the unexpected. This compilation marked the first time a Dutch album uncovered the authentic Afro-American funk and soul vibe, which, albeit sporadically, influenced the work of both popular and lesser-known singers and musicians in this corner of the world during the 1970s. Undoubtedly, influences also stemmed from French chanson and rock music of the era. This 21-track album shattered all musical predictability, taking listeners on a strange and nostalgic journey, offering a revised collection of "essential homegrown classics" for local listeners while also captivating non-Dutch-speaking audiences. With the second compilation, Harde Smart shifts its focus from the 1970s sound to explore the next decade, the 1980s. Vinyl aficionados No Sleep Richy and Micha Marva joined forces with Sjefke De Kok, one of Holland's premier crate diggers, to continue their musical odyssey. Digging even deeper into dusty bins filled with Dutch and Flemish records once again unearthed an exquisite selection of tracks -- too weird to play, too rare to ignore. From butt-shaking boogie to weird disco adventures on wax, this album encapsulates all the good stuff of the 1980s: smooth and seductive alongside dark and wavy. Get ready for an atypical introduction into the Dutch lyric-driven music from the 1980s. Featuring Step By Step, Monica Rypma, Bloedgroep O, Francis Verdoodt, Herrie, Noodweer, Jan Hautekiet, Peter Praet & Praeters, Joost Belinfante, de DIV, Rob Glotzbach, Cocododo, MAM, Omar & The New Sound, Kurt Van Eeghem, Nadagen, Mensen Blaffen, and Wim De Craene.
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SDBAN 016LP
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Double LP version. Delve into the Dutch jazz scene of the 1950s and 1960s with a selection of classic and rare hard bop and cool jazz tracks from artists like Herman Schoonderwalt, the Diamond Five, Wessel Ilcken and Tony Vos. Holland never sounded this hip before! "Jazz is garbage and a caricature of the modern orchestra; it is garbage arranged by half-grown musicians for the benefit of common entertainment." In spite of the Dutch cultural establishment's attempts to preclude jazz -- as illustrated by this citation from the October 1926 issue of music magazine De Muziek -- The Netherlands was one of the earliest adopters of the new music style as it came over to the Old Continent at the end of World War I. Also features Herbie Mann with the Wessel Ilcken Combo, Kwartet Leo Meyer, The Jacobs Brothers, Kwartet Martin Verlinden, The Rhythme All Stars, Martien Beenen and the Orchestra, Sandy Fort, Tony Vos Quartet, The Red and Brown Brothers, Frans Elsen Quintet, Leddy Wessel, Jack van Poll and his Tree-oh, Boy's Big Band, The Frans Wieringa Trio, Eduard Ninck Blok, Rita Reys and Oliver Nelson, Herman Schoonderwalt Septet, and Trio Tony Vos.
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SDBAN 016CD
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Delve into the Dutch jazz scene of the 1950s and 1960s with a selection of classic and rare hard bop and cool jazz tracks from artists like Herman Schoonderwalt, the Diamond Five, Wessel Ilcken and Tony Vos. Holland never sounded this hip before! "Jazz is garbage and a caricature of the modern orchestra; it is garbage arranged by half-grown musicians for the benefit of common entertainment." In spite of the Dutch cultural establishment's attempts to preclude jazz -- as illustrated by this citation from the October 1926 issue of music magazine De Muziek -- The Netherlands was one of the earliest adopters of the new music style as it came over to the Old Continent at the end of World War I. Also features Herbie Mann with the Wessel Ilcken Combo, Kwartet Leo Meyer, The Jacobs Brothers, Kwartet Martin Verlinden, The Rhythme All Stars, Martien Beenen and the Orchestra, Sandy Fort, Tony Vos Quartet, The Red and Brown Brothers, Frans Elsen Quintet, Leddy Wessel, Jack van Poll and his Tree-oh, Boy's Big Band, The Frans Wieringa Trio, Eduard Ninck Blok, Rita Reys and Oliver Nelson, Herman Schoonderwalt Septet, and Trio Tony Vos.
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SDBAN 016LTD-LP
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Limited 2024 restock; double LP version. Silver vinyl. Delve into the Dutch jazz scene of the 1950s and 1960s with a selection of classic and rare hard bop and cool jazz tracks from artists like Herman Schoonderwalt, the Diamond Five, Wessel Ilcken and Tony Vos. Holland never sounded this hip before! "Jazz is garbage and a caricature of the modern orchestra; it is garbage arranged by half-grown musicians for the benefit of common entertainment." In spite of the Dutch cultural establishment's attempts to preclude jazz -- as illustrated by this citation from the October 1926 issue of music magazine De Muziek -- The Netherlands was one of the earliest adopters of the new music style as it came over to the Old Continent at the end of World War I. Also features Herbie Mann with the Wessel Ilcken Combo, Kwartet Leo Meyer, The Jacobs Brothers, Kwartet Martin Verlinden, The Rhythme All Stars, Martien Beenen and the Orchestra, Sandy Fort, Tony Vos Quartet, The Red and Brown Brothers, Frans Elsen Quintet, Leddy Wessel, Jack van Poll and his Tree-oh, Boy's Big Band, The Frans Wieringa Trio, Eduard Ninck Blok, Rita Reys and Oliver Nelson, Herman Schoonderwalt Septet, and Trio Tony Vos.
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SDBANSEL 004LP
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Sdban Records announce the reissue of this genre-defying jazz album originally released on library label Selection Records in 1972. Delving into the story of the American pianist and composer Phil Raphaël reveals more questions than answers. He was born in New York where he played with Charlie Parker, Jon Eardley, and Howard McGhee, but a 1951 recording with Red Rodney for Prestige Records is the single remaining trace of his bebop days. Raphaël appeared under unknown circumstances in Belgium in the 1960s, playing among others at the 1966 Jazz Bilzen festival, and he eventually settled in Brussels. A multifaceted musician, he did not limit himself to jazz and also worked in pop groups, directed the music for the spectacle Hair, and even had a brief residency at Pol's Jazz Club where he played the music of Johann Sebastian Bach four nights per week. His album Stop, Look, Listen, which was recorded with the rhythm section of Babs Robert's group, consists of four long genre-defying tracks colored by the dreamlike vocals of opera singer Rose Thompson. A surreal blend of genres, hard to pin down. It's highly imaginative jazz, that much is sure. Raphaël shifts from serene late night piano jazz to more free or even spiritual passages, magnificently paired with the otherworldly vocals of Rose Thompson. The LP was put out by Selection Records, a label that primarily issued library music at the time, and thus went largely unnoticed upon release. The recording makes clear that Phil Raphaël was a highly gifted artist whose talent will forever remain undervalued, since it was his only effort as a leader. Raphaël's passage through the Belgian nightlife was just as mysterious as his music, and few people seem to remember him. Drummer Bruno Castellucci describes him as remarkable, both as a musician and as a person: "He was a hippie before there were hippies. He wasn't part of the system but he had a system of his own."
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SDBANSEL 006LP
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Reissue of the Belgian milestone jazz album originally released in 1975. This is groundbreaking, experimental and funky jazz fusion. Sdban Records will reissue several installments of the legendary library series A Special Radio ~ TV Record on vinyl. These were originally released on Belgian imprint "Selection Records" between 1975 and 1981. N°15 in the series was the Belgian milestone jazz album Solis Lacus released in 1975. Solis Lacus is the cult group around renowned Belgian pianist Michel Herr, a pioneer of electric jazz in the '70s in Europe. Michel Herr rose to international prominence after winning the first prize at the jazz festival in Loosdrecht, The Netherlands, in 1971. He accompanied many European and American jazz stars on foreign tours and ran the group Jazztrack with saxophone player Wolfgang Engstfeld in Germany. At the same time, he set up his own band Solis Lacus, which consisted of Belgian musicians who had all made a name for themselves on the national jazz scene of the 1960s including Richard Rousselet and Bruno Castelluci both from Placebo. Inspired by the reigning jazz-rock sound of the day, Herr expanded his musical vocabulary and started to play electronic keyboards. Solis Lacus recorded its only album in the course of 1974 and 1975, before the members of the group headed in their own direction. Solis Lacus is considered the European counterpart to sound experimentations of Herbie Hancock's Headhunters, or the best albums of the CTI label such as Freddie Hubbard.
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SDBAN 015CD
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Independent groove label Sdban Records release Utopic Cities: Progressive Jazz in Belgium 1968-1979 featuring twelve essential compositions from a highly creative period in Belgian jazz. The release follows Sdban's critically acclaimed Let's Get Swinging: Modern Jazz in Belgium 1950-1970, released back in 2017. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, and Solis Lacus; the intense post-bop of Jacques Pelzer and Lou MacConnell; the cutting-edge soul jazz of Philip Catherine and Open Sky Unit or the otherworldly avant-garde of Babs Robert and the Brussels Art Quintet. Recorded in the aftermath of the revolutionary year 1968, this music is the fruit of a highly creative momentum in Belgian jazz history that produced a unique sound which distinguishes itself from its American source of inspiration by an indefinable characteristic that can be hardly better described than "Belgian". Features Placebo, Solis Lacus, Open Sky Unit, Brussels Art Quintet, Koen De Bruyne, Raphaël, Philip Catherine, Jacques & Micheline Pelzer Quartet, The Kenny Clarke-Francy Boland Big Band, Marc Moulin, Babs Robert, and Lou MacConnell.
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SDBAN 015LP
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Double LP version. Gatefold sleeve including liner notes. Independent groove label Sdban Records release Utopic Cities: Progressive Jazz in Belgium 1968-1979 featuring twelve essential compositions from a highly creative period in Belgian jazz. The release follows Sdban's critically acclaimed Let's Get Swinging: Modern Jazz in Belgium 1950-1970, released back in 2017. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, and Solis Lacus; the intense post-bop of Jacques Pelzer and Lou MacConnell; the cutting-edge soul jazz of Philip Catherine and Open Sky Unit or the otherworldly avant-garde of Babs Robert and the Brussels Art Quintet. Recorded in the aftermath of the revolutionary year 1968, this music is the fruit of a highly creative momentum in Belgian jazz history that produced a unique sound which distinguishes itself from its American source of inspiration by an indefinable characteristic that can be hardly better described than "Belgian". Features Placebo, Solis Lacus, Open Sky Unit, Brussels Art Quintet, Koen De Bruyne, Raphaël, Philip Catherine, Jacques & Micheline Pelzer Quartet, The Kenny Clarke-Francy Boland Big Band, Marc Moulin, Babs Robert, and Lou MacConnell.
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SDBAN 001S-CD
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2019 jewelcase; includes 32-page booklet. The best Belgian dance tracks from the beginning of the '70s. Dire times, they were, full of poverty and hardship. To make a living out of popular music was a near-impossibility in a small country like Belgium. This precarious situation, though, proved to be a blessing in disguise for creative minds. When it's hard to get your hands on some money, trying out as many things as you can seems the logical thing to do. On the other hand, if there's hardly any money to be gained anyway, you may just as well play what you bloody well like. That's what Belgians like to do anyway. Moreover, living in a country where virtually every musical wave passes through also inspires. In the early '70s, those waves were (Afro-)funk, soul, and Latin. The situation as a whole was a favorable one for some visionary musical entrepreneurs. Jean and Roland Kluger created a musical dynasty, American-style, with successful acts like Chakachas and Two Man Sound. Their rival, Marcel De Keukeleire, scored worldwide hits with Amadeo, Chocolat's, and "The Birdy Song." Relying on zealous energy and a shamelessly commercial logic, every effort was aimed at success, so they jumped on as many international bandwagons as they could and tried out their own variants on the local market. Nearly every style in the post-war scene is represented here: Hein Huysmans' jazz-funk, the jazzy prog-rock of Cos, or the fusion of Open Sky Unit. And of course there's Marc Moulin, a name that needs little or no introduction. This is the missing link between the variety orchestras of the '60s and the electronic triumphs of Telex in the late '70s and early '80s. These tracks offer the same sense of adventure and slightly surreal pigheadedness that are also present in the best Belgian contributions to dance music. Think Front 242, Technotronic, or Soulwax/2manydjs. This is the ground they built upon. Artists include: Chakachas, Mad Unity, Rene Costy, Alex Scorier, Open Sky Unit, Plus, Andre Brasseur, Chicken Curry & His Pop Percussion Orchestra, Placebo, Les Hélions, Black Blood, S.S.O. (feat. Douglas Lucas & The Sugar Sisters ), Nico Gomez & His Afro Percussion Inc., Chocolat's, Amadeo, El Chicles, The Mol Percussion Band, Cos, Rene Costy & His Orchestra, The Rapture, Doug Lucas, Hein Huysmans Kwintet, Leo Cavallo, and Super Funk Special.
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SDBAN 004S-CD
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2019 jewelcase; includes 32-page booklet. You may never have heard of him, but unless you're a complete stranger to the 20th century, you have almost certainly heard at least some of his music. André Brasseur composed countless tunes that received plenty of airplay and were used as radio and TV music all over Europe in the late '60s and the '70s. His biggest hit, "Early Bird Satellite" sold millions internationally. This compilation focuses on a lesser-known aspect of Brasseur's musical output. In addition to his quest for the perfect intro tune, his innumerable live performances, and his management of several successful restaurants and discos, Brasseur recorded a great deal of experimental funky jams in the '70s. The most exciting and timeless of these lost cuts are compiled here -- 13 enchanting cult classics and hidden gems, ready to devour. The second CD contains some of Brasseur's most successful evergreens and hit singles, exclusive to the CD format of the collection. Includes liner notes by Jan Delvaux (Belpop Bonanza).
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SDBAN 010S-CD
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2019 jewelcase; includes 32-page booklet. Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician.
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SDBAN 006LP
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SDBAN present the first vinyl release of Golden Hands' only album, released in 1978 on cassette by Moroccan label Disques Gam. During the seventies, the Kingdom of Morocco was not spared by the rock and funk wave that went through the world. From Casablanca to Tangier, from Marrakesh to Rabat, nightclubs and other concert halls have seen a good number of small groups, more or less amateur and definitely DIY, some of which have been catapulted onto the international stage like Golden Hands. Founded in 1969 by two brothers and a friend, this cult band brought their rock and funk topped with a Moroccan sauce to Europe after having experienced success in their homeland. Includes the cult classic "Take Me Back".
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SDBAN 013CD
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After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers. 2CD version includes a mixtape CD on the first disc, and the full-length tracks on the second disc; in slipcase with 16-page booklet.
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SDBAN 013LP
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Double LP version; includes download code. After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers.
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2LP
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SDBAN 011LP
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free.Features R. Roland, Carl Watson, Charles Vernon, Love Dream, Fancy, Marianne, Flame, Steve, Carl Candy and the Candy-Chicks, La Bush, System Love, Cora Corona, The Diskery and The Rogers. Part 1 of 2; gatefold jacket, 180 gram vinyl.
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2LP
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SDBAN 012LP
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free. Features C.C. Band, Quartz, Kevin Morane, L2, Venus, Bubble, Rendez-Vous, Raymond Joniaux, Dan Davis, Manuel Ferrero, Afro-Disiak, Autumn, Rayon Laser, Patrik, Roland Delys, and DJ Bert & Eagle. Part 2 of 2; gatefold jacket, 180 gram vinyl.
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2CD
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SDBAN 011CD
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free. Disc one of the CD version and Part 1 (SDBAN 011LP) features: R. Roland, Carl Watson, Charles Vernon, Love Dream, Fancy, Marianne, Flame, Steve, Carl Candy and the Candy-Chicks, La Bush, System Love, Cora Corona, The Diskery and The Rogers Disc two of the CD version and Part 2 (SDBAN 012LP) features C.C. Band, Quartz, Kevin Morane, L2, Venus, Bubble, Rendez-Vous, Raymond Joniaux, Dan Davis, Manuel Ferrero, Afro-Disiak, Autumn, Rayon Laser, Patrik, Roland Delys, and DJ Bert & Eagle. Double CD version in slipcase with 18-page booklet. Vinyl version available as two double LPs in gatefold sleeves, 180 gram vinyl.
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2CD
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SDBAN 010CD
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Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician. Limited edition double-CD version includes 36-page booklet.
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2LP
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SDBAN 010LP
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Double LP version. 180 gram vinyl; gatefold sleeve with liner notes; Includes download code with bonus live recordings. Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician.
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