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2CD
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SDBAN 010S-CD
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2019 jewelcase; includes 32-page booklet. Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician.
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SDBAN 001S-CD
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2019 jewelcase; includes 32-page booklet. The best Belgian dance tracks from the beginning of the '70s. Dire times, they were, full of poverty and hardship. To make a living out of popular music was a near-impossibility in a small country like Belgium. This precarious situation, though, proved to be a blessing in disguise for creative minds. When it's hard to get your hands on some money, trying out as many things as you can seems the logical thing to do. On the other hand, if there's hardly any money to be gained anyway, you may just as well play what you bloody well like. That's what Belgians like to do anyway. Moreover, living in a country where virtually every musical wave passes through also inspires. In the early '70s, those waves were (Afro-)funk, soul, and Latin. The situation as a whole was a favorable one for some visionary musical entrepreneurs. Jean and Roland Kluger created a musical dynasty, American-style, with successful acts like Chakachas and Two Man Sound. Their rival, Marcel De Keukeleire, scored worldwide hits with Amadeo, Chocolat's, and "The Birdy Song." Relying on zealous energy and a shamelessly commercial logic, every effort was aimed at success, so they jumped on as many international bandwagons as they could and tried out their own variants on the local market. Nearly every style in the post-war scene is represented here: Hein Huysmans' jazz-funk, the jazzy prog-rock of Cos, or the fusion of Open Sky Unit. And of course there's Marc Moulin, a name that needs little or no introduction. This is the missing link between the variety orchestras of the '60s and the electronic triumphs of Telex in the late '70s and early '80s. These tracks offer the same sense of adventure and slightly surreal pigheadedness that are also present in the best Belgian contributions to dance music. Think Front 242, Technotronic, or Soulwax/2manydjs. This is the ground they built upon. Artists include: Chakachas, Mad Unity, Rene Costy, Alex Scorier, Open Sky Unit, Plus, Andre Brasseur, Chicken Curry & His Pop Percussion Orchestra, Placebo, Les Hélions, Black Blood, S.S.O. (feat. Douglas Lucas & The Sugar Sisters ), Nico Gomez & His Afro Percussion Inc., Chocolat's, Amadeo, El Chicles, The Mol Percussion Band, Cos, Rene Costy & His Orchestra, The Rapture, Doug Lucas, Hein Huysmans Kwintet, Leo Cavallo, and Super Funk Special.
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2CD
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SDBAN 004S-CD
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2019 jewelcase; includes 32-page booklet. You may never have heard of him, but unless you're a complete stranger to the 20th century, you have almost certainly heard at least some of his music. André Brasseur composed countless tunes that received plenty of airplay and were used as radio and TV music all over Europe in the late '60s and the '70s. His biggest hit, "Early Bird Satellite" sold millions internationally. This compilation focuses on a lesser-known aspect of Brasseur's musical output. In addition to his quest for the perfect intro tune, his innumerable live performances, and his management of several successful restaurants and discos, Brasseur recorded a great deal of experimental funky jams in the '70s. The most exciting and timeless of these lost cuts are compiled here -- 13 enchanting cult classics and hidden gems, ready to devour. The second CD contains some of Brasseur's most successful evergreens and hit singles, exclusive to the CD format of the collection. Includes liner notes by Jan Delvaux (Belpop Bonanza).
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LP
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SDBAN 006LP
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SDBAN present the first vinyl release of Golden Hands' only album, released in 1978 on cassette by Moroccan label Disques Gam. During the seventies, the Kingdom of Morocco was not spared by the rock and funk wave that went through the world. From Casablanca to Tangier, from Marrakesh to Rabat, nightclubs and other concert halls have seen a good number of small groups, more or less amateur and definitely DIY, some of which have been catapulted onto the international stage like Golden Hands. Founded in 1969 by two brothers and a friend, this cult band brought their rock and funk topped with a Moroccan sauce to Europe after having experienced success in their homeland. Includes the cult classic "Take Me Back".
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2CD
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SDBAN 013CD
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After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers. 2CD version includes a mixtape CD on the first disc, and the full-length tracks on the second disc; in slipcase with 16-page booklet.
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2LP
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SDBAN 013LP
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Double LP version; includes download code. After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers.
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2LP
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SDBAN 012LP
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free. Features C.C. Band, Quartz, Kevin Morane, L2, Venus, Bubble, Rendez-Vous, Raymond Joniaux, Dan Davis, Manuel Ferrero, Afro-Disiak, Autumn, Rayon Laser, Patrik, Roland Delys, and DJ Bert & Eagle. Part 2 of 2; gatefold jacket, 180 gram vinyl.
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2LP
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SDBAN 011LP
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free.Features R. Roland, Carl Watson, Charles Vernon, Love Dream, Fancy, Marianne, Flame, Steve, Carl Candy and the Candy-Chicks, La Bush, System Love, Cora Corona, The Diskery and The Rogers. Part 1 of 2; gatefold jacket, 180 gram vinyl.
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2CD
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SDBAN 011CD
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Patrick, Raymond, Marianne, Roland, Kevin and Bert. These are among the most common and ordinary names in Belgium. Yet, these are also the names of some of the artists that appear of Discophilia Beligica, a 30-track compilation from groove-heavy record label SDBAN. Compiled by crate diggers Loud E and The Wild, Discophilia Beligica is a collection of next-door-disco and local space music from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk; most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe. Not too serious or overambitious, definitely not overproduced. This is stripped-down space music, next-door disco. The choice of music is not a reflection of an actual 'scene'. In fact, most of the bands here have probably never performed live. The tracks on this compilation are the result of a decade of crate digging in flea markets, charity shops, and vinyl trades and picking out what might appeal to a contemporary dancefloor or to deranged and perhaps adventurous earbuds. That said, there's not many countries that can provide the wonderful diversity and weirdness of these sounds. Belgians have a great passion for music and there is an abundance of recording studios, impresarios, local radio stations and pressing plants. Bars and clubs sit side by side, providing a soundtrack for our ordinary lives and it's here where Patrick, Raymond, Roland or Marianne draw inspiration that led them into the studio and pick up a mic, a bass or synthesizer, making music to groove to, feel sexy to and be free. Disc one of the CD version and Part 1 (SDBAN 011LP) features: R. Roland, Carl Watson, Charles Vernon, Love Dream, Fancy, Marianne, Flame, Steve, Carl Candy and the Candy-Chicks, La Bush, System Love, Cora Corona, The Diskery and The Rogers Disc two of the CD version and Part 2 (SDBAN 012LP) features C.C. Band, Quartz, Kevin Morane, L2, Venus, Bubble, Rendez-Vous, Raymond Joniaux, Dan Davis, Manuel Ferrero, Afro-Disiak, Autumn, Rayon Laser, Patrik, Roland Delys, and DJ Bert & Eagle. Double CD version in slipcase with 18-page booklet. Vinyl version available as two double LPs in gatefold sleeves, 180 gram vinyl.
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2LP
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SDBAN 010LP
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Double LP version. 180 gram vinyl; gatefold sleeve with liner notes; Includes download code with bonus live recordings. Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician.
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2CD
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SDBAN 010CD
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Jack the hipster. A musician's musician. The white negro from the docks. Jack Sels has been given many nicknames throughout the years. The Antwerp saxophone player who died at the mere age of 48 in 1970, remains Belgium's most mythical jazz musician, both to those who knew him during his lifetime and those who only know him from the stories -- and there are quite some stories to be told about Jack Sels. Throughout his career, he would play with jazz legends such as Dizzy Gillespie, Lester Young, Lou Bennett, and Lucky Thompson, but he remained virtually unknown outside Belgium due to his reluctance to leave Antwerp. Almost fifty years after his death, Jack Sels remains Belgium's most intriguing jazz musician. Partly due to his limited discography, he is overlooked by a wider audience. Yet, his contribution to the development of the modern jazz scene in Belgium cannot be overestimated, and neither can his influence on his fellow musicians, to whom he was the embodiment of jazz. As vibraphone player Fats Sadi once said: "I loved Jack. He had never studied music and didn't have the least bit of technique. But if Jack played, the gates of heaven opened. Jack was more jazz than jazz itself." Minor Works is a collection of rare, previously unreleased studio and live recordings paying homage to the life and jazz of the enigmatic musician. Limited edition double-CD version includes 36-page booklet.
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2LP
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SDBAN 008LP
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Part one of two double LP versions. Gatefold sleeve; 180 gram vinyl. The first half of the seventies in Belgium should be regarded as a Golden Age, when a generation of great musicians experimented with funk, jazz, Latin, and other groovy genres. Unearthing these treasures takes time since most of them are hidden on single B-sides or obscure editions of library music. In 2014, Sdban Records collected a selection of lost gems with Funky Chicken (SDBAN 001CD/001LP/002LP). Funky Chimes combines lesser-known tracks of well-known artists with newly discovered names, and bona fide diggers gold. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping. Take Experience (performer unknown), for instance: this one was found on a five-inch flexi disc people in Belgium could obtain by saving points from cookies and pasta packages. And The Sumos, a band brought into existence to cash in on Carl Douglas's "Kung Fu Fighting" (1974), released an entire album filled with oriental bubblegum. But Funky Chimes is not a freak show, but a two-hour collection of excellent and unique grooves. The Free Pop Electronic Concept is a rare blend of soul and budding electronic music. Skleroptak is a one-off collaboration between the Polish saxophonist Jan Wróblewski and the jazz orchestra of the Belgian national broadcast corporation. There are also some lesser-known top tracks from grandmasters here. The late lamented Marc Moulin is featured in three different performances: as a pianist on Philip Catherine's debut, as a master arranger on the Belgian chansonnier Lieven's only album, and with the hitherto unknown radio tune "Mona Call" he produced as Kiosk. Features: The Soul Scratchers, Francis Coppieters, S.S.O., The Flying Guitar, The Sumos, Bud Hunga And His Diplomatic Music, Experience, The Peter Laine Orchestra, Kandahar, Kiosk, Guido Carnagy, André Brasseur, and Electronic System III.
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2LP
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SDBAN 009LP
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Part two of two double LP versions. Gatefold sleeve; 180 gram vinyl. The first half of the seventies in Belgium should be regarded as a Golden Age, when a generation of great musicians experimented with funk, jazz, Latin, and other groovy genres. Unearthing these treasures takes time since most of them are hidden on single B-sides or obscure editions of library music. In 2014, Sdban Records collected a selection of lost gems with Funky Chicken (SDBAN 001CD/001LP/002LP). Funky Chimes combines lesser-known tracks of well-known artists with newly discovered names, and bona fide diggers gold. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping. Take Experience (performer unknown), for instance: this one was found on a five-inch flexi disc people in Belgium could obtain by saving points from cookies and pasta packages. And The Sumos, a band brought into existence to cash in on Carl Douglas's "Kung Fu Fighting" (1974), released an entire album filled with oriental bubblegum. But Funky Chimes is not a freak show, but a two-hour collection of excellent and unique grooves. The Free Pop Electronic Concept is a rare blend of soul and budding electronic music. Skleroptak is a one-off collaboration between the Polish saxophonist Jan Wróblewski and the jazz orchestra of the Belgian national broadcast corporation. There are also some lesser-known top tracks from grandmasters here. The late lamented Marc Moulin is featured in three different performances: as a pianist on Philip Catherine's debut, as a master arranger on the Belgian chansonnier Lieven's only album, and with the hitherto unknown radio tune "Mona Call" he produced as Kiosk. Features: The Indian Sound Of... Black Foot, Hearts Of Soul & Shampoo, Roland Thyssen, R. Dero, Philip Catherine, Skleroptak, Etta Cameron, Selectasound '88 & The Bob Boon Singers, Hugo Raspoet, Leslie Kent, Patricia Burns, Georges Hayes And His Philharpopic Orchestra, The Free Pop Electronic Concept, and Lieven.
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2CD
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SDBAN 008CD
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The first half of the seventies in Belgium should be regarded as a Golden Age, when a generation of great musicians experimented with funk, jazz, Latin, and other groovy genres. Unearthing these treasures takes time since most of them are hidden on single B-sides or obscure editions of library music. In 2014, Sdban Records collected a selection of lost gems with Funky Chicken (SDBAN 001CD/001LP/002LP). Funky Chimes combines lesser-known tracks of well-known artists with newly discovered names, and bona fide diggers gold. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping. Take Experience (performer unknown), for instance: this one was found on a five-inch flexi disc people in Belgium could obtain by saving points from cookies and pasta packages. And The Sumos, a band brought into existence to cash in on Carl Douglas's "Kung Fu Fighting" (1974), released an entire album filled with oriental bubblegum. But Funky Chimes is not a freak show, but a two-hour collection of excellent and unique grooves. The Free Pop Electronic Concept is a rare blend of soul and budding electronic music. Skleroptak is a one-off collaboration between the Polish saxophonist Jan Wróblewski and the jazz orchestra of the Belgian national broadcast corporation. There are also some lesser-known top tracks from grandmasters here. The late lamented Marc Moulin is featured in three different performances: as a pianist on Philip Catherine's debut, as a master arranger on the Belgian chansonnier Lieven's only album, and with the hitherto unknown radio tune "Mona Call" he produced as Kiosk. CD version includes 36-page booklet. Features: The Soul Scratchers, Francis Coppieters, S.S.O., The Flying Guitar, The Sumos, Bud Hunga And His Diplomatic Music, Experience, The Peter Laine Orchestra, Kandahar, Kiosk, Guido Carnagy, André Brasseur, Electronic System III, The Indian Sound Of... Black Foot, Hearts Of Soul & Shampoo, Roland Thyssen, R. Dero, Philip Catherine, Skleroptak, Etta Cameron, Selectasound '88 & The Bob Boon Singers, Hugo Raspoet, Leslie Kent, Patricia Burns, Georges Hayes And His Philharpopic Orchestra, The Free Pop Electronic Concept, and Lieven.
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7"
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SDBAN 712EP
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Sampler 4/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 4/5 features Experience and The Indian Sound Of... Black Foot.
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7"
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SDBAN 713EP
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Sampler 5/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 5/5 features Kiosk and Hearts Of Soul & Shampoo.
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7"
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SDBAN 711EP
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Sampler 3/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 3/5 features S.S.O. and Roland Thyssen.
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7"
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SDBAN 710EP
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Sampler 2/5 from Funky Chimes (SDBAN 008CD/LP/009LP), a two-hour collection of excellent and unique Belgian grooves. Comes with a free Funky Chimes 45 rpm adapter. Sampler 2/5 features Francis Coppieters and Georges Hayes And His Philarpopic Orchestra.
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7"
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SDBAN 709EP
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Funky Chimes (SDBAN 008CD/LP/009LP) is a two-hour collection of excellent and unique grooves. It contains 27 of the most interesting yet long forgotten Belgian dance tracks from the seventies. Funky Chimes is in many ways the logical follow up to 2014's Funky Chicken (SDBAN 001CD/LP/002LP). Uncovering a blind spot in Belgium's musical heritage and unearthing a diverse collection of hidden treasures. Comes with a free Funky Chimes 45 rpm adapter. Sampler 1/5 features The Soul Scratchers and Patricia Burns.
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10"
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SDBAN 1001EP
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Belgian composer Koen De Bruyne (1946-1977), brother of celebrated songwriter Kris De Bruyne, had his own stint in the field of pop, jazz, fusion, and funk in the '70s. In 1974, Koen released the Belgian gem, Here Comes The Crazy Man! (SDBAN 003CD/LP). During the reissue of HCTCM! in 2015, Sdban got in touch with Kris who dug up unreleased treasures from the family vaults. One tape included four solo piano improvisations. One of the tracks was posthumously included on Kris's album Ballerina's (1977). First time vinyl release; Remastered audio; Tip-on sleeve; Edition of 300 (numbered).
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2CD
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SDBAN 007CD
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When thinking of jazz music, few would mention Belgium's association with the genre. However, it was one of the first countries to embrace the form when it arrived in Europe a hundred years ago, and has yielded many internationally known jazz musicians and composers since. This twenty-track compilation entitled Let's Get Swinging: Modern Jazz In Belgium 1950-1970 focuses on a twenty-year period of modern jazz in the little kingdom, and features the leading players from that era including guitarist Philip Catherine, saxophonist Jack Sels, multi-instrumentalist Jacques Pelzer, and vibraphone player, percussionist, and vocalist "Fats" Sadi Lallemand. Pre-1950s, Belgian jazz lovers had been starved of jazz music when it was banned from public life, going underground during the German occupation of WWII. However, jazz would soon go through a radical change when US jazz musicians such as Charlie Parker, Dizzy Gillespie, and Thelonious Monk developed a new style called bebop or modern jazz. The big bands disappeared in favor of the small groups, the rhythms became more complex and improvisation was the new keyword. In Belgium, the epicenter of jazz shifted from Brussels to the industrial city of Liège in the east of the country. Inspired by the new sounds of Bird and Diz, a group of youngsters including Bobby Jaspar, René Thomas, Jacques Pelzer, "Fats" Sadi Lallemand, Jack Sels, and Francy Boland, joined each other in jam sessions and formed modern jazz combos. But the complexities of modern jazz made larger audiences turn their backs on this new form of jazz and with very few working opportunities for the modern jazzmen in Belgium, most moved abroad to pursue a career. During the '50s, composer and pianist Francy Boland managed to distinguish himself in the United States, where he worked with the bands of Count Basie and Benny Goodman, and with jazz pianist Mary Lou Williams. Bobby Jaspar remained a wonderful "cool" soloist on flute and tenor sax. In New York, he played, among others, with J.J. Johnson and Miles Davis. Shortly before his untimely death in 1963, he set up a last vigorous quintet with his friend and guitarist René Thomas from Liege. Guitarist René Thomas also crossed the Atlantic and immersed himself in the Paris jazz scene of the early to mid-fifties, where he quickly became notable due to his distinct style, heavily influenced by Jimmy Raney, and ended up recording with Sonny Rollins in 1957. His most loyal partner and friend was alto saxophonist and flautist Jacques Pelzer who, after the adventure with the Bob Shots, imposed himself in this decade as an outstanding musician of European jazz. Vibraphone player, percussionist and vocalist Sadi Lallemand, nicknamed "Fats", was another Belgian who took up residency in Paris. He recorded with Django Reinhardt in 1953 and the same year he debuted as a leader with Fats Sadi's Combo, an album that was even released by the legendary Blue Note label in the USA. Sadi was a much in demand sideman, playing with Lucky Thompson, Martial Solal, Jimmy Deuchar and many more. In the sixties, he was one of the core members of the Kenny Clarke-Francy Boland Big Band and often worked for Belgian radio and television. At the end of the 1950s, guitarist Philip Catherine was one of the leading young musicians who came to prominence on the Belgian jazz scene. Even before his twentieth year, he jammed at la Rose Noir, played at the festivals of Comblain and Ostend and toured Europe with Lou Bennett. After 1965, he also started to compose. Even though the most talented Belgian jazz musicians lived abroad during the golden era of modern jazz, Belgium was not a complete jazz wasteland. Clubs like La Rose Noire and the Blue Note were the go-to places for touring musicians seeking an after-work jam session. In Antwerp, the jazz scene was dominated by saxophone player Jack Sels, who was also very productive working for Belgian radio and television. A highlight in this small discography is a recording with Lucky Thompson from 1959. In 1959, the jazz festival of Comblain-La-Tour became the annual jazz center of Europe, and featured concerts by American jazz stars like Bill Evans, John Coltrane, and Cannonball Adderley. With tens of thousands of visitors at almost each edition, the little village of Comblain-La-Tour was dubbed "The Jazz Capital of Europe". In 1961, Comblain outdid the Newport Jazz Festival with a crowd of 30,000 jazz enthusiasts, giving the most famous jazz festival in the world a run for its money. It would continue until 1966. Jacques Pelzer went on to work in Italy and toured with Chet Baker while René Thomas set up a new quartet with Bobby Jaspar, and played with Pelzer and Lee Konitz at European festivals, before falling back into a lean period in 1966. Still, despite these tough times for jazz, new clubs opened: The Blue Note and Pol's Jazz Club in Brussels, the Jazz Inn in Liege, and the Jazz Clu Hnita in Heist-Op-Den-Berg. Due to the absence of its main players during the heydays of modern jazz, Belgium will not be remembered for a unique jazz sound or an extensive discography. However, the little country produced a number of highly talented musicians who played lead roles on the international jazz scene. Let's Get Swinging: Modern Jazz in Belgium 1950-1970 retraces their steps and presents some of their finest works. Features: Jon Eardley, René Thomas-Bobby Jaspar Quintet, Jacques Pelzer And His Young Stars, Philip Catherine & Robert Pernet, Francy Boland, Saxorama & Jack Sels, Herman Sandy Quartet, Fats Sadi Quartet, Bobby Jaspar Quintet, The Clouds, Lucky Thompson & Jack Sels Sextet, Francy Boland Trio, Bobby Jaspar, Jacques Pelzer Sextet, René Goldstein And His Group, René Thomas Et Son Modern Group, Jacques Pelzer Quartet, and The St. Tropez Jazz Octet.
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Double LP version. 180 gram vinyl. Gatefold sleeve. Includes a download code. When thinking of jazz music, few would mention Belgium's association with the genre. However, it was one of the first countries to embrace the form when it arrived in Europe a hundred years ago, and has yielded many internationally known jazz musicians and composers since. This twenty-track compilation entitled Let's Get Swinging: Modern Jazz In Belgium 1950-1970 focuses on a twenty-year period of modern jazz in the little kingdom, and features the leading players from that era including guitarist Philip Catherine, saxophonist Jack Sels, multi-instrumentalist Jacques Pelzer, and vibraphone player, percussionist, and vocalist "Fats" Sadi Lallemand. Pre-1950s, Belgian jazz lovers had been starved of jazz music when it was banned from public life, going underground during the German occupation of WWII. However, jazz would soon go through a radical change when US jazz musicians such as Charlie Parker, Dizzy Gillespie, and Thelonious Monk developed a new style called bebop or modern jazz. The big bands disappeared in favor of the small groups, the rhythms became more complex and improvisation was the new keyword. In Belgium, the epicenter of jazz shifted from Brussels to the industrial city of Liège in the east of the country. Inspired by the new sounds of Bird and Diz, a group of youngsters including Bobby Jaspar, René Thomas, Jacques Pelzer, "Fats" Sadi Lallemand, Jack Sels, and Francy Boland, joined each other in jam sessions and formed modern jazz combos. But the complexities of modern jazz made larger audiences turn their backs on this new form of jazz and with very few working opportunities for the modern jazzmen in Belgium, most moved abroad to pursue a career. During the '50s, composer and pianist Francy Boland managed to distinguish himself in the United States, where he worked with the bands of Count Basie and Benny Goodman, and with jazz pianist Mary Lou Williams. Bobby Jaspar remained a wonderful "cool" soloist on flute and tenor sax. In New York, he played, among others, with J.J. Johnson and Miles Davis. Shortly before his untimely death in 1963, he set up a last vigorous quintet with his friend and guitarist René Thomas from Liege. Guitarist René Thomas also crossed the Atlantic and immersed himself in the Paris jazz scene of the early to mid-fifties, where he quickly became notable due to his distinct style, heavily influenced by Jimmy Raney, and ended up recording with Sonny Rollins in 1957. His most loyal partner and friend was alto saxophonist and flautist Jacques Pelzer who, after the adventure with the Bob Shots, imposed himself in this decade as an outstanding musician of European jazz. Vibraphone player, percussionist and vocalist Sadi Lallemand, nicknamed "Fats", was another Belgian who took up residency in Paris. He recorded with Django Reinhardt in 1953 and the same year he debuted as a leader with Fats Sadi's Combo, an album that was even released by the legendary Blue Note label in the USA. Sadi was a much in demand sideman, playing with Lucky Thompson, Martial Solal, Jimmy Deuchar and many more. In the sixties, he was one of the core members of the Kenny Clarke-Francy Boland Big Band and often worked for Belgian radio and television. At the end of the 1950s, guitarist Philip Catherine was one of the leading young musicians who came to prominence on the Belgian jazz scene. Even before his twentieth year, he jammed at la Rose Noir, played at the festivals of Comblain and Ostend and toured Europe with Lou Bennett. After 1965, he also started to compose. Even though the most talented Belgian jazz musicians lived abroad during the golden era of modern jazz, Belgium was not a complete jazz wasteland. Clubs like La Rose Noire and the Blue Note were the go-to places for touring musicians seeking an after-work jam session. In Antwerp, the jazz scene was dominated by saxophone player Jack Sels, who was also very productive working for Belgian radio and television. A highlight in this small discography is a recording with Lucky Thompson from 1959. In 1959, the jazz festival of Comblain-La-Tour became the annual jazz center of Europe, and featured concerts by American jazz stars like Bill Evans, John Coltrane, and Cannonball Adderley. With tens of thousands of visitors at almost each edition, the little village of Comblain-La-Tour was dubbed "The Jazz Capital of Europe". In 1961, Comblain outdid the Newport Jazz Festival with a crowd of 30,000 jazz enthusiasts, giving the most famous jazz festival in the world a run for its money. It would continue until 1966. Jacques Pelzer went on to work in Italy and toured with Chet Baker while René Thomas set up a new quartet with Bobby Jaspar, and played with Pelzer and Lee Konitz at European festivals, before falling back into a lean period in 1966. Still, despite these tough times for jazz, new clubs opened: The Blue Note and Pol's Jazz Club in Brussels, the Jazz Inn in Liege, and the Jazz Clu Hnita in Heist-Op-Den-Berg. Due to the absence of its main players during the heydays of modern jazz, Belgium will not be remembered for a unique jazz sound or an extensive discography. However, the little country produced a number of highly talented musicians who played lead roles on the international jazz scene. Let's Get Swinging: Modern Jazz in Belgium 1950-1970 retraces their steps and presents some of their finest works. Features: Jon Eardley, René Thomas-Bobby Jaspar Quintet, Jacques Pelzer And His Young Stars, Philip Catherine & Robert Pernet, Francy Boland, Saxorama & Jack Sels, Herman Sandy Quartet, Fats Sadi Quartet, Bobby Jaspar Quintet, The Clouds, Lucky Thompson & Jack Sels Sextet, Francy Boland Trio, Bobby Jaspar, Jacques Pelzer Sextet, René Goldstein And His Group, René Thomas Et Son Modern Group, Jacques Pelzer Quartet, and The St. Tropez Jazz Octet.
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A reputed classical violinist and music teacher on the one hand, a curious jazz cat on the other. A business man and control freak, but an artist and free spirit as well. Still, rather little is known about René Costy. Small wonder: the Belgian musician and composer was in many, if not all, respects a singular man. The lure of international show business was wasted on him and consequently, his name has remained a well-kept secret. But cream always rises to the top. Some twenty years after his passing, his work - finally - goes global. Expectancy: Collected Library Gems From The 70's is a selection out of more than 400 tracks from a virtuoso, a versatile and insatiable artist. It's hard to underestimate the importance of this compilation, which focuses on Costy's library music production from the '70s. Comes as 180 gram vinyl; Comes in a gatefold sleeve with liner notes; Includes a download code.
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SDBAN 005CD
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A reputed classical violinist and music teacher on the one hand, a curious jazz cat on the other. A business man and control freak, but an artist and free spirit as well. Still, rather little is known about René Costy. Small wonder: the Belgian musician and composer was in many, if not all, respects a singular man. The lure of international show business was wasted on him and consequently, his name has remained a well-kept secret. But cream always rises to the top. Some twenty years after his passing, his work - finally - goes global. Expectancy: Collected Library Gems From The 70's is a selection out of more than 400 tracks from a virtuoso, a versatile and insatiable artist. It's hard to underestimate the importance of this compilation, which focuses on Costy's library music production from the '70s. Deluxe limited double CD version comes in a hardcover and includes a 32-page booklet.
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180-gram double-LP version in gatefold sleeve. You may never have heard of him, but unless you're a complete stranger to the 20th century, you have almost certainly heard at least some of his music. André Brasseur composed countless tunes that received plenty of airplay and were used as radio and TV music all over Europe in the late '60s and the '70s. His biggest hit, "Early Bird Satellite" sold millions internationally. This compilation focuses on a lesser-known aspect of Brasseur's musical output. In addition to his quest for the perfect intro tune, his innumerable live performances, and his management of several successful restaurants and discos, Brasseur recorded a great deal of experimental funky jams in the '70s. The most exciting and timeless of these lost cuts are compiled here -- 13 enchanting cult classics and hidden gems, ready to devour.
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