|
|
viewing 1 To 4 of 4 items
|
|
|
|
|
|
|
|
|
|
4CD
|
|
WNR 5114CD
|
"Something Inside Of Me brings to the surface ninety-six unreleased recordings from fifteen artists who were all at the forefront of the burgeoning British blues scene of the early 1960s to mid-1970s. There is a varied range of performers with diverse styles that represented the spirit and soul of this music. Soloists, duos, trios, jug band acts and fully-fledged blues and rhythm and blues bands. A 150-page book accompanies the set. It is fully illustrated with most of the images having never before been published, and contains chapters especially written by the artists themselves who are included in this release. Full session-ography details and posters from the period are included, many reproduced here for the first time. Something Inside Of Me is a unique collection of music, words and pictures from this underground world of music that spearheaded the giant UK blues scene that was to follow. The title of this anthology, taken from one of Danny Kirwan's The Boilerhouse tracks, perhaps quite appropriately sums up a feeling that British blues performers had about the blues. At the time these players eagerly adopted, even for their own compositions, self-styled versions of Black American imagery and lyrics. So, mojos working, hellhounds, hoochie coochie men, gypsy women and mannish boys were creatively reinterpreted. When the US blues legends toured these shores to perform, sometimes accompanied by British players, it added to a wider understanding and appreciation of the hard lives of their mentors. As older players, some were of similar age to their parents, although considerably more hip! As Texas blues player Curtis Jones called out to the Dynaflow Blues Band just before they accompanied him at Bath University, 'Let's jive!'"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3CD
|
|
WNRCD 5112CD
|
"Wienerworld is proud and excited to present to you the fifth box set in our unmissable Down Home Blues series, exploring the unique regions of the black American blues scene. Blues In The Alley features 29 artists that were influential in continuing and developing the traditions of the blues in the southeast. This release includes early down home blues recordings from none other than Ray Charles, before his climb to fame with his bigger sounding jazz-tinged blues. Alongside this, there are early recordings from Earl Hooker and Jerry McCain, two exceptionally gifted musicians who were always left on the cusp of success. Don't forget to check out the first recordings from Frank Edwards, who captivated audiences with his rack-mounted harmonica guitar one-man band style, from the 1940s right up to his last years of performing and recording in 2003. Down Home Blues: Miami, Atlanta & The South Eastern States is a three-CD set, packaged in a deluxe digipak with outer slipcase, featuring 83 tracks, all of them superbly remastered. This collection has been collated thanks to the generous help of blues collectors from both sides of the Atlantic, with rare recordings that are for the first time made available for listening via today's compact disc medium. An outstanding 78-page book, featuring a 15,000-word essay by blues historian Chris Bentley, accompanies the release. Rare period photographs illustrate the essay throughout with a complete session-ography and extensive gallery of original 78 and 45 record labels. Blues In The Alley is a close companion to Wienerworld's Tough Enough collection (WNRCD5104), with both sets dovetailing the post-war blues from America's north and southeastern states. The southeastern states were known as slow starters in having record companies to start up to record, produce and distribute the artistes that were performing on their own doorsteps after the Second World War."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3CD
|
|
WNRCD 5095CD
|
"Down Home Blues: Detroit is the definitive collection of blues music from Detroit-based musicians from the late 1940s to the early 1960s. It features over 20 artists who were influential in developing the Detroit blues scene, including John Lee Hooker, Bo Bo Jenkins, Sam Kelly, Eddie Kirkland, Little Sonny, Detroit Count, Eddie Burns, Baby Boy Warren, Big Ed And His Combo and many more. This three CD set, packaged in a deluxe digipak with an outer slip case, features 82 rare tracks, all digitally remastered, with some unissued recordings and others which have not been available for decades. Includes a 48 page book featuring an essay on the origins of Detroit music by renowned blues researcher and historian Mike Rowe, complete with rare photos, tracklisting and full sessionography. Detroit, Michigan. A northern city -- smaller but akin to Chicago -- where country southern blacks migrated to find work and found themselves within new urban surroundings. Amongst their numbers were blues musicians who took with them their traditional sounds. It began to develop with a more aggressive feel which grew with them in their new urban life surroundings. There are 21 different artists here. There is extreme. There are selections of players who encompassed into small combo group recordings to the solo player whose sound without doubt was perfect without any extra accompaniment. There are artists here who made many more commercial recordings than others, who maybe got just one record out. By luck there are some unissued recordings - from unearthed rare acetate discs. The definitive three album collection of Down Home Blues from Detroit!"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
DVD
|
|
WNRD 2604DVD
|
"This multi award-winning documentary tells the story of jazz pianist Bill Evans' turbulent life and his contribution to jazz music. Features over 40 interviews, including several renowned musicians: Tony Bennett, Billy Taylor, singer Jon Hendricks and jazz drummer Joe LaBarbera. The film also compiles a wide range of historical information about the jazz pianist including his first TV recording which appeared on CBS Look Up and Live in April 1958, playing 'Come Rain or Come Shine'. With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, and Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed, lyrical, European classical sensibility into jazz -- and that seems to have attracted a lot of young conservatory-trained pianists who follow his chord voicings to the letter in clubs and on stages everywhere. 'This film took me eight years to make. Eight years of tracking down anybody who knew Bill and who played with him, to try and find out as much as I could about the illusive and not easy to understand Bill Evans. I feel very honored to have had the chance to interview and get to know good guys that spent a lot of time with Bill: Billy Taylor, Gene Lees, Tony Bennett, Jack DeJohnette, Jon Hendricks, Jim Hall, Bobby Brookmeyer, Chuck Israels, Paul Motian, Gary Peacock, Joe LaBarbera. It was a once in a lifetime experience talking to these gifted talented guys about their time in jazz music, about their 'Time Remembered' with Bill Evans.' --Bruce Spiegel, producer"
|
|
|