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3CD
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ACME 339CD
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"No composer had a greater appetite for revolution than Stockhausen, who was embarking on a quest that would occupy him for more than half a century, and which would take in a whole gamut of constantly re-defined objectives - among them 'point music', 'spatial music' and 'multi-formula composition'. His early electronic compositions such as the Studies were painstakingly and meticulously constructed using magnetic tape, to be followed over the ensuing decade by the works which ranked among the masterpieces of electronic music, Gesang der Jünglinge (Song of the Youths) and Kontakte (Contacts). All of these unprecedented early electronic works are included in this three CD box set presentation which also incorporates such visionary creations of intellect and sensitivity as Pierre Boulez' orientally flavored Le Marteux Sans Maitre, recorded under the baton of Robert Craft, Xenakis' brilliant explorations of the dramatic and coloristic properties of Concrète sound, Poème électronique, Edgard Varèse's extraordinary response to a commission from Le Corbusier for music for the pavilion of the 1958 Brussels World Fair, and Ligeti's 'conversation without words', Artikulation, alongside the audacious Cartridge Music, for 'amplified small sounds' constructed by John Cage, using phonograph cartridges inserted with feathers, lengths of wire, toothpicks, pipe cleaners, small twigs, wire coils and nails to make audible otherwise indiscernible sounds."
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LP
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OI 009LP
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Modern Silence presents Beton-Studie / Zeitmass für fünf Holzbläser / Klavierstuck XI compositions written by Karlheinz Stockhausen. A collection of some of Karlheinz Stockhausen's earliest work, including his earliest piece of musique concrète "Beton-Studie" (aka "Étude") written by Stockhausen in 1952-53 at Pierre Schaeffer's studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated "Zeitmass" (1955), and "Klavierstück XI, parts I-IV" (1956), both of which helped to cement Stockhausen's role as one of the leading German composers of the 20th century. 180 gram vinyl. Edition of 500.
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LP
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OI 007LP
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Modern Silence presents Kontakte written by Karlheinz Stockhausen. Kontakte (1959-60) was Stockhausen's first piece to use both electronics and traditional instruments together, marking a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In Kontakte, live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepared tape, but the musicians were at such a loss that Stockhausen eventually had to score the instrumental parts as well. 180 gram vinyl. Edition of 500.
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LP
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OI 008LP
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Modern Silence presents Studie I & II, Gesang der Jünglinge, Zyklus für zwei Schlagzeugern featuring compositions written by Karlheinz Stockhausen. A collection of Stockhausen's most important works from the 1950s, particularly "Gesang der Jünglinge" ("Song of the Youths") (1955-56) which is probably the most iconic piece of electronic music ever written. Only because of Stockhausen's complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics. 180 gram vinyl. Edition of 500.
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CD
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WER 6785
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"Stockhausen's Amour is a series of five pieces for clarinet based on short poems written as gifts for women whom the composer was deeply connected to. The most complex and hypnotic of these is 'Die Schmetterlinge spielen' ('The Butterflies Playing'). 'Der kleine Harlekin' ('The Little Harlequin') is probably the best known of Stockhausen's theatrical works. The clarinetist faces a musically demanding score while wearing a costume and performing a range of dance movements precisely indicated in the score. 'Wochenkreis' ('Circle of the Week') describes an initiatory journey from birth to ascension to God, accompanied by the electronic sounds produced by the synthesizer player who has the role of the antagonist Lucifer." Performed by: Michele Marelli (clarinet, basset horn) and Antonio Perez Abellan (synthesizer).
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CD
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WER 6772
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"Wergo's essential reissues from their famous 1960s era Studio Reihe series continue with a recording of music by Karlheinz Stockhausen. The composer's 'Zyklus für einen Schlagzeuger' is offered in two different versions performed by two different performers: Max Neuhaus and Christoph Caskel. Stockhausen originally wrote the work for the Kranichstein Percussion Competition in 1959. He deliberately did not determine the length of the piece's performance, so as not to be overly specific concerning the work's multiplicity of meanings, the different characters of various performances, or the technical abilities of the players. For 'Klavierstück X,' performed here by the legendary pianist Frederic Rzewski, Stockhausen combined two extremes. The work is based on the attempt to mediate between relative disorder and order, chaos and balance."
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LP
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DOZ 416LP
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"A collection of some of Karlheinz Stockhausen's earliest work, including his earliest piece of musique concrete Beton-Studie (aka 'Etude') written by Stockhausen in 1952-53 at Pierre Schaeffer's studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated Zeitmass (1955), and Klavierstück XI, parts I-IV (1956), both of which helped to cement Stockhausen's role as one of the leading German composers of the 20th century." Zeitmass performed by Arthur Gleghorn, Donald Muggeridge, Donald Leake, Donald Christlieb and William Ulyate in Los Angeles, 1958. Klavierstück XI performed by David Tudor in Köln, 1958.
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LP
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DOZ 415LP
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Studie I (1953), Studie II (1954), Gesang Der Jünglinge (1956) and Zyklus für zwei Schlagzeugern (1960). Performed by David Tudor, Christoph Caskel, Gottfried Michael Koenig and Stockhausen. "A collection of Stockhausen' s most important works from the 1950s, particularly Gesang der Junglinge ('Song of the Youths') 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen's complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics."
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CD
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ZKR 012CD
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Recorded live on April 12, 2011 at Kino Siska, Ljubljana, Slovenia, and April 14, 2011 at Vatroslav Lisinski Concert Hall, Zagreb, Croatia. This is the fourth release in the Zeitkratzer Old School series. The first three CDs, dedicated to the music of John Cage, James Tenney and Alvin Lucier have been highly-acclaimed. This new release is dedicated to the music of Karlheinz Stockhausen. Karlheinz Stockhausen is one of the most outstanding composers of the 20th century. After his early, super-organized compositions as Gesang Der Jünglinge, Kontakte or Studien 1 and 2, he conceived his From The Seven Days works as a precisely-organized text composition. Not one single note is written, but it is exactly defined: what kind of material the musicians should choose and how they should play it. Length, tempi, etc., are not given. Zeitkratzer had the chance to work on this piece in Ljubljana in the Spring of 2011, and tried to develop their approach to interpret the texts as precisely as possible, in the traditional way of score-reading. As Stockhausen pointed out: "musical meditation is not sentimentality, but ultra alertness and -- in the lightest moments -- creative ecstasy." Set sail for the sun. Directed by Reinhold Friedl. Burkhard Schlothauer (violin); Anton Lukoszevieze (violoncello); Ulrich Phillipp (double bass); Reinhold Friedl (piano); Christian Lillinger (percussion); Frank Gratkowski (reeds); Hild Sofie Tafjord (French horn); Hilary Jeffery (trombone); Martin Wurmnest (sound). Mixed by Martin Wurmnest, mastered by Rashad Becker, produced by Reinhold Friedl.
"I do not want a spiritualistic session. I want music." --Karlheinz Stockhausen
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