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viewing 1 To 25 of 28 items
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LP
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CS 9604HLP
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2017 German pressing, repress of 2010 Music on Vinyl label mono masters. Dylan's eighth studio album, released in 1967. "A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as 'I'll Be Your Baby Tonight,' are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like 'All Along the Watchtower,' 'I Dreamed I Saw St. Augustine,' and 'The Wicked Messenger' revealing several layers of meaning with repeated plays." --All Music Guide
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2LP
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CL 46311HLP
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2015 release. Originally released 1966; exact reissue, 180 Gram, Gatefold sleeve. Mono version. "If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like 'Visions of Johanna,' 'Just Like a Woman,' and 'Sad Eyed Lady of the Lowlands.' Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ('Rainy Day Women #12 & 35'). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again." --Stephen Thomas Erlewine, All Music
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LP
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CRNBR 16060LP
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Collecting several recordings from 1961, the year that a young Minnesotan became the epicenter of the nascent Greenwich Village folk scene, Come Back, Baby is a great view into the development of one of the greatest American songwriters ever. This great set features Bob Dylan's first ever radio performance, part of a 12-hour hootenanny on July 29th, two songs, and interviews for Oscar Brand's radio show, as well as alternate takes from Carolyn Hester's third album recording sessions, on which Bob plays harmonica. Mostly covering traditional folk and blues, this is a beautiful and crucial collection for any Dylan fan. 180 gram vinyl.
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CRNBR 16059LP
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Minneapolis/St. Paul, May 1960: a young Bob Dylan, still known as Robert Zimmerman and not yet even 19 years old, decides to drop out of college to move to New York City and pursue a career in folk music. That same month he plays a small gathering at Karen Wallace's apartment in St. Paul -- Karen's sister, Terri, was an early fan and supporter of Dylan's -- mostly covering American folk and blues standards, which he'd become obsessed with since starting at the University. Still a few years before his self-titled debut, this tape is one of the earliest documents of early Dylan, and since Karen Wallace attempted to sell the tape for $10,000 in the 1970s and subsequently disappeared along with the tape, its life is another great story in the history of Bob Dylan, one of the most enigmatic and idiosyncratic celebrities of the 20th century. 180 gram vinyl.
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LP
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WLV 82057LP
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Live At The Gaslight, NYC, September 6th, 1961 is a historic performance in many regards; it is one of the first known live recordings of the great Robert Zimmerman and, more importantly, the first known live recording to feature original songs ("Man On The Street", "Talkin' Bear Mountain Picnic Massacre Blues", and "Song To Woody"). Known amongst collectors as "The First Gaslight Tape", the sound quality on these recordings is fantastic, and it holds up as one of the best early Bob Dylan live recordings in both sound quality and performance.
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WLV 82060LP
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After the release of his self-titled debut in 1962, Bob Dylan spent the rest of that year and 1963 working on songwriting demos of his various publishing company clients. Long Time Gone compiles the best songwriting demos from that fruitful period. Along with early versions of stone-cold classics like "Masters Of War", "Don't Think Twice, It's Alright", and "The Times They Are-A-Changin'", this collection of a young Dylan at the start of his brilliant half-century plus career also includes long-forgotten beautiful obscurities like "All Over You" and "Walkin' Down The Line". Essential early demos from America's greatest 20th century songwriter.
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LP
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WLV 82017LP
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In the spring of 1962, folk music manager Albert Grossman began to take an active interest in Bob Dylan. He proposed that Dylan sign with the prestigious publisher M. Witmark & Sons. Dylan signed a contract with Witmark on July 12 and immediately recorded a demo of what would become his breakthrough song, "Blowin' in the Wind". Four months passed before Dylan returned to record another song, "Ye Playboys and Playgirls", but the next month, in December, he showed up with many new compositions, including three that would become classics of his, "A Hard Rain's a-Gonna Fall", "Ballad of Hollis Brown", and "Tomorrow Is a Long Time". All of Dylan's 1962 demos for Witmark are reproduced here on Wax Love.
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WLV 82026LP
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Cynthia Gooding was a folk singer best known for her radio show, which was broadcast on New York's WBAI. It was on this show in early 1962 that she recorded an interview and performance with the then unknown Bob Dylan, whose first album had yet been released. A stunning and clear performance featuring covers and many of his earliest canonical songs, an important document in the nearly 60 year career of an American icon.
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WLV 82010LP
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2018 repress. Unlike his debut (WLV 82001LP) -- which took only two days in the studio to record -- The Freewheelin' Bob Dylan finally emerged in May 1963 after some eight sessions at Columbia Records Studio A, over the course of nearly a year. The time and effort paid off in spades, as he emerged from the studio a fully-formed bona fide songwriter with a legitimate hit on his hands. Obviously, the final album left much material on the cutting room floor and with this release, Wax Love bring some of that rarely heard material back to light. A mix of originals that never made it onto any LP, alternate takes, and cover songs, Freewheelin' Outtakes: The Columbia Sessions, NYC, 1962 captures America's most important living songwriter at a pivotal moment in his career when he emerged from the Greenwich Village folk scene to become the voice of his generation.
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LP
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WLV 82001LP
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Wax Love present a reissue of Bob Dylan's debut album, originally released in March of 1962. Bob Dylan's debut album announced the arrival of a singer-songwriter who would change the face of 20th century music and popular culture. Though it was Freewheelin' the following year that would make him an international star and the voice of a generation, this debut is a crucial piece of folk music history and a stunning example of his early song-craft. Back in print with a beautifully redesigned cover on Wax Love. Includes a bonus track, "Mixed-Up Confusion".
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PIC. DISC
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DOP 8017LP
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Doxy present a picture disc reissue of Robert Zimmerman Plays Bob Dylan, a compilation released by the label in 2013. As the title, Robert Zimmerman Plays Bob Dylan, implies, these recordings show the young man everybody knows as Bob Dylan, finding his way in New York City after bumming a ride from Madison in the early months of 1961. Featuring songs that were left off of his first two Columbia LPs, Bob Dylan (1962) and The Freewheelin' Bob Dylan (1963), as well as other assorted demos and unreleased recordings, this essential LP of early recordings perfectly captures his growth from traditional folk music interpreter into what he would become: America's greatest living songwriter. Presented here on a limited edition picture disc.
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LP
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JAM 13014LP
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After the 1962 release of his self-titled debut LP, Bob Dylan spent the rest of that year and 1963 working on songwriting demos for his various publishing company clients. This wonderful LP compiles the best songwriting demos from that fruitful period. Along with early versions of stone-cold classics like "Masters Of War," "Don't Think Twice, It's All Right," and "The Times They Are A-Changin'," this collection of a young Dylan at the start of his brilliant six-decade career also includes beautiful, long-forgotten obscurities like "All Over You," and "Walkin' Down The Line." Essential early demos from America's greatest songwriter.
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LP
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JAM 13012LP
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Cynthia Gooding was a folk singer best known for her radio show, which was broadcast on New York's WBAI. It was on this show in early 1962 that she recorded an interview and performance with the then unknown Bob Dylan, whose first album had yet been released. Folksinger's Choice Radio Broadcast is a stunning and clear, early performance from the 2016 Nobel Prize winner.
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CD
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LFM 517CD
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"This 80-minute collection represents Dylan at his most fertile via radio and television broadcasts made throughout this astonishing era. The collection features songs and interviews from the 1961 folk Hootenanny at the Riverside Church, New York, just six months after Bob's arrival in NYC and before he had even signed a record deal. His appearance on Oscar Brand's Folk Song Festival broadcast in October 1961, aired on WNYC radio, is then featured, followed by a second Oscar Brand radio show broadcast on WNBC in the spring of 1963. Two television appearances from The Steve Allen Show in February 1964 and the Les Crane Show in February 1965 - barely a month before the release of Bringing It All Back Home - complete this superb set. Featuring an eclectic selection of Bob's take on otherwise unreleased traditionals, plus a number of Dylan classics, this CD will surely remain the default collection of live Dylan during his greatest era."
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CD
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BDA 108CD
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"While Bob Dylan has, in later years certainly, been accused of reclusive behavior when it comes to TV and radio interviews, he has never been one to avoid coming forward to play his music live for television audiences. Indeed many of his studio albums since 1969's Nashville Skyline have encouraged some form of promotional appearance on 'the box'. This album captures many of these broadcasts for the first time on CD, starting in 1969 with Bob's duet on the Johnny Cash show, and taking the trail through the 1970s, which includes live versions of cuts from albums such as Blood on the Tracks and Slow Train Coming, and into the early 1980s with numbers from Infidels. Including 13 broadcast recordings in all and with a generous playing time of 65 minutes, this CD will prove a true delight for all Dylan fans as it presents a rare collection of alternative versions of much loved Bob Dylan compositions."
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3DVD
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IS 061DVD
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"More than 50 years ago Bob Dylan entered New York's Greenwich Village and created a one man tidal wave of musical change which most commentators of substance would agree was near instrumental in kick-starting what has come to be thought of as 'modern music' or 'the rock age'. Dylan would of course balk at the idea, but by taking elements of just about everything that had gone before and dragging from the resultant soup a coherent blend of something that no one has ever been quite able to put their finger on, but which appealed to masses of youngsters, he succeeded as though destined to do so for millennia; Elvis and Little Richard had gone part of the way but Bob drove in the final nails of the coffin that put the past to rest and changed music in a way it had never changed before. This three disc set celebrates and documents the era during which Bob Dylan pulled off this extraordinary feat and created a musical enlightenment by doing so. Featuring documentary and interview material as well as rare footage from the time, this collection will leave no viewer in doubt as to where the roots of what we now largely take for granted were sown."
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CD
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BDA 103CD
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"Further to BDA's previous collections (Carnegie Hall & The Minnesota Party Tape) comes the third album in the 1961 series of rare and previously unreleased Dylan material, this time showcasing an early stint at the infamous Gaslight Cafe in NYC's Greenwich Village, and the December recordings made at his friend Bonnie Beecher's apartment back in Minnesota - the same venue that witnessed the 'Party Tape' in May of the same year. Dylan played the Gaslight a number of times but this particular performance is one of only two for which any recordings exist - it is believed to be the set he played there on 6th September '61. Bonnie Beecher's apartment (aka the Minneapolis Hotel) was a regular stopping off point for Bob on his way home to visit his parents in Hibbing, and while there he would often play in front of old college friends. This recording was made a few days before Christmas - on 22nd December 1961- en route to spending the festivities with his folks. The recording here features all the known songs that were recorded, except those the 5 that have previously been released by Sony on various of the Official Bootleg Series or on the Highway 61 cd-rom. Both recordings here feature the very best sound recordings known to exist making this CD both a hugely important historical document and a delightful collection of Bob Dylan's earliest work."
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LP
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JAM 13002LP
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Repressed. This document of a performance at The Gaslight Cafe, NYC, on September 6, 1961, is historic in many ways; it is one of the first known live recordings of the great Robert Zimmerman and, more importantly, the first known live recording to feature original songs ("Man On the Street," "Talkin' Bear Mountain Picnic Massacre Blues," and "Song to Woody"). Known among collectors as the First Gaslight Tape, the sound quality on these recordings is fantastic, and the set holds up as one of the best early Dylan live recordings in both sound quality and performance. Essential!
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LP
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SUITABLE 1310LP
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"In the spring of 1962, folk music manager Albert Grossman began to take an active interest in Bob Dylan. He proposed that Dylan sign with the prestigious publisher M. Witmark & Sons. Dylan signed a contract with Witmark on July 12 and immediately recorded a demo of what would become his breakthrough song, 'Blowin' in the Wind.' Four months passed before Dylan returned to record another song, 'Ye Playboys and Playgirls,' but the next month, in December, he showed up with many new compositions, including three that would become classics of his, 'A Hard Rain's a-Gonna Fall', 'Ballad of Hollis Brown,' and 'Tomorrow Is a Long Time.' All of Dylan's 1962 demos for Witmark are reproduced here on LP for the first time."
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2LP
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SUITABLE 1305LP
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"The night of November 4, 1961 marks one of the most important performances of the legendary Bob Dylan's early career. Coming just 10 months after he arrived in NYC, and a mere 10 days after he signed a recording contract with Columbia Records, Bob Dylan ventured north of Greenwich Village to play a concert for the first time. The fact that only 50 or so people were in attendance or that it took place in what amounted to a rehearsal room on the sixth floor of the storied Carnegie Hall only adds to the mystique. Could you imagine being one of those 50 lucky souls to witness America's most celebrated songwriter at the brink of stardom? Featuring 22 songs, a mix of traditional folk, blues, Woody Guthrie covers, and originals -- including many tunes that would be included on his debut album released early the following year -- Mr. Suit is pleased to present this legendary concert in its entirety on a deluxe 2LP set."
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LP+CD
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DOK 327LP
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"Of the handful of live dates available from 1962, Finjan Club In Montreal, July 2, 1962, may be Bob Dylan's most passionate and commanding performance. In addition to being a stellar performance, with great sound quality for the era, this live date is also of note for including many rarely heard Dylan originals including 'The Death of Emmett Till,' 'Quit Your Lowdown Ways,' and 'Let Me Die in My Footsteps'. Doxy is pleased to present this deluxe version of the show on 180 gram vinyl + bonus CD with detailed liner notes."
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DOY 685LP
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"As the title, Robert Zimmerman Plays Bob Dylan, implies, these recordings show the young man we all now know as Dylan finding his way in NYC after bumming a ride from Madison in the early months of 1961. Featuring songs that were left off of his first two Columbia LPs, Bob Dylan and The Freewheelin' Bob Dylan, as well as other assorted demos and unreleased recordings, this essential LP of early recordings perfectly captures his growth from traditional folk music interpreter into what he would become: America's greatest living songwriter."
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DVD
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SI 571DVD
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"The story of Bob Dylan and The Band, featuring rare footage, archive interviews, and the music that changed the world. In 1966, Bob Dylan began his first electric world tour. It was a landmark moment, both for Dylan and for the history of rock music, and it bitterly divided his audience. Backing Dylan on stage was an obscure group of Canadian musicians collectively known as The Hawks. After a lengthy convalescence in New York's Catskill Mountains, when both parties re-emerged, Dylan had undergone an artistic transformation that sent ripples across American music and The Hawks had become simply 'The Band,' one of the most important recording groups of their generation. This is the story of their relationship." All-region NTSC format; total running time: 114 minutes; stereo; aspect ratio: 4:3.
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LP
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PC 9604HLP
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Dylan's eighth studio album, released in 1967. 180 gram repro reissue. "A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as 'I'll Be Your Baby Tonight,' are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like 'All Along the Watchtower,' 'I Dreamed I Saw St. Augustine,' and 'The Wicked Messenger' revealing several layers of meaning with repeated plays." -- All Music Guide
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2CD
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CHROME 5032CD
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"Following the huge success of Chrome Dreams' previous compilations featuring tracks played by Bob Dylan on the first and second series of his Theme Time Radio Hour, we now proudly present a further 50 tracks as played by Bob across the third series of the show. The selections are equally as eclectic, fascinating and enjoyable as those he played during the first and second series, and again each show was themed by subject matter. With extensive liner notes again provided by Dylan expert and editor-in-chief of Isis magazine ('the world's bestselling Dylan journal'), Derek Barker, this latest collection is certain to match the success of the previous volumes and once again is set to become a must-have-item for Dylan fans and of fans of American roots music alike." Zimmy plays songs by Amos Milburn, Billie Holiday, Bo Diddley, Carl Perkins, Clarence "Bon Ton" Garlow, Clarence "Frogman" Henry, Clarence Ashley, Conway Twitty, Ella Fitzgerald, Elmore James, Floyd Dixon, Georgia Tom/Tampa Red, Hank William, Harry Belafonte, Harry McClintock, Hot Lips Page, Ike Turner, Jack Palance, Jackie Brenston, Janis Martin, Jimmy Ballard, Lazy Bill Lucas, Lazy Lester, Lefty Frizzell, Leon Chappel, Little Esther, Little Maxie Bailey, Lonzo & Oscar, Louis Jordan & His Tympany 5, Mac Curtis, Memphis Jug Band, Mose Allison, Muddy Waters, Pilgrim Travelers, Professor Longhair, Ray Charles, Redd Foxx, Sarah Vaughan, Smiley Lewis, Sonny Boy Williamson, T-Bone Walker, The Bailes Brothers, The Clovers, The Drifters, The Four Deuces, The Robins, Warren Smith, Willie Mabon, Woody Guthrie and Zuzu Bollin.
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