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viewing 1 To 25 of 36 items
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JPR 045LP
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"The 1969 follow up to Silver Apple's debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation. Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to break up. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Original Controversial Artwork; New 24 bit/ 96 kHz taken from the original master tapes; Rare Master Tape Box photos included; Limited Edition Colored Vinyl."
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JPR 049LP
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"In the endless ocean of Sun Ra recordings, Space Is The Place ranks among the very best but more importantly stands as the most immediately understandable of his records. This masterpiece touches flawlessly on elements of many of Ra's multiple phases and provides both a mission statement for and a gateway to his immaculate body of work. Originally released in 1973; Tip-on Gatefold Jacket; Original Artwork; Limited Transparent Blue Colored Vinyl."
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JPR 046LP
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"Long before selling over 40 million records and before he sang a note, Willie Nelson started his career as a songwriter/hitmaker. The ... And Then I Wrote LP, originally released in 1962, debuted Willie Nelson's unique vocal stylings to the world. Featuring all original compositions including the legendary hits 'Crazy' (made famous by Patsy Cline) 'Touch Me' and 'Hello Walls' Jackpot Records is honored to release this momentous record on stellar colored vinyl from the master tapes with the original artwork."
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JPR 040LP
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"Released in July 1968 on Reprise Records, Vol. 3: A Child's Guide To Good & Evil is considered to be the band's most accomplished work and a masterpiece of the psychedelic genre. Released just nine months after Vol. 2, the band explores their incredibly creative psychedelic pop song writing with an accomplished mastery of studio techniques. Featuring iconic original artwork by John Van Hamersveld (Beatles, Rolling Stones). A long awaited reissue from the master tapes."
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JPR 038LP
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2018 repress. "Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band were considered by many to be the West Coast's answer to the Velvet Underground. The group created California psych/rock music that was both fragile and dreamy. Part One was originally released in 1967 on Frank Sinatra's Reprise Records. Though they didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved a cult status among collectors and people curious about a rich, albeit short-lived musical genre known as West-Coast Psychedelia. First time reissued in mono, from the original master tapes."
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JPR 039LP
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"Released in 1967 on Reprise Records as a follow up to Part One, Vol. 2 takes the band into more ambitious territory. Reaching out to more psychedelic territory than the debut LP, Vol. 2 maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freak-outs, to multilayered avant-garde compositions at a moment's notice. First time reissued in mono, from the original master tapes."
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JPR 035LP
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"Knocking audiences on their asses in the U.K. for over 10 years, Riding The Low's U.S. debut release arrives wrapped within that rare space of the best British rock, pop & post-punk smashing straight into their love of the American indie underground. These songs will not leave you."
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JPR 021LP
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2016 splatter-color vinyl repress. "Initially released in July of 1970, five hundred copies were pressed. Subsequently, auctions on Ebay for an original vinyl LP go for $2000. The New Dawn's There's A New Dawn has been hailed as one of the rarest and best psych albums to come out of the late '60s/early '70s. Fuzz guitar, minor-chord organ dirges, tender vocals and monumental bass are the calling cards of this private press gem. Maybe it's all the rain, but like their Northwest counterparts, The New Tweedy Brothers and The Sonics, The New Dawn helped to establish a regional musical perspective that is hauntingly addictive. After being highly sought after by collectors, we are proud to release this definitive reissue, produced in close collaboration with Dan Bazzy, singer, songwriter, and founder of The New Dawn. Also included are three previously unreleased 1971 demos and a live track from a 2008 band reunion. Limited edition color vinyl of 500 with MP3 download. Includes band history and historic photos. Complete original track listing plus four bonus tracks. Hailed as a 'Masterpiece of Music' by Hans Pokora author of the book series, Record Collector Dreams."
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JPR 032LP
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Limited-edition colored vinyl. "Continuing in our series of Chess Record Reissues, Jackpot Records presents this compilation of landmark original studio singles, from Chicago blues artist Howlin' Wolf. Originally recorded from 1954-1965. Howlin' Wolf electrified the sound of the Mississippi Delta blues and brought it to Chicago, laying down what would become the foundation of rock and roll in the early 1950s. Delivered in his gruff, haunting voice, his lyrics spoke of his hard life experiences and his signature growlin' mesmerized audiences and blues musicians alike. Howlin Wolf helped make Chess Records a historic label and solidified Chicago as the world's capital of blues."
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JPR 037LP
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"Etta James debut LP originally released in 1960, featuring the classic hit song 'At Last'. Blues, soul, jazz, R&B and rock vocalist Etta James needs no introduction. An icon from early rock'n'rolls pantheon of divas, she has inspired five decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated, but never quite matched. Jackpot Records is honored to release this momentous record with the original album artwork and 4 bonus tracks (previously only available on CD)."
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JPR 033LP
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Limited-edition colored vinyl. "Super Super Blues Band started out merely as Super Blues, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin' Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing-talking of early hip hop, laced with random screams in the background that teeter between celebration and danger. That these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more 'super' in there."
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JPR 7107LP
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2016 repress. "Lazy Smoke - Corridor Of Faces is held in high regards as one of the rarest psych albums ever made. The sole offering recorded in Massachusettes in 1968, Lazy Smoke is a cohesive, solid, classic album in every sense. The first remarkable trait of Lazy Smoke's sound is the lead vocal's similarity to John Lennon. Upon digging just a little deeper below the surface, we instead find a darker tone and a patient, eerie feeling resonating through the songs. While bands like The Beatles and Love were singing about love, lament and hallucinated travel experiences, the songs on Corridor of Faces get sincerely dark right away. Even the seemingly-light teenage love-themed 'Sarah Saturday' shares an undercurrent of on-the-edge uncertainty. It's this undercurrent that calls to mind comparisons to Forever Changes era Love. Originally privately pressed in MA in an edition of only 500 copies in 1968. Now repressed again in 2016 in an edition of 500 transparent light green vinyl."
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JPR 034LP
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2017 repress. Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), Silver Apples quickly gained a reputation as New York's leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become 'Krautrock' Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more."
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JPR 031LP
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2017 repress, black vinyl. "Originally released in Turkey 1973, Özkent's masterpiece (creation) of an all instrumental Turkish Psychedelic Funk album, filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ's and music fans alike. Only a handful of copies from the original pressing are known to still exist making this reissue a welcome addition to any record collection. The concept is very complicated, futuristic and free from categorization. Traditional folk songs mixed with rock, jazz, blues, funk and psych. Özkent took traditional turkish folk songs and reconstructed them for the new 'hip' generation. It was recorded live in just one day with some of the best studio musicians in Turkey. The band was made up of 2 drummers, 2 guitarists, 2 percussionists, a bassist and a Hammond B3 organist. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey. But this unique album documents his most revered work. In the more than 40 years since the Mustafa Özkent Ve Orkestrası recorded Gençlik İle Elele, it seems that the world is still just discovering this gem."
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JPR 029LP
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2016 repress. "Best known for the lush 1961 rendition of the ballad 'At Last' - a slow-dance staple at wedding celebrations everywhere, she is also celebrated for having recorded one of the best live albums of all time, Rocks the House. Recorded in 1963 at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording. Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock'n'roll's pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched. Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD."
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JPR 026LP
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"In 2010, Jackpot reissued Lazy Smoke's Corridor of Faces, the sole output from a short-lived Massachusetts psychedelic pop anomaly called Lazy Smoke, which existed for a blink of an eye in 1968. Unearthed and recently recovered is this handful of spare demos. Crushingly honest and intimate, most of these songs would later see reworked for the debut album. In addition to the twelve 1967 demos, the Corridor of Faces Demos LP also includes two songs originally recorded to acetate in 1966 by pre-Lazy Smoke project: The Road Runners. These two slabs of proto-garage have never seen the light of day, and none of the songs included here have ever been released on vinyl. A must have for any fan of the proper album, but also a fantastic stand alone piece, creating an undeniable mood that can warm or chill you before any given song comes to a close."
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JPR 82807LP
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"The Wipers The Power in One became the final Wipers recording. Recorded in 1998 by Greg Sage, all tracks were recorded through vacuum tubes. 'As with every Wipers LP I would spend many months observing people and their situations to get ideas of what was in their mind and their motivations. This was always where the inspiration would come from for our songs. I would get a glimpse of the future by doing this and it was easy to write songs that would make sense 10 years from then. The Wipers songs and sound has always been a reflection of real life. I would look for raw and powerful emotions to write about, things that would bring a sense and illusion of realism, this would make our LPs more personal to the listener. I got so many songs from just walking the streets of Portland and watching people.' - Greg Sage (The Wipers). Re-mastered from the original tapes."
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JPR 025LP
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"Let's get this out of the way -- for the casual listener, the musical window shopper, there is just nothing for you here. This music will confuse you, maybe annoy you, perhaps even cause a panic attack. Even reading about it will probably just confuse and annoy; so better just stop now and forget about it. Alright -- who's left? You are not 90% -- you are the music freaks, the true heads, and of course, the drummers! Because this record is a document of what happens when Matt Cameron, Janet Weiss, and Zach Hill - three of the most remarkable drummers of late period rock 'n' roll, whose collective roll call of bands - Pearl Jam, Sleater-Kinney, Hella, Quasi, Soundgarden,Wild Flag, Death Grips, Boredoms - have had a heavy impact on all levels of rock 'n' roll from full blown arena rock to the radical fringe underground, set up together in a room and just commence to explode. Comes with a free download of the album."
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JPR 023CD
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"Inspired by a 'what the fuck' philosophy, Loosen the Lead and Spoil the Dogs is a throwback to days when artists crafted records to be listened to as albums. This third full-length from Colossal Yes (a project masterminded by Comets on Fire drummer Utrillo Kushner) embraces unhinged power pop, bleary-eyed classic rock, and channels the late-night, art with meaning vibe, of early 70's singer-songwriters. The result is an album that rides high with optimism like an unscratched lottery ticket. Joining Kushner in this recording were friends and cohorts including Ben Chasney (Six Organs of Admittance, Comets on Fire, Rangda), Ben Flashman (Comets on Fire), Noel Von Harmonson (Sic Alps, Comets on Fire) as well as members of Aisler's Set, East Bay Grease, Howling Rain and many others."
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JPR 023LP
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LP version with mp3 download.
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JPR 020CD
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"Jackpot Records is proud to present Idle Threat, a collection of never before issued recordings from 1977-78 Lawndale, California punks, The Skabbs. In tandem with the birth of punk, these music obsessed nerds, bored and listless at the end of the '70s, became disenchanted with the increasingly plastic tendencies of modern music. The Skabbs concocted some truly outsider sounds, melding jagged Devo-esque rhythms with lightning-fast technical touches that predicted the Minutemen by a few years. Sadly, the band was cut short in 1979 when songwriter and frontman, Steven Joseph Salazar dies at just 26 years old from a life-long heart condition. In their grief, The Skabbs choose to disband burying Salazar's legacy of songs with their sorrow. In retrospect, The Skabbs steadily became a scene unto themselves, making a proto-punk sound guided by a mission to simply make music that sounded less gross than Foreigner. With the exception of being recorded by SST producing genius Spot, The Skabbs were considered too weird for the art crowd and just terrified the hippies."
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JPR 020LP
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LP version. Includes liner notes and photos, plus an mp3 download.
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JPR 019CD
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"Coming from the brilliant minds of Quasi's Sam Coomes and Hella's Spencer Seim, Crock's debut record Grok is the end product of several years of refined collaboration, and truly a sound and vision unlike any other. Each song shifts and burns through an albums' worth of ideas in the compact space of 4 minutes. It's not so much a collage as it is some new kind of sonic highway where it's always rush hour. Amid all the electronic fragments, outsider doom riffs and dozens of other sounds racing by, at the center of the songs are the signature sounds of either of the creators. Coomes' instantly-recognizable vocal harmonies push some of the best songs from prog-freak out territory into the realm of Beatles-y pop wonder. The spazzy, sputtering drum work by Seim is not only on par with the best Hella moments, but serves as an anchor to the trails of sometimes blissful, sometimes crazed composition shooting off in all directions."
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JPR 019LP
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LP version on neon green-colored vinyl.
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JPR 7110CD
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"In spring 2010 multi-instrumentalist Dave Depper hit a wall. He'd recorded and toured the world with internationally-renowned artists (Jolie Holland, Mirah, the Decemberists) as well as beloved Portland institutions (Loch Lomond, Norfolk & Western, Musee Mecanique, Blue Giant), but to date had yet to record any music of his own. Lacking an album's worth of his own songs, he decided to take on the craziest project he could think of: re-recording Paul McCartney's finest solo effort, Ram, part by part, at home, all by himself, in 30 days. Using a couple of guitars, a keyboard, a Rickenbacker bass, a borrowed drum kit, one microphone and a laptop, Depper began obsessively hacking away at the record. He holed-up in his spare bedroom, often for 12 hours at a time, relentlessly pursing a task The Portland Mercury would later equate to climbing Mt. Everest alone. He meticulously recorded each nuanced piece and, bit by bit, the record began to come together. Thirty-one days after he had started he emerged, The Ram Project finished. The result is a gorgeous document that both pays homage to the colorfully cinematic McCartney classic and is uniquely Depper's."
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