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viewing 1 To 25 of 103 items
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PHS 066LP
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Nese Karaböcek is a popular Arabesque singer and film/TV star from Turkey. She started singing at a very young age and has a vast recording career. Yali Yali is a selection of her grooviest tracks from the '70s, including the massive psych-funk dancefloor bomb title track plus other fabulous examples of Anadolu pop-funk, mixing Turkish melodies and instruments with disco arrangements, Moog keyboards, funky drums... and more! Remastered sound; Color insert with photos.
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PHS 065LP
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Turkish psychedelic music fused with Anatolian rock. Makas' debut album, Dinazor, is an awesome new approach to Turkish traditional music, contemporary way. An impressive nine track collection of progressive rock blended with Anatolian melodies with obvious strong influence of Baris Manço and, in lesser intensity, of all the other icons of Anatolian rock.
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PHS 064LP
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LP version. Includes insert with liner notes by Chelique Sarabia. Pharaway Sounds present a reissue of Chelique Sarabia's Revolucion "Electronica" en Musica Venezolana, originally released in 1971. Ultimate space-age exotica trip from Venezuela. In the early '70s, well-known composer and arranger Chelique Sarabia (who penned the famous "Ansiedad" when he was just a kid) decided to register an album of traditional and folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog. Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtered these instruments through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds. The result was Revolución "Electrónica" en Música Venezolana, an album with a truly exotic, psychedelic, and ahead of its time sound. Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees, and friends of the company as a Christmas gift in 1973. It was titled 4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia (4 Phases of Four - Venezuelan Music Electronically Developed by Chelique Sarabia). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of Revolución "Electrónica" en Música Venezolana (Electronic Revolution in Venezuelan Music). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America. Master tape sound. Includes insert with liner notes by Chelique Sarabia.
"In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that Chelique Sarabia did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time." --Alex Figueira (Fumaça Preta)
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PHS 064CD
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Pharaway Sounds present a reissue of Chelique Sarabia's Revolucion "Electronica" en Musica Venezolana, originally released in 1971. Ultimate space-age exotica trip from Venezuela. In the early '70s, well-known composer and arranger Chelique Sarabia (who penned the famous "Ansiedad" when he was just a kid) decided to register an album of traditional and folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog. Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtered these instruments through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds. The result was Revolución "Electrónica" en Música Venezolana, an album with a truly exotic, psychedelic, and ahead of its time sound. Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees, and friends of the company as a Christmas gift in 1973. It was titled 4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia (4 Phases of Four - Venezuelan Music Electronically Developed by Chelique Sarabia). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of Revolución "Electrónica" en Música Venezolana (Electronic Revolution in Venezuelan Music). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America. Master tape sound. Includes insert with liner notes by Chelique Sarabia.
"In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that Chelique Sarabia did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time." --Alex Figueira (Fumaça Preta)
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PHS 061LP
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The 40 Watt Banana, formed in 1968, was a unique band in New Zealand, the only group that ventured into the esoteric realm of Indo-Afro psychedelic music. Peeled includes their sought-after 45 from 1971 (the sitar-psych-dancer "Nirvana") plus previously unreleased recordings full of sitar, tabla, sarod, tanpura, trumpet, recorder, effects, and tape echo. Formed by Kevin Clark and Dave Parsons, initially as a jazz combo playing in restaurants, they soon incorporated elements of Indian and African music to their sound, after some soul searching and spiritual experiences. The result was an atmospheric, spacey, improvised sound. In 1971, they released their only 45 for the HMV label. It featured a great sitar-psych track, "Nirvana", similar to other psychedelic jazz-pop-funk experiments from the time such as "Mathar" by Dave Pike Set. But during the late '60s and early '70s, the band also recorded other stuff which has remained unreleased until now. Includes insert with photos and liner notes by band member Kevin Clark (now a renowned world/jazz/fusion music artist).
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PHS 062LP
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Pharaway Sounds present the first ever vinyl reissue of Amanita's Sol Y Sombra, a German private press from 1978. Produced and recorded by the group and only sold at local shops and venues. Excellent and perfectly executed Latin-funk/jazz-fusion with heavy Brazilian vibes. Heavy Latin percussion/congas/berimbau, electric guitar, sax, flute, synths, Rhodes, male/female vocals in English/Spanish... Includes club classics like "Sol Y Sombra" (pure Balearic sound, championed by Jazzanova), "Just Like The Rainbow" (fab bossa-scat-jazz), "You Keep Me Running" (killer disco-boogie), "La Salsa" (hot Latin-funk-rock jam) and much more. Includes insert and download card.
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PHS 063CD
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Pharaway Sounds present a reissue of Bibi Den's Tshibayi's Sensible, originally released in 1983. A great mix of Zouk, Afro-funk, and boogie from the Ivory Coast circa 1983 -- Cool synths, electric guitar, Afro-Caribbean rhythms... Four long tracks, including the massive Afro-disco-boogie "Africa Mawa" plus two cool Afro/Zouk tracks and a deep ballad with psych guitar. Featuring Congolese musician Denis Bibi Den's Thsibayi and his band The Best, Sensible was recorded at Abidjan, Ivory Coast, after Denis Tshibayi was requested to play live there. M. Sacko helped with the production/editing and the album was originally released first as a tiny private pressing in the Ivory Coast and later in France on the Tangent label. During that time, Denis Thsibayi also recorded for Earthworks/Rough Trade and in the following decades he recorded with Adrian Sherwood (On-U Sound Records), Alpha Blondy, etc. Includes insert with liner notes and download card.
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PHS 063LP
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LP version. Includes insert with liner notes and download card. Pharaway Sounds present a reissue of Bibi Den's Tshibayi's Sensible, originally released in 1983. A great mix of Zouk, Afro-funk, and boogie from the Ivory Coast circa 1983 -- Cool synths, electric guitar, Afro-Caribbean rhythms... Four long tracks, including the massive Afro-disco-boogie "Africa Mawa" plus two cool Afro/Zouk tracks and a deep ballad with psych guitar. Featuring Congolese musician Denis Bibi Den's Thsibayi and his band The Best, Sensible was recorded at Abidjan, Ivory Coast, after Denis Tshibayi was requested to play live there. M. Sacko helped with the production/editing and the album was originally released first as a tiny private pressing in the Ivory Coast and later in France on the Tangent label. During that time, Denis Thsibayi also recorded for Earthworks/Rough Trade and in the following decades he recorded with Adrian Sherwood (On-U Sound Records), Alpha Blondy, etc.
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PHS 060LP
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Pharaway Sounds present a reissue of Cem Karaca's Yoksulluk Kader Olamaz, originally released in 1977. Yoksulluk Kader Olamaz is the fifth album by the Anatolian rock legends, and showcases a progressive pop/rock sound including the 11-minute epic, Moog-laden "Sevdan Beni". Remastered sound, color insert with photo and original artwork. Gatefold sleeve.
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PHS 057LP
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LP version. Pharaway Sounds presents a reissue of Barış Manco's second proper studio album, Nick The Chopper, originally released in 1976. Recorded in Belgium with help from session musicians related to Placebo, Janko Nilovic, and Mad Unity, among others, Nick The Chopper features lyrics in English, huge orchestral sections, and re-arrangements of many of the melodies from his 1975 masterpiece 2023 (GUESS 038CD/106LP). Barış spent his whole life trying to communicate to the wider world outside Turkey. This was his last attempt at doing so with an album before turning to a travel television show to visit faraway places and talk to the young and old, one on one. Every production trick of the glorious 1970s was deployed to push Barış Manco up the European charts, and now Pharaway Sounds pushes him right into your brain instead. Presented with newly designed artwork, remastered sound and an insert with photos and liner notes.
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PHS 055LP
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Pharaway Sounds presents Volume 1 of a set of exciting compilations featuring some of the best singles, originally released between 1974 and 1977, by Anadolu pop singer Gulden Karabocek. Bağlama and zurna mix with synthesizers, bubbling bass and wah-wah guitars. Traditional folk melodies fold neatly into nippy prog-funk arrangements that owe a lot to pioneering bands like Barış Manço's Kurtalan Ekspres. All tracks have been newly remastered and packaged with photos and liner notes.
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PHS 056LP
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Pharaway Sounds presents Volume 2, another compilation featuring more heat by Anadolu pop singer Gülden Karaböcek. On these tracks, originally released 1972-77, Karaböcek mixes traditional Anatolian melodies and instruments like bağlama and zurna with synthesizers, wah-wah guitars, and psych-funk arrangements, echoing the music of Selda or Kamuran Akkor. Presented with remastered sound, and an insert with photos and liner notes.
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PHS 057CD
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Pharaway Sounds presents a reissue of Barış Manco's second proper studio album, Nick The Chopper, originally released in 1976. Recorded in Belgium with help from session musicians related to Placebo, Janko Nilovic, and Mad Unity, among others, Nick The Chopper features lyrics in English, huge orchestral sections, and re-arrangements of many of the melodies from his 1975 masterpiece 2023 (GUESS 038CD/106LP). Barış spent his whole life trying to communicate to the wider world outside Turkey. This was his last attempt at doing so with an album before turning to a travel television show to visit faraway places and talk to the young and old, one on one. Every production trick of the glorious 1970s was deployed to push Barış Manco up the European charts, and now Pharaway Sounds pushes him right into your brain instead. Presented with newly designed artwork, remastered sound and an insert with photos and liner notes.
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PHS 059LP
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Pharaway Sounds present a reissue of Modern Folk Oyun Halavarı by Turkish guitar master Cengiz Coşkuner, originally released in 1984. Reissued on vinyl for the first time, Modern Folk Oyun Halavarı is an album full of exotic/oriental belly dance instrumental sounds, evoking artists such as Omar Khorshid.
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PHS 058CD
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Pharaway Sounds present the first ever reissue of Cuasares' Afro-Progresivo, originally released in 1973. A wild, esoteric mix of psychedelic funk, Afro-Latin grooves, jazz, and Italian/French-styled library sounds courtesy of Cuasares, an enigmatic studio project created by pianist/arranger/visionary Waldo Belloso. Acid fuzz guitar, cosmic synth splashes, distorted organ, flute, vibraphone, and trippy studio effects. Originally released in Argentine in 1973 as a micro-edition. Includes insert with photos and detailed liner notes by Eduardo A. Elizalde Pietruczyk (aka Bubbling Minds) and Mike Wallace.
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PHS 058LP
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2019 repress; LP version. Includes download card. Pharaway Sounds present the first ever reissue of Cuasares' Afro-Progresivo, originally released in 1973. A wild, esoteric mix of psychedelic funk, Afro-Latin grooves, jazz, and Italian/French-styled library sounds courtesy of Cuasares, an enigmatic studio project created by pianist/arranger/visionary Waldo Belloso. Acid fuzz guitar, cosmic synth splashes, distorted organ, flute, vibraphone, and trippy studio effects. Originally released in Argentine in 1973 as a micro-edition. Includes insert with photos and detailed liner notes by Eduardo A. Elizalde Pietruczyk (aka Bubbling Minds) and Mike Wallace.
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PHS 053LP
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Famous for their matching, colorful suits and always-happy smiles, Beyaz Kelebekler ("White Butterflies") were a mixed-gender Turkish band very popular during the '70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one-take recording, using an eight-channel mixer, a few mics, and a reel-to-reel tape machine. The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male/female vocals... Unreleased until now, Pharaway Sounds present the first ever release of these surprising recordings, rescued from the only surviving cassette tape. Includes color insert with photos.
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PHS 054LP
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Pharaway Sounds present Turkish legend Cem Karaca's fourth album Parka, originally released in 1977. Parka is a compilation of singles released in Turkey between 1969 and 1976, featuring Dervişan, Kardaşlar, Apaşlar, and Moğollar. You can expect the usual dose of powerful and deep vocals by Karaca backed by great Anatolian arrangements.
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PHS 049CD
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Disco music, Philadelphia sound, and Salsoul fever were also present in the rumba-pop and flamenco-funk scene of Spain in the late '70s/early '80s. Producers, sound engineers, and studio musicians collaborated closely with flamenco/rumba singers and bands. Among others, Pharaway Sounds offer a compilation highlighting the production/studio work that genius Josep Llobell did for the Belter label in Barcelona. 12 disco-rumba-flamenco-boogie bombs, a time machine to the Spanish boîtes and discotheques of the late '70s and the perfect soundtrack to an imaginary "Kinki" cinema soundtrack. Features Sangre Gitana, Rumba Tres, Los Gachós, Tobago, La Marelu, Barracuda, Juan Bautista, Las Deblas, El Turronero, and Sangre Gitana. Includes insert with liner notes by Txarly Brown (Achilifunk) and photos.
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PHS 048CD
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From the archives of the legendary Belter and Discophon labels, essential to understand the birth of the Catalan rumba and flamenco-pop genre in Spain, Pharaway Sounds have selected 14 dance-friendly tracks taken from overlooked LPs and 45s. This is the real gipsy-funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah-wah, organ, electric bass, exotic percussions, soulish horns, Latin and even oriental touches... Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars, and groovy rumba-pop bands: Dolores Vargas "La Terremoto", Chango, Rosa Morena, Rumba Tres, El Príncipe Gitano, El Noi... Also features Lola Flores, Los Candelos, Lola Flores Y Antonio González, Teresiya, Los Candelos, La Marelu, and Dolores Abril. Master tape sound. Includes insert with photos and liner notes by Txarly Brown (Achilifunk).
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PHS 048LP
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LP version. From the archives of the legendary Belter and Discophon labels, essential to understand the birth of the Catalan rumba and flamenco-pop genre in Spain, Pharaway Sounds have selected 14 dance-friendly tracks taken from overlooked LPs and 45s. This is the real gipsy-funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah-wah, organ, electric bass, exotic percussions, soulish horns, Latin and even oriental touches... Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars, and groovy rumba-pop bands: Dolores Vargas "La Terremoto", Chango, Rosa Morena, Rumba Tres, El Príncipe Gitano, El Noi... Also features Lola Flores, Los Candelos, Lola Flores Y Antonio González, Teresiya, Los Candelos, La Marelu, and Dolores Abril. Master tape sound. Includes insert with photos and liner notes by Txarly Brown (Achilifunk).
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PHS 049LP
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LP version. Disco music, Philadelphia sound, and Salsoul fever were also present in the rumba-pop and flamenco-funk scene of Spain in the late '70s/early '80s. Producers, sound engineers, and studio musicians collaborated closely with flamenco/rumba singers and bands. Among others, Pharaway Sounds offer a compilation highlighting the production/studio work that genius Josep Llobell did for the Belter label in Barcelona. 12 disco-rumba-flamenco-boogie bombs, a time machine to the Spanish boîtes and discotheques of the late '70s and the perfect soundtrack to an imaginary "Kinki" cinema soundtrack. Features Sangre Gitana, Rumba Tres, Los Gachós, Tobago, La Marelu, Barracuda, Juan Bautista, Las Deblas, El Turronero, and Sangre Gitana. Includes insert with liner notes by Txarly Brown (Achilifunk) and photos.
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PHS 051LP
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LP version. Pharaway Sounds present Anana Funk Hip, 1970-1975, a compilation of recordings by Dolores Vargas "La Terremoto". Anana Funk Hip is dedicated to the '70s period of Dolores Vargas, known as "The Earthquake" due to her wild and frenzied dancing style. In these songs, released 1970-1975, you'll hear killer sound and production mixing funk, rock, and pop with the powerful vocal style of "The Earthquake". Including real gipsy-funk bombs like "A La Pelota", "Anana Hip", or "La Hawaiana" along with her bizarre cover version of "Chirpy Chirpy Cheep Cheep" and much more. If you're looking from flamenco funk and groovy rumba pop, look no further. Master tape sound. Includes insert with liner notes by Txarly Brown (Achilifunk) and photos.
From Txarly Brown's liner notes: "Dolores Vargas was our wildest performer, our Spanish Tina Turner, Ikettes-era. In my opinion, she was a better dancer and singer than Lola Flores but she never received the same media attention than the famous Lola. Maybe it's better this way. Dolores Vargas is wine for sommeliers and since now, music for connoisseurs."
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PHS 044LP
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LP version. Pharaway Sounds present No Llores Mas, a compilation of recordings from Morena Y Clara. There were two labels in Spain during the '70s which were essential to understand the birth of the rumba-flamenco-pop genre: Belter and Discophon. Thanks to the work of adventurous in-house producers and sound engineers like Josep Llobell, Joan Barcons and Lauren Postigo, funk, rock, disco and jazz arrangements were incorporated to recordings of folkloric flamenco singers and rumba bands. The result was explosive and the Spanish market was flooded with "gipsy-rock" or "rumba pop" 45s and LPs, some of them highly sought-after today by international DJs looking for exotic beats. The apparition of Spanish female duo Las Grecas with their gipsy-rock sound in the '70s created quite a boom in the Spanish market at the time and paved the way for other similar gipsy-rock duos. Morena Y Clara were one of them. Launched by bizarre flamenco producer Lauren Postigo, they released a string of 45s and three LPs (highly sought after now) for the Discophon label. They mixed rumba, flamenco, psychedelic rock, funk, and disco music featuring an amazing production (heavy drums, fuzz-wah-phaser electric guitars, Moog, Hammond) over the wild flamenco female vocals of the duo. No Llores Mas features their psycho-tronic hits like "No Llores Más", "Dejé De Quererte", "Buscando Alegría", and more. Includes insert with liner notes by Txarly Brown (Achilifunk) and photos.
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PHS 044CD
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Pharaway Sounds present No Llores Mas, a compilation of recordings from Morena Y Clara. There were two labels in Spain during the '70s which were essential to understand the birth of the rumba-flamenco-pop genre: Belter and Discophon. Thanks to the work of adventurous in-house producers and sound engineers like Josep Llobell, Joan Barcons and Lauren Postigo, funk, rock, disco and jazz arrangements were incorporated to recordings of folkloric flamenco singers and rumba bands. The result was explosive and the Spanish market was flooded with "gipsy-rock" or "rumba pop" 45s and LPs, some of them highly sought-after today by international DJs looking for exotic beats. The apparition of Spanish female duo Las Grecas with their gipsy-rock sound in the '70s created quite a boom in the Spanish market at the time and paved the way for other similar gipsy-rock duos. Morena Y Clara were one of them. Launched by bizarre flamenco producer Lauren Postigo, they released a string of 45s and three LPs (highly sought after now) for the Discophon label. They mixed rumba, flamenco, psychedelic rock, funk, and disco music featuring an amazing production (heavy drums, fuzz-wah-phaser electric guitars, Moog, Hammond) over the wild flamenco female vocals of the duo. No Llores Mas features their psycho-tronic hits like "No Llores Más", "Dejé De Quererte", "Buscando Alegría", and more. Includes booklet with liner notes by Txarly Brown (Achilifunk) and photos.
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