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Search Result for Artist frizzi
viewing 1 To 15 of 15 items
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LP
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LPOST 077LP
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$43.00
PREORDER
RELEASE DATE: 8/21/2026
Cinevox Records, in collaboration with AMS and Beat Records Company, presents the first-ever vinyl release of Il Secondo Tragico Fantozzi's soundtrack, marking the 50th anniversary of the theatrical release of Fantozzi II. Fantozzi II, directed again by Luciano Salce, is the sequel to the highly successful first film, released just a year earlier. It picks up on the original plot, expanding it with numerous new situations involving Italy's most famous accountant, played by Paolo Villaggio. The soundtrack, composed by Franco Bixio, Fabio Frizzi, and Vince Tempera, draws inspiration from the previous album's mood and quickly becomes a true cultural marker for the Fantozzi film phenomenon. It shrugs off the idea of simply reworking the previous year's score and quickly stands on its own two feet. Available on vinyl for the first time, this 50th anniversary edition features the period poster photo on the cover, depicting Paolo Villaggio as a lightning rod. The 12-inch crystal white vinyl is available in 400 exclusive copies, mastered by Claudio Fuiano, and graphic design by Daniele De Gemini.
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LP
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LPOST 071LP
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Crystal white vinyl. The film is based upon books written by Paolo Villaggio and narrates the misadventures of accountant Ugo Fantozzi, and his vicissitudes on his workplace and private life. It builds a unique communicative style to which generations of Italian people are fond. The soundtrack composed by Fabio Frizzi, with the collaboration of musicians Vince Tempera and Franco Bixio, is based upon the cue "La Ballata di Fantozzi," a cult track that literally everybody in Italy could whistle by memory, just to witness the immense cultural heritage of this cinematic franchise. This edition pays homage to the 50th year of life of Beat's favorite accountant and, aside the aforementioned cue features other cult tracks such as "Impiegatango," the New Year's Eve party music, the themes describing Fantozzi's "love affair" with Mrs. Silvani, music describing hallucinations of Fantozzi and Filini, the background music in the Japanese restaurant and alternate versions of "La ballata di Fantozzi." A release that marks an important appointment for all film music and Fantozzi lovers now available in a limited edition on crystal white LP, cover featuring the logo of the movie and Paolo Villaggio silhouette embossed, mastering by Claudio Fuiano, graphic layout by Daniele De Gemini featuring on the cover the crucifixion scene in the canteen room and, on the back, a lobby card reproduction displaying an epic scene of the football match "married vs singles."
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LP+CD
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FBS 005CD
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Reduced price, last copies! After two years of absence from Beat Records' catalog the label reveals a new edition of Fabio Frizzi's fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project Beat Records worked on for five years. Since ever paired with Un gatto nel cervello (1990), now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive. One of the holy grails in Beat Records' catalog, since ever bitterly loved, because of its shortness: even if the older version featured a good portion of the score, it was largely incomplete. With the addition of the material transferred from this extra tape, and with the song "There's No Matter", which can be heard at the beginning of the movie, when the two protagonists investigate the sequestered ship, Beat Records can attest this is the definitive edition of this outstanding soundtrack which marks a significant style evolution of the maestro, aside the growth of his artistic relationship with Lucio Fulci. In this edition, Beat Records offer the score on CD in a deluxe hard paper box with the insane artwork by Graham Humphreys, both on the box and on the 40-page book; slim jewel case with a maxi inlay featuring the iconic photographic poster of the time and a crazy black-and-white artwork by Alexandros Pyromallis. Liner notes by Antonella Fulci, Fabio Frizzi, and Daniele De Gemini. Mastering by Enrico De Gemini. Includes LP; 180 gram vinyl in gatefold sleeve; includes printed inner sleeve; artwork printed in poster size; hand sculpted and painted 13cm resin bust of the iconic zombie of the gatefold cover.
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LPF 092LP
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LP version. Gatefold sleeve. After two years of absence from Beat Records' catalog the label reveals a new edition of Fabio Frizzi's fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project Beat Records worked on for five years. Since ever paired with Un gatto nel cervello (1990), now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive. One of the holy grails in Beat Records' catalog, since ever bitterly loved, because of its shortness: even if the older version featured a good portion of the score, it was largely incomplete. With the addition of the material transferred from this extra tape, and with the song "There's No Matter", which can be heard at the beginning of the movie, when the two protagonists investigate the sequestered ship, Beat Records can attest this is the definitive edition of this outstanding soundtrack which marks a significant style evolution of the maestro, aside the growth of his artistic relationship with Lucio Fulci.
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CD
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CDX 1035CD
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After two years of absence from Beat Records' catalog the label reveals a new edition of Fabio Frizzi's fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project Beat Records worked on for five years. Since ever paired with Un gatto nel cervello (1990), now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive. One of the holy grails in Beat Records' catalog, since ever bitterly loved, because of its shortness: even if the older version featured a good portion of the score, it was largely incomplete. With the addition of the material transferred from this extra tape, and with the song "There's No Matter", which can be heard at the beginning of the movie, when the two protagonists investigate the sequestered ship, Beat Records can attest this is the definitive edition of this outstanding soundtrack which marks a significant style evolution of the maestro, aside the growth of his artistic relationship with Lucio Fulci. CD version comes in a deluxe hardpaper box with the insane artwork by Graham Humphreys, both on the box and on the 40-pages book inside, slim jewel case with a maxi inlay featuring the iconic photographic poster of the time and a crazy black and white artwork by Alexandros Pyromallis. Liner notes by Antonella Fulci, Fabio Frizzi, and Daniele De Gemini.
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LP
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LPF 091LP
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LP version. White/green stripe; cover art by Alexandros Pyromallis. After two years of absence from Beat Records' catalog the label reveals a new edition of Fabio Frizzi's fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project Beat Records worked on for five years. Since ever paired with Un gatto nel cervello (1990), now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive. One of the holy grails in Beat Records' catalog, since ever bitterly loved, because of its shortness: even if the older version featured a good portion of the score, it was largely incomplete. With the addition of the material transferred from this extra tape, and with the song "There's No Matter", which can be heard at the beginning of the movie, when the two protagonists investigate the sequestered ship, Beat Records can attest this is the definitive edition of this outstanding soundtrack which marks a significant style evolution of the maestro, aside the growth of his artistic relationship with Lucio Fulci.
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3CD BOX
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FBS 004CD
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Gates of Hell Trilogy is Beat Records' tribute to the popular apocryphal trilogy directed by horror cinema legend Lucio Fulci in the early '80s, three movies that marked the evolution of the director's style over just two years. Starting with Paura Nella Citta' Dei Morti Viventi (1980), going through E Tu Vivrai Nel Terrore... L'aldila'! (1981), and ending with Quella Villa Accanto Al Cimitero (1981), all three featured the beautiful and skilled Catriona MacColl -- British actress with delicate and expressive features -- and plots dominated by a diabolic exotericism that always closed its infernal stories with all but cathartic epilogues. The scores by Fabio Frizzi (for the first two movies) and Walter Rizzati (for the last one) became part of the cinematic memory of these movies, with timeless sonorities much loved by fans of the films. At the dawn of the 40th anniversary of the first movie of the trilogy, Beat Records makes an iconic homage to these scores by releasing them for the first time together, officially validating the link between these films. The dedication, which we imagine would be appreciated by great Lucio, is in the cover art featuring the films' three evil protagonists, Father William Thomas (Paura Nella Citta' Dei Morti Viventi), Schweick (E Tu Vivrai Nel Terrore... L'aldila'!), and Dr. Freudstein (Quella Villa Accanto Al Cimitero), magisterially painted by English artist Graham Humphreys. The 40-page booklet -- richly illustrated and featuring liner notes by Antonella Fulci, the director's daughter -- is the Eibon sigil on this luxurious edition, a must-have for all lovers of good film music. Hard paper box; 40-page booklet.
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CD
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DDJ 048CD
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Tutti Possono Arricchire Tranne I Poveri is a 1976 film directed by Mauro Severino, starring Enrico Montesano, Barbara Bouchet, and Anna Mazzamauro. It tells the story of a couple who comes into sudden wealth thanks to a football lottery and of their vicissitudes in blowing the newfound fortune. The music for this funny and oblique comedy was composed by a trio of musicians very much industrious throughout the 1970s: Franco Bixio, Fabio Frizzi, and Vince Tempera. These three musicians had developed a defined triangular identity, composing wonderful scores such as 7 note in nero, Sella D'Argento, Godzilla il re dei Mostri, Il secondo tragico Fantozzi, Febbre da Cavallo, Roma l'altra faccia della violenza, I quattro dell'Apocalisse, and many more. It was an incredible and prolific collaboration that gifted Italian cinema with iconic scores, celebrated here once again with this unreleased score that doesn't delude expectations, released as part of the DDJ series and presented in a transparent jewel case. Includes 12-page booklet designed by Daniele De Gemini with liner notes by Marco Ferretti. Mastering by Claudio Fuiano.
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LP
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DDJ 002DLX-LP
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A breaking release -- co-produced with Ribot, long-time publishling company of Fabio Frizzi -- of the score for Shark Rosso Nell'oceano (aka Devil Fish), another chapter in the DDJ series in which Beat Records continues releasing scores of a more potent and dynamic flavor. Directed by Lamberto Bava in 1984, Shark Rosso Nell'oceano marks one of two collaborations between the director and musician (the other being Blastfighter, released the same year). It's an aquatic monster movie, a spin-off of the most popular adventure/horror movies from the other side of the ocean, dedicated to the ancestral fight between man and shark, the latter portrayed in a more horrific and evolved, almost alien, shape. The score presents a real treat for all fans of Frizzi and '80s electronic/synth sounds, never before released and now available thanks to the miraculous discovery in an old archive of a multitrack master tape featuring the original recording session on separate channels. Thanks to an accurate restoration and new mix by Alessio Contorni at Octopus Studios (supervised by Frizzi), it was possible to produce an LP featuring the score of this rare soundtrack, yet another example of the fascinating compositional style of Frizzi during the period (including Zombie Flesh Eaters, The Beyond, City of the Living Dead, etc.), music which has become iconic in the collective consciousness of horror and thriller music lovers. Incidentally, on his "Zombie Apocalypse" world tour, Frizzi performs a suite from this score during the concert, always among the most appreciated moments at these events! 180 gram vinyl. Liner notes by Fabio Frizzi. Graphic design by Daniele De Gemini and Alessio Iannuzzi.
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CDDM 206CD
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2012 release. Digitmovies release for the first time on CD, the prolific trio Bixio-Frizzi-Tempera's original soundtrack for the dramatic movie Ritratto Di Borghesia In Nero (aka "Retrato en negro de la burguesía"). Directed in 1978 by Tonino Cervi and starring Senta Berger, Ornella Muti, Capucine, Mattia Sbragia, Paolo Bonacelli, Giuliana Calandra, Giancarlo Sbragia, Stefano Patrizi, Maria Monti, Eros Pagni, and Christian Borromeo. It is based on the novel La Maestra Di Piano by Roger Peyrefitte. Venice in summer 1938: The young Mattia Morandi (Patrizi) from Lecco arrives in the Venetian lagoon after having won a music aid grant. He becomes a friend of Renato Richter (Borromeo) and also the lover of his mother Carla (Berger), his piano teacher. The woman hopes that her son will marry the very beautiful and coddled Elena (Muti) of the very rich Mazzarini family whom she gives piano lessons. The very young girl falls in love with Mattia who requits her love and leaves her mature lover. Carla does not accept this love defeat and she does her best to revenge the betrayal and to try an impossible reconquest by sending anonymous letters, writing blackmails and even seducing Mattia's girlfriend. Also, Elena does not admit any defeat and she kills her opponent. The investigation of commissioner Franchetti (Pagni) is immediately deadlocked due to the power and respectability of the Mazzarinis. Elena and Mattia marry in a church with a sumptuous ceremony. Franco Bixio, Fabio Frizzi, and Vince Tempera have written a monothematic score based on a recurrent romantic and sad theme for piano and orchestra, "Carla's Theme", introduced in a modern version with rhythmics (side A of the original single) and reprised with variations. This theme gets alternated with dancefloor motifs with an ancient and popular flavor like "Immagini Sfocate" introduced and reprised, and with a fox-trot. For Digitmovies' CD presentation they have used the stereo master tape of the original single issued in 1978, as well as the session master tapes mixed in mono and partially in full stereo. An OST which deserved it to be rescued and preserved on CD.
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CD
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CDDM 180CD
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2011 release. Digitmovies releases on CD for the first time the complete and full stereo original soundtracks from two Italian police movies from the '70s: The music by Bixio-Frizzi-Tempera from the movie Roma, L'altra Faccia Della Violenza (aka "L'autre Côté De La Violence") directed in 1976 by Franco Martinelli and Giampaolo Chiti and Sergio Montori's music for La Banda Vallanzasca (aka "The Vallanzasca Gang") directed in 1977 by Mario Bianchi. In Roma, L'altra Faccia Della Violenza, the father and brother of an 18-year-old girl who had been killed during a robbery agree to cooperate with the police themselves. Escaped from the penitentiary of Regina Coeli, a robber is hired by a mysterious gang that turns him, to his own regret, into a public enemy. After having kidnapped the daughter of an oilman, he runs away with her, but the organization kills both of them. For this CD, Digitmovies with great help from Cinevox, had access to the stereo master tapes of the sessions of both the original OSTs. For Roma, L'altra Faccia Della Violenza, the prolific trio Bixio-Frizzi-Tempera has created an explosive sound of the funky genre so fashionable in those years with a range of themes for breathtaking chase scenes introduced in "Titoli" and reprised and alternated with other suspenseful, mysterious, and pensive takes and with a romantic and nostalgic love theme. For La Banda Vallanzasca, Gianpaolo Chiti and Sergio Montori have written a great funky tune for scenes of daring car chases called "Desperation And Money" which together with the folk-flavored motif "Gunvalzer" appeared on a Cinevox 45rpm single. Here we add new material: a piece in experimental vein for violin and electric guitar with rather disturbing echoes and reverberations. a modern and dancefloor theme for the character of Antonella, another dance tune in a burlesque style, and a rousing reprise of "Desperation And Money", a version with rhythms only mix. A cool CD for long-term big fans of an evergreen genre.
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LP
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SUBOST 001X-LP
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Colored vinyl version. Subsound Records is proud to present the first release of their new-born sub-label Sub Ost, concentrated on original soundtracks only. For the first time on vinyl is the complete original soundtrack to Lucio Fulci's Manhattan Baby, written in 1982 by Fabio Frizzi. Comes with deluxe cover with a printed inner sleeve including original artwork.
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LP
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SUBOST 001LP
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Subsound Records is proud to present the first release of their new-born sub-label Sub Ost, concentrated on original soundtracks only. For the first time on vinyl is the complete original soundtrack to Lucio Fulci's Manhattan Baby, written in 1982 by Fabio Frizzi. Available in limited 180g vinyl. Comes with deluxe cover with a printed inner sleeve including original artwork.
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CD
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FKR 084CD
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From the same vibrant cinematic landscape of '70s studio supergroups as Goblin, The Pawnshop, The Feedback, and The Braen's Machine comes the Magnetic System, the Italian incognito dream-team composed of Milano prog keyboardist Vince Tempera, Cinevox sibling Franco Bixio, and video nasty maestro Fabio Frizzi (whose career it launched). Bridging giallo jazz-bass-driven prog and the arrival of home studios and synthesizers, the film music of the Magnetic System marked a sea change in Italian genre film music, promoting melodic electronics to the forefront of Italian pop culture and preempting the first murmurs of Italo disco and synthpop. Masterminded in the mid-'70s at the apex of Italian film music's most exciting transitional period, the Magnetic System was created to encapsulate the combined efforts of three of the country's most prolific and adventurous soundtrack composers and retarget their lauded behind-the-scenes personas toward the Italian commercial instrumental pop market. In the early 1970s, with a climate that nurtured instrumental rock such as the work of Franco Battiato, Sensations' Fix, and Le Orme, the soundtrack specialist label Cinevox (founded by Cesare Andrea Bixio) identified opportunities within their roster, finally finding chart success with the rebranded writing team known as Goblin. By 1977 the union of Franco Bixio, Fabio Frizzi, and Vincenzo Tempera as the Magnetic System would join a list of retitled outfits like The Pawnshop (featuring Alessandro Alessandroni, Giuliano Sorgini, and Giulia De Mutiis), The Braen's Machine (featuring Alessandroni and Rino De Filippi), and The Group (a drum-heavy version of Morricone's Gruppo di Improvvisazione Nuova Consonanza), all of which took brief hiatuses from their soundtrack and library music day jobs to throw overqualified prog pop on the commercial craps table. The unfortunate low demand for these ambitious unchartered excursions resulted in small runs, which (with time as a healer) would cause future record collectors to salivate -- the one and only 7" single by the Magnetic System being no exception to this phenomenon. Also experimenting under further alter egos such as the day-glo Fruit Of The Gum and the Spaghetti Western-cum-disco Benjamin Franklyn Band, the group's third moniker, the Magnetic System, specifically showcased the trio's more aggressive, brooding, and heavier sound in comparison to its sister groups. This compilation gathers a wider selection of the trio's compositions that fall within the stylistic parameters of the Magnetic System's creative blueprint; culling drum-heavy synthesized psychedelic soundtracks with sympathetic leanings to the white funk/cosmic disco murmurings of the era. Limited edition of 1000.
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LP
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FKR 084LP
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LP version. Limited edition of 2000. From the same vibrant cinematic landscape of '70s studio supergroups as Goblin, The Pawnshop, The Feedback, and The Braen's Machine comes the Magnetic System, the Italian incognito dream-team composed of Milano prog keyboardist Vince Tempera, Cinevox sibling Franco Bixio, and video nasty maestro Fabio Frizzi (whose career it launched). Bridging giallo jazz-bass-driven prog and the arrival of home studios and synthesizers, the film music of the Magnetic System marked a sea change in Italian genre film music, promoting melodic electronics to the forefront of Italian pop culture and preempting the first murmurs of Italo disco and synthpop. Masterminded in the mid-'70s at the apex of Italian film music's most exciting transitional period, the Magnetic System was created to encapsulate the combined efforts of three of the country's most prolific and adventurous soundtrack composers and retarget their lauded behind-the-scenes personas toward the Italian commercial instrumental pop market. In the early 1970s, with a climate that nurtured instrumental rock such as the work of Franco Battiato, Sensations' Fix, and Le Orme, the soundtrack specialist label Cinevox (founded by Cesare Andrea Bixio) identified opportunities within their roster, finally finding chart success with the rebranded writing team known as Goblin. By 1977 the union of Franco Bixio, Fabio Frizzi, and Vincenzo Tempera as the Magnetic System would join a list of retitled outfits like The Pawnshop (featuring Alessandro Alessandroni, Giuliano Sorgini, and Giulia De Mutiis), The Braen's Machine (featuring Alessandroni and Rino De Filippi), and The Group (a drum-heavy version of Morricone's Gruppo di Improvvisazione Nuova Consonanza), all of which took brief hiatuses from their soundtrack and library music day jobs to throw overqualified prog pop on the commercial craps table. The unfortunate low demand for these ambitious unchartered excursions resulted in small runs, which (with time as a healer) would cause future record collectors to salivate -- the one and only 7" single by the Magnetic System being no exception to this phenomenon. Also experimenting under further alter egos such as the day-glo Fruit Of The Gum and the Spaghetti Western-cum-disco Benjamin Franklyn Band, the group's third moniker, the Magnetic System, specifically showcased the trio's more aggressive, brooding, and heavier sound in comparison to its sister groups. This compilation gathers a wider selection of the trio's compositions that fall within the stylistic parameters of the Magnetic System's creative blueprint; culling drum-heavy synthesized psychedelic soundtracks with sympathetic leanings to the white funk/cosmic disco murmurings of the era.
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