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LP
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RANDB 175LP
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The Beatles played two shows at the Montréal Forum on September 8th 1964, a matinee at 4pm and an evening performance at 8pm and at 6pm they held a press conference for Canadian Broadcasting Corporation from the Forum's stage. A local newspaper had reported that somebody was going to kill Ringo, so instead of staying the night in Montréal, they flew out straight after the evening show and arrived at Key West at 3.30am where hundreds of fans were awaiting them. After a day off in Miami, the group performed at the Gator Bowl in Jacksonville, Florida the following night. 1960's Records have done the best they possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through "A Hard Day's Night" so the last two songs of the show, "I Want To Hold Your Hand" and "Long Tall Sally" were not transmitted.
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RANDB 176LP
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Trevor Lucas and Gerry Conway were members of the folk-rock group Eclection, who released an album in August 1968 on Elektra Records. After the group disbanded in 1969, they formed Fotheringay with Lucas's girlfriend Sandy Denny, who had recently left Fairport Convention. The Fairports were recording mostly traditional folk material at this time and Denny left the group so that she could perform more of her own compositions. The BBC session on side one of this LP features songs from the first Fotheringay album and took place at the Playhouse Theatre on April 13th 1970. The songs on side two were recorded at BBC's Maida Vale Studios in November 1970. They are "off-air" recordings but the sound quality is still very good.
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LP
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RANDB 177LP
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Eclection's lack of commercial success remains a mystery to this day. This selection of BBC Top Gear recordings demonstrates their song-writing strength and musical prowess. Only three tracks appeared on the band's sole studio LP: the remaining nine songs suggest what a second LP might have sounded like. Highly recommended to fans of Fairport Convention, with whom Eclection share some musical DNA. Comes with full recording credits and extensive sleeve notes. Recording quality very good/excellent throughout.
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CD
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WHYT 083CD
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New York-based artist James K returns with Friend. This album is full of electric pop anthems that blends ear-worming melodies with peak-time breaks, buzzing powerpunk guitars and a classic rave pulse, with K's signature enchanting vocals playfully spitting emotion. It's a hallucinatory pleasure, tearing through your body and mind. "Play" rushes with a rebellion of friends -- an electro fever daydream waking up everywhere you go. Hot off extensive tours worldwide, playing the likes of Pitchfork Festival, Dekmantel, iii Points, and Mutek, following in the footsteps of her last two critically acclaimed singles Friend comes on AD 93. RIYL: Cocteau Twins, Yves Tumor, Prodigy, Oklou, Grimes. Also available on transparent vinyl (WHYT 083TR-LP).
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WHYT 089LP
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Much of the Collide's sound is derived from an old Aria Pro II electric guitar from Leif's childhood, scratched up with damaged and unpredictable electrics. The record leans into this sense of things being broken or damaged -- and how sometimes things need to break in order for listeners to make sense of them -- reveling in, rather than resisting, unpredictability. Lush textures traverse the listener. across unexpected terrains.
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CD
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AHA 003CD
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This new album by Eric Random coincides with the start of the last Cabaret Voltaire tour, for which Eric joined as a member. The album marks a contrast to his most recent releases, less dance-oriented and with a darker pop tone and a cinematic, soundtrack-like atmosphere.
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2LP
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AOR 003ST-LP
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The definitive 2LP reissue of a landmark in British jazz fusion. Analogue October Records presents the long-awaited reissue of Kaleidoscope of Rainbows, Neil Ardley's 1976 masterpiece, originally released on Gull Records. Produced by Neil Ardley and recorded at London's famed Morgan Studios, the sessions were engineered and mixed by Martin Levan, capturing one of the most ambitious and beloved works in British jazz. Following the acclaimed reissues of Courtney Pine's Journey to the Urge Within and Neil Ardley's Harmony of the Spheres, this third release confirms Analogue October as one of today's most meticulous and exciting reissue labels. Commissioned for the 1975 Camden Jazz Festival, Kaleidoscope of Rainbows is structured as a seven-part suite, each movement reflecting a color of the spectrum. Ardley's composition weaves together jazz improvisation, progressive rock energy, and orchestral elegance in one of the most imaginative British jazz recordings of the era. Featuring Ian Carr, Barbara Thompson, Tony Coe, Trevor Tomkins, and Geoff Castle, the album is a who's who of the UK's vibrant 1970s jazz scene. For this definitive edition, Analogue October worked directly from the original Gull master tapes. Mastering was entrusted to Miles Showell at Abbey Road Studios, using his renowned half-speed process to extract every detail and dynamic from Ardley's score. To give the music the headroom it deserves, the reissue has been expanded to a deluxe 2LP set, pressed on the highest-quality vinyl at Record Industry in Haarlem, Netherlands. The result is a presentation that finally does justice to the scope and brilliance of Ardley's vision. The artwork has been meticulously restored from the original film elements, ensuring a sleeve of unmatched vibrancy and fidelity. Inside, a 12-page booklet printed on heavyweight card features an in-depth essay on Neil Ardley and the making of Kaleidoscope of Rainbows, written by Jazzwise magazine editor Mike Flynn, alongside rare photographs from the period. As with every Analogue October release, Kaleidoscope of Rainbows has been curated and produced by label founder Craig Crane with a collector's eye for detail and a deep respect for the music's legacy. This reissue is not only the definitive vinyl edition of one of the great British jazz fusion albums -- it also continues the label's mission to restore and celebrate the most vital recordings of the era.
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7"
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ATA 037EP
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ATA Records presents the latest release from The Flying Hats. Following the buzz surrounding their debut LP and the soft limited pre-release of "Blender," anticipation for this single has been huge. The Flying Hats return in phenomenal form with two previously unreleased cuts of the highest caliber. Both tracks strike hard somewhere between Kingston and New Orleans, as if The Meters were channeling Jackie Mittoo or Sound Dimension were jamming with Jimmy Smith.
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LP
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ATA 044LP
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LP version. ATA Records present the new release by Work Money Death, A Portal to Here. This album continues WMD's exploration of spiritual jazz and the sounds and styles that evolved out of the '60s New Thing, particularly the recordings of Alice Coltrane and Pharaoh Sanders. The first WMD album released since the tragic death of ATA guitarist Chris Earl Dawkins in early 2025, all four tracks reference the journey that band members and the studio have been on -- in many ways this record is a testament and tribute to Chris, his musicality and creativity. Featuring WMD stalwarts Tony Burkill, Neil Innes, Sam Hobbs, and Sam Bell, the album introduces Sorcerers keyboardist Johnny Richards to the WMD sound. Richards brings a fresh new take to the piano role here, drawing on what is clearly a broad knowledge of jazz history and channeling that through his own unique 21st century musical perspective. The album also features contributions from Alice Roberts on harp, bringing the spirit of Alice Coltrane, Ben Powling on baritone saxophone, Richard Ormrod on woodwind, and Kev Holbrough and Steve Parry on brass. Those Sun Ra-esque horn sections lift the mood whenever they appear. Standout tracks are the second, "Dance of the Spirits," with a strong core of "Baptism and The Blues" and some lovely playing by Richards, and the third track, "Brother Earl," which begins with Tony on flute over rhythms that are directly reminiscent of open-hearted, late-'60s spirituality. A Portal to Here is a stunning addition to the WMD catalogue and a clear statement that the band continues to create and produce, whatever life throws its way.
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7"
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BTR 128EP
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Kutiman joins Batov Records' Middle Eastern Grooves series with explosive double-sider. The release features two essential, souk-fueled, psych-funk heaters: "Haraka" and "Khamsin." A prolific musical force, Kutiman delivers the goods on "Haraka" ("movement"), layering neck-snapping rock drums, irresistible psychedelic basslines, and haunting organ riffs, with microtonal-bending synths and tablainspired percussion. On the B-side, "Khamsin" ("heatwave") continues the trip with another heavy dose of Middle Eastern psych and funk, culminating in a blistering guitar solo in his signature Middle Eastern style by longtime collaborator Uri Brauner Kinrot (Ouzo Bazooka, Boom Pam), who also contributes beguilingly languid bass guitar riffs.
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CD
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BCD 17775CD
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"Bear Family Records provides the ultimate James Brown compilation! Revered as a pioneering soul and funk icon (not to mention as The Hardest Working Man in Show Business), James Brown would at first seem an unlikely subject for an entry in Bear Family's long-running Rocks series. But undeniable evidence that Mr. Dynamite proudly belongs in any pantheon of great and timeless rock and rollers defines this compilation (after all, the Rock and Roll Hall of Fame inducted him in 1986). During Brown's early years at Syd Nathan's Cincinnati-based Federal and King Records, Soul Brother Number One engaged in plenty of righteous rocking with his Famous Flames vocally backing him up, from the thundering jumpers 'I Feel That Old Feeling Coming On' and the Little Richard-inspired 'Chonnie-On-Chon' to a daffy Coasters-like 'That Dood It' and into the screaming testifiers 'I'll Go Crazy,' 'This Old Heart,' 'Think,' 'Good Good Lovin',' 'Dancin' Little Thing,' and 'Shout And Shimmy.' Along the way, he constantly invented and perfected new grooves and beats to anoint himself as the baddest R&B singer in the land while never allowing the sweat to dry from any stage he muscularly commanded. This collection offers 30 sizzling houserockers by The Godfather of Soul (or Funk -- take your pick) from his crucial primordial era, closing with his earth-shattering game-changers 'Papa's Got A Brand New Bag' and 'I Got You (I Feel Good),' which permanently shifted the axis of soul music with their singular funky vision. There are even a handful of Brown's all-too-often overlooked instrumentals, where he usually played drums or organ with his mighty band and grooved like a man possessed. Yes, James Brown could rock -- and this scintillating compilation contains the invaluable goods!"
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12"
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BORNBAD 072RP
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Reissue in white color vinyl. First time reissue of this French cold-wave/minimal-synth treasure. Originally released in November, 1981.
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CD
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BORNBAD 190CD
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Emile Sornin has a robot in his life. It's not love, but it's not friendship either, and Forever Pavot is releasing an album documenting the affair on Born Bad. After a bunch of bold pop studio albums and a small stack of soundtracks, Emile needed a break. To put an end to it, he embarked with handyman extraordinaire Jonas Euvremer on the manufacture of an automaton destined to make his musician's life easier. Melchior, who gave his name to the record, has the face of a ventriloquist's dummy, two plastic left hands, preppy clothes and a primitive logic circuit. This goodie two-shoes cousin of Bender's is supposed to be doing the interviews and deal with socials for Emile. The plan worked admirably: Melchior is a perfect cover-boy, and his very existence has put our man back to work. They set a path for phat electronic ventures (and by the way, mostly English-speaking). Sub- continental bass and massive drums, heavy-footed and unabashed: as much appreciated as unexpected. The half-android shares songwriting credits and vocal parts vocoded to perfection. Not a jealous lad, Melchior makes way for a guest of choice on "UFO" and "Waiting for the sign": Lispector. Julie Margat sings and collaborated on the lyrics for these two bangers that provide a lot of context (robot angst is real). Kumisolo also sent her "Postcard", more vapor than song, unreal musical cotton candy of arrangements. Domotic, who mixes and co-produces, gives a nice spin to "Count to 10," a hip-hop/kraut crossover with a BEAK> flavor. The Forever Pavot, once a big-band, will be touring as a bass/ drums/keys and vocals trio, with Melchior as guest. Record after record, Emile Sornin has become an increasingly literate musical illiterate. When needed, his music can still become a thicket of ancient and modern finds. Forever Pavot may have gone wild, but remains indebted vis-à-vis the golden age of film music. Forebears deluxe Ennio Morricone and François de Roubaix make Hitchcock-style cameos: discreet appearances that you'll watch out for. His new flirt is all but a toxic relationship. Melchior Vol. 1: the robo-bromance is not over yet.
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CD
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BORNBAD 192CD
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Jessica93, prodigal bastard of the glorious French squat scene, relocated on Born Bad. Geoffroy Laporte, alone against all odds, alternates bass and guitar to build harsh loops with a drum machine spitting pre-Gulf War patterns. That's where it gets tricky: every musical posse claims him. Grunge, sure, but Jessica doesn't indulge in necrophilia. His circuit is punk, he doesn't dress the part though. Cold wave, the atmosphere fits somehow, but the gear does not. Maybe it's time to give it a rest and let Jessica93 cook his great misery broth on her own, called 666 Tours De Périph (666 laps on the beltway). Witnessing Jessica93 live makes you dread that he'll get up the next morning, drive 200 miles and one nap later kick it again. At the heart of this cultural pentacle painted by French weirdos Bryan's Magic Tears, and Carine Krinator, Jessica93 has built a sound validated by years of chosen vagrancy, birthing bands with joyously stupid monikers, in the humid jungle of small labels. Jessica93's debut album had a track celebrating Omar Little, HBO's gay bandit from Baltimore. This story begins on the beltway, where Florence Rey, accidental copkiller turned to political icon of the '90s. A previous album was haunted by bedbugs, this one is essentially about love, a delicious scourge just as hard to eradicate. The record demonstrates the know-how acquired in loop-by-loop construction of ruins that are pleasant to squat in together. There's your classic doom delicatessen, with bits of heavy metal inside, crafted with the manic care typical of hard wankers. Arthur Satàn, who produced and mixed the album at home in Bordeaux, helped him get his head out of the reverb safe house. And Jessica93 took the opportunity to switch to the dark side of the language: French at last.
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CD
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BUDA 860411CD
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"Muluken Mèllèssè leaves posterity with a clear idea of the level of sophistication and mastery that modern Ethiopian music had reached before it was crushed under the military-Stalinist boot of the Derg. Betraying the singer's extreme youth (he was not yet 18 at the time), his angelic voice fooled more than one listener into thinking they were hearing a female singer. It was Muluken who inaugurated the Ethiopiques series more than twenty years ago with Hédètch alu, the B-side of his first single. He was not yet 22 when he released his last vinyl record on Kaifa Records (KF 39LP) in 1976, one of the last released in Ethiopia before the cassette became the dominant medium for music distribution. Ethiopia, 1976. For a year now, cassettes have been inexorably crushing the vinyl record market. Muluken Mellesse's 33 rpm album Muluqän Mälläsä, produced that year by Ali Abdella Kaifa on his Kaifa Records label, is historic in more ways than one. It is one of the last vinyl records released in Ethiopia, but more than that it is the absolute masterpiece of Ethiopian Groove -- and its swansong. It leaves posterity with a clear idea of the level of sophistication and mastery that modern Ethiopian music had reached before it was crushed under the military-Stalinist boot of the Derg -- the word that stands for the bloody revolution that had been underway since 1974."
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BUDA 860412CD
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"This is Ethiopia in the mid-1950s and early 1960s, on the eve of the blossoming, or rather the explosion, of Swinging Addis. Rock'n'roll, rhythm and blues, soul and twist had not yet burst onto the scene, and the atmosphere was still steeped in the post-war big band era, with Glenn Miller's 'In the Mood' enduring as a global anthem on a par with the Latin wave which was also popular at the time. But post-war joie de vivre was already there, with peace restored after the terrible Italian-Fascist invasion of 1935-1941. The redeployment of modern music was an integral part of the reconstruction. It was the young generation, parents of baby-boomers, who had the first taste of this resurrection before the baby-boomers themselves took over, definitively electrifying the soundtrack of the end of the imperial reign. It was stateless persons of Armenian origin, Kevork Nalbandian and, above all, his nephew Nersès, who contributed to revolutionizing modern Ethiopian music. The great historical godfather of this music, it must be strongly emphasized, was an Armenian emigrant who had become deeply Ethiopianised. A riot of brass instruments, well-integrated discipline, relentless innovation and revolutionary teaching methods took care of the rest, starting in 1955. These outsiders, who composed two Ethiopian national anthems and a continental anthem (no less than the anthem of the OAU, the Organization of African Unity), were also and above all the true origin of what would become the Swinging Addis of the 1960s. Nersès was granted Ethiopian nationality in 1957 for services rendered to Ethiopian music. With the essential contribution of Russ Gershon and the Bostonians of the Either/Orchestra, this recording represents the crucial modernist link that until now had been missing in the Ethiopiques."
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2LP
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TCM 062LP
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Transparent Turquoise/Black Vinyl. "Erika szobája was written and recorded between 2002 and 2005 and was self-released in 2005 in a couple of copies on CD-R. Italian label Ars Benevola Mater picked up the record and released in as a digipak CD a year later. In 2014 GSP from Russia re-launched the album again and now, 20 years after its birth, this is the first time the album is put on vinyl. For this occasion, two bonus tracks are added to the original material. It is a work brimming with emotion, vivid imagery, and cherished memories, a journey that has resonated even with the most devoted followers of Thy Catafalque. At the same time, it is an honor to collaborate with such a multifaceted artist as Tamás Kátai, whose brilliance spans across a multitude of artistic realms."
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10"
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EDDA 060EP
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Standalone release of this killer 10" on orange vinyl for anyone who missed it. Featuring remixes by The Bug, Dälek and Object Object. Originally released as a digital double A side both lead tracks were chosen by the remixers and the results are like an electrical storm.
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5CD BOX
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SPDM 027CD
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5CD themed box set. Features OSTs from new horror and thriller movies. Featuring Basement's Glare, Luigi Seviroli, Vito Lo Re, and Maurizio Abeni. Following the restrictions caused by the imposed isolation, Basement's Glare have recorded and released their first single, "Red Zone," which deals directly with the issue of social distancing and its consequences. Subsequently, the duo decided to complete the recordings of the eponymous EP as previously scheduled, working mostly remotely. Digitmovies also presents on CD the original soundtracks, from the movies Io sono l'abisso and La ragazza nella nebbia. Finally, Digitmovies presents on CD the original motion picture soundtrack by Maurizio Abeni from the movie, directed by Sergio Stivaletti, Rabbia furiosa.
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5CD BOX
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SPDM 028CD
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Digitmovies Collection Box: Thriller is a 5CD themed box set featuring soundtracks from Carlo Savina, Mario Bertolazzi, Stefano Torossi, Guido & Maurizio De Angelis, and Trans Europa Express. Carlo Savina's OST for Il Tuo Dolce Corpo Da Uccidere is presented for the absolute first time on CD. For this CD, Digitmovies were able to use everything that was found on the mono master tapes from the original recording session. Carlo Savina composed a recurring main score with a mysterious feminine voice which develops into a shake and is alternated with sometimes calm passages and sometimes violent noir and bossa nova lounge music. Mario Bertolazzi was a jazz musician who starred in TV programs from the 1950s. For The Silkworm, Bertolazzi composed a main score in music-hall style for Smeralda, the failed singer in the film, which is repeated with instrumental variations and also a vocal French version. This excellent OST has been released in its complete version on CD for the first time ever, using the master tapes in full stereo from the original recording session. Stefano Torossi composed a lounge-style score where the Noir side of the story is contrasted with a danceable shake. There are also plenty of romantic themes as well as an atmosphere of suspense typical of giallo films. For Digitmovie's CD we were able to access the master tapes in mono from the original recording session. This new revised CD version of Guido & Maurizio De Angelis' OST for Il Gatto Dagli Occhi Di Giada carries the top eleven tracks in stereo version (identical to the 1973 unpublished album and to the 1999 CD) and the following 22 tracks in mono version. Guido & Maurizio De Angelis composed an OST which was perfect for the scenes but which also has its own life outside of the movie, where a quite cheerful and pop main theme alternates with mysterious and suspended ones, at times with dark and frightening voices. Finally, Digitmovies reintroduces the remarkable progressive avant-garde rock soundtrack based on Antonio Bido's 1977 cult movie Watch me when I kill. Music is written and performed by Trans Europa Express. For this CD the label used the recording session's master stereo tapes. Its progressive style follows the band's origins.
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4CD BOX
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SPDM 029CD
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4CD themed box set of horror movie OSTs. Featuring soundtracks from Giuliano Sorgini, Marcello Giombini, Franco Piersanti, and Carlo Maria Cordio. Giuliano Sorgini has composed a very macabre, avant-garde, and perfect score to describe the struggle between good and evil. The composer has created sonic dimensions with infernal tones, abstract bands, scary effects, which also feature the recognizable voice of Edda Dell'Orso, organ music to describe the figure of the exorcist priest, and Gregorian-flavored pieces. Using the master tapes from the original recording session (including the LP), Digitmovies was able to discover additional unreleased material, such as alternate versions of those included on the album. Marcello Giombini experimented with symphonic music, electronic music and also religious music with a rock beat during his career. For cinema he wrote numerous OSTs including the well-known ones from the Sabata Trilogy of Spaghetti Westerns. For this CD Digitmovies was able to use the mono master tapes from the original recording session. Digitmovies also presents, for the very first time in complete edition on CD, two Franco Piersanti's OSTs, one for the horror movie Spider Labyrinth, with Sergio Stivaletti's special effects, and one for the psychological thriller for TV Una prova d'innocenza. Carlo Maria Cordio is without any doubt a specialist of the genre. For this movie Cordio has written an orchestral -- electronic score with a very American sound concerning the instrumentation of the dissonant strings and of the brass clusters. The terrible murders are scored with a large number of mysterious, suspenseful and often gloomy motifs where the cleverness and creativity of Cordio give interesting results.
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CD
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CDNUY 026CD
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Pierluigi Foschi and Cosimo Fiaschi (URUBORO) met in 2017 in Siena and immediately began playing together, sharing a deep interest in musical improvisation. Over the years, they have collaborated in various ensembles, including Nicolò Faraglia's Smòs Octet (Aut Records, 2019) and the Tabula Rasa Ensemble (Centripeta, 2024), performing in prestigious contexts such as the Micat in Vertice concert series by the Accademia Chigiana and at the Italian Cultural Institute in Berlin. Close Position marks their first project as a duo, premiered at Tempo Reale (TRK Sound Club, October 16, 2024). The live performance involves the use of samples, as the composed balances require multiple timbral layers to be active simultaneously. The closeness in pitch and the mimicry between instruments highlight the psychoacoustic phenomenon of beating: in fact, the auditory system does not allow people to hear two very close frequencies at the same time, but rather perceives first one and then the other, generating actual pulsations that exist only within the perceptual system of the listeners. The live performance therefore offers a subjective and unique experience for each individual, as it depends on the listener's position in space, as well as their focus and sensitivity.
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LP
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CREP 124LP
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Assembled by Pedro Alves Sousa, Má Estrela is a conjuration of ideas and obsessions around dub, leftfield dance phenomena and the hypnotic potential of urban somnambulance. In a levitating state, not exactly detached from the unease of these end times, Sousa surrounds himself by a number of accomplices from past and present endeavors to project a scrying mirror reflection of distinct languages of trance and liberation -- dub's space and infinity, jungle and footwork's broken shards, DJ Screws legacy perpetually reanimated via numerous slowed down anonymous versions on Youtube and the lyricism and fire of jazz. Temporarily a quartet, comprised of Sousa on saxophone and its electronic processing, Bruno Silva and Simão Simões on electronics and Gabriel Ferrandini on acoustic and electronic drums, after the departure of Miguel Abras, Má Estrela had in their 2022 debut album their first document of this ongoing process that's now continued with Tornada. Miguel Abras has since been replaced with Bruna de Moura and Má Estrela came back to being a five piece. Tornada deepens the symbiotic connection between those rhythmic, melodic and textural particles in a mutating flux of continuities and disruptions throughout seven tracks. Featuring the invocations of Elvin Brandhi in "All You Did," Tornada makes its way amidst harmonic specters, rhythmic debris that breathe for life and a certain, implicit idea of ritual that sustains itself liminally between the ethereal dissolution of time and the physical projection of space.
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12"
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HOO 001EP
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The first imprint on Sherelle and Naina's label Hooversound brings together Surrey based DJ /producer Hyroglifics and Detroit DJ/ producer Sinistarr for an exciting dancefloor-ready EP. BS6 sees two of the most consistent and exciting names in the underground electronic music scene joining forces on Hooversound's highly anticipated debut release. The EP has two collaborative tracks that stand by two solo tracks from each producer. Electronic pioneer and legend Scratcha DVA brings his GQOM and moody percussion on the official remix.
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12"
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HOO 007-8EP
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Nova Cheq and Samurai Breaks represent the best of Hooversound has to offer, for the first time released on vinyl. Nova Cheq's music is pure party fuel, Ghetto house styled jungle-juke pounders on Sherelle & Naina's Hooversound Recordings. Samurai Breaks is one of the UK Bass scene's best-kept secrets. A rich palette of influence shines through past productions, making nods to pioneering generations on the way to futuristic gunfinger euphoria.
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