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viewing 1 To 25 of 38 items
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2CD
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FD 121CD
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$15.50
PREORDER
RELEASE DATE: 1/24/2020
Double-CD version of the critically acclaimed The Great Unlearning album, originally released in mid-2019 as a double-LP by Egyptian label Nashazphone (NP 030LP). This release saw Gary and Anthony not only reunited with Stuart Dennison, Martyn Watts, and Philip Best, but also collaborating with Philip's wife (and Consumer Electronics partner) Sarah Froelich and delivering perhaps their most surprising and immediate work to date. Drawing from post-punk, ravaged psychedelia, raw electronics and, of course, the group's own background as purveyors of music both intense and uncompromising, The Great Unlearning is their most accomplished work yet. This is the culmination of where all their ideas have been heading over the years and undoubtedly proves Ramleh to be completely on top of their game. Packaged in a six-panel sleeve.
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7"
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FDS 120EP
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Typical for Ramleh as they stand now, both songs represent just two of the many sides they're now given to exploring. Bold, serious, playful and once again illustrating exactly how easily they straddle the line of being great musicians never afraid to turn that notion on its head by rising to new challenges, this single pays testament to their current upward curve. Green vinyl.
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2LP
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FD 115LP
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$26.50
PREORDER
RELEASE DATE: 11/8/2019
Fourth Dimension present a reissue of two critically acclaimed and now sought-after albums from Kleistwahr, This Is Not My World and Over Your Heads Forever, originally released as CDs on Fourth Dimension Records in 2014 and 2016, respectively. Kleistwahr is the ongoing solo endeavor of Gary Mundy of Ramleh. Similar to the group itself, the music explores vast and often searing swathes of sound, sometimes tempered to a more atmospheric approach and at others cranked to the kind of levels bleeding ears make for a perfectly natural response. Typically uncompromising and often confrontational, this is music that doesn't adhere to any notions of comfort for too long. Remastered to help with the overloaded dynamics for the express purpose of this release, all fourteen tracks are unforgiving in their creating an abrasive psychedelic setting that still draws heavily from Gary's roots as a power electronics originator and wonderful for getting lost in. This is sonic self-flagellation at its absolute finest, once again compounding who still wears the brightest crown on this particular throne. Edition of 200.
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CD
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FD 119CD
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Advancing the post-punk infused concoction of blazing garage and art-driven destructs-rock, as established on Hand & Leg's grinding self-titled debut from 2017, the bass and drums are here cranked to new heights of molten activity. Murky shades of sexual negativity plough forth with the help of obsidian distortion, careering bass dirges so scuzzed they can clog arteries, ungodly squalls of paint-stripping noise, and a tendency towards playful rhythmic rituals themselves only offering brief respite from the merciless and sweat-drenched sonic saturation perfect for the late night clutches of a dingy basement. This CD version includes bonus track "Omonoia", which will also appear on a forthcoming limited-edition 10" compilation on Fourth Dimension, Low Expectations.
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CD
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FD 117CD
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CD reissue of the last album from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. Between then and now, JFK has had several albums released featuring either archive or his latest works at that particular time. These have been endorsed by labels such as Harbinger Sound, Peripheral, Chondritic Sound, and others plus, more importantly, have signaled a consistency in Anthony's dedication to exploring those spaces where vast blocks of sound crumble into heavily polluted rivers of anger, despair, and frustration. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats primed from a nightmarish dancefloor. The CD version of Weapon Design presents ten devastating tracks, two of which did not appear on the acclaimed vinyl version from 2018 and are exclusive to this version. Mastered and cut by Matt Colton at Alchemy, London.
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CD
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FD 112CD
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Post Internet Blues is UK group Gad Whip's latest album, following several low-key cassette albums released since 2014, plus the four tracks that constitute 2017's limited edition In A Room EP. Gad Whip blend avant-garde sensibilities with a contemporary take on the place where D.I.Y. culture meets post-punk, hints of deconstructed garage rock and interstellar voyaging through sweat-drenched waking dreams. Immediate, powerful, confounding and kept in place by wry, sometimes observational, vocals that recall Jason Williamson and Mark E. Smith.
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CD
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FD 113CD
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Recorded by a quartet of grubby fools in a miserable warehouse in Cleveland, Compassion And Vision sees Limbs Bin founder Josh Landes joined by a cast of repellent perverts -- Wyatt Howland, Erik Brown, and David Russell -- to deliver maybe the worst masterpiece to date. With Howland providing a nauseating rumble and Brown and Russell trading off turns on the kit, the two pieces that constitute this album place the listener in uncomfortable proximity to the conditions of the session. In Howland's completely unforgiving mix, you can smell the seat almost as much as the piss. Over its duration, Limbs Bin explores a range of feelings from anger, exhaustion and resignation to agony, frustration, and misery. War jazz for the emotionally underdeveloped. Terror grind for cowards. Lean back, take a deep breath and experience Compassion And Vision.
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2CD
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FD 098CD
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Return of Richard Youngs to Fourth Dimension, a label that has supported his work since the early 1990s via collaborations with Simon Wickham-Smith. The latter returns to this set, based around the notion of songs featuring special guests. Spread over the two discs, the eleven songs here assume all manner of sonic guises that are often difficult or sometimes blissed-out, but always rewarding. Most include guests, themselves from a wide variety of backgrounds (taking in all from groups such as Trembling Bells and Vibracathedral Orchestra to folk, bagpipe music, and abstract electronics), and are each named after a geographical location for reasons only the artists know. Spanning almost two hours, it not only once again illustrates precisely how prolific an artist Richard Youngs is, but it firmly compounds his place as one who can comfortably traverse everything from avant forms of songwriting to those even less charted spaces. As visionary as Robert Wyatt, he unwittingly exudes everything most perceive the very idea of English eccentricity as being. So-called "outsider" music rarely arrives so pronounced and at the same time so warm and inviting. Special guests include: Alasdair Roberts, Donald WG Lindsay, Neil Campbell, Sybren Renema, Alastair Galbraith, Reg Norris, Mick Elborado, Norifumi Shimogawa, Oren Ambarchi, and Simon Wickham-Smith.
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2X7"
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FD 108EP
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Presently Untitled collects exclusive tracks by each of the artists on Fourth Dimension. Each needs no real introduction, united in being committed to exploring a wide range of sounds and ideas. Richard Youngs continues to confound in his approach to dronework, Theme morph between abstract electronics and power-noise, Sion Orgon plays alien pop and Alternative TV deliver post-punk. Extnddntwrk (Andrew of Sleaford Mods) is in downtempo mode, Map 71 blend percussion and electronics, and Kleistwahr prove their devastating and immersive sound can be contained in a short piece. Edition of 350. DIY punk-style sleeve with an insert.
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CD
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FD 110CD
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Ramleh's Gary Mundy has been rather prolific in recent years with his solo Kleistwahr project. As with his main concern, there's a deep-seated interest in pushing the parameters where certain sonics can fall into a seismic vortex of sheer overload yet remain tethered to a knowing sensibility where greater power can be derived from simply holding back. Since the incredible This World Is Not My Home album in 2014 Kleistwahr has embarked on a single-handed mission to not only take such possibilities as far as possible, but also reach inwards and rip out its core being in order to further attempt to make sense of its doubtlessly tarnished place in the universe. Although in and of itself often tempered to the point restraint assumes new, often disturbed (and disturbing) psychedelic or even filmic, properties, this music arrives like a spitting and foaming scream into the insanity of the void and the myriad challenges and questions it inexorably keeps hurling at us. Kleistwahr is akin to one man having scaled a great height poking out of an infinite chasm and wondering why he bothered.
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CD
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FD 107CD
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Void Axis is Brighton duo Map 71's fourth album. The previous one, Gloriosa, released on Fourth Dimension saw them garnering more praise and attention than before. During the interim they have continued to play live regularly. Map 71's approach draws from post-punk, improvisation, electronics, and other such realms of music. "Engrossing half-stories that provoke a hallucinogenic rumination of the world...hypnotic percussive grooves, creating a broad-band spectrum of texture and motion" -- Freq.org.uk; "Jayne rants like Lydia Lunch run through a vocoder" --Byron Coley, The Wire
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LP
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FD 101LP
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The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelworks remain very much suggestive of a charred psychedelia twisted way beyond any stupid hippie dream, JFK's work remains hewn with a distinctive edge at once uncompromising and agile enough to pull you in without the slightest hint of a protest. Music perfect for the age always hinted at when younger by pessimistic sci-fi films that we sometimes appear to be living in... Eight devastating tracks mastered and cut by Matt Colton at Alchemy, London.
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12"
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FD 106EP
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Mark Perry has remained the sole surviving original member and driving force. Alternative TV have been responsible for around fifteen albums since their formation, with the last one, Opposing Forces (2015), proving to be their strongest thus far, marrying of igneous rock, idiosyncratic touches, barbed commentary, and occasional seething undercurrents of dark psych. Dark Places introduces four songs cascading between full-on rock to a kind of abstract minimalist electronics approach perfectly in keeping with Alternative TV's occasional traverses to the furthest reaches. Vic Godard's guests on guitar on "Like A Tomb".
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CD
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FD 102CD
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Brighton's Map 71 are a duo comprised of Andy Pyne (percussion, electronics) and Lisa Jayne (words, voice). Together they have been working away at an approach that draws from post-punk, improvisation, electronics, and other such realms of music to create a refreshing environment where reflection, wry observations, the abstract, and immersion can develop. They have existed for a few years now and had several releases out both on their own Foolproof Projects imprint and via a couple of other labels. Gloriosa itself is a reissue of a very limited cassette album released by Fourth Dimension Records in 2017 but included here are six bonus tracks previously issued on a CDr and cassette album. Map 71's songs aren't really songs. They dispense with melody and the verse/chorus structure for an intentional disconnect between Lisa Jayne's delivery and Andy Pyne's beats. Lisa Jayne doesn't have to shout or accentuate her proclamations, observations and confessions; it's the rhythms that provide movement here. It's not always poetry either. And while the electronics revel in comparisons with the proto-electronic sound of Suicide and the rhythms of Z'ev, they're just as likely to co-opt the electro beats of techno.
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CD
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FD 100CD
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Collecting two songs from the long out-of-print, ultra-limited 10" lathe-cut released in spring 2017 on New Zealand Independent Woman Records, "Broken and Beaten in 5/8 Time Part 1. Beaten" and "Broken and Beaten in 5/8 Time Part 2. Broken", plus two previously unreleased tracks exclusive to this release. Generally more refined than previous Kleistwahr work, the pieces here catch Gary Mundy (also of Ramleh and Broken Flag Records) furrowing his distinct and recognizable take on a kind of contemporary psychedelia with dystopian leanings. Also nodding towards the fug generated by certain "krautrock" groups whilst retaining threads of those uncompromising power-noise surges he built his reputation on, this is music guaranteed to take you to new spaces before forcing you to nervously look over your shoulder.
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CD
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FD 099CD
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Remastered reissue of Splintered's Moraine, originally issued on vinyl only in 1997 by Germany's Suggestion and No Risk No Fun labels. Two lengthy tracks comprising piano, found sounds, loops, wild sax, electronics, and suchlike, besides the full-on and blissed-out psychedelic-noise the group were renowned for. The first piece also includes sounds recorded by Jim O'Rourke for a limited edition DAT release on Soleilmoon intended for other artists to use. Who knows if anybody else ever sourced this, but Splintered duly rose to the bait and may well be the only group who ever made use of this DAT (itself called Use). This remastered reissue also includes new, exclusive bonus material by Siôn Orgon, Stuart Theme, and Steve Pittis/Band Of Pain, helping to bring a fresh slant to the music which itself already sounds timeless.
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CD
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FD 096CD
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Reissue of Thurston Moore and Tom Surgal's long out-of-print 1996 Not Me (originally released as both CD and 10" on Fourth Dimension). Two pieces of improvisational electronics, guitar, and drums, 11 minutes each. Includes 2016 liner notes by Moore. Packaged in gatefold CD sleeve. Limited edition of 500.
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CD
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FD 095CD
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Eight new solo works from Gary Mundy, whose latest Ramleh album, Circular Time, received a lot of praise when released in late 2015. At times taking on a slightly more tempered approach this album still arrives stamped with Gary's own take on a descent into a black-hole where screaming can definitely be heard. Kaleidoscopic noise has rarely sounded so triumphant or majestic whilst paradoxically resigning to the flaws of the human condition. This album will complete the present trilogy of Kleistwahr releases for Fourth Dimension and is to be once again housed in an oversized gatefold sleeve based on the original Broken Flag style. Edition of 300.
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CD
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FD 094CD
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Following the 2014 release of Kleistwahr's album This World Is Not My Home (FD 091CD), Fourth Dimension Records presents a remastered reissue of The Return, originally released as a limited-edition LP by Noiseville in 2009 and long out of print. Gary Mundy (Ramleh, Breathless, Broken Flag founder, etc.) never felt completely satisfied with the Noiseville release, so he digitally remastered the album for this edition, which also includes two previously unreleased bonus cuts. This release captures Mundy's original intention to render the music at once powerful and dynamic in a setting where volume is a significant part of the sound. As with Mundy's long-running group Ramleh, the music of Kleistwahr stems from a place both angry and anguished. Underpinned by a huge sense of existential despair, a sense of urgency and frustration likewise screams from this music. Long known for his part, along with Whitehouse and Consumer Electronics, in creating a music subsequently known as "power electronics," itself copied by hundreds of groups to lesser effect or seen as a wellspring of inspiration by countless others often removed from this form, Mundy's own forays have always ventured far beyond such convenient trappings. Kleistwahr, his solo enterprise, testifies to this exploration and, more importantly, to Mundy's place as a progressive and highly accomplished visionary artist deserving of far more than his status as merely a cult concern. The Return witnesses electronic music once more teased and reshaped into something highly original by one of the genre's master craftsmen. Listen to it as loud as your ears can take. Packaged in gatefold Broken Flag-style sleeve.
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10"
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FDTEN 093EP
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Limited edition 10" featuring two sides of mixed cuts by Andrew Fearn of Sleaford Mods. Sways between buoyant yet grizzled electronica, nightmarish hue, post-dancefloor meltdown, acidic squelch, malfunctioning space probes, and snatches from the ether. If SM can often be described as confrontational, then the music of Extnddntwrk may well be there to help flesh out the hallucinations induced by the sucker-punches. Musically owing, however, more to his own work in Infant and an entire background in homespun electronic works, Untld comes from the same place as SM yet is coupled to something altogether more personal, driven by bittersweet experience.
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CD
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FD 091CD
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The latest album from Gary Mundy (Ramleh), who has been using this moniker since the early '80s to further furrow the worlds of intense electronics, harrowing psychedelia and violent or claustrophobic atmospherics he is already known for. Less prolific than Ramleh, Kleistwahr began with several cassette releases on Gary's own much-revered Broken Flag imprint and has subsequently been afforded more releases by labels such as Noise War, Noiseville and Harbinger Sound. This World Is Not My Home collects seven pieces recorded between 2013 and 2014 of mostly instrumental sprawling guitar and electronic works. Edition of 300 in a classy Broken Flag-type sleeve.
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2CD
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FD 092CD
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Long before the man with the fixed "fuck you" stare, can of beer, e-cigarette and laptop found a home as one half of Sleaford Mods, Andrew Fearn was making music at home comprised of samples, loops, frazzled electronic textures, deep bass rumbles, mutated beats, punk snarl, post-dancefloor meltdown mayhem and all manner of other abstract and disparate sounds. Rammed home by the same DIY sensibility that drives Sleaford Mods, Andrew's (mostly) solo works are where he cuts his teeth on new ideas, fresh sounds and music that sways heavily between that of a chemical-soaked film soundtrack and an obvious passion for all things that filter in from those less obvious edges most people prefer to keep at bay. Just Tracks collects the latest album of the same name alongside a bonus disc which delves into his back catalog. Perhaps as suggested, it merely hints at the little sonic dust-storms Andrew kicks up at every available free moment he gets (presumably over rugged and much abused equipment stained by coffee and with overflowing ashtray nearby). Many of the pieces may at first appear like simple sketches, but there's a huge emotional scope to them that's perfectly ripe for throwing like a grenade into the often bland waters passing for today's better realms of electronic music.
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CD
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FD 090CD
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Another solo album by the highly-prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms/non-forms. On this album, Primary Concrete Attack, he utilizes a borrowed spring reverb generator from his friend, Luke Fowler, to rise to the challenge Richo at FD set him of creating a dub record. While not liking reggae or dub himself, Richard Youngs professes a huge passion for tape echo and spring reverb, plus loves a hearty and perhaps provocative challenge. The eight tracks that make up Primary Concrete Attack, as perhaps expected, bear little in common with a dub record and fall far closer to the idiosyncratic worlds Richard Youngs generally appears to feel happiest in. Combining electronic splurge with all manner of loops and various sound sources, this album focuses very much on their effects and how to play around with them as much as the original sounds.
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CD
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FD 086CD
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kakofoNIKT is an audio-visual group from Poznań, Poland, exploring the borders of industrial music, noise, free improvisation, sound installations, and performance. The group uses such instruments as metal garbage, damaged electronic devices, toy instruments, electronically processed hurdy-gurdy, saxophone, field recordings and concrète sounds, objects of everyday use, and sine wave generators. The band aims to calibrate the listeners' perception into a channel of different consciousness -- experimenting with the time of concerts, as was witnessed with the Respondorium project that started at 5 am; or literally asking the audience to lay down in a series of concerts for dreaming: Dream Machine. Sound becomes the borderline point of experience. The album Kaktuus is an interpretation and translation of an experience with cactus into the language of sounds. The compositions are arranged as consecutive stages of the contact with the cactus, starting from the preparations, such as peeling off the skin and spines, and going through all the stages of the sensations up to the extreme effects.
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CD
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FD 079CD
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Following two now impossible-to-get cassette album releases and a series of CD-Rs, Chtenie ("reading" in English) is Russian artist Alexander Shevchenko's debut on CD proper. Comprising improvised organ and guitar pieces with field recordings and a warm, natural and earthy feel that falls somewhere between a soundtrack to a lost '60s mystery film and the notion of the lone busker playing mildly jaunty and (broken) jazz-tinged melodies. Packaged in a fold-over card cover and limited to 300 copies. A taste of Sashash Ulz's music.
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