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viewing 1 To 25 of 39 items
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LP
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BEWITH 176LP
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In the wake of his Stones Throw breakthrough -- Exotic Worlds & Master Treasures -- Stimulator Jones was pegged by many as a '90s throwback artist. However, he literally IS a '90s artist. He's been recording music most of his life and he's now 40. Cool Green Trees (1999-2005) is a collection of beats and loops he created between the ages of 14-20 at home in his basement, bedroom and computer room in Roanoke, Virginia. Everything before 2004 was recorded when he was still in school. He was in eighth grade when he made the 1999 tracks -- he didn't even have his learner's permit. This album is a snapshot of a young man in a simpler time. Things were still mysterious back then and he was flying blind, relying on his ears and having to figure things out for himself. Opener "Pharoah Jones" was inspired by Yesterday's New Quintet and Madlib's ability to capture that classic '70s sound whilst playing all the instruments. The sublime, evocative title track, "Cool Green Trees" was created when Sam was still living at home. He dumped samples off his SU10 into the family desktop and arranged them in a demo version of Pro Tools. "Chill Scratch" snags the final bit of a bossanova record and pairs it with a drum loop before adding experimental scratching run through an Electro Harmonix Memory Man echo pedal. Sam explains just how much these tracks mean to him: "They all have immense historical and sentimental value and I'm proud of them. These beats come from an innocent, simple time when I was just figuring out how to craft these sounds. They're something very personal to me." The cover photo is a picture of Sam standing on his back porch in the latter part of 1998, just before he got his first sampler. Mastering for this vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.
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CD
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CLE 078CD
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Al Bilali Soudan delivers Takamba in its rawest form -- the original desert sound. From Timbuktu, these masters command the tehardent, a three-stringed lute buzzing with hypnotic power, propelled by deep calabash rhythms. Their music is tradition unleashed: unrefined, immediate, and pulsing with the spirit of Saharan gatherings. Recorded during informal rehearsals, this session captures Al Bilali Soudan's essence. Two extended tracks stretch beyond 13 minutes, locking into relentless trance inducing grooves. Abellow Yattara leads with tehardent work that's both virtuosic and deeply rooted, proving why he's revered as a keeper of Mali's musical legacy. This is desert music at its most primal. No studio effects, no concessions -- just real, raw resonance of strings, skin and voice. For those who think they know African blues, here's the deeper truth.
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CT 098LP
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2025 repress. "Bringing out his best in these fine tracks.Out of the vaults of Clock Tower has appeared these fine dub mixes such as 'Asian Roots Dub,' 'His Easy Dub', 'I Yah Who Dub' and many, many more.... you will be drawn into the rhythm and feelings of a culture far surpassing music into the future."
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CT 114LP
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2025 repress. Originally released in 1981. Landmark dub record from legendary reggae producer Lee "Scratch" Perry, using a combination of established collaborators and new musicians: The Upsetters, Johnny Lover & The Towerchanters, Lee & The Blue Bell, Val Bennett, Brad Osbourne & The Towerchanters, Devion Iron, The Black Arks, and Ricky And Bunny.
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CT 115LP
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2025 repress. Originally issued in 1973, Blackboard Jungle Dub is considered a milestone in the history of dub. Tracks include "African Skank" -- based on Junior Byles' "A Place Called Africa" -- and "Dreamland Skank", "Moving Skank" and "Kaya Skank" which are dub versions of Wailers" "Dreamland", "Keep On Moving" and "Kaya".
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2LP
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CS 011LP
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Drawing inspiration from a wide range of cultures and musical traditions, C'mon Tigre is a dynamic duo that develops its identity into a collective of musicians and artists from all over the world. Along the years, they have collaborated with musicians such as Colin Stetson, Seun Kuti, Arto Lindsay, Xênia França, and artists Gianluigi Toccafondo, Harri Peccinotti, Danijel Zezelj, and Paolo Pellegrin, to name a few. TEN, which stands for "Tenth Edition Newness," is an expanded edition of their iconic self-titled debut album, which was initially published in 2015 through Africantape on a limited vinyl pressing. It sold out quickly, was later repressed by the band and sold out again. Today, it finds its chance to be reissued with the Computer Students treatment. Fans will love this remastered version, which sounds substantially better than the original. The album's expansion features a slightly altered record cover in addition to a 12-page booklet with a number of writings and images. TEN is featured on double black vinyl, audiophile quality pressing 180-gram, inside a gatefold cover. The entire package is housed in a unique heat-sealed aluminum Type-2 foil bag, courtesy of Computer Students.
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CD
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DC 701CD
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"In 1987, Rafael Toral began making his own compositions and solo recordings using electric guitar in an enhanced signal path. In the time since then, he has developed his conceptions, first as a guitar improviser, then in what he called his 'Space Program,' utilizing self-made electronic modules. 2024's Spectral Evolution was a much-acclaimed return to guitar voicings and improvisations, edified by his further explorations in electronic sound. In the wake of his extraordinary new music comes a new set of CD masters for Rafael's first two albums, Sound Mind Sound Body and Wave Field. Nearly 40 years later, these recordings sound remarkably prescient and perfectly timeless -- fresher today than when they were first released! Sound Mind Sound Body was inspired in part by the working principles of Fripp and Eno, extrapolated by Rafael via a unique signal path leading out of his guitar. He paid notice to the massive impact of discreet gestures, creating slow-moving tones and spacious orchestral resonances, drifting and droning with glacial majesty, hardly recognizable as guitar much of the time. The first pieces were recorded in 1987; in 1994, a collection was released on Portugal's AnAnAnA, producing an hour's worth of remarkable sonic equilibrium in this mode. With each subsequent reissue, however, aspects of this sound have been subtly revisited. For the 1998 Moikai CD, 'AE 1,' one of the earliest pieces conceived, was newly recorded; for the 2018 Drag City LP master, 'Textura e Linhas Curvas' was included, 'AER 7 E' was re-recorded and the material for 'AE 2' was recorded for the first time ever. These performances were executed using the same processes as the original ones. For the current CD, 'Loopability II' has been recalled from the AnAnAnA master, 'Textura e Linhas Curvas' omitted and yet another brand-new version of 'AER 7E' inserted in place of the 2018 version. Incredibly, all of these changes augment Sound Mind Sound Body's expansive intent without altering its essential otherworldly atmosphere. Wave Field and Sound Mind Sound Body to sit perfectly among the forward-reaching music of today -- as it continues to evolve in listeners' ears, moving ever towards the next conception of listening space."
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DC 702CD
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"In 1987, Rafael Toral began making his own compositions and solo recordings using electric guitar in an enhanced signal path. In the time since then, he has developed his conceptions, first as a guitar improviser, then in what he called his 'Space Program,' utilizing self-made electronic modules. 2024's Spectral Evolution was a much-acclaimed return to guitar voicings and improvisations, edified by his further explorations in electronic sound. In the wake of his extraordinary new music comes a new set of CD masters for Rafael's first two albums, Sound Mind Sound Body and Wave Field. Nearly 40 years later, these recordings sound remarkably prescient and perfectly timeless -- fresher today than when they were first released! Wave Field, released in 1995, was a departure from the first album into new composition methods involving the dirty textures of rock guitar, sounding in the open ears of many listeners (like Jim O'Rourke, who issued the disc in the US on dexter's cigar) as a synthesis of disparate elements -- a nexus where Alvin Lucier, Sonic Youth, My Bloody Valentine, and Eno blend together. Here, the clangorous potential of the guitar was emphasized, giving a metallic edge to the two extended pieces and 'radio edit' coda. The jacket paid subtle tribute to My Bloody Valentine, which, along with the radio edit, suggested a harmony between musical directions as wildly disparate as minimalist experimental and rock. Today, such a paradoxical intent is more widely considered as a part of the artist's purview. Wave Field and Sound Mind Sound Body to sit perfectly among the forward-reaching music of today -- as it continues to evolve in listeners' ears, moving ever towards the next conception of listening space."
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2LP
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FB 5157LP
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2021 repress. "Produced entirely by MF DOOM. Following the success of two collaborative releases (EMC The Show/2008 and Ace & Edo G Arts & Entertainment/2009), Masta Ace joins forces with the metal faced MF Doom for Son of Yvonne, a highly personal concept album that celebrates the life and legacy of Ace's recently departed Mother. Like his 2004 landmark Disposable Arts, Son of Yvonne is meticulously constructed with stories, settings, and characters that resonate with flesh and bone humanity. Interstitial vignettes provide a thematic backbone to the experience, and each track complements and completes the previous to form a narrative whole: a sometimes visceral, sometimes nostalgic slice of Ace's young life in Brownsville, Brooklyn. Entirely underscored by MF Doom's iconic Special Herbs instrumentals, Son of Yvonne features the Juice Crew general Big Daddy Kane, new comers Pav Bundy (The Bundies), Reggie B and even MF Doom on the mic. It's Masta Ace's no frills flow, however, that looms largest above the dusty samples and digger loops that define Doom's production. Ace's photo-realistic rhymes about stick-up kids, spraycan artists and wack emcees add extra gravity to his already celebrated reputation as 'truly an under-appreciated rap veteran and underground luminary' (Allmusic Guide). Like Eminem recalls in his 2008 autobiography The Way I Am, 'Masta Ace had amazing storytelling skills. His thoughts were so vivid.'"
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2LP
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HPS 107B-LP
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2025 repress. Heavy Psych Sounds present a 20 Year Anniversary reissue of Brant Bjork's Jalamanta, originally released in 1999. Brant Bjork: "Jalamanta was a life changing record for me. It's the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time. Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didn't think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go... and we did. Dig it." Features a Blue Öyster Cult cover, "Take Me Away".
Jalamanta has been re-mixed by Tony Mason, with a freshly baked re-master by John McBain at JPM Mastering, San Fransisco. Cover photo by Sam Grant. Skull Modern Relics by Joe Joe Herbick. Art direction by Ryan Jones. Layout by Branca Studio.
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INT 30041LP
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Repressed "2024 re-release. The renowned and widely acclaimed music label Intuition, well known since the 1980s, is proud to announce the release of its most important and successful back-catalogue titles on vinyl under the name 'Intuition Master Series'. The American trumpeter and multi-instrumentalist Jon Hassell (March 22, 1937-June 26, 2021) was an international legend despite never having managed a popular breakthrough. Hassell was a musical visionary and pioneer, one who was inspired by ambient sounds and new music. He appreciated the music of avant-gardists such as Stockhausen, in whose Cologne school he also studied. He came into contact with Terry Riley and his minimalistic music early on and played on his first albums. Hassell was also a musically driven person, someone who had to get to the bottom of styles. Thus, he was intensively involved with Far Eastern, but especially Indian music. Using the ingredients he learned, he created a completely new way of playing on and with the trumpet. He created language-like modulated air currents flowing through the instrument to produce seemingly alien, microtonal sounds. He combined this technique with ethnic polyrhythms, electronic alienation, soundscapes and jazz to create his own style, which he called 'Fourth World'. With this kind of music, he significantly influenced numerous emerging styles such as world music, nujazz or ambient. It is no mistake to say that without Hassell's ideas, these types of music would have taken a very different course. Hassell's influence on the music world cannot be overestimated, even if he himself was always unimpressed by the praise. 'It's the invisible things that buzz around us. You just have to bring them to light and make them visible.' In a tried and tested association with Brian Eno (as producer), his first completely live-recorded album was released at that time. The individual pieces, which were recorded in Paris, Vancouver, Hamburg and Brussels, reflect the special atmosphere that made every (rare) Jon Hassell concert something extraordinary. Intuition's 1987 The Surgeon of the Nightsky Restores Dead Things by the Power of Sound is undoubtedly one of his best works."
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JB 003LP
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Abaeté, a vocal trio from Bahia, made a remarkable debut with masterfully crafted jazz-funk sambas, at a time when Bahian musicians were true masters of the genre. There's virtually no information about the band, apart from the music itself, which seems to be limited to two releases: a single and that much-loved 1977 self- titled album, now a cult classic. A collection of killer tunes, funky samba, synthesizer sounds and free rhythms with a North Brazilian flavor. The band also wrote songs for Clara Nunes and Elza Soares in the '70s. Mixed by Waldir Lombardo Pinheiro.
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2LP
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JB 004LP
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Double LP version. Gatefold with 4-page booklet. Includes obi and printed inner sleeves. Second album by Brazil's upcoming star, Liniker. A seamless blend of pop, samba, jazz, R&B, and house. Featuring Lulu Santos, Pabllo Vittar, Tropkillaz, Melly, Priscila Senna, Baianasystem, Amaro Freitas, and Anavitória. Born in Araraquara/São Paulo, Liniker is a multitalented artist -- singer, songwriter, music producer, and actress -- whose passion for the arts began in childhood. Influenced by her mother and uncles, who were active in samba rock circles, Liniker's early musical experiences planted the seeds for her future career. Today she is one of the most exciting Brazilian artists. In 2022, she won the Best Brazilian Album category at the Latin Grammy Awards with Indigo Borboleta Anil. In 2023, Liniker became immortalized by the Brazilian Academy of Culture, taking the seat once held by Elza Soares, the eternal Brazilian singer. Liniker's sophomore album CAJU has quickly become a classic in Brazilian popular music. The album's 14 tracks -- some extending beyond seven minutes -- demonstrate Liniker's commitment to artistic expression over commercial constraints. Liniker showcases versatility and artistic growth through a seamless blend of pop, samba, jazz, R&B, and house. Songs like "Veludo Marrom," "Tudo," and "Ao Teu Lado" shine for their musical complexity and emotional depth. Its success led to multiple wins at 2024 Multishow Brazilian Music Awards, including Artist and Album of the Year.
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LMS 1725458
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Hothouse Flowers' debut album People (1988) was a remarkable fusion of rock, folk, and soulful blues, spearheaded by the charismatic vocals of Liam Ó Maonlaí. The album was anchored by the hit single "Don't Go," which propelled the band to international recognition. With rich instrumentation and passionate performances, People stood out for its refreshing blend of Irish musical roots with contemporary rock influences. The album was the fastest-selling debut in Irish history at the time. It topped the Irish Albums Chart and peaked at No. 2 on the UK Albums Chart, while also making significant impact in the U.S. and other markets. People was certified Platinum in the UK and Double Platinum in Ireland. Backed by strong singles like "I'm Sorry" and "Feet on the Ground," the album sustained impressive momentum, further fueled by the band's dynamic live performances. People solidified Hothouse Flowers as one of the most exciting Irish bands of the late '80s, demonstrating the band's ability to bridge genres while delivering powerful, heartfelt music. For 2025 Hothouse Flowers celebrate both People and its follow up album Home. London Records celebrate with represses of People and Home on vinyl, with restored artwork faithful to the original editions.
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LMS 1725464
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Hothouse Flowers' sophomore album, Home, released in 1990, built on the success of their debut People while showcasing a more mature and introspective sound while maintaining their signature heartfelt, genre-blending approach to music. The album continued their signature fusion of rock, folk, gospel, and blues, its tracks demonstrating both introspection and a vibrant energy. Home reached No. 1 on the Irish Albums Chart and peaked at No. 5 in the UK. The album was certified Gold in the UK and Platinum in Ireland, reaffirming the band's status as one of Ireland's most successful exports at the time. Lead single "Give It Up" became a fan favorite, while the band's cover of Johnny Nash's "I Can See Clearly Now" broadened their appeal, a Top 5 in Ireland and chart hit in UK and Australia. The band's relentless touring and powerful live shows helped sustain Home's international momentum and commercial success. For 2025 Hothouse Flowers celebrate both Home and its predecessor People. London Records celebrate with represses of People and Home on vinyl, with restored artwork faithful to the original editions.
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LCD 1051CD
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2025 restock; originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key were composed and performed in a three year period between 1967 and 1970, when Monk collected them into this 45-minute "invisible theater" experience. Meredith Monk on the release: "In Key I wanted to create a constantly shifting ambience. Each song dealt with a different vocal character, landscape, technical concern or emotional quality. I was trying for a visceral, kinetic song form that had the abstract qualities of a painting or a dance. I knew that I didn't want to set music to a text; for me, the voice itself was a language which seemed to speak more eloquently than words. I chose certain phonemes for their particular sound qualities. In a sense, each song became a world in itself with its own timbre, texture and impulse." Personnel: Meredith Monk - voice, organ, jews harp; Daniel Ira Sverdlik, Dick Higgins, Collin Walcott, Lanny Harrison, Mark Monstermaker - voices.
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MIXTO 222LP
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"BALTHVS is THE premier eclectic and psychedelic world funk trio from Bogotá, Colombia, sparking a counterculture revolution in their home country. Cause & Effect is BALTHVS's second record. An evolution from its initial chill psychedelic sounds portrayed in 2020's Macrocosm. Owing to its Colombian roots, the album has plenty of Latin American rhythms, as well as ventures into deep house, Turkish music, vaporwave, trip-hop and disco. Their signature psychedelic elements are always present, ready to engulf the listener in a hypnotic trip across time, space, cultures, and different eras. The name of the album reflects an ancient hermetic axiom. Nothing is accidental, everything is invoked. Chance or fate are names for a cosmic law not comprehended. Everything you do, consciously or unconsciously will come back at you, nothing happens without reason."
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MIXTO 333LP
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"'To change your mood or mental state -- change your Vibration' A fragment from the Kyballion has deeply resonated with the band in recent years. Everything is mental, as Above so Below. BALTHVS deeply believes in these tenets, and their manifestation is through music. Melodies that try to resonate deep within and generate a different type of vibration. From the psychedelic experience arises a more balanced lifestyle, and from arduous and uncertain times rises the desire to have inner peace of mind. Music is medicine for the soul and the trio play this music to wind down, relax and be more present. It's music from the 21st century, a time where the world has deeply connected to one another via the digital realm, cultures are now free from geographic boundaries, they influence, mesh and collide with one another. Turkish melodies meet Latin rhythms, from instrumental tunes to Spanish and English lyrics. The band freely takes from all corners of the world, and it reflects on the global audience they have slowly amassed. Third Vibration is a celebration of life, a deep respect to the power of music. Produced, mixed and mastered by Balthazar Aguirre. Written, arranged and performed by BALTHVS. Art direction: Balthazar Aguirre. Recorded in Cubensis Records Studios, Bogotá, Colombia."
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MIXTO 444LP
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"In a serendipitous turn of events in 2023, BALTHVS embarked on a transformative expedition to a remote region in Colombia. Surrounded by mango trees, they converted a home into a recording haven, fully immersing themselves in the creative process. The enchanting setting was further enriched by the unexpected presence of a mystical feline companion named 'Anouk.' The culmination of this immersive experience is Harvest, BALTHVS's latest musical opus -- an evocative and potent testament to their artistic evolution, signaling the dawn of a new era in their sonic exploration."
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MR 467LP
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Repressed. La Revolución de Emiliano Zapata was the Mexican psychedelic rock band that achieved the most commercial success internationally in the early '70s. Their self-titled and much sought-after debut LP (1971) is considered one of the best acid rock albums in Mexico, recorded under the influence of groups like Credence Clearwater Revival or the Who but also adding their own style featuring an original and stunning guitar sound. Remastered from the original tapes. Includes poster. 180g vinyl. Their fantastic "Nasty Sex," along with other songs like "If You Want It" or "Melynda" boosted their first album at the top of the sales charts worldwide. Sadly, Mexican record labels lost interest in local rock bands due to the repression of La Onda movement by the Mexican Government, resulting in rock bands being banned. This, in addition to internal disagreements between members of the group, eventually led to the end of their relationship with Polydor in 1973. La Revolución de Emiliano Zapata entered a new artistic phase in their career, focusing on ballads and adopting different new musical trends over the years.
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2LP
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SR 001LP
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2025 limited restock. "Sides A and B at La Cave, Cleveland, April 30, 1968. Side C: Cover states this comes from 4rth Fret, Philly Jan. 1970 (2nd Fret, Philadelphia, January 1970) but actually Boston Tea Party, December 12, 1968. Side D at Boston Tea Party, March 15, 1969." Gatefold sleeve.
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OP 086LP
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Wind, Again is Sary Moussa's fourth studio album and second album on Other People. Based between France and Lebanon, Moussa returns with a riveting electro-acoustic album informed by his ever-changing relationships to space, listening, and resonance as well as his growing interest in the study of harmonics in electronic and electro-acoustic music. Years in the making, Wind, Again approaches distinct musical worlds and languages by bringing together improvisations by musicians performing on Western and West Asian instruments such as the Hammond organ, clarinet, saz, and buzuk with electronic arrangements and textures. Rather than force a rapprochement of these musical worlds through the instruments, and keenly aware of the weighty sonic histories they carry, Moussa proposes another way through which they can exist together in contemporary electronic composition. Composed of six tracks, each of which demonstrate an array of recording and processing techniques, the album generates moments of tension produced by the synthesis of textural, tonal, and harmonic encounters that Moussa calls "shadows," which outline an impressionistic musical language, existing at the edge of familiarity. Sonically and musically, the album is fueled by the cultural, social, and personal realities that Moussa was brought up and lives in. Both personal and musical ties with the musicians who feature on the album is central to Moussa's practice. In the title track "I will never write a song about you," musician Julia Sabra opens with rolled piano chords, followed by Paed Conca on clarinet and Abed Kobeissy on buzuk, before Moussa's electronic processing pieces together, lifts, and sustains the melodic direction of the track that emerged from the musicians' separate improvisations. Wind, Again is both familiar and alien, cold and warm; it pays homage to the mechanics, materials, and tactility of the instruments and converges acoustic and synthetic spaces. What anchors the sound of the album are the elements of a whole that cannot find its own idiosyncrasy and that is precisely why Moussa's album is a tour de force.
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PUM 001LP
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"Karpenters, the latest album from Kool Keith, produced by Grant Shapiro, stays true to the essence of hip-hop: boom bap beats, clever samples, and heavyweight guest features. Hip-Hop legends like Tash (Tha Alkaholiks) and Marc Live (Analog Brothers/Black Elvis) add to the project, complementing Kool Keith's signature eccentric flow. This marks Kool Keith's first official album since the cult classic Black Elvis 2 -- a long-awaited release for dedicated fans. The album boasts mixing by J-Styles (Keith's in-house engineer) and mastering by Grammy winner Steve 'Steve B' Baughman, ensuring top-tier sound quality. Leading the charge is the official music video for 'Super Hits,' directed by Wayne Campbell -- known for his work on Kool Keith's Love Infringement and videos for artists like Benny The Butcher. With executive production by Kool Keith and distinctive, hard-hitting beats from Grant Shapiro, Karpenters is a project fans have been craving -- raw, authentic, and unforgettable."
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3LP
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RPRFDF 001LP
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Not much is known about De Frank Kakra -- let alone his birth name or where he is today. A few liner notes scattered across his records give a glimpse of his career as a backing vocalist and percussionist on the Ghanaian highlife scene of the 1970s, notably with Vis-A-Vis, K. Frimpong's band (Cubano Fiestas). He later formed his own bands, The Professionals and The Diggit Ways, alongside Sammy Copper, recording throughout West Africa. His recordings have now been unearthed, remastered and compiled in a triple LP anthology of his musical works. Although much remains unknown, RastaPastaRecords' goal is to ascertain several discoveries made about his life during the production of this record and to continue the research. Call Me Frank is a funky take on 1970s highlife set to a vintage Afro -- rock fusion that evokes a time when West African dance floors vibrated with raw energy and relentless groove. "Psychedelic Man" is a full dive into the De Frank Kakra sound. With its hypnotic guitar riffs, cosmic organs and head-nodding drum rhythms, this infectious anthem will plunge you into a state of nostalgic psychedelia. 24-track triple LP in trifold packaging. A powerful mix of hypnotic guitars, cosmic organs and relentless grooves.
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SAM 003CD
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Poets of Forest is a musical journey where the soul of jazz blends with the mysteries of nature. Drummer Arnaud Dolmen composes three themes, the starting points for a spellbinding exploration of sound. Alongside double bassist Michel Alibo and multi-instrumentalist Jowee Omicil (flute, alto and soprano saxophones, bass clarinet), these melodies are transformed and brought to life in multiple forms. Each version seems to emerge from another world, where the forest and its secrets whisper between the notes. Special guest harpist Sophye Soliveau sculpts soundscapes as vast as they are mysterious. Together, they weave a timeless musical canvas. Poets of Forest is a space of silence and light, where imagination and reality meet, where nature speaks to the soul. A meditation in sound, both fragile and powerful.
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