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viewing 1 To 25 of 86 items
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2LP
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ATON 005LP
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Double LP version. An Invitation To Disappear is the debut LP by British electronic musician Inland, aka Ed Davenport, and his first release for A-TON. Based on his soundtrack for a video installation by conceptual artist Julian Charrière, Davenport has recast the material and field recordings into eight tracks of rhythmically intricate electronics and spectral, ambient techno, inspired by Charrière's visually striking, 76-minute tracking shot through a palm plantation toward a totemic sound system on full blast. Both the album and original soundtrack were created in response to the 200th anniversary of the eruption of Indonesia's Tambora volcano in 1815, which plunged the world into darkness and caused a series of extreme weather conditions. At the time, the natural climate change crisis resulted in numerous global famines and became known throughout the northern hemisphere as "The Year Without Summer", with global communities forced to adapt to sudden radical changes in temperature and weather. An Invitation To Disappear offers a contemporary parallel, leading viewers and listeners down a seemingly endless direct path of gridded palms from dawn to dusk; a bio-commercial monoculture where ancient jungle once flourished. Light flickers between rows of fruit-laden trees and a distant fire burns in the undergrowth where the border between natural image and computer simulation breaks down. At the same time, formerly incoherent rumblings of sub-frequencies begin to transform into the contours of rhythm. This is reflected sonically in eight perspectives on the lush, synthetic jungle, made of myriad buzzing fauna, morphing melody and colossal bass-weight. All paths lead toward an apocalyptic dance floor, though speeds vary widely. Rhythms dissolve from straight to broken, and synth tempos operate by their own internal clocks (and logic). Juxtaposing industrial agriculture with rave culture, the album explores the industrialization and refinement of nature, and the new strange forms emerging from the synthetic grids of both. As Inland, Davenport has previously contributed soundtracks to other installations by the Swiss-born Charrière, whose artistic practice focuses on bridging environmental science and cultural history, often taking place in remote geophysical locations, including ice fields, volcanoes, and radioactive sites.
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CD
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AKU 1009-10CD
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Akuphone presents a collection of recordings of various musical practices from the Laotian provinces of Champasak, Attapeu, Sekong, Saravan, Luang Namtha and Phongsaly. These documents are a perfect introduction to the traditional music of South Laos minority groups. Popular modern music is widely spread but visitors are barely ever exposed to ancient acoustic practices from villages. As a matter of fact, mouth organs of various sizes exist among the Hmong and Bit as well as amazing vocal techniques among the Lantene, Ahka, or Khmu who combine simultaneous singing and flute notes. This collection also compels one to discover the Brao gongs, the Triang bamboo flutes, the Lao, Ta Oy, Alak, OI, Pacoh, or Nyaheun mouth organs as well as the powerful singing accompanying these instruments. Caught on the spot, these outstanding testimonies were collected between 2006 and 2013 by Laurent Jeanneau, aka Kink Gong. Through his researches, this self-taught ethnologist has gradually become one of the specialists of the field, building up a collection of complete and fascinating sound archives which contribute documenting parts of this immaterial heritage. Music of Southern and Northern Laos brings some light on a region of South East Asia still largely unknown from the general audience as well as the recently reborn ethnographic musical industry. This compilation will delight both molam/khene lovers and beginners unused to South East Asian sounds.
The CD version gathers both Music of Southern Laos and Music of Northern Laos over a single disc. Includes liner notes in English, French, and Japanese and a download code.
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3LP
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AALP 087LP
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Triple LP version. 140 gram vinyl; Gatefold sleeve with liner notes and pictures. Following Analog Africa founder Samy Ben Redjeb's dangerous trip to Mogadishu in November of 2016, the label presents Dur Dur of Somalia: Volume 1, Volume 2 & Previously Unreleased Tracks. Dur-Dur, a young band from the '80s, climaxed as a band in April of 1987 with the release of Volume 2, their second album. The secrets to Dur-Dur's rapid success is inextricably linked to the vision of Isse Dahir, founder and keyboard player of the band. Isse's plan was to locate some of the most forward-thinking musicians of Mogadishu's buzzing scene and lure them into Dur-Dur. Ujeeri, the band's mercurial bass player was recruited from Somali jazz and drummer extraordinaire Handal previously played in Bakaka Band. Isse also added his two younger brothers to the line-up: Abukar Dahir Qassin was brought in to play lead guitar, and Ahmed Dahir Qassin was hired as a permanent sound engineer. On their first two albums, Volume 1 and Volume 2, three different singers traded lead-vocal duties back and forth. Shimaali, formerly of Bakaka Band, handled the Dhaanto songs, a Somalian rhythm from the northern part of the country that bears a striking resemblance to reggae; Sahra Dawo, a young female singer, had been recruited from Somalia's national orchestra, the Waaberi Band. Their third singer, the legendary Baastow, who had also been a vocalist with the Waaberi Band, and had been brought into Dur-Dur due to his deep knowledge of traditional Somali music, particularly Saar, a type of music intended to summon the spirits during religious rituals. From the very beginning, Dur-Dur's doctrine was the fusion of traditional Somali music with whatever rhythms would make people dance: funk, reggae, soul, disco, and new wave were mixed effortlessly with Banaadiri beats, Dhaanto, and spiritual Saar music. The concoction was explosive. It initially seemed that Dur-Dur's music had only been preserved as a series of murky tape dubs and YouTube videos, but after Samy arrived in Mogadishu he eventually got to the heart of Mogadishu's tape-copying network and ended up finding some of the band's fabled master tapes, long thought to have disappeared. This set reissues the band's first two albums -- the first installment in a three-part series dedicated to Dur-Dur Band -- representing the first fruit of Analog Africa's long labors to bring this extraordinary music to the wider world. Remastered from the best available audio sources. Includes two previously unreleased tracks; Accompanied by extensive liner notes, featuring interviews with original band members.
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12"
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APLWAX 005EP
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"005A1" with its funk attitude, powerful chords, and stunning vocals creates a proper banger. "005A2" is such a perfect blend of different feelings: are the strings a bit '80s... Is it just a new version of that kind of disco music? Instead it's just a mixture of sensations perfectly coexisting. "005B1" features a piano loop that is a great tribute to classic house music and keeps on dialoguing with catchy vocals. "005B2", with its saxophone and synthesizers is a percussive, atmospheric, and fulfilling way to end the record's narrative in perfect fashion.
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LP
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B 154LP
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Warehouse find, last copies. "After six years spent away from the public eye (1975-1981) due to a long period of illness and addiction, Miles Davis finally returned to music with 1981's The Man With the Horn. And just to prove that he was fully out of retirement, Davis embarked on a tour of Europe in the spring of 1982. It was his first European tour since 1971 and fans came out in droves to see the Prince Of Darkness. By April 26 April 1982 Davis and an all-star band (featuring Bill Evans on sax, Marcus Miller on bass, Mike Stern on guitar, Al Foster on drums and French musician Minu Cinelu on percussions) had made their way down to Rome where they played two sold out sets. The first set, was a forty-six minute medley featuring Davis' own 'Back Seat Betty', Gershwin's 'My Man's Gone Now' from Porgy & Bess, and in a nod to his Italian fans, Giuseppe Verdi's 'Aida.'" Yellow vinyl in clear plastic sleeve with black lettering (limited edition 500 copies).
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LP
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B 155LP
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Warehouse find, last copies. "For the second set, Davis' sextet played a forty-two minute medley featuring three original compositions: 'Ife', 'Fat Time', and 'Jean Pierre.'" Green vinyl in clear plastic sleeve with black lettering (limited edition 500 copies).
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LP
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BDNX 002LP
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"At the crux of American-born, Shanghai-based producer Eli Osheyack's debut album, Sadomodernism, is a question of agency. Borrowed from film theory, the album title was originally coined by writer Moira Weigel to describe a waning European art house tradition that vehemently rejects 'naïve pleasure' - the tranquilizing comfort of conventional cinematic narrative, like mainstream Hollywood - and opts for violence and pain, with the aim of shaking audiences out of cinematic manipulation and into their own position vis-à -vis the malaise of contemporary life. Echoing the work of sadomodernist auteurs, Osheyacks's Sadomodernism is a deeply political project with critical ambitions. The smashing and blending of genres, from techno, industrial, noise and gabber to ballroom and metal, even opera, and spontaneous percussion arrangements, sometimes mixed with distorted spoken word, do not mean to please, but provoke through disorder and chaos. Laden with Brechtian alienation affects, Sadomodernism interrogates the notion of autonomy in contemporary music, club culture, and social-political life."
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LP
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BS 009LP
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2018 repress. An outstanding raga-like drone LP with a distinctive cosmic vibe, Futuro Antico was a short-lived collaboration between the two Italians Walter Maioli (Aktuala), Riccardo Sinigaglia and Gabin Dabiré (from Burkina Faso). The synthesis between ancient, ethnic and analog electronic music is just perfect, the minimalist repetition with slight changes lends associations to slow growth; cyclic repetition gives the listener an opportunity to discover the sounds, to meditate, to go into the music, join the same journey through ancient, primitive cultures and modern electronic soundscapes. Originally released in 1980, the sound is completely analog and warm. This limited reissue maintains the original tape artwork, with info and photos.
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LP
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BS 010LP
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2018 repress. For the first time on vinyl, Black Sweat Records presents this obscure gem from the Italian project Futuro Antico, released only on tape in 1980. This record contains a hypnotic session from members Walter Maioli (Aktuala) and Riccardo Sinigaglia. Warm analog sounds, and a perfect mix of drone synth and ancient flutes make you feel like you're flying on a spaceship towards exotic locales. If this record reminds you of the incredibly astonishing live Köln jam between Terry Riley and Don Cherry, the comparison fits. This reissue features the original tape artwork with info and photos inside.
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2LP
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BT 040LP
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Black Truffle present the first reissue of a true underground masterpiece, Massimo Toniutti's Il Museo Selvatico ("The Wild Museum"), originally self-released on LP in 1991. Like his better-known brother Giancarlo -- whose classic 1985 Broken Flag LP La Mutazione was reissued by Black Truffle in 2015 (BT 014LP) -- Massimo Toniutti was active in the vibrant underground industrial/noise scene of the 1980s, contributing to releases on legendary labels such as Broken Flag and RRR and self-releasing a series of cassettes between 1984 and 1988. Existing in a private world apart from the noise and dark industrial tropes of many of his contemporaries, Toniutti's Il Museo Selvatico is an entirely singular work of domestic electro-acoustic exploration. Made up primarily of what Toniutti calls "small and rare noises" or sonic "knick-knacks" recorded between 1987 and 1990, the five pieces that make up the original LP usher us into a crepuscular space populated by mysterious traces of everyday life. Toniutti weaves a loose net of distant clanks, dull thuds, metallic resonance, and skittering percussive sounds, allowing the sounds to breathe against a backdrop of near-silent atmosphere. Although the haunted ambience recalls the work of contemporaries like Organum, Toniutti generally steers clear of long tones and drones, preferring to arrange brief, sometimes staccato sonic objects into patters of repeating figures and isolated events whose overall compositional shape remains somehow ungraspable. Although glimpses of recognizable location recordings and instrumental sounds can occasionally be made out, for most of the record the sources of the sounds you hear remain teasingly mysterious, an abstracted memory of everyday actions and atmospheres. I Museo Selvatico is accompanied here by an additional LP of material recorded at the same time, composed especially for this reissue into two side-long suites that inhabit the same haunted space as the original LP while occasionally making use of more maximal compositional strategies. Essential listening for fans of Organum, Nurse With Wound, Christoph Heemann, and the tradition of outsider musique concrete. Comes as a double-LP in a lavish gatefold with printed inner sleeves featuring archival images and notes. Remastered and cut at Dubplates & Mastering, Berlin.
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12"
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BLNK 010EP
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"Blank Mind celebrates its tenth release with the first full EP from SMX, a collaboration between Sam Purcell and Max O'Brien. From the glacial ambience of Hinterland, to the nocturnal convulsions of Uakari, these improvised tracks were recorded in East London from 2015-18. 'The live sessions allowed us to concentrate on simple forms and subtle developments. This project was started with no preconceived ideas about the end product, but we gravitated towards a sound that works both in a club or home environment. The EP serves as an honest and organic journal of sorts documenting the last few years.'"
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12"
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BOG 016EP
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Oslo-based Bulgarian Ivaylo makes a welcomed return on his Bogota imprint with two dance floor cuts on America. Warm Rhodes chords and funky bass lines inform the sound of "Trendy Jose", taking the listener on a groovy ride with Ivaylo's vocal directing the sound. Spicing up the house groove is a remix from Dallas native, JT Donaldson. "Jacks Confusion" places you directly into Berlin's vibrant sound; Ivaylo hypnotizes with the perfect combination of percussion and bass line on the steady 4/4 Chi-house beat. America is the beginning of Ivaylo's self-styled "new sound" with more focus on percussive elements.
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2LP
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BC 185LP
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Berlin Calling - The Soundtrack by Paul Kalkbrenner is available now on double vinyl for the very first time. The 10th anniversary vinyl edition on 180 gram heavyweight vinyl is in a beautifully made gatefold sleeve with a luxurious finish and includes a brand new exclusive poster marking that particular milestone in recent electronic music history. Paul Kalkbrenner's eponymous soundtrack to the legendary and unique film hardly needs any introduction. The original movie and its soundtrack catapulted him into prominence as an actor and DJ/producer, spearheading his peers and being at the forefront of electronic music at the time.
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12"
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BPC 337EP
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Lewis Fautzi delivers a rich and detailed debut EP for Ellen Allien's BPitch Control label that is dedicated to the subtle art of techno minimalism. The Portuguese producer is pushing straight towards the future by reconciling his different musical heritages under one groove. The four tracks on Deep Illusion are as intricate as they are hard-hitting, suited perfectly for DJs who dare to go deep during peak-time hours.
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12"
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CTZ 045EP
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Before the explosion of the Poney EP (2001) (including the hit "La Rock 01"), Vitalic had a previous artistic life under the alias of Dima. Today, Pascal Arbez-Nicolas is reactivating the Dima on his own label, Citizen Records. The Dima project originally blossomed in the thick of the 1990s rave scene in France; for the four tracks on Sounds Of Life, Dima employs the thick textures of Modal 008 and Arturia MatrixBrute synths. Using these modern machines gives the tracks a contemporary sound, while the structures of the compositions take us back twenty years.
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3LP
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COR 044LP
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Triple LP version. Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown is the tenth studio album from the producer team, and the fourth under the name Extrawelt; it's largely devoted to another side of their creations. Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, one can't help but notice something's very different. Feet are bouncing, the mind is traveling; one imagines what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea; leave the confines of a lo-fi laptop world and get in the car. Crank up the stereo, and cruise around aimlessly, lost in an appreciation of the music. One has the urge to speed up, even if one is usually a very sensible driver, the bass and beats blowing up in one's face. This is something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. Something about this twelve-track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, one keeps coming back to these sounds, again and again. Whether this is exotic or native doesn't matter; all that matters is it's great, and it isn't techno! Somehow, Extrawelt have accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, one can find a couple of similar tracks on a few of their previous releases, but here is got a whole album full of it. What genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? These guys don't like to be put into boxes; it's simply Extrawelt. The tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. This explains how Unknown appeared so quickly after their most recent album, Fear Of An Extra Planet (COR 041 CD/LP, 2017).
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12"
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COMET 083EP
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Completing the recent LP reissue of Black Voices by Tony Allen (COMET 082LP), Comet presents a two-track remix EP by Folamour and NIT. The two rising French producers provide great new versions of "Get Together" and "The Same Blood".
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12"
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COMP 536EP
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African Paradigm EP 1 is the first prelude to Mr Raoul K's forthcoming African Paradigm. The A-side kicks off with "Tamale", darker and gloomier than usual. Whirling pads and driving beats take twists and turns while diggin' deep into the dark. Sona Diabate's vocals kick in, and her powerful delivery provides some light in the shadows; elegance and energy. On the flipside Kaito remixes "African Paradigm" into twelve minutes of floating bliss. Mr Raoul K's trademark organic sounds and traditional Ivorian instruments deliver glistening soundscapes emblazoned with mysterious vocals.
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12"
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COMP 521EP
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Dodi Palese's Erika/Rain Dance features gently glimmering house tunes and a magnificent Musumeci & Lehar remix (house bomb). Palese is a helpless vinyl addict: if it sounds good, he buys it. In the studio, Dodi focusses on following his instincts and getting lost in the moment: he makes music designed for dancing, and music that veers from afro-funky house to deep and supple minimal techno for the late night hours. It is slick, original stuff with real feeling imbued in the compelling grooves.
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12"
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DIAG 046EP
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Craig Clouse's Shit And Shine is an amorphous entity that's forever in flux, from scuzzed up, bass-heavy and raucous noise sessions to inverted dancefloor shenanigans. This time round Very High EP serves Diagonal with a 30-minute plunder-phonic special, curling purple funk, R&B and rap specials to order. This is essentially the Shit And Shine edit white label, scorched and blunted three tracks of madness somewhere between John Oswald and slowed-down Secret Mixes and Fixes tackle, bubblin' computer funk, like Material and Rhianna on a slow spin oozing summer vibes and blurred vision.
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CD
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CDDM 003CD
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2003 release. Original soundtrack by Maurizio Abeni for the movie thriller Voci realized in 2001, directed by Franco Giraldi with Valeria Bruni Tedeschi, Gabriele Lavia, Sonia Bergamasco, Erika Blanc. A musical comment for mysterious and morose atmosphere, where there is an alternance of dramatic, romantic and soft moments with ethnic elements.
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CD
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CDDM 004CD
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2003 release. Original soundtrack by Maurizio Abeni for the second season of the popular serial TV Avvocato Porta. New series directed by Franco Girali with Luigi Proietti and Maria Grazia Cucinotta. This CD contain musical tracks selected from all the episodes with various musical themes, that themes create a particular background for the lawyer Porta adventure, a professional lawyer and private eye.
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CD
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CDDM 008CD
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2003 release. A double feature dedicated at genre horror/thriller. For the first time on CD the complete original soundtrack for the thriller directed by Sergio Pastore with Sylva Koscina, Anthony Steffen, and Giacomo Rossi Stuart. Manuel De Sica composed a musical comment where a rhythmic love theme born with dissonance music to indicate and comment the mysterious killer. This CD include also the premiere recording of the complete soundtrack of the horror splatter "Raptors Killing Birds" music by Carlo Maria Cordio and directed by Claudio Lattanti.
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CD
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CDDM 225CD
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2012 release. Digitmovies, with collaboration of Gruppo Sugar, release for the first time, Piero Umiliani's soundtrack of the movie La Vendetta Di Lady Morgan (aka "Das Folterhaus Der Lady Morgan"). In 1965, after 5 Tombe Per Un Medium and Il Boia Scarlatto (both released in 1965), Massimo Pupillo directed his third gothic horror movie. The movie is one of the rarest Italian Gothic ever as at that time it had had a poor distribution and nowadays is still unreleased on the home video market. After the tragic death of her boyfriend Pierre (Michel Forain), Susan Morgan (Barbara Nelli) reluctantly marries Sir Harold (Paul Muller), who, by trying to drive the woman into suicide, wants to become heir to the riches of his wife, along with the housekeeper Lilian (Erika Blanc) and the butler Roger (Gordon Mitchell). Lady Morgan commits suicide by jumping from the tower of the castle, but returns as a ghost to take revenge on his "assassins", and even Pierre, who in fact had escaped from death, is killed because of the spirits and will be forced to wander for eternity as a vampire. La Vendetta Di Lady Morgan is full of all those elements which characterize the Gothic genre: the ancient castle, ghosts, vampires, and bloody revenge. Pupillo manages to stage a good horror film, maybe more in the vein of a stage than a movie drama, with a not very original plot, but without a doubt exciting and full of surprises. Piero Umiliani, one of the great names of film music and jazz in Italy, does not need a long presentation considering his long filmography which includes such internationally known successes as "Mah Nah Mah Nah". Maestro Umiliani (under the pseudonym of Peter O'Milian) has written a symphonic score featuring a ballad with an ancient flavor for classical guitar and orchestra which is reprised and alternated with experimental electronic music, dramatic and gloomy passages. For Digitmovies' CD they used every note recorded in mono during the original session. A must-have CD for the archives of all those who love this prolific genre.
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CD
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CDDM 226CD
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2012 release. Digitmovies, with collaboration of Gruppo Sugar, release for the first time on CD, Carlo Rustichelli's complete original soundtrack, in mono, for the movie Rosmunda E Alboino (aka "Sword Of The Conqueror"). The movie was directed in 1961 by Carlo Campogalliani and starred Jack Palance, Eleonora Rossi Drago, Guy Madison, Carlo D'Angelo, Edy Vessel, Andrea Bosic, Ivan Palance, Vittorio Sanipoli, Olga Romanelli, Nicola Solari, Giovanni Vari, Vittorio Vaser, Vladimiro Tuicovich, Vladimiro Picciafuochi, Aldo Pini, Renato Mori, Spartaco Nale, Barbara Nardi, Amina Pirani Maggi, and Cesare Polacco. The Gepid Amalchi (Madison), who is guilty of not having avoided the disastrous defeat against the Lombards, is accused of high treason by his king Cunimondo (Bosic) and removed from his position. However, Alboin (Palance), the king of the Lombards, who is happy about his victory, has other intentions and wants to ally with the Gepids to attack Rome. As a pledge of the new covenant, Alboin asks for Rosmunda (Drago) to become his bride. Despite being Amalchi's wife and the mother of his child, she accepts the proposal for the good of their people. The brother of Alboin, however, is killed in the tournament which takes place before the wedding. The Lombard, who ignores the fact that the killing was schemed by a counselor of Cunimondo who operates secret negotiations with Byzantium, creates a bloodbath among the Gepids, and forces Rosmunda to marry him anyway. But Amalchi, who has gathered the scattered tribes of his people, suddenly attacks the palace of the Lombards and kills Alboin. For the realization of this CD Digitmovies used the mono master tapes of the original session, releasing every recorded note under the masterful conducting of Carlo Savina. Rustichelli has composed an orchestral OST with an ancient flavor, featuring vigorous passages for strings, brass, and percussion for battle scenes which get alternated with a delicate love theme. This OST is a must-have addition to each archive dedicated to soundtracks of high artistic quality. A proper rescue and preservation of the Italian silver age and a sincere tribute to the musical art of Carlo Rustichelli.
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