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LP
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BANG 126LP
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$26.50
PREORDER
RELEASE DATE: 11/16/2018
At last, The Telescopes's first four EPs are compiled as Early Studio Recordings, a reissue of their studio recordings from 1989 to 1990. Not only that, but they have been remastered to achieve the deserved sound of this legendary British band leading the late '80s and early '90s shoe-gaze and melodic noise scene alongside the likes of The Jesus And Mary Chain. The Telescopes, with their leader Stephen Lawrie, recorded these EPs in the same period as their first album, Taste (1989).The band's sound is tons of guitar noise and distortion covering beautiful melodies; this music is an absolute must in order to understand all indie and underground music coming from the U.K. and worldwide afterwards.
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2LP
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RAD 8010LP
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RSD 2018 release. The Telescopes were founded in England in 1987 by chief member Stephen Lawrie and released several recordings in the late 1980s but it is in 1990, when the band signed to legendary label Creation, that they hit their stride and helped to define a decade of UK rock music. Fusing elements of psychedelia with noise-rock, and dreamy pop, The Telescopes were near the forefront of the early shoegaze scene and hugely influential on the next wave of early 1990s Brit-pop. This crucial collection complies all four of their 12" singles on Creation as well as a 1991 John Peel session and other bonus tracks. Deluxe double-LP includes double-sided poster insert; 180 gram vinyl; Limited edition (numbered).
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CD
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TR 351CD
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Evolving oscillations of guitar feedback screech and howl through thick layers of distortion. Overtones shift and drift and combine on a carpet of white noise. In the eye of the storm, the voice of Stephen Lawrie remains calm, almost detached. He intones a low, trance-like chant. The vocal is buried deep in the mix, the lyrics just barely discernible. "My specific intention is always to create a listening experience reaching beyond the realm of natural vision. I see duality and multiple meaning everywhere, this is reflected in the way my inspiration is formed, of impressions released in such a way where the meaning is subjective to the listener." The Telescopes are back with their ninth album, As Light Return. Founded by Lawrie in 1987, the band has been through various phases and a long list of different members and associates. This time he is joined once again by members of the band St Deluxe, tracking the album at the esteemed Riverside Music Complex in Glasgow. The only constant member of The Telescopes, however, is Stephen Lawrie himself. The variable constellation has become part of the concept. As Light Return is The Telescopes' second album for the Hamburg label Tapete Records, following the release of Hidden Fields in 2015 (TR 318CD/LP). The new album maintains the balance of its predecessor, setting a parallel course between song-based noise structures and freeform impressionism, while containing some of The Telescopes' most crucial listening so far. "Every record I make is different from any others I have made so there is no control to measure against except to say that The Telescopes house has many rooms and, like the previous album, this album takes a peek inside every room rather than remaining in one. Yet despite having an uplifting album title, the subject matter on these recordings is a lot darker than on Hidden Fields." Tracks like "You Can't Reach What You Hunger", "Hand Full Of Ashes" as well as the album's similarly titled 14-minute closer "Handful Of Ashes" seem to contain an innate wisdom for the listener to decipher. After thirty years of pursuing his singular artistic vision, Stephen Lawrie is more focused than ever. These songs pay no heed to conventionalities. This music has an implicit power. The listener is free to enter a vast sonic universe and determine a personal set of coordinates.
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LP+CD
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TR 351LP
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LP version. Includes CD. Evolving oscillations of guitar feedback screech and howl through thick layers of distortion. Overtones shift and drift and combine on a carpet of white noise. In the eye of the storm, the voice of Stephen Lawrie remains calm, almost detached. He intones a low, trance-like chant. The vocal is buried deep in the mix, the lyrics just barely discernible. "My specific intention is always to create a listening experience reaching beyond the realm of natural vision. I see duality and multiple meaning everywhere, this is reflected in the way my inspiration is formed, of impressions released in such a way where the meaning is subjective to the listener." The Telescopes are back with their ninth album, As Light Return. Founded by Lawrie in 1987, the band has been through various phases and a long list of different members and associates. This time he is joined once again by members of the band St Deluxe, tracking the album at the esteemed Riverside Music Complex in Glasgow. The only constant member of The Telescopes, however, is Stephen Lawrie himself. The variable constellation has become part of the concept. As Light Return is The Telescopes' second album for the Hamburg label Tapete Records, following the release of Hidden Fields in 2015 (TR 318CD/LP). The new album maintains the balance of its predecessor, setting a parallel course between song-based noise structures and freeform impressionism, while containing some of The Telescopes' most crucial listening so far. "Every record I make is different from any others I have made so there is no control to measure against except to say that The Telescopes house has many rooms and, like the previous album, this album takes a peek inside every room rather than remaining in one. Yet despite having an uplifting album title, the subject matter on these recordings is a lot darker than on Hidden Fields." Tracks like "You Can't Reach What You Hunger", "Hand Full Of Ashes" as well as the album's similarly titled 14-minute closer "Handful Of Ashes" seem to contain an innate wisdom for the listener to decipher. After thirty years of pursuing his singular artistic vision, Stephen Lawrie is more focused than ever. These songs pay no heed to conventionalities. This music has an implicit power. The listener is free to enter a vast sonic universe and determine a personal set of coordinates.
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LP
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RAD 8006LP
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Radiation Deluxe Series present a reissue of The Telescopes's self-titled second album, originally released on Creation in 1992. Formed in 1987, these British shoegaze/space-rock mainstays drew inspiration from the '60s psych and rock scene, particularly The Velvet Underground, The 13th Floor Elevators, Love, and The Byrds, as well as contemporaries such as My Bloody Valentine, and The Jesus & Mary Chain. Their second LP is where they truly took off and found their original voice with a tight batch of hook-laden tunes. An essential piece of UK shoegaze and psychedelia, The Telescopes is back in print on vinyl for the first time since 2009.
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CD
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TR 318CD
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Founded in 1987 by Stephen Lawrie, The Telescopes have been mining a unique anti-myopic seam of highly influential experimental, drone, noise, dream, and psych ever since. Their first record was a split flexi-disc with Loop on Cheree Records. After a two more critically acclaimed singles for the label, they moved to What Goes On Records, with which they released another two EPs and their 1989 debut album, Taste, all of which found their way to the top of the UK independent charts. Tours followed with Spacemen 3, Primal Scream, and The Jesus and Mary Chain, and it wasn't long before The Telescopes were headliners themselves; Bark Psychosis, Whipping Boy, Slowdive, Bleach, The Cranes, and Ride all played some of their earlier shows supporting them. In 1990 the group appeared at one of the UK's biggest festivals of the time, Reading Festival, where they were one of the few bands that wasn't bottled off the stage. However, the increasing violent interactions with audiences at their shows saw the group step away from their noise origins and head toward a more introspective, psychedelic sound. It was around this time that What Goes On folded and Alan McGee stepped in to release the group's material on his Creation Records. The group released their second album and a string of EPs for the label, working with Douglas Hart (The Jesus and Mary Chain) on their videos, visual artist Paul Cannel on their sleeve work and Laika's Guy Fixsen in the studio. In 1992, the group began an eight-year hiatus, resuming output in the year 2000 with a revolving lineup and a stream of well-received releases. In 2011 Portishead invited The Telescopes to play at the first ever ATP festival at Alexandre Palace in London, and the following year The Black Angels and Reverberation Appreciation Society invited them to Austin Psych Fest. Following the 2013 release of their seventh LP, Harm, on Seattle-based label Neon Sigh, the group toured almost non-stop over the following two years, covering Scandinavia, Europe, Russia, Latvia, Estonia, the Ukraine, the UK, USA, the Middle East, and Ireland. Hidden Fields, The Telescopes' eighth album, is an unexpected return from the group's recent expeditions into the outer reaches of free-drone noise -- the psychiatric sounds of The Telescopes in a concise inner sensory rush, and their most song-based output in some time. Recorded in Glasgow with St Deluxe.
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LP+CD
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TR 318LP
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LP version. Includes CD. Founded in 1987 by Stephen Lawrie, The Telescopes have been mining a unique anti-myopic seam of highly influential experimental, drone, noise, dream, and psych ever since. Their first record was a split flexi-disc with Loop on Cheree Records. After a two more critically acclaimed singles for the label, they moved to What Goes On Records, with which they released another two EPs and their 1989 debut album, Taste, all of which found their way to the top of the UK independent charts. Tours followed with Spacemen 3, Primal Scream, and The Jesus and Mary Chain, and it wasn't long before The Telescopes were headliners themselves; Bark Psychosis, Whipping Boy, Slowdive, Bleach, The Cranes, and Ride all played some of their earlier shows supporting them. In 1990 the group appeared at one of the UK's biggest festivals of the time, Reading Festival, where they were one of the few bands that wasn't bottled off the stage. However, the increasing violent interactions with audiences at their shows saw the group step away from their noise origins and head toward a more introspective, psychedelic sound. It was around this time that What Goes On folded and Alan McGee stepped in to release the group's material on his Creation Records. The group released their second album and a string of EPs for the label, working with Douglas Hart (The Jesus and Mary Chain) on their videos, visual artist Paul Cannel on their sleeve work and Laika's Guy Fixsen in the studio. In 1992, the group began an eight-year hiatus, resuming output in the year 2000 with a revolving lineup and a stream of well-received releases. In 2011 Portishead invited The Telescopes to play at the first ever ATP festival at Alexandre Palace in London, and the following year The Black Angels and Reverberation Appreciation Society invited them to Austin Psych Fest. Following the 2013 release of their seventh LP, Harm, on Seattle-based label Neon Sigh, the group toured almost non-stop over the following two years, covering Scandinavia, Europe, Russia, Latvia, Estonia, the Ukraine, the UK, USA, the Middle East, and Ireland. Hidden Fields, The Telescopes' eighth album, is an unexpected return from the group's recent expeditions into the outer reaches of free-drone noise -- the psychiatric sounds of The Telescopes in a concise inner sensory rush, and their most song-based output in some time. Recorded in Glasgow with St Deluxe.
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